Full digital RF system consisting of an SR300 receiver with power supply, a PT300 transmitter box with instrument cable and two AA batteries. Easy to configure and use Up to 8 DMS300 systems in simultaneous use HF range up to 30 m Long battery life, up to 12 hours with 2 AA batteries Digital audio resolution 24-bit-48kHz Rack mounting (optional) Designed for performers, musicians and presenters, the DMS300 combines AKG sound quality, a free and flawless operation of the 2.4GHz frequency band, advanced security features, extended range and ease of use into a professional digital HF system. use. The DMS300 is available in two versions, with a high quality AKG transmitter microphone or with a transmitter box that can be used directly with electric instruments or combined with a wide range of instrument, headband or tie microphones developed by AKG for singers, musicians or presenters. Relying on more than 70 years of experience in microphone design while using uncompressed 24-bit / 48kHz audio coding to avoid interference with analog wireless systems, the DMS300 delivers accurate studio-quality sound. Combined with ultra-low latency, the DMS300 is a pleasure to use for singers and instrumentalists. In addition, its 256-bit AES encryption method provides an unrivaled level of signal security for all presenters with the required high level of confidentiality. With unparalleled audio fidelity, security, and performance while supporting the simultaneous use of eight systems, the DMS300 is the ideal digital wireless microphone system for musicians, corporate and public speakers, cults, gyms, etc. Features: - Frequency range: 2.4 GHz band with dynamic selection, up to 8 simultaneous channels - Modulation: Digital, 256-bit AES data encryption - Diversity mode: Diversity antenna, time, frequency - Bandwidth (system): 70 Hz-20 KHz 1 / -3 dB - Signal / Noise> 90 dBA - Audio input: 1 balanced audio input on mini XLR - Audio output: 1 XLR balanced output, 1 unbalanced output on 1/4 jack - RJ45 sync port - Autonomy 12 hours (2 AA alkaline batteries) - Size (W x D x H): 64 x 29 x 82 mm (transmitter box), 200 x 183 x 44 mm (receiver) - Weight (without battery): 112 g (transmitter box), 404 g (receiver)

Full digital RF system consisting of a SR100 receiver with power supply, a transmitter microphone HT100 equipped with a dynamic capsule with adapter for microphone stand and two AA batteries. Easy to configure and use Up to 4 DMS100 systems in simultaneous use HF range up to 30 m Long battery life, up to 12 hours with 2 AA batteries Digital audio resolution 24-bit-48kHz Rack mounting (optional) Designed for performers, musicians and presenters, the DMS100 combines AKG sound quality, a free and flawless operation of the 2.4 GHz frequency band, advanced security features, extended range and ease of use in a professional digital HF system. use. The DMS100 is available in two versions, with a high quality AKG transmitter microphone or with a transmitter box that can be used directly with electric instruments or combined with a wide range of instrument, headband or tie microphones developed by AKG for singers, musicians or presenters. Relying on over 70 years of experience in microphone design while using uncompressed 24-bit / 48kHz audio coding to avoid interference with analog wireless systems, the DMS100 provides studio-grade sound. Combined with ultra-low latency, the DMS100 is a pleasure to use for singers and instrumentalists. In addition, its 256-bit AES encryption method provides an unrivaled level of signal security for all presenters with the required high level of confidentiality. With unmatched audio fidelity, security and performance while supporting the simultaneous use of four systems, the DMS100 is the ideal digital wireless microphone system for musicians, corporate and public speakers, cults, gyms, etc. Specifications: - Frequency range: 2.4 GHz band with dynamic selection, 4 simultaneous channels maximum - Modulation: Digital, 256-bit AES data encryption - Diversity mode: Diversity antenna, time, frequency - Bandwidth (system): 70 Hz-20 KHz 1 / -3 dB - Signal / Noise> 90 dBA - Audio output: 1 XLR balanced output, 1 unbalanced output on 1/4 jack - Autonomy 12 hours (2 AA alkaline batteries) - Size (W x D x H): 51 x 250 mm (microphone), 200 x 165 x 44 mm (receiver) - Weight (without battery): 297 g (microphone), 358 g (receiver)

Système HF numerical complete constitution of a receiver SR300 avec alimentation, a microphone microphone HT300 équipé dune capsule dynamique avec adapter for micro and two piles AA. Easy to configure and use Jusqu'à 8 DMS300 systems in simultaneous use Portée HF jusqu'à 30 m Great autonomie, jusqu'à 12 heures avec 2 AA piles 24-bit-48kHz digital audio resolution Rackmount (optionnel) Building for interpreters, musicians, and presenters, the DMS300 associates with an HF system in a professional sound quality AKG, a free exploitation and failures of its 2.4 GHz frequency track, advanced track record, and an independent and easy autonomy. d'use. The DMS300 is available in two versions, with a AKG microphone microphone of high quality or with a useful microphone directly with electrical instruments or combinations with a large range of microphones for instruments, speaker or crate for AKG pour les chanteurs, les musiciens or les présentateurs. Up to 70 plus years of experience in designing a microphone to use a non-compressed 24-bit / 48 kHz audio coding enhancing the interferences with the other analogical systems, the DMS300 is a four-year quality studio. Combined with an ultra-fab latency, the DMS300 is designed for use by changers and instrumentalists. In addition, it is the AES 256-bit encryption method that has a signal level at the signal level for all intervening parties with a confidentiality level request. With a sonorous fidelity, a level of securité and unhealthy performances being supported by simultaneous use of many systems, the DMS300 is a microphones system without the ideal number for the musicians, the intervening actors in public, the lieux de cults, les salles of fitness, etc. Specifications : - Frequency range: 2.4 GHz tray with dynamic selection, 8 simultaneous maximum caneux - Modulation: Number, 256-bit AES data cryptage - Mode Diversity: Diversity antenne, temps, frequency - Through tray (système): 70 Hz 20 KHz 1 / -3 dB - Signal / Bruit> 90 dBA - Sortie audio: 1 sortie symétrique sur XLR, 1 sortie asymétrique sur Jack 6.35 mm - RJ45 port sync - Autonomie 12 heures (2 AA alkaline piles) - Taille (W x D x H): 51 x 250 mm (microphone), 200 x 183 x 44 mm (receiver) - Poids (sans pile): 297 g (microphone), 404 g (recepteur)

Full digital RF system consisting of a SR100 receiver with power supply, a PT100 transmitter box with instrument cable and two AA batteries. Easy to configure and use Up to 4 DMS100 systems in simultaneous use HF range up to 30 m Long battery life, up to 12 hours with 2 AA batteries Digital audio resolution 24-bit-48kHz Rack mounting (optional) Designed for performers, musicians and presenters, the DMS100 combines AKG sound quality, a free and flawless operation of the 2.4 GHz frequency band, advanced security features, extended range and ease of use in a professional digital HF system. use. The DMS100 is available in two versions, with a high quality AKG transmitter microphone or with a transmitter box that can be used directly with electric instruments or combined with a wide range of instrument, headband or tie microphones developed by AKG for singers, musicians or presenters. Relying on over 70 years of experience in microphone design while using uncompressed 24-bit / 48kHz audio coding to avoid interference with analog wireless systems, the DMS100 provides studio-grade sound. Combined with ultra-low latency, the DMS100 is a pleasure to use for singers and instrumentalists. In addition, its 256-bit AES encryption method provides an unrivaled level of signal security for all presenters with the required high level of confidentiality. With unmatched audio fidelity, security and performance while supporting the simultaneous use of four systems, the DMS100 is the ideal digital wireless microphone system for musicians, corporate and public speakers, cults, gyms, etc. Specifications: - Frequency range: 2.4 GHz band with dynamic selection, 4 simultaneous channels maximum - Modulation: Digital, 256-bit AES data encryption - Diversity mode: Diversity antenna, time, frequency - Bandwidth (system): 70 Hz-20 KHz 1 / -3 dB - Signal / Noise> 90 dBA - Audio input: 1 balanced audio input on mini XLR - Audio output: 1 XLR balanced output, 1 unbalanced output on 1/4 jack - Autonomy 12 hours (2 AA alkaline batteries) - Size (W x D x H): 64 x 29 x 82 mm (transmitter box), 200 x 165 x 44 mm (receiver) - Weight (without battery): 112 g (transmitter box), 358 g (receiver)

Demonstrating the outstanding performance and versatility of the C 214 microphone, AKG launched the C 214 Stereo Set at NAMM. The rugged construction of the C 214 delivers a highly detailed and accurate sound not only in the studio, but on the road as well. The introduction of the Stereo Set provides users with a complete solution that delivers outstanding performance and excellent quality from a pair of C 214 s. Realistic stereo recordings require microphones with outstanding performance and excellent quality, comments Thomas Stubics, Product Marketing Manager for Recording and Broadcast at AKG. It also requires performance consistency and accurate localization from the pair of microphones. Therefore, every factory-matched pair ofC 214 s is created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method and the result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings. The C 214 is a cost effective alternative to the revolutionary C 414 and is capable of handling the rigors of high-pressure sound, such as amplified guitars, with sensitivity perfect for voice and orchestral instruments as well.The C 214 boasts the highest dynamic range in its class and features a low cut switch enabling operation in low phantom power voltages from 12 to 48 volts.Additional features include 156 dB SPL capability, an integrated suspension, double mesh grill and high RF immunity. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the XLR-type output connector offers loss-free signals.Commenting on the C 214 is Grammy Award Nominee, Hal Winer, owner of BiCoastal Music. I've been using the C 214 s regularly and I absolutely love them! I've used them for a wide range of recording applications and I find them especially great for jazz kick drum. It's been very difficult to find a microphone to represent that small and tight sound that a jazz kick has and the C 214 is absolutely the best microphone I ve ever used in that application. Piano, voice and guitar amp applications have been equally successful.Hal Winer has produced records for world-renowned artists including Rob Thomas, Bj Joe Lynn Turner, Tony Levin, John Patitucci and Mike Stern. They have become my go to microphone for almost everything and I keep them mounted on stands for regular use, said Winer.Accompanying a pair of C 214 s, the Stereo Set includes spider-type shock mounts, stand adapters, windscreens, and a stereo pair certificate for authenticity.

Meet the C314, the latest sibling from one of the industry s most widely used studio and stage microphone families. Designed for enthusiasts and professionals alike, the C314 has advanced features that help artists fine-tune their signature sound including four selectable polar patterns, the lowest self-noise in its class, and an overload detection LED. Using the same one-inch dual diaphragm capsule as the C414 XLS, musicians, engineers and producers can have the confidence that their audience will experience every subtle nuance as it was intended. Stereo Pair: Realistic stereo recordings require microphones with outstanding performance and excellent quality. They also require consistent performance and accurate localization from the pair of microphones. Therefore, every factory-matched pair of C314s is created from thousands of individual microphones selected by AKG s sophisticated computer-aided matching method. The result is the highest possible correlation over the microphones entire frequency range and virtually identical sensitivity for stunning, three dimensional recordings. Features - Four selectable polar patterns, perfect for every application - Lowest self noise for highest resolution in high dynamic applications - Overload detection LED indicates overly high sound pressure levels - Computer-matched diaphragms to guarantee the highest polar pattern accuracy - Integrated capsule suspension reduces mechanical noise and resonances - 20 dB attenuation pad and bass-cut filter for close up recording and reduction of the proximity effect Applications - Project Studios - Stage Included Accessories - 1 x Metal Carrying Case - 2 x H85 Spider Shock Mount - 2 x SA60 Stand Adapter - 2 x W214 Wind Shield - 1 x H50 Stereo Bar Specifications - Capsule: 1 large dual-diaphragm condenser - Polar Pattern: cardioid, supercardioid, omnidirectional, figure 8 - Frequency Response: 20 Hz to 20 kHz (see frequency response trace) - Sensitivity (Cardioid): 20 mV/Pa (-34 dBV) - Max. SPL for 0.5 % THD: 135/155 dB (0/-20 dB pad) - Equivalent Noise Level To IEC 60286-4: 8 dB (A) - Signal To Noise: 86 dB (A) re 1Pa - Preattenuation Pad: -20 dB - Bass Cut Filter: 100 Hz, 12 dB/octave - Electrical Impedance: 200 ohms - Recommended Load Impedance: 1000 ohms - Connector: 3-pin XLR (pin 2 hot) - Phantom Powering: 48 V /- 4 V to IEC 61938 - Current Consumption: 3 mA - Temperature Range: -10 °C to 60 °C (14 °F - 140 °F) - Height:160 mm (6.3 in.) - Width: 55 mm (2.16 in.) - Depth: 43 mm (1.7 in.) - Net Weight (Mic Only): 300 g (10.58 oz.) - Shipping Weight: 2520 g (88.89 oz.) - Box Dimensions (L x W x H): 39,5 x 31,5 x 10 cm (15.6 x 12.4 x 3.9 in)