Like the updated m801mk2, our freshly redesigned m201mk2 provides a full serving of our unique brand of audio performance. It delivers massive headroom, ultra-wide bandwidth and a very open, musical character. The fully balanced signal path has been refined, resulting in incredible dynamic range. A new power supply design provides the lowest noise performance we have ever achieved. This all means the new m201mk2 will translate a sonic picture of astonishing clarity and detail, which captures the essential character of the music being recorded. Proudly covered by our 20 year EON transferable warranty. Specifications: - FREQUENCY RESPONSE @ 20dB gain ± 3dB 150 source 3.2Hz-530kHz @ 20dB gain ± 0.2dB 150 source 14.8Hz-109kHz @ 40dB gain ± 3dB 150 source 3.2Hz-500kHz @ 40dB gain ± 0.2dB 150 source 15.4Hz-103kHz - THD N @ 20dB gain 20dBu out, 1kHz 85dB @60dB gain, 3.5Vcm, 10KHz >75dB - PHANTOM POWER Voltage 48V /- 1.0V 6.8k resistor match tolerance /- 0.1% - MAXIMUM OUTPUT LEVEL 1kHz, 100K load 28dBu - PEAK LED Green Threshold -16dBu Out Red Threshold 16dBu Out - IMPEDANCE Input Nominal 8100 Input Ribbon Mode 20K Input Pad Engaged 1.3K Output 150 - DIMENSIONS Weight: 2.1kg Height: 43mm Width: 483mm Depth: 274mm

Analog version: analog inputs only The m905 is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled sonic purity with a comprehensive and powerful feature set. The m905 represents a new benchmark for audio playback quality. DAC performance is on par with the finest esoteric mastering equipment available. Our redesigned s-Lock PLL ensures ultra-low jitter clock regeneration. An asynchronous USB class 2 interface allows the m905 to act as the master clock of the computer's USB audio buss, effectively eliminating interface induced jitter for computer audio playback. And finally, meticulous analog circuitry measures with outstanding numbers in dynamic range, distortion and noise performance, ensuring bracingly open, detailed and musical playback of any input source. All main audio and power supply circuitry is housed in a 2U rack mount mainframe, while system control is managed by a sleek, ergonomic remote control unit. This new RCU is a combination of dedicated hardware and a color graphical LCD display. All primary monitoring features are accessed via hardware switches and a rotary encoder, while all system information is presented by the graphic LCD and illuminated switches. This hybrid design allows for the solid feel and function of traditional hardware with the added power and functionality of a graphical user interface. Now supported is DSD 128x (5.6448MHz) via DoP v1.1 (DSD over PCM frames). DSD audio can be sourced from the AES3, S/PDIF or USB digital inputs. While still a niche playback format, DSD has held its ground over the years, and now more and more content is available via download. And playback is now supported by a number of players. DSD sounds stunningly natural, especially rendered through the rest of the playback circuitry of the m905. So If you're the type to seek out this kind of fidelity, we can't recommend it enough. The GUI is designed so that any engineer unfamiliar with the m905 can use the system immediately and confidently. Then with a minimal time investment, advanced functions can be accessed and controlled with ease. Additional features include: naming individual inputs and speaker outputs, calibrating level offsets of any input and output, setting preset levels, and much more. The setup menus only ever drill down one level, so the main operating screen is always one button away. And when returning to any previously visited setup menu, its previous edit status is remembered, keeping redundant navigation and editing to a minimum. The m905 offers the ability to transfer up to 10 channels of digital audio (8-channels of ADAT and two of AES3, or S/PDIF or TOSLINK) over USB to a computer, making the m905 capable of operating as a standalone USB audio interface. This is an advanced feature as there are clock issues to be aware of, but it works and is documented in the owner s manual. With stunning sonic performance and timeless design, the m905 is a mark of genuine progress in the pursuit of high quality audio production. Intuitive, reliable and beautiful, it is the perfect studio centerpiece - home base for your ears, eyes and hands. *the m905 Analog is now available without the built in DAC. This system is offered for users who already have an investment in DACs, whether stand-alone or built into their interface. System configuration is exactly the same, with all the same great monitoring features, except no digital inputs and an second pair of balanced analog inputs. The m905 Analog brings this world class performance into reach of almost any engineer or recording studio. Also, users can always upgrade their m905 Analog to the Digital version at anytime. **Also now availabble is the m905 IR Remote Option, which is available on new or existing units (Digital and Analog). This feature allows wireless infrared remote control of a select set of monitoring controls via the Grace Design Remote, a standard Apple Remote, or with iOS and Android via the Logitec® Harmony Remote. FEATURES - Analog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog) - Digital inputs - 2x AES3 (Single or dual-wire), 1 S/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S/MUX), USB, DSD128 (5.6448MHz) - Audio circuitry designed for completely transparent and musical playback performance - Asynchronous Class 2 USB playback supports up to 24 bit/192kHz - Mastering quality DAC circuitry with configurable de-emphasis filtering - s-lock dual-stage Phase Lock Loop for ultra low jitter clock regeneration - Hybrid RCU with hardware switches, large level encoder and graphical LCD - LCD display shows input, level, output, SPL and DAC status plus a full calibration menu - RCU includes built in microphone for talkback and onboard SPL meter - SPL meter features include level, peak, fast and slow modes, A and C weighting - Precision .5 dB step level control for speakers and headphones - Reference headphone amplifier circuitry, with outputs on both the RCU and ACU - Dedicated mono, dim, mute and sub mute switches - Mono mode can be set to L R summed, L only in both channels, or R only in both channels - L solo, R solo, L-R and sub solo modes are available - 3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output) - Multi-mode SUB/ DAC/ METER out - SUB out mode for stereo or multiple mono subwoofer outputs - DAC out mode for a fixed DAC output fed by the selected digital input - METER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow the monitor level - Detachable RCU tilt base

From 25-year experience of creating acclaimed professional audio products, comes the latest evolution of our mic preamplifier design: the m108. With eight channels of our transparent, musical mic preamplification, state of the art A/D conversion, multiple digital output formats, and flexible local or remote controlled operation, the m108 is a vital addition to any modern audio production environment. Based on the acclaimed success of our m802 remote controlled mic preamplifier, the m108 distills the best of these achievements into a sleek, elegant 1U chassis design. Our transformerless, trans-impedance mic preamp design is unmatched in its ability to effortlessly resolve complex sonic waveforms, resulting in recordings of amazing clarity and depth. Integrated A/D conversion delivers digital signals to the workstation that are pure and beautiful. Latest generation s-Lock PLL ensures pristine, jitter free sample clock when clocking from external word clock or Dante clock. And an asynchronous mode USB interface provides the best possible jitter performance when connected to a computer. A push-button rotary encoder is used for navigating and operation, with a user interface that is simple and intuitive. Dedicated push-buttons are assigned to core functions: 48V phantom power, phase reverse, channel grouping and meter peak clear. A crisp OLED screen displays complete system information, including channel gain settings, metering, peak status, and the system setup menu. Out of the box, the m108 is ready to go as a standalone mic preamp / ADC. With integrated serial or MIDI control, the m108 can be configured in large channel-count remote systems, with control from our existing m802 hardware remote control unit, from Protools , or our forthcoming m108 control computer utility. And an optional DANTE interface is provided for network audio configurations. The m108 control protocol is backward compatible with the m802 so you can add m108 s to an existing m802 system. Features 8 channels of balanced analog preamp outputs 8 channels of transparent, musical mic preamplifier Wide gain range: -8 to 74dB Ribbon mic mode 8 channels of 192kHz ADC outputs via AES, ADAT and USB Class 2 / External Word clock in and out Reference DAC and headphone amplifier for low-latency monitoring of channel pairs or USB playback from a computer Channel 1 and 2 HI-Z inputs on front panel High contrast, wide viewing angle OLED display for all system parameters and setup menu Combination RS 485/422 serial / MIDI ports for control from existing m802 RCU or Protools RJ45 Ethernet port for network control Expansion slot for optional Audinate / DANTE network audio card Cooling fan for reliable operation in the harshest environments Built in 100-240VAC universal AC power supply Made in the USA