With SY-1, it's never been easier to expand your creative arsenal with legendary BOSS synth guitar technology. This strikingly expressive BOSS compact pedal format tool is filled with 121 ultra-responsive sounds that will easily fit into any configuration. It is as easy to use as conventional compact pedals. You do not need any knowledge of synth programming to build your new world of sound textures. Strong points - An authentic BOSS polyphonic guitar synth with compact pedal format - No special mic required: access rich and dynamic synth sounds from any guitar or bass - 121 sounds (11 types and 11 variations), all ready to play without any knowledge of programming - A wide variety of analog synth sounds, Leads, Bass and Organ Overlay with Slippery Pads and Arpeggio Sequences - No latency for uncompromising expressiveness - Quickly adjust sound with Tone / Rate and Depth controllers - The Hold function to play with a guitar sound on synth notes held - Mix guitar sounds and synth sounds by controlling each level independently - Parallel Send / Return loop for easy integration with other pedals in your configuration - Mode switch optimizes the tone generator for guitar or bass - Extra external controls possible via footswitches or expression pedal Types of sounds of the SY-1 - LEAD 1 and 2-A wide range of sounds for solos. - PAD-Wide sounds particularly suited to chords, overlays pads synthetic brass. - BASS-Synth bass sounds well fat, with or without filter or infrabasses. - STR-Classical analog strings with voice overlays and slippery textures. - ORGAN-Organ sounds with several types of rotary modulation. - BELL-Percussive synth sounds with metallic resonances. - SFX 1 and 2-Synthetic sound effects, single notes or sequences with filter and note pitch variations. - SEQ 1 and 2-Pulsed sounds with rhythmic pitch or filter pitch changes.

GT-1000CORE Guitar Effects Processor The Core of Your Creative Vision The complete amp and effects processing of the flagship GT-1000 in a compact and portable stompbox. Amazingly powerful and ultra-versatile, GT-1000CORE delivers the most complete guitar and bass processing experience available in a single stompbox. The full DSP muscle of the flagship GT-1000 lives inside this mini juggernaut, driving class-leading sound quality, advanced AIRD technology, 24 simultaneous effects blocks, and over 140 unique amp/effect types for unlimited creative expression. GT-1000CORE fits into any pedalboard setup and works equally well as a standalone processor for playing live and in the studio. And with flexible I/O and vast control support, it s right at home as the core of any rig. The complete internal tone processing of the GT-1000 in a compact and portable stompbox Unlimited sound creation with 24 simultaneous effects blocks including two different amps and numerous series/parallel routing options Unmatched sound quality with 32-bit AD/DA, 32-bit floating-point processing, and 96 kHz sampling rate AIRD (Augmented Impulse Response Dynamics) technology delivers natural feel and optimized integration with all types of external devices Includes classic BOSS effects, vintage stomps, MDP effects, and algorithms directly ported from the DD-500, MD-500, and RV-500 pedals Ultra-fast patch switching and delay carryover Innovative Stompbox feature simplifies using common effects settings in many different patches Looper for practicing, developing ideas, and enhancing live performances High-resolution tuner with mono and polyphonic displays Two send/return loops for external effects, four-cable method, or separate direct outputs 16 slots for onboard user IRs Supports external control via footswitches, expression pedals, USB, and TRS MIDI Control out function for switching amp channels USB audio/MIDI interface for computer-based recording and editing Dedicated mode for bass guitar applications Supercharge Your Pedalboard GT-1000CORE brings next-level creative versatility to any pedalboard, big or small. Toggle between Memory and Manual modes to recall presets or kick effects on/off, and easily integrate with other stomps via mono or stereo I/O. Use the dual send/return jacks for external effects, four-cable method, or separate feeds to a PA or recorder. Access deeper control with external footswitches and expressions pedals, or remotely switch channels on your amp. And with MIDI I/O on space-saving TRS jacks, GT-1000CORE can control or be controlled by other MIDI devices in your rig. Mega Stomp Offering a complete sound processing solution in an ultra-portable package, GT-1000CORE lets you travel light and tackle any professional playing situation with no additional pedals. In a single patch, you have access to 24 simultaneous effects, including two amps at once. And with 250 user patches, there s ample room to store sound creations for every type of gig. The impressive DSP engine delivers on-demand power for all available effects, so you ll never worry about running out of processing while building sounds. The Hub of Your Home Studio GT-1000CORE is a perfect companion for recording and playing at home. It s a multi-channel USB audio/MIDI interface for flexible DAW production and efficient re-amping. Recording mode allows you to choose from a variety of built-in speaker and microphone types, and it s also possible to import 16 of your favorite WAV-format speaker impulse responses. The onboard looper is a great tool for practice, building sounds, and developing ideas. And with BOSS Tone Studio s intuitive user interface, it s easy to craft sounds on a Mac or Windows computer. AIRD: A Revolution in Digital Amp Processing GT-1000CORE harnesses BOSS s breakthrough AIRD technology for a new level of performance, flexibility, and usability. AIRD is an evolution of the comprehensive Tube Logic concept behind the Katana, Waza, and Blues Cube amplifiers, adapted to provide consistent response across the many different scenarios where an amp processor might be used. AIRD enables GT-1000CORE to smoothly flow into any creative setup, providing great tone and natural tube amp feel with minimal adjustments. A large selection of AIRD Output Select types let you tailor the sound for any destination, whether it s a guitar amp input, a power amp driving guitar speakers, or a full-range monitoring system or all of them at once. AIRD is fully integrated into GT-1000CORE s amps at every level, so you ll always experience their authentic sound and response, no matter what you re plugged into. Premium Amps and Effects GT-1000CORE is loaded with expressive guitar amplifiers, all meticulously crafted with AIRD. There are BOSS original amps suitable for all guitar styles, plus famous tube amps from coveted vintage combos to modern high-gain heads. A massive range of effects options are also on board, including BOSS classics, retro stompboxes, MDP effects, and advanced algorithms from the BOSS 500 series. Multiple series and parallel routings are easy to set up with the intuitive interface. And with the clever Stompbox feature, commonly used amp and effects settings can be adjusted across multiple patches at once. Top-Flight Bass Processor GT-1000CORE is a bass processing powerhouse, offering exceptional sound processing and versatile DI capabilities in a grab-and-go package. Three AIRD bass preamps are provided for shaping your core tone, and eight different overdrive/distortion effects are available for additional color. There s an MDP bass compressor too, plus chorus, flanger, touch wah, and many other effects specially tuned for bass. - Sampling frequency 96 kHz - AD/DA conversion 32 bits - Processing 32-bit floating point - Memory 250 (User) 250 (Preset) - Phrase loop 38 sec. (MONO) 19 sec. (STEREO) - Tuner internal detection /- 0.1 cent - Normal input level INPUT L/MONO, R: -10 dBu RETURN 1, RETURN 2: -10 dBu - Maximum input level INPUT L/MONO, R: 12 dBu RETURN 1, RETURN 2: 12 dBu - Input impedance INPUT L/MONO, R: 2 M ohms RETURN 1, RETURN 2: 1 M ohm - Normal output level OUTPUT L/PHONES, R/MONO: -10 dBu SEND 1, SEND 2: -10 dBu - Maximum output level OUTPUT L/PHONES, R/MONO: 12 dBu SEND 1, SEND 2: 12 dBu - Output impedance OUTPUT L/PHONES, R/MONO: 44 ohms SEND 1, SEND 2: 1 k ohm - Recommended load impedance OUTPUT L/PHONES, R/MONO: 10 k ohms or greater (Phones: 44 ohms or greater) SEND 1, SEND 2: 10 k ohms or greater - Controls DOWN switch, UP switch, CTL 1 switch EFFECT button, MENU button, EXIT button, WRITE button, PAGE button 1-5 knobs, SELECT knob, OUTPUT LEVEL knob - Display Graphic LCD 256 x 80 dots - Indicators UP indicator, DOWN indicator, CTL 1 indicator - Connectors INPUT (L/MONO, R), OUTPUT (R/MONO) jacks: 1/4-inch phone type OUTPUT (L/PHONES) jack: 1/4-inch TRS phone type CTL 2, 3/EXP 1 CTL 4, 5/EXP 2 jacks: 1/4-inch TRS phone type MIDI (IN, OUT) connectors: Stereo miniature phone type USB COMPUTER port: USB Micro-B type DC IN jack - Power supply AC adaptor - Current draw 670 mA - Dimensions 173 (W) x 135 (D) x 63 (H) mm / 6-13/16 (W) x 5-3/8 (D) x 2-12 (H) inches 173 (W) x 135 (D) x 65 (H) mm / 6-13/16 (W) x 5-3/8 (D) x 2-9/16 (H) inches (including rubber foot) - Weight 920 g / 2 lbs 1 oz - Accessories AC adaptor Owner's Manual Leaflet USING THE UNIT SAFELY Rubber foot x 4 - Options (sold separately) Footswitch: FS-5U Dual footswitch: : FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 TRS/MIDI cable: BMIDI-5-35 * 0 dBu = 0.775 Vrms

BOSS TREMOLO TR-2Tremolo Pedal for 60's style music Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal. Dedicated ''Wave,'' ''Rate'' and ''Depth'' knobs allow for precise effect tailoring. ''Rate'' control allows for higher speed adjustment than BOSS' classic PN-2. ''Wave'' control alters LFO waveform from triangle to square. ''Depth'' control determines the strength of the effect. BOSS five-year warranty. The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated ''Wave,'' ''Rate,'' and ''Depth'' knobs provide a multitude of effect possibilities.Regler: RATE, WAVE, DEPTH

BOSS introduces the 200 Series, a new generation of pedals that combine advanced sound and versatility in a format designed to save space in a pedalboard. Easy-to-access controllers and multifunction switches allow easy and intuitive handling, and built-in storage memory allows you to save many configurations. All 200 Series pedals offer 32-bit AN / NA sound quality, 32-bit internal processing, 96 kHz sampling rate, and the ability to add external switch or expression pedals, as well as MIDI. The DD-200 Digital Delay brings together sounds and features inherited from our flagship, the DD-500, in an even more compact volume. Twelve different modes offer a wide variety of effect colors, from modern digital delays to classic analogs, allowing you to have basic echoes like rich surround pads, with all the intermediate effects. A looper is also integrated, and the Carryover function allows smooth transitions between effects. Strong points - High-end 32-bit AN / NA sound quality, 32-bit floating-point internal processing, 96 kHz sample rate - Twelve versatile modes for a wide range of delays - Fast and easy handling with the help of physical controllers - Real time settings and four storage memories of favorite settings - Looper capable of recording 60 seconds - Panel Lock feature disables controllers to prevent unintended changes - Customizable multifunction footswitches for Bypass, Tap Tempo, choice of memories, looper control ... - Possibility of adding extra controllers: footswitches, expression pedal or MIDI - MIDI input and output via TRS minijacks (BMIDI-5-35 adapter cable available separately) - Micro USB connector for system updates - Analog Dry Through and Buffered Bypass - Works on PSA series power adapter or three AA batteries

MASTERFUL SOUND, EXTRAORDINARY CREATIVE POWER Filled with newly developed BOSS technology, the DD-500 is the most powerful and versatile stompbox delay ever created. This incredible sound-creation toolbox offers 12 distinctive delay modes with exceptional audio quality, plus deep editing controls, a graphic display, patch memories, MIDI, and much more. From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible. - Studio-level stereo sound with 32-bit/96 kHz processing throughout -12 versatile delay modes from vintage to modern deliver unlimited creative possibilities - Unrivaled real-time expression with customizable control settings for onboard and external switches - Graphic LCD for easy, intuitive operation while performing and editing - Onboard patch memories and hands-on controls - Equipped with a built-in Phrase Looper, MIDI, USB, and more - Selectable buffered or true-bypass operation - Runs on four AA-size batteries or PSA-series AC adapter DD-500 Delay Modes Standard Clear digital delay. Analog Emulates classic analog BBD delays like the BOSS DM series. Tape Emulates the warm sound of tape-based delay units, including the Maestro Echoplex and legendary Roland RE-201 Space Echo. Vintage Digital Emulations of early digital delays from the 1980s, including Roland s famous SDE-2000 and SDE-3000 rack units and the BOSS DD-2, the original stompbox digital delay. Dual Two different delay lines that can be connected in series or parallel. Pattern Sixteen different delay lines that can be set independently for all types of unique rhythmic effects. Reverse Backwards delay for cool psychedelic effects and other unique tones. SFX Special effects delay with a highly unique sound character. Shimmer Pitch-shifted delays for lush, heavenly textures. Filter Delay with a sweeping filter. Slow Attack Ethereal delays that fade in with playing dynamics. Tera Echo Spacious, animated ambience effect derived from the innovative BOSS TE-2 pedal. DD-500 Assignable Control Functions The following functions can be assigned to the DD-500 s onboard TAP/CTL switch and/or optional external footswitches. These assignments are stored as part of a patch. Tap Set the delay in time with a song s tempo. Hold The delay s feedback is held continuously while the switch is pressed. Warp Increases the delay s feedback and level simultaneously for powerful expressive effects. Twist Adjusts multiple delay parameters with a single press, creating wild sounds similar to twisting the panel knobs in real time. Moment Outputs the delay sound only when you hold down the switch. Roll 1/2 Cuts the delay time to 1/2 of the current setting when you hold down the switch. Roll 1/4 Cuts the delay time to 1/4 of the current setting when you hold down the switch. Roll 1/8 Cuts the delay time to 1/8 of the current setting when you hold down the switch. Fade In Fades in the delay sound. Fade Out Fades out the delay sound. Assign 1-8 Allows you to assign and control up to eight different delay parameters at once. SPECIFICATIONS Sampling Frequency: 96 kHz AD/DA Conversion: 32 bits Processing: 32-bit floating point Delay Modes: 12 modes - STANDARD - ANALOG - TAPE - VINTAGE DIGITAL - DUAL - PATTERN - REVERSE - TERA ECHO - SLOW ATTACK - FILTER - SHIMMER - SFX Maximum delay time: 10 sec.(depends on delay mode) Phrase loop: - 60 sec. (96 kHz/MONO, 48 kHz/STEREO) - 120 sec. (48 kHz/MONO) - Delay can be applied. Patches: 198 (99 banks x 2 [A] [B]), 297 (99 banks x 3 [A] [B] [C]) Pedals: Foot switch x 3 [A][B][TAP/CTL] Knobs: - MODE - TIME/VALUE - FEEDBACK - E.LEVEL - TONE - MOD DEPTH Display: Graphic LCD (128 x 62 dots, backlit LCD) x 1 Nominal Input Level: INPUT A/MONO, B: -10 dBu Maximum Input Level: INPUT A/MONO, B: 8 dBu Input Impedance: INPUT A/MONO, B: 1 M ohm Nominal Output Level: OUTPUT A/MONO, B: -10 dBu Maximum Output Level: OUTPUT A/MONO, B: 8 dBu Output Impedance: OUTPUT A/MONO, B: 2 k ohms Recommended Load Impedance: OUTPUT A/MONO, B: 20 k ohms or greater Bypass: Buffered bypass or True bypass (with relays) Connectors: - INPUT A/MONO, B jacks: 1/4-inch phone type - OUTPUT A/MONO, B jacks: 1/4-inch phone type - CTL 1,2/EXP jack: 1/4-inch TSR phone type - USB COMPUTER port: USB type B USB-MIDI - MIDI (IN, OUT) connectors - DC IN jack Power Supply: Alkaline battery (AA, LR6) x 4 - AC adaptor Current Draw: 200 mA Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.): Alkaline Approx. 7 hours Accessories: - Owner\'s manual - Leaflet USING THE UNIT SAFELY - Alkaline battery (AA, LR6) x 4 Options (sold separately): - AC adaptor: PSA series -Footswitch: BOSS FS-5U, FS-5L -Dual Footswitch: BOSS FS-6, FS-7 -Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5 SIZE AND WEIGHT Width 170 mm 6-3/4 inches Depth 138 mm 5-7/16 inches Height 62 mm 2-1/2 inches Weight(excluding AC Adaptor) 1.0 g 2 lbs 4 oz. * 0 dBu = 0.775 Vrms

OC-5 Octave The New Standard in Octave Pedals Next-generation BOSS octave pedal with vintage and polyphonic modes, lightning-fast tracking, and extended range. Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date. Bullets The industry-standard octave pedal, updated with enhanced features Newly developed tracking technology provides more accurate response and natural feel with no latency Vintage mode faithfully reproduces the mono sound of the original OC-2 Poly mode for chord playing; Range knob sets the note range where the effect is applied Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect, available on its own or blended with octave-down effects Mode switch optimizes the tracking engine for guitar or bass Direct out for wet/dry setups BOSS five-year warranty High-Octane Octave Performance Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal. Classic Tones with Vintage Mode Introduced in 1982, the OC-2 was the world s first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp s warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5 s Vintage mode brings you the OC-2 s iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colors. Enhanced Poly Mode The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it s even possible to isolate the octave effect to the bottom note in a chord just turn the Range knob to the Lowest setting. Extended Range with Octave Up Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated 1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads. Guitar/Bass Switch and Direct Out The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it s easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface. Specifications : -Nominal Input Level -20 dBu -Input Impedance 1 M ohm -Nominal Output Level -20 dBu -Output Impedance 1 k ohm -Recommended Load Impedance 10 k ohms or greater - Bypass Buffered bypass -Controls Pedal switch GUITAR/BASS switch VINTAGE/POLY switch DIRECT LEVEL knob 1OCT knob -1OCT knob -2OCT/RANGE knob -Indicator CHECK indicator (Serves also as battery check indicator) -Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DIRECT OUT jack: 1/4-inch phone type DC IN jack -Power Supply Alkaline battery (9 V, 6LR61 or 6LF22) AC adaptor (PSA series: sold separately) -Current Draw 55 mA -Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.) Alkaline: Approx. 7 hours -Dimensions 73 (W) x 129 (D) x 59 (H) mm 2-7/8 (W) x 5-1/8 (D) x 2-3/8 (H) inches -Weight (including battery) 440 g 1 lb -Accessories Owner's Manual Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information) Alkaline battery (9 V, 6LR61 or 6LF22) -Options (sold separately) AC adaptor: PSA series * 0 dBu = 0.775 Vrms

INTERSTELLAR TOOLBOX Journey to new dimensions of time and space with the RV-500, the most powerful and versatile reverb processor BOSS has ever produced. This multifaceted creation machine features class-defying 32-bit AD/DA along with 32-bit/96 kHz floating point processing and immense programmability, putting pro-level studio reverb and more at your feet. Twelve modes and 21 newly developed reverb algorithms deliver a huge range of textures, from complementary ambience to deep, immersive sonic atmospheres. And thanks to the RV-500 s high-octane DSP, you can access a full-featured digital delay along with every reverb patch, and even run two reverb patches at once! Adding in MIDI I/O, support for external footswitch/expression control, and USB for connection to the free RV-500 Editor/Librarian software, the RV-500 is simply the most advanced reverb pedal available, bar none. - Studio-level sound with first-in-class 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate - 12 modes with 21 reverb types, all with deep editing parameters - Includes a wide range of reverb types from standard to advanced, plus Roland classics such as the SRV-2000 Reverb and RE-201 Space Echo - A/B Simul mode allows you to use two reverb patches at once - Selectable carryover function allows reverb tails to continue with patch change or effect bypass - Powerful DSP provides independent digital delay with modulation along with each reverb patch - Graphic LCD and intensive real-time control options - 297 onboard patch memories and hands-on controls - Selectable buffered-bypass or true-bypass operation - MIDI I/O for interfacing with MIDI control devices - USB-MIDI for connecting to the RV-500 Editor/Librarian or a DAW (to be available in early July 2017) - Runs on four AA-size batteries or PSA-series AC adapter Twelve Modes and 21 Unique Reverb Types Inside the RV-500 are 21 top-quality reverb algorithms that enable you to shape any kind of space you can imagine. Each includes a massive range of adjustable parameters, from decay, density, and modulation to EQ, ducking, and more. Every algorithm has been newly developed specifically for this pedal, leveraging BOSS s decades of expertise in advanced reverb design. On tap is everything from standards like room, hall, and plate to advanced reverbs like shimmer, non-linear, SFX, and many more. Also included are all-new recreations of the RE-201 Space Echo and SRV-2000 Digital Reverb, two revered Roland classics from the 70s and 80s. Simultaneous Reverbs and Independent Digital Delay With its powerhouse DSP engine, the RV-500 is far more than a one-effect device. To start, the pedal s Dual mode provides two independent reverbs at once; you can feed them both with a full-range input, or with divided frequency ranges on each input to build rich, multi-range sounds. And when you employ A/B Simul mode, you can use any two RV-500 reverb patches at the same time, with your choice of series or parallel connection order and mixed or split A/B output. What s more, each patch also includes a digital delay with a full set of parameters including modulation and EQ, plus the ability to set the reverb and delay effects for series or parallel operation on a per-patch basis. Extraordinary Sound The RV-500 features 32-bit/96 kHz AD/DA, exceeding all industry standards for pedal-based effects. All internal processing is 32-bit floating point and runs at a 96 kHz sampling rate as well, delivering pristine sonic quality that goes beyond the highest-level digital processors used in top pro studios. If you wish, you can run your analog dry tone straight through so it s completely untouched with digital processing. You re also able to select true-bypass or buffered-bypass operation to suit the needs of your setup. Advanced Interface, Intuitive Operation The RV-500 is equipped with a large LCD that clearly shows the patch name, delay time, and other vital performance information. It also makes it easy to view and adjust the unit s deep editing parameters and advanced control features. With the grab-and-go panel knobs, you have top-level access to essential parameter adjustments like pre-delay, high and low EQ, and effect level. And via USB, you can connect with the free RV-500 Editor/Librarian on your computer for remote editing, patch backup, and more. Intensive Real-Time Control With its freely assignable switches and extensive support for real-time control, the RV-500 delivers unmatched creative expression and performance flexibility. By default, the A, B, and TAP/CTL switches offer intuitive control for patch/bank selection and bypass, plus tap tempo and real-time adjustment of various effect parameters. If you like, the switches can be customized to access three different reverbs patches, A/B Simul mode, and other functions. MIDI I/O opens the door to even more creative possibilities, offering deep control options with advanced setups. RV-500 Modes and Algorithms Room Four types: small, medium, large, and ambience. Hall Three different hall sizes. Plate Classic studio-style reverberation. Spring Choose from one to three springs. Shimmer Two voices of pitch-shifted reverb. Fast Decay Unique reverb with quick decay for increased clarity. Early Reflection Four types with envelope parameters to shape unique sounds. Non-Linear Includes gate, reverse, and granular types. SFX Three characterful reverb types for special effects: Lo-Fi, Slowverb, and Storm. Dual Two independent reverbs that can accept a full-range or frequency-divided input. SRV Recreates the Roland SRV-2000, a classic rack reverb from the 1980s. Space Echo Recreates the Roland RE-201 Space Echo, one of the most coveted tape echo units ever made.

SERIOUS ROCK DNA FORGED INTO A COMPACT, BATTERY-POWERED AMP BOSS Katana amps have received accolades from guitarists everywhere for their fantastic sound and feel, onboard effects, and great value. Now, the Katana-Mini makes serious Katana tone accessible in a small, go-anywhere amp that runs on batteries. Offering sound quality that far exceeds other amps in its class, this miniature powerhouse features an authentic multi-stage analog gain circuit for big, expressive sound, plus a traditional analog EQ and an onboard tape-style delay. Ultra-compact and travel-ready, the Katana-Mini delivers inspiring Katana tone anywhere you want to play. - Great Katana tone in a highly portable amp - Rich, full sound that far exceeds other amps in its class - Authentic multi-stage analog gain circuit and three-band analog tone stack - Three versatile amp types: Brown, Crunch, and Clean - Built-in tape-style delay for warm ambience - Aux input for jamming with music from a smartphone - Phones/recording output with cabinet voicing - Runs on six AA-size batteries or optional AC adapter SPECIFICATIONS Rated Power Output: 7 W Nominal Input Level: - INPUT: -10 dBu (1 M ohm) - AUX IN: -10 dBu (20 k ohm) Speaker: 10 cm (4 inches) Controls: - POWER switch - TYPE switch GAIN knob: - VOLUME knob - [EQUALIZER] BASS knob MIDDLE knob TREBLE knob - [DELAY] TIME knob LEVEL knob Indicators: POWER Connectors: - INPUT jack: 1/4-inch phone type - AUX IN jack: Stereo miniature phone type - PHONES/REC OUT jack: Stereo miniature phone type - DC IN jack Power Supply: - Alkaline battery (AA, LR6) x 6 - Rechargeable Ni-MH battery (AA, HR6) x 6 or AC adaptor (sold separately) Current Draw: 350 mA Expected battery life under continuous use: - Alkaline battery: Approximately 7 hours - Rechargeable Ni-MH battery: Approximately 9 hours (When using batteries having a capacity of 2500 mAh.) * This can vary depending on the capacity of the batteries and the conditions of use. Accessories: - Owner\'s manual - Alkaline battery (AA, LR6) x 6 Option (sold separately): AC adaptor (PSB series) SIZE AND WEIGHT: Width: 230 mm - 9-1/16 inches Depth: 116 mm - 4-5/8 inches Height: 181 mm - 7-1/8 inches Weight (including battery): 1.2 kg - 2 lbs 11 oz * 0 dBu = 0.775 Vrms Specially Designed for Top-Quality Sound Unlike typical small, battery-powered guitar amps that offer so-so sound quality, the Katana-Mini produces big, full tone that inspires you to plug in and play for hours at a time. BOSS s comprehensive design approach includes a custom speaker, advanced hardware, refined circuitry, and special component selection, which all work together to produce maximum sound quality in a minimum footprint. The amp also incorporates BOSS s decades of research in energy efficient design, providing class-defying power and punch from only six AA-size batteries. Inspiring Tones, Ready to Rock The Katana-Mini s all-analog input circuitry includes multiple gain stages that drive three classic sound settings, offering the same cascaded gain approach found in high-end amp designs. This is what gives the Katana-Mini its satisfying tone and quick, interactive feel, with distortion that s easily controlled with input volume and picking strength. Inspired by BOSS s flagship Waza amp, the Katana-Mini s Brown setting delivers expressive, high-gain tones rich with harmonics, perfect for heavy riffs and soaring solos. Crunch provides overdrive that s ideal for rock rhythms and bluesy leads, while Clean offers up crisp, sparkling tones with punchy dynamic response. Analog Tone Stack and Onboard Delay In contrast to the limited EQs found in other small amps, the Katana-Mini comes equipped with a genuine three-band analog tone stack. This provides natural sound shaping via familiar bass, mid, and treble controls, just like the tone stack in a full-size stage amp. In addition, you can enhance your sound further with the Katana-Mini s cool tape-style delay. Using the dedicated time and level knobs, it s simple to dial in everything from subtle reverb-like ambience to long, warm delay repeats. Jam at Home or Grab and Go Thanks to the Katana-Mini s advanced-yet-compact design, you can plug into serious guitar tone any time and any place. Weighing just under three pounds, it sits easily on a tabletop or shelf at home. And with the integrated handle and battery operation, it s easy and convenient to grab the amp and play anywhere you want, indoors or out. With the aux input, you can even plug in your smartphone and jam along with your personal music library or tracks streamed from the web. And for private practice and recording situations, you ll want to take advantage of the phones/recording output, which features special cabinet voicing for real mic d amp tone.

SERIOUS ROCK DNA FORGED INTO A COMPACT, BATTERY-POWERED AMP BOSS Katana amps have received accolades from guitarists everywhere for their fantastic sound and feel, onboard effects, and great value. Now, the Katana-Mini makes serious Katana tone accessible in a small, go-anywhere amp that runs on batteries. Offering sound quality that far exceeds other amps in its class, this miniature powerhouse features an authentic multi-stage analog gain circuit for big, expressive sound, plus a traditional analog EQ and an onboard tape-style delay. Ultra-compact and travel-ready, the Katana-Mini delivers inspiring Katana tone anywhere you want to play. - Great Katana tone in a highly portable amp - Rich, full sound that far exceeds other amps in its class - Authentic multi-stage analog gain circuit and three-band analog tone stack - Three versatile amp types: Brown, Crunch, and Clean - Built-in tape-style delay for warm ambience - Aux input for jamming with music from a smartphone - Phones/recording output with cabinet voicing - Runs on six AA-size batteries or optional AC adapter SPECIFICATIONS Rated Power Output: 7 W Nominal Input Level: - INPUT: -10 dBu (1 M ohm) - AUX IN: -10 dBu (20 k ohm) Speaker: 10 cm (4 inches) Controls: - POWER switch - TYPE switch GAIN knob: - VOLUME knob - [EQUALIZER] BASS knob MIDDLE knob TREBLE knob - [DELAY] TIME knob LEVEL knob Indicators: POWER Connectors: - INPUT jack: 1/4-inch phone type - AUX IN jack: Stereo miniature phone type - PHONES/REC OUT jack: Stereo miniature phone type - DC IN jack Power Supply: - Alkaline battery (AA, LR6) x 6 - Rechargeable Ni-MH battery (AA, HR6) x 6 or AC adaptor (sold separately) Current Draw: 350 mA Expected battery life under continuous use: - Alkaline battery: Approximately 7 hours - Rechargeable Ni-MH battery: Approximately 9 hours (When using batteries having a capacity of 2500 mAh.) * This can vary depending on the capacity of the batteries and the conditions of use. Accessories: - Owner\'s manual - Alkaline battery (AA, LR6) x 6 Option (sold separately): AC adaptor (PSB series) SIZE AND WEIGHT: Width: 230 mm - 9-1/16 inches Depth: 116 mm - 4-5/8 inches Height: 181 mm - 7-1/8 inches Weight (including battery): 1.2 kg - 2 lbs 11 oz * 0 dBu = 0.775 Vrms Specially Designed for Top-Quality Sound Unlike typical small, battery-powered guitar amps that offer so-so sound quality, the Katana-Mini produces big, full tone that inspires you to plug in and play for hours at a time. BOSS s comprehensive design approach includes a custom speaker, advanced hardware, refined circuitry, and special component selection, which all work together to produce maximum sound quality in a minimum footprint. The amp also incorporates BOSS s decades of research in energy efficient design, providing class-defying power and punch from only six AA-size batteries. Inspiring Tones, Ready to Rock The Katana-Mini s all-analog input circuitry includes multiple gain stages that drive three classic sound settings, offering the same cascaded gain approach found in high-end amp designs. This is what gives the Katana-Mini its satisfying tone and quick, interactive feel, with distortion that s easily controlled with input volume and picking strength. Inspired by BOSS s flagship Waza amp, the Katana-Mini s Brown setting delivers expressive, high-gain tones rich with harmonics, perfect for heavy riffs and soaring solos. Crunch provides overdrive that s ideal for rock rhythms and bluesy leads, while Clean offers up crisp, sparkling tones with punchy dynamic response. Analog Tone Stack and Onboard Delay In contrast to the limited EQs found in other small amps, the Katana-Mini comes equipped with a genuine three-band analog tone stack. This provides natural sound shaping via familiar bass, mid, and treble controls, just like the tone stack in a full-size stage amp. In addition, you can enhance your sound further with the Katana-Mini s cool tape-style delay. Using the dedicated time and level knobs, it s simple to dial in everything from subtle reverb-like ambience to long, warm delay repeats. Jam at Home or Grab and Go Thanks to the Katana-Mini s advanced-yet-compact design, you can plug into serious guitar tone any time and any place. Weighing just under three pounds, it sits easily on a tabletop or shelf at home. And with the integrated handle and battery operation, it s easy and convenient to grab the amp and play anywhere you want, indoors or out. With the aux input, you can even plug in your smartphone and jam along with your personal music library or tracks streamed from the web. And for private practice and recording situations, you ll want to take advantage of the phones/recording output, which features special cabinet voicing for real mic d amp tone.

PRO TONES, COMPACT DESIGN The all-analog PW-3 delivers pro wah tones in a rugged, space-saving design that conserves precious real estate on your pedalboard. Newly developed by BOSS, the PW-3 s Rich mode has a uniquely full wah voice that retains the low-end definition and fullness lost with typical wah circuits. Want a more traditional tone Just flip the rear-panel switch to Vintage mode for that classic wah vibe. Unlike other pedals that sacrifice feel and functionality when trimmed down in size, the PW-3 strikes the perfect balance between practicality and playability. Its die-cast aluminum chassis is solid and substantial underfoot, and the long, smooth pedal action is highly responsive and feels great. Another issue with downsized pedals is that it s hard to see when the effect is on or off, because your foot blocks the view. The PW-3 solves this with status LEDs on each side of the pedal, making it much easier to see when the wah is activated. - Unique Rich mode retains low-end fullness, eliminating the thin tone of typical wah designs - Vintage mode for the familiar classic wah sound - Low-noise operation and pro playing feel with smooth pivot action and adjustable tension - Space-saving design fits easily on crowded pedalboards - Rugged, die-cast aluminum chassis provides a rock-solid feel and gig-ready durability - On/off LEDS on each side of the pedal make it easy to see status at a glance SPECIFICATIONS Connectors: INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack Indicators: Dual indicator Controls: Pedal / Tone switch Power Supply: Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22) AC adaptor (PSA series: sold separately) Current Draw: 25 mA Accessories: Owner's Manual Alkaline battery (9 V, 6LR61) Sheets (for adjusting the force required to turn the wah on/off) SIZE AND WEIGHT Width 80 mm 3-3/16 inches Depth 192 mm 7-9/16 inches Height 58 mm 2-5/16 inches Weight 800 g 1 lb 13 oz SIZE AND WEIGHT(MAXIMUM HEIGHT) Width 80 mm 3-3/16 inches Depth 192 mm 7-9/16 inches Height 74 mm 2-15/16 inches Weight 800 g 1 lb 13 oz

BOSS s iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we ve updated the classic stomp with enhanced functionality while fully retaining the original s sound and control layout. It s now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups. Main Features - Updated version of the industry-standard DD-3, with enhanced functionality for modern players - Ultra-easy operation for fast sound creation - Delay time of 12.5 to 800 ms, divided into three ranges for quick setup - Tap in tempos with the onboard pedal switch or an external footswitch - Short Loop setting for creating phrase loops (same as the Hold function on the original DD-3) - Direct output for sending dry and wet sounds to separate amps - Main and direct output jacks now positioned on one side of the pedal - Dimensions (W x D x H): 73 x 129 x 59 mm - Weight : 420 g

Innovative, easy-to-use Vocoder pedal- 4 Modes: Vintage, Advanced, Talk Box and Choir Mode- Vintage fashion for classic electronic synthesizer voices- Advanced mode for novel Vocoder sounds with improved clarity- Talk-Box Mode allows talking solo guitar sounds- Choir mode for a full vocal choral sound even without a microphone- Effects loop for integration of existing effect pedals- Works with guitar, bass and any instrument that can be connected to a 6.3 mm jack- Controls: Level/Blend, Tone, Colour, Mode- Dimensions (W x D x H): 70 x 125 x 55 mm- Power supply via 9V battery or 9V DC power supply unit (coaxial connection - minus on the inside, not included, matching power supply available under article nr 409939)