The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds. The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound s sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content. Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice! Quick Specs - Transform the tone of a guitar or keyboard - 9 presets that were finely tuned to emulate some of the most popular and classic organ and keyboard tones ever recorded - Provides control over percussive attack level, modulation speed, organ and dry volume - Rugged and easy to use - Use together with the B9 for dual keyboard possibilities! - EHX 9.6DC-200 PSU included - Dimensions in inches: 4.0 (w) x 4.75 (l) x 2.25 (h) - Dimensions in mm: 102 (w) x 121 (l) x 89 (h)

B inspired. With 9 presets that were finely tuned to emulate the most legendary organs from the 60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument s signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions ! - Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ - 9 presets that were finely tuned to emulate some of the most popular and classic electric organ tones - Control over percussive attack level, modulation speed, organ and dry volume - Rugged and easy to use - EHX 9.6DC-200 PSU included Here are some tips on getting optimum performance from the B9 Organ Machine. 1. The B9 is best as the first pedal in an effects chain. Place modulation delay and reverb effects after the B9. The unit will not perform well if placed in the effects loop of a guitar amp. 2. The unit performs best using the bridge pickup of a guitar. If a guitars pickup has a weak output, performance can be improved by putting a clean boost or a compressor in front of the B9. It is not advised to place a distortion or overdrive in front of the B9. This will muddy up the input signal and cause the tracking to be unstable. If overdrive or distortion is desired it s best to place it after the B9. 3. Some guitar amplifiers have a uneven peaky frequency response that may cause some sounds to be over accentuated. A compressor in front or after the B9 can help smooth this out. This helps for a guitar player who s playing is less than desirable in the dynamics department. 4. The B9 was designed to be used with a guitar. The unit can be used with a bass guitar BUT the range the bass player can play will be limited. The unit tracks best above the C note, third fret on the A string. Below that performance is compromised and not recommended. 5. The top range using a guitar in standard tuning is the 23rd fret. Above that the organ sound will not be heard. 6. Garbage in Garbage out. The B9 tracks great and will follow what ever you play, but it is not a talent booster. Sloppy guitar playing will sound like a sloppy organ player. The B9 will bend notes just a regular guitar does. Organs do not bend, so for a more authentic organ sound limit bending.