Jam and Have Fun with YouTube Pocket-size guitar processor with integrated features for YouTube learning and everyday playing. Pocket GT introduces a fun new way to practice, jam, and get better every day. Combining premium BOSS guitar tones with integrated YouTube learning, this pocket-size amp/effects processor pairs with your smartphone or tablet to create the ultimate go-everywhere lesson studio. Watch YouTube content in the companion BOSS Tone Studio app and create song lists, set loop markers, and more. Access deep editing tools to emulate the tones of famous players or craft new sounds all your own. And with automatic user memory switching, you can change up sounds as a YouTube video plays! Adding in other great features like Bluetooth music streaming, USB audio interface capability, and more, Pocket GT is a must-have companion that no guitar player should be without. Ultra-compact guitar amp/effects processor with powerful integrated learning features Companion BOSS Tone Studio app (iOS/Android/Mac/Windows) with built-in YouTube browser and deep tone editing tools Create video song lists and set A/B markers to repeat sections Assign user memories to markers and change sounds automatically during video playback Authentic GT sound engine with over 100 amps and effects, ready to play with zero latency 99 user memories (amp and effects settings compatible with the floor-based GT-1 guitar processor) Wirelessly stream music over Bluetooth or connect via the Aux In jack Control song/video playback with dedicated hardware buttons Center Cancel function reduces the volume of guitar solos and vocals in videos and music tracks Built-in rechargeable battery with up to four hours of runtime Onboard tuner with dedicated button for fast access USB audio interface for recording in desktop music software Download additional patches at BOSS Tone Central The Future of Learning Guitar Pocket GT makes learning with YouTube easier and more productive than ever. This miniature hardware hub provides the sound engine and audio connections, while the companion BOSS Tone Studio app features a YouTube browser that streams sound to Pocket GT and deep editing tools for shaping sounds instantly. This integrated approach simplifies set up and eliminates switching between apps, giving you a hassle-free way to enjoy studio-quality guitar tones while watching online lessons and jamming with videos. Build Skills Faster with Powerful Session Tools BOSS Tone Studio comes loaded with tools to supercharge your practice sessions. Create YouTube song lists for quick recall, and loop sections for focused study. And when you want to jam with backing tracks and other songs on YouTube, automatic user memory switching takes the experience to a new level. For example, you can set a clean sound for the verse, crunch for the chorus, and high-gain drive with echo for your lead solo and they ll all change in real time as the video plays! Premium GT Amps and Effects Equipped with the same sound engine as the best-selling GT-1 floor processor, Pocket GT puts over 100 world-class amps and effects in the palm of your hand. The 99 user memories come filled with ready-to-play sounds, but you can customize them or craft your own from scratch. And since Pocket GT and the GT-1 share the same DNA, stored amp and effects setups can be exchanged via their respective BOSS Tone Studio editors. Direct Hardware Controls Pocket GT s simple-yet-powerful interface puts an array of essential functions at your fingertips. Scroll through user memories with a dedicated knob, tweak amp gain and effects levels, and activate the built-in tuner with a quick press. Remote control buttons are provided as well, providing fast access to YouTube playback. And with the Center Cancel switch, you can instantly reduce the volume of vocals and guitar solos in songs and play them yourself. Bluetooth Streaming, USB Audio, and More Pocket GT doesn t just work with YouTube you can also wirelessly stream nearly any music app over Bluetooth and play along. There s an Aux In jack too, perfect for connecting a non-Bluetooth music player, drum machine, or other device. If you make music on a desktop computer, you can use Pocket GT to record mix-ready guitar tracks in your DAW via USB. And if you re looking for sonic inspiration, you ll find loads of great patches for download at BOSS Tone Central. Specifications : -Sample Rate 44.1 kHz -AD Conversion INPUT: 32 bits AF method * AF method (Adaptive Focus method) is a proprietary method from Roland and BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. AUX IN: 24 bits -DA Conversion 32 bits -Effects 108 types -User Patches 99 -Nominal Input Level INPUT: -10 dBu, AUX IN: -13 dBu -Maximum Input Level INPUT: 7 dBu, AUX IN: 0 dBu -Input Impedance INPUT: 1 M ohm, AUX IN: 22 k ohms -Nominal Output Level PHONES/REC OUT: -10 dBu -Output Impedance PHONES/REC OUT: 2 ohms -Recommended Load Impedance PHONES/REC OUT: 16 ohms or greater -Display 7 segments, 2 characters (LED) -Connectors INPUT jack: 1/4-inch phone type PHONES/REC OUT jack: Stereo miniature phone type AUX IN jack: Stereo miniature phone type USB COMPUTER port: USB Micro-B type -Bluetooth Ver 4.2 Profile Support: A2DP (Audio), AVRCP (Remote Control) GATT (MIDI over Bluetooth Low Energy) -Power Supply Rechargeable lithium-ion battery Supplied from the USB port -Current Draw 500 mA -Expected battery life under continuous use Approximately 4 hours * These figures will vary depending on the actual conditions of use. -Battery charging time Approximately 3 hours *To charge the unit, use the USB port of a computer or a commercially available USB power supply adaptor (5 V, 500 mA or higher). -Dimensions 71 (W) x 129 (D) x 27.6 (H) mm 2-13/16 (W) x 5-1/8 (D) x 1-1/8 (H) inches -Weight (including battery) 160 g 6 oz -Accessories Owner's manual Leaflet USING THE UNIT SAFELY Micro USB cable * 0 dBu = 0.775 Vrms

BOSS AND JHS PEDALS JOIN FORCES TO CREATE A NEW DRIVE PEDAL WITH MASSIVE TONAL RANGE To celebrate the 40th anniversary of BOSS compact pedals, BOSS and JHS Pedals have come together in a historic creative collaboration between the two industry leaders. Housed in the classic BOSS compact design, the JB-2 Angry Driver pairs the tones of the iconic BOSS BD-2 Blues Driver with JHS Pedals popular Angry Charlie. Working closely together, the two pedal innovators have developed an all-new combined circuit with refined sound and performance perfectly tuned for dual-mode drive operation. The JB-2 Angry Driver features three dual-concentric knobs that provide independent drive, tone, and level control for each overdrive type. Via a six-position mode selector, you can use each overdrive independently, or combine them together in series and parallel configurations. With the ability to blend the Blues Driver s famously expressive low-to-mid gain tones with the Angry Charlie s aggressive rock voice in any combination, the JB-2 Angry Driver delivers unmatched range and versatility from a single overdrive pedal. All-new overdrive pedal with massive tonal range, jointly developed by BOSS and JHS Pedals Combines the voices of the BD-2 Blues Driver from BOSS and Angry Charlie from JHS Pedals Three dual-concentric knobs provide independent drive, tone, and level control for each overdrive type Mode selector for choosing individual overdrive types, two series connections for stacking, or parallel connection for unique new sounds Also includes a mode for toggling between BOSS and JHS overdrives with the built-in pedal switch Remote switch jack for controlling pedal modes and bypass from an optional footswitch or effects switching system Multi-color LED indicator shows BOSS mode (blue), JHS mode (red), and both together (purple) BOSS five-year warranty Two Industry Leaders Unite for the 40th Anniversary of BOSS Compact Pedals The idea to develop the JB-2 pedal was born of the friendship between BOSS President Yoshi Ikegami and JHS Pedals founder Josh Scott, and their shared passion for innovative pedal design. The Blues Driver has long been a favorite pedal for Josh, and he credits it for leading him into designing his own pedals and starting his own company. I got into pedals because, as a player, I used two Blues Drivers together for years and years. One day, one of them broke. I opened it up and realized it was just a simple soldering fix. It really sparked my curiosity and that just took over my life, and JHS pedals came into existence out of repairing that pedal. Yoshi and Josh regularly visit with each other at the yearly NAMM shows, and they had discussed the idea of a collaboration a number of times. With BOSS celebrating the 40th anniversary of the introduction of the compact pedal design throughout 2017, Yoshi felt the time was right to develop a new pedal together. In the 40 years of BOSS compact pedal history, this is a first, Yoshi said. I think it's a wonderful thing that two companies have collaborated based on a great mutual respect for each other. We re very excited to collaborate with BOSS, one of our heroes, with the JB-2, Josh relates. I've said for years and years that BOSS pedals are my favorite pedals. For JHS to jump into the story of what BOSS has done for 40 years is a real honor, and really beyond anything I would have ever imagined. Partners in Tone After discussing a number of ideas, BOSS and JHS Pedals ultimately felt that combining the Blues Driver and Angry Charlie would be the ideal match. When this plan came up, we used the ES-8 switching system to try numerous combinations of our pedals with the JHS Angry Charlie, Yoshi relates. I thought a combination allowing each pedal to complement the other would be interesting to try. The sound of the Angry Charlie is exactly what BOSS didn't have. It stacks amazingly with the Blues Driver, Josh adds. What's great about the Blues Driver is it covers low gain phenomenally, and it does boost really well, and that accents what the Angry Charlie is. The Angry Charlie is always angry, so the Blues Driver helps mellow it out and do different things. To experience working on a product with a company that has done this thing so well for so long has been really inspiring, Josh continues. It s just amazing to see such talented people that love what they do. Josh is very pleased with the way the JB-2 turned out, saying, I am 150-percent satisfied. I love it. For several years, we have been continuing to take on new challenges with the keyword Breakthrough, Yoshi said. I think it's very refreshing and thought-provoking for our engineers to work with such an up-and-coming company and get inspired. A Diverse Range of Drive Sounds in a Compact Footprint With its two drive types, dual-concentric knobs, and six modes, the JB-2 packs an enormous amount of overdrive range in a single-space pedal. The Blues Driver is the lower-gain side, carrying everything from boost to overdrive, and the Angry Charlie carries the medium-high overdrive all the way to distortion. The six-position mode selector provides flexibility to use the overdrives in numerous creative ways, from individual operation to series stacking and even parallel operation. In series mode, one overdrive works as a booster for the other, while in parallel mode, the overdrive character expressively changes in response to picking nuance. A remote jack extends the pedal s versatility even further with control from an external footswitch or pedal switcher. In this small format, you get this amazing switching system that is out of this world with series and parallel, Josh relates. You have six controls for two pedals, but the six controls in parallel become six controls for one new pedal, and that is very, very cool. So you have the Angry Charlie that people know, and the Blues Driver that people know. But when you put them together, the six controls all interact and there are hundreds of sounds. I think that's a fantastic product.

UNLIMITED POSSIBILITIES IN LIMITED SPACE Based on the same concept and features as the flagship ES-8, the ES-5 is pared down to offer more practical and essential use options for typical guitarists and bassists, and is drastically reduced in size to fit ready-made, standard-size boards. The innovation in creativity of pedalboard systems made possible by the ES-8 has become more available and affordable. Expand your board just by one size and incorporate the ES-5, then you are in for a whole new world of musical expression, not just another utility tool. From this day on, the use of stompboxes will never be the same.

The MT-2W features a dual-stage gain circuit enhanced with discrete analog components, plus a refined EQ circuit with smoother midrange tone and unique Q values specially tuned for the pedal s two operation modes. The MT-2W s Standard mode delivers an evolved version of the original mid-focused Metal Zone tone, while Custom mode introduces a fresh, wide-ranging voice that s perfectly suited for today s diverse high-gain styles. For over 25 years, the MT-2 Metal Zone has been one of the most popular and influential compact pedals in the BOSS lineup, with overall sales that are second only to the venerable DS-1 Distortion. Made in Japan and infused with Waza Craft mojo, the MT-2W takes the iconic stomp to new levels of tonal range and versatility. BOSS MT-2W: Metal Zone -Nominal Input Level -20 dBu -Input Impedance 1 M ohm -Nominal Output Level -20 dBu -Output Impedance 1 k ohm -Recommended Load Impedance 10 k ohms or greater -Bypass Buffered bypass -Controls Pedal switch Mode switch DIST knob EQUALIZER MIDDLE/MID FREQ knob EQUALIZER HIGH/LOW knob LEVEL knob -Indicator CHECK indicator (Used for indication of check battery) -Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack -Power Supply Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22) AC adaptor (PSA series: sold separately) -Current Draw 35 mA -Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.) Alkaline: Approx. 18 hours Carbon: Approx. 7 hours -Dimensions 73 (W) x 129 (D) x 59 (H) mm 2-7/8 (W) x 5-1/8 (D) x 2-3/8 (H) inches -Weight (including battery) 440 g 1 lb -Accessories Owner\'s manual Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information) Alkaline battery (9 V, 6LR61) -Option (sold separately) AC adaptor: PSA series * 0 dBu = 0.775 Vrms

The genuine BOSS and Roland Dimension effect is back, and it s now more versatile than ever! Designed in the premium Waza Craft analog tradition, the DC-2W offers not just a perfect sonic recreation of the original DC-2 Dimension C pedal, but also the legendary SDD-320 Dimension D studio rack effect it was based on. The DC-2W features the same intuitive four-button preset interface as the original 80s-era effects, now evolved with electronic switching that unlocks a multitude of sonic variations not available on the vintage units. Highly sought-after by musicians and audio engineers, the Dimension s unique spatial processing magically enhances the width and depth of any sound, from electric and acoustic guitars to keyboards, vocals, and other sources. Built from the original circuit designs and updated with modern refinements, the DC-2W is the only pedal available that delivers the classic Dimension experience with complete sonic authenticity. Premium Waza Craft pedal with all-analog audio circuitry Standard mode provides the sound of the original DC-2 Dimension C pedal SDD-320 mode authentically reproduces the vintage Roland SDD-320 Dimension D, a legendary studio rack effect heard on countless hit records Iconic four-button preset interface, updated with reliable electronic switches and LED status indicators Four main sounds in each mode, plus six variations by pressing two switches together (20 total sounds available) Premium buffer and enhanced bypass circuitry Versatile I/O for integrating with any mono or stereo application, from guitar and bass pedalboards to keyboards and studio mixing Made in Japan BOSS five-year warranty Enhance Your Sound with Natural Width and Depth The vintage Dimension effect is famous for its innovative 3D spatial processing that just makes everything sound a little better. It s often mistakenly called a chorus effect, but it s actually not. Though time-based like a chorus, the Dimension s circuit is quite unique and sophisticated, subtly enhancing the width and depth of the source audio without any prominent modulated movement. The resulting sound is more open and natural, gently enriching any instrument or mix without making it sound overly processed. Four Switches, Expanded Sonic Possibilities Just like the original Dimension effects, the DC-2W offers a simple and direct interface with four preset switches that provide sonic variations with increasing width and depth. While the originals had mechanical switches, the DC-2W is equipped with modern electronic switches and status LEDs for more solid performance. The new switches also allow you to press two at once to access a variety of additional sounds. Across the DC-2W s two effect modes (S and SDD-320), 20 different Dimension variations are possible with just four switches. Authentic Tones with Modern Refinements In the Waza Craft tradition, the DC-2W delivers vintage analog tones with modern design refinements for enhanced performance and versatility. Along with the new electronic mode switches, the pedal features a newly designed internal bypass circuit that greatly improves on that found in the original DC-2. In addition, versatile I/O enables the pedal to blend in with any mono or stereo rig, from regular guitar setups to audio interfaces and studio mixing consoles. And like all Waza Craft pedal models, the DC-2W includes a premium buffer circuit for ultra-transparent tone when the pedal is switched off. The Roland SDD-320 Dimension D: A Studio Legend Very quickly after its debut in 1979, the Roland SDD-320 Dimension D became a go-to secret weapon for audio engineers and music producers around the world. It can be heard on countless classic records in all genres, and is still regularly used today. From guitars, electric pianos, and synths to strings, backing vocals, and more, the Dimension D injects instant spatial mojo and sonic glue without creating an obvious effect sound. The DC-2W s SDD-320 mode fully captures the original Dimension D vibe in every way. Many engineers like to press multiple buttons on the Dimension D rack for new and different sounds. But in truth, only two actual sound variations are technically possible with this undocumented feature. With its modern switching, the DC-2W s SDD-320 mode enables six sound variations when two buttons are pressed, including four in-between sounds and two all-new voices. The BOSS DC-2 Dimension C: 3D Sound in a Compact Pedal Introduced in 1985, the DC-2 Dimension C pedal brought the Dimension D s distinctive spatial effect to the BOSS compact pedal format. While the Dimension D was designed as a studio effect that supported either mono or stereo input sources, the DC-2 was specifically created for mono sources like guitar, and features a modified circuit that produces a Dimension effect with a slightly different tonal flavor. When S (Standard) mode is selected, the DC-2W delivers the exact sound of the original DC-2 pedal. Despite players trying, pressing multiple buttons on the DC-2 didn t actually produce any sound variations. Similar to SDD-320 mode, pressing two buttons at once in the DC-2W s S mode provides access to six different in-between sounds not available on the original DC-2. Waza Craft: The Art of Superior Tone Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, Waza is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. BOSS DC-2W: Dimension C -Modes S (Standard) SDD-320 -Nominal Input Level -20 dBu -Input Impedance 2.2 M ohms -Nominal Output Level -20 dBu -Output Impedance 1 k ohm -Recommended Load Impedance 10 k ohms or greater -Bypass Buffered bypass -Controls Pedal switch S/SDD-320 switch MODE SELECTOR [1]--[4] buttons -Indicators CHECK indicator (Serves also as battery check indicator) MODE SELECTOR [1]--[4] indicators -Connectors INPUT A (MONO) jack: 1/4-inch phone type INPUT B jack: 1/4-inch phone type OUTPUT A (MONO) jack: 1/4-inch phone type OUTPUT B jack: 1/4-inch phone type DC IN jack -Power Supply Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) -Current Draw 65 mA -Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.) Alkaline: Approx. 6 hours -Dimensions 73 (W) x 129 (D) x 59 (H) mm 2-7/8 (W) x 5-1/8 (D) x 2-3/8 (H) inches -Weight (including battery) 450 g 1 lb -Accessories Owner\'s manual Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information) Alkaline battery (9 V, 6LR61) -Options (sold separately) AC adaptor: PSA series * 0 dBu = 0.775 Vrms

Ever since being discontinued way back in 1984, the BOSS DM-2 Delay pedal has remained highly sought after by players everywhere for its warm, bucket brigade analogue delay tone. Now, the DM is back! With the Waza Craft DM-2W, the coveted stomp has been reborn with switchable sound modes and greater versatility for today s music styles. Using 100-percent analog circuitry, the DM-2W s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. Flipping into Custom mode instantly changes the sound character to a cleaner analogue tone with over twice the available delay time. Special edition Waza Craft pedal delivers the ultimate BOSS tone experience True reproduction of the vintage DM-2 Delay sound Premium all-analogue circuit with BBD (bucket brigade) delay line Standard mode for authentic DM-2 tone with 20-300 ms delay time Custom mode provides warm-yet-clear delay sound and over twice the delay time Expression pedal input for foot control of delay time Two output jacks allow separate output of delay and direct sounds BOSS five-year warranty WAZA CRAFT: THE ART OF SUPERIOR TONE Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analogue circuits to high-tech DSP. Continuing this enthusiastic spirit, we are pleased to introduce the new Waza Craft series. In Japan, Waza is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. With final sound approval carried out by BOSS in Japan, the Waza Craft series brings you exceptional tone and touch response through carefully-selected analogue components, refined circuitry, and meticulous attention to detail. SPECIFICATIONS Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Controls Pedal switch REPEAT RATE knob INTENSITY knob ECHO knob Mode switch Indicator CHECK indicator (Serves also as battery check indicator) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DIRECT OUT jack: 1/4-inch phone type RATE jack: 1/4-inch TRS phone type DC IN jack Power Supply Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22) AC adaptor (sold separately) Accessories Owner\'s manual Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information) Alkaline battery (9 V, 6LR61) Options (sold separately) AC adaptor: PSA series Expression pedal: Roland EV-5 SIZE AND WEIGHT Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-6/16 inches Weight 460 g 1 lbs. 1 oz. * 0 dBu = 0.775 Vrms