Continuing the Legacy of World-Renowned Custom Mastering Consoles For years the top mastering engineers at the hottest mastering facilities have been using custom-designed tools that were not available to the public. Until now. The Dangerous Master was designed for Mastering Engineers, by Mastering Engineers, with years of testing and fine-tuning in the real world: virtually identical to the custom $20K consoles previously available only to the elite. The Master provides insert loops, sum and difference processing, level offset, and stereo image width control to unify high-quality outboard equalizers and compressors into a professional mastering rig. Designed by mastering engineers Pristine audio quality Integrated sum and difference processing Mastering engineers are well known for having the most nuanced and detailed hearing on the planet, so what is it about the Master that they love so much Translation. Mastering is the last step in the record making process- the final opportunity for the music s success or failure. These fine finishing details will ultimately allow the track to translate across multiple sources like an iPod, Car Stereo, Home Hi Fi, Club Systems or not. If the engineer cannot hear everything, neither will the end listener. The sound of the Dangerous Master is transparent, yet musical. While achieving ruler flat specifications on paper is possible, the result is often cold and sterile. The marriage of specs and musicality is the ultimate goal- but due to the complexity, remains frustratingly elusive. Fortunately, Chris Muth, the equipment designer for many of the world s top mastering facilities has this gift and the experience. No other audio company shares this pedigree: real world testing and fine-tuning amidst some of the world s greatest studios and ears. Hand built with premium components Stepped controls throughout Transparent and silent operation Seamless connection with the Dangerous Monitor and Liaison As the control room centerpiece, the Master ties together equalizers, compressors, limiters, de-essers, provides level control accurate to .01 dB, matrix processing and stereo image control. The integrated Input Monitor Offset eliminates the level bias of the pre-effected and post-process, thus allowing the engineer to completely focus on the final product. The SandM matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that SandM allows them to save previously unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or untouched. The Dangerous Master, combined with the Dangerous Monitor and outboard processing gear, consummate the definitive mastering studio: unsurpassed ergonomics and unrivaled sound. Proven every day in the field, by the greatest engineers of our time.

Whether you re tracking, mixing or mastering, the CONVERT-8 will deliver powerful low-end, articulate mids and transcendent highs to every channel in your analog rig. Patched into one of our award-winning analog summing units like the 2-BUS or the D-BOX or to your favorite analog console the CONVERT-8 will empower you to create the spacious, three-dimensional soundscapes that only real analog summing can deliver. Compatible with all of today s digital signals (including the ubiquitous ADAT format) the CONVERT-8 is ready to take on any mixing or monitoring job from standard stereo and 2.1 to 5.1 and the increasingly popular 7.1 surround format. Recognizing the needs of those who don t need more analog inputs, the CONVERT-8 brings today s very best digital-to-analog conversion within reach of any studio. Main Features - Instant Input Calibration - Automatic Sample Rate Detection - On The Fly Input Switching - Essential 8-Channel Metering - Monitor ST Remote Connectivity Specifications Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers. - Signal to Noise Ratio A-weighted, 20Hz to 20KHz: 114dBu @ 1kHz - Replacement Fuses: USA 2 amp slo-blow for 120V Europe 1 amp slo-blow for 240V *JetPLL: JET and Jitter Elimination Technology are trademarks of TC Applied Technologies Ltd. JET is patented technology used under sublicense from TC Applied Technologies, and is the intellectual property of Sonopsis Ltd.

The Dangerous Music Monitor ST is a section dedicated to monitoring configurations of today's digital studios. It can perfectly fit into a unit of mastering studio because of the absence of staining signal essential in a monitoring system. ST Monitor comes with a remote control . It is connected via an Ethernet Cat5 cable allowing it to be at a maximum distance of 30m . No limit to extend the listening system 2.0 , 2.1 to 5.1 with the addition of listening Dangerous Music SR Monitor option. Specifications: 4 analog stereo inputs (Sub -D25 ) 3 outputs speakers 1 Sub output switchable on / off ( Sub -D25 ) 20w amplified headphone output on the front panel Auxiliary output for connecting an external headphone system Talk back with microwave integrated order ( can connect an external microphone ) Programable remote control with offset levels Volume control notched 100% analog Auxiliary stereo input on XLR Total Harmonic Distortion : 0.002% Frequency response: 1Hz - 100KHz - 0.1 dB Crosstalk: > 96dB Dynamic range : 110dB Maximum Level: 25 dBu Of nominal impedance level : 4 dB