Specifications : Smooth Surface Footboard The newly designed classic style footboard features lightweight construction and smooth surface, making it a great choice for any drumming style. Center Strike Height Adjust By simply loosening the square head bolt of the side pillar, you can change the height of the beater shaft. This makes it possible to have the beater strike the center of the bass drum without using a bass drum lifter or adjusting the length of the beater. Easy Access Spring Adjustment This unique Easy Adjust Spring Post allows you to adjust the spring tension while still sitting on the drum throne because of its top mounted construction. This means you can adjust the tension while actually checking the resulting feel simultaneously. The Classic Beater This traditional style round beater has a slightly tapered shape. It allows you to hit the bass drum evenly, and provides a warm sound with clear articulation. (available as an individual item) Individual Adjustment of Beater and Footboard Angle Using a drum key, you can adjust the beater angle as desired. Also, by changing the chain position on the sprocket, you can adjust the footboard angle independently of the beater angle. Easy-Tight Hoop Clamp We set the screw to tighten the hoop clamp on the outside of the pedal frame, making it quick and easy to set and remove. Compact Folding Design This pedal can be folded compactly to store it in a pedal bag. By tilting the spring post toward you, it becomes a compact right-angle triangle. While super complex and technical playing can wow audiences, sometimes a simpler and stripped down approach is even more moving. Sometimes, eliminating everything but the most essential can produce greater creativity and boosts interaction between players and audiences. A similar relationship exists between players and their instruments. Very simple instruments and setups can often conversely stimulate the creativity of players. The Classic Pedal is just that a drum pedal taking a sophisticated path to simplicity, to stimulate joy and creativity from its player. Due to their simple, user-friendly nature, vintage pedals have remained popular in modern times, when technology and innovation abound. While taking inspiration from vintage models, we also incorporated years of product research and development, and condensed it into this simple structure. The streamlined footboard was carefully designed, with great attention to detail, so that it is easy to use in any playing style. We developed a height adjustment mechanism that precisely strikes the center of the head, for a range of bass drum sizes. And above all, its weight balance achieves a very natural feel and response, while still delivering power and nuance. This comfortable feeling allows that player to forget about the pedal itself and instead focus on playing music, naturally inspiring joy and creativity.

Crafted by D'Addario, the Select Jazz Mouthpiece has been meticulously perfected to address the needs of the most demanding players. Digitally milled and held to the tightest tolerances, each mouthpiece creates a consistent, quintessential sound that is at once vintage, unique, and yours. - 100% precision-milled, vintage-inspired jazz mouthpieces - The Select Jazz Mouthpiece line is milled not molded, from solid rod rubber, using D'Addario's precise, computer-controlled mouthpiece making technology - Classic sound and response, with even intonation across the entire range of the saxophone - Features medium chambers and facing lengths - Available in four tip openings: 6, 7, 8, and 9 - Made in the USA from foreign materials by D'Addario.

The D'Addario Select Jazz mouthpiece captures the feel and tone of legendary artists from years past. Now, today's saxophonists have a chance to discover for themselves the sound that, for decades, set the standard of jazz. The D'Addario Select Jazz Mouthpiece brings forth a perfect union of tradition and innovation. The D6M model features a 0.78' (1.98mm) tip opening. The Select Jazz line is milled not molded, from solid rod rubber, using D Addario s precise computer-controlled mouthpiece-making technology Classic sound and response, with even intonation across the entire range of the saxophone Features medium chambers and facing lengths; 0.78' (1.98mm) tip opening

The D'Addario Select Jazz mouthpiece captures the feel and tone of legendary artists from years past. Now, today's saxophonists have a chance to discover for themselves the sound that, for decades, set the standard of jazz. The D'Addario Select Jazz Mouthpiece brings forth a perfect union of tradition and innovation. The D7M model features a .083 (2.10mm) tip opening. The Select Jazz line is milled not molded, from solid rod rubber, using D Addario s precise computer-controlled mouthpiece-making technology Classic sound and response, with even intonation across the entire range of the saxophone Features medium chambers and facing lengths; .083 (2.10mm) tip opening

The D'Addario Select Jazz mouthpiece captures the feel and tone of legendary artists from years past. Now, today's saxophonists have a chance to discover for themselves the sound that, for decades, set the standard of jazz. The D'Addario Select Jazz Mouthpiece brings forth a perfect union of tradition and innovation. The D5M model features a .073' (1.86mm) tip opening. The Select Jazz line is milled not molded, from solid rod rubber, using D Addario s precise computer-controlled mouthpiece-making technology Classic sound and response, with even intonation across the entire range of the saxophone Features medium chambers and facing lengths; .073' (1.86mm) tip opening

Crafted by D'Addario, the Select Jazz Mouthpiece has been meticulously perfected to address the needs of the most demanding players. Digitally milled and held to the tightest tolerances, each mouthpiece creates a consistent, quintessential sound that is at once vintage, unique, and yours. - 100% precision-milled, vintage-inspired jazz mouthpieces - The Select Jazz Mouthpiece line is milled not molded, from solid rod rubber, using D'Addario's precise, computer-controlled mouthpiece making technology - Classic sound and response, with even intonation across the entire range of the saxophone - Features medium chambers and facing lengths - Available in four tip openings: 6, 7, 8, and 9 - Made in the USA from foreign materials by D'Addario.

Crafted by D'Addario, the Select Jazz Mouthpiece has been meticulously perfected to address the needs of the most demanding players. Digitally milled and held to the tightest tolerances, each mouthpiece creates a consistent, quintessential sound that is at once vintage, unique, and yours. - 100% precision-milled, vintage-inspired jazz mouthpieces - The Select Jazz Mouthpiece line is milled not molded, from solid rod rubber, using D'Addario's precise, computer-controlled mouthpiece making technology - Classic sound and response, with even intonation across the entire range of the saxophone - Features medium chambers and facing lengths - Available in four tip openings: 6, 7, 8, and 9 - Made in the USA from foreign materials by D'Addario.

Crafted by D'Addario, the Select Jazz Mouthpiece has been meticulously perfected to address the needs of the most demanding players. Digitally milled and held to the tightest tolerances, each mouthpiece creates a consistent, quintessential sound that is at once vintage, unique, and yours. - 100% precision-milled, vintage-inspired jazz mouthpieces - The Select Jazz Mouthpiece line is milled not molded, from solid rod rubber, using D'Addario's precise, computer-controlled mouthpiece making technology - Classic sound and response, with even intonation across the entire range of the saxophone - Features medium chambers and facing lengths - Available in four tip openings: 6, 7, 8, and 9 - Made in the USA from foreign materials by D'Addario.

Body Material : Alder with Solid top Hard Maple Wood Body Shape : New Modern Bass Body Color : Alder Body BRB, TBLB Ash Body NT, TBKB Neck Material : Canadian Hard Maple(Scarf Joint) Neck Shape : C-Shape Scale : 34 -35 (For 5 string 35 for clear low B) Neck Joint : 4/5 Bolt Individual Dot (5 hole for 5 string) Fingerboard(Rolled Edges) : Ebony Fingerboard Radius : 12 Frets : Medium, 24 Frets String Nut : 4 String Natural Bone 38mm width / 5 String Natural Bone 45mm width Inlay : White Pearl Dot Pickups : Marcus Pure-H Revolution Set Electronics : Marcus Miller Heritage-3 with Middle Frequency Control Knobs : Modern Black Plastic Bridge : Marcus Miller Heavy Mass Custom Tuning Gear : Sire Diecasting Gear Hardware Finish : Black Living Legend and His Bass Marcus Miller and SIRE wishes to see everyone enjoying and playing music.To make this happen, Marcus Miller and SIRE have been on a mission for the past several years to build the best quality bass at an unbelievable price, making it available to everyone.The result is a new line of Marcus Miller bass models that have an amazing sound, fantastic new look, and are high quality but with an extraordinary low price.We are ecstatic that SIRE Marcus Miller basses are now available to everyone with a new hope that more people will be able to play and enjoy the music they love. Solid Hard Maple Top Finished with a solid hard maple top which are found only in premium guitars for a rich, vibrant, and clear tone Marcus Miller Heritage-3 Preamp System A top notch 3-band EQ preamp to meet the needs of Marcus Miller s versatility and to cover various styles of music. The active/passive mode option, together with the Humbucker Pickup Set with individual setting options (single, humbucker, and serial-parallel) are the core technology for the best sound quality and tone versatility Stable and Accurate Sound Wave Transfer : Marcus Miller Custom Big Mass 2 Bridge Equipped with a newly designed heavy mass saddle bridge with a string-through body bridge mechanism that allows a tighter, more accurate, and stable tone Rolled Fretboard Edges What only custom shops can achieve, is now on the Sire 2nd Gen. These rounded edges will give users a firmer and more natural grasp compared to other typical fretboards MARCUS HERITAGE-3 Preamp [CORE TECHNOLOGY FOR EXCELLENT SOUND] SIRE s unique preamp system is a perfect example that represents our technology and philosophy that is integrated into our instruments.With multiple tone controls, players have total command to achieve the perfect tone they desire. The use of 18v batteries enables the player to attain unaltered natural sounds with strong and powerful outputs. With the 3-band EQ, players are able to carry out versatility in sounds that will be suited for all music sessions and performances. All models are built with the option of both active and passive modes. Even in the passive mode, the volume, tone, and pickup balancer are fully functional, giving the players more control of the tone in any mode. All models also come with swappable midrange control options that Marcus Miller advocates as a must have option. The middle frequency control knob allows the players to set the sound frequency to anywhere between 80Hz~2,000Hz. This option will be very handy when trying to find the desired sound The Marcus Miller Pure-H Humbucker (MMPH set) is a humbucker pickup set made with US Enamel coil. This humbucker-type pickup is a pickup set with a strong output that gives a punchy and solid mid-range sound. Marcus Pure-H humbucker Pickups feature a higher resolution and clearer sound.We have been collaborating with Marcus Miller to tailor the best sound balance and it will be introduced in the 2nd Gen series. The exterior of the pickup has also been upgraded as it is now embossed with a logo. ROLLED FRETBOARD EDGES We have taken the overall playability to the next level with the ROLLED FRETBOARD EDGES.What only custom shops can achieve, is now available in the Sire 2nd Gen series. These rounded edges will give players a firmer and more natural grasp, compared to the typical fretboards.We were well aware of the difficulties we would face in our ambition to apply the rolled fretboard edges in a mass production factory. Together with the production team, we worked tirelessly to make this theory a reality.This was quite a challenge, almost an impossible mission.We tried making several adjustments to the production process and even introduced a new machine. Since our Sire basses also have bindings, this made it exceptionally challenging, way beyond our imaginations. But eventually, we found the answers and we are ecstatic to present the Rolled Fretboard Edges in all our 2nd Generation models. DOUBLE CARBON FIBER REINFORCEMENT ROD Sire s 5 string bass guitars are made with Double Carbon Fiber Reinforcement Rods. 5 string bass guitars tend to have weak neck binding structures due to strong string tensions. For this reason, many high-end 5 string basses are made with Carbon Rods. Therefore, to maintain neck stiffness and stability, two carbon rods are applied to all Sire s 5 string bass guitars. We call this Double Carbon Fiber Reinforcement Rod. NEW MARCUS MILLER MODERN BASS TYPE With both classic and modern feel and design, this new bass can produce the desired sound for all genres of music from soft to even strong metal grunge. For an added special touch of detail, the M2 truss rod cover and black plate is also made with real wood for a premium look and feel. The M7 is built with solid hard maple top as would all premium guitars. The solid top produces a rich, vibrant and clear tone compared to a veneer top. SWAMP ASH Premium Swamp Ash tone wood is usually found in higher priced instruments. Swamp Ash tone wood is known to produce a well-balanced tone. It is highly resonant and offers a nice balance of pleasant highs, firm lows, and a slightly scooped midrange which is great for slap playing.The characteristics of this wood enable players to emulate Marcus Miller s tone a step further NORTH AMERICAN ALDER A popular choice for most bass guitars is the North American Alder. Other basses at this price range commonly use Basswood or Agathis tone wood but Sire Guitars chooses the traditional North American Alder which is known for its strong, clear full-bodied sound, with beefy mids and excellent lows that is perfect for the traditional jazz bass sound. STABLE AND ACCURATE TUNING Tuning Gear : Sire Basic Die casting Gear Equipped with SIRE s own diecasting gear machine heads developed with accurate gear ratio, the machine heads are very reliable in tuning. BONE NUT The nut is one of the most important parts of the guitar that influences the performance, playability, and tone of the instrument. Depending on the quality of the material and elasticity, the nut can either improve or degrade the sound. Although the bone nut is more costly and harder to work with, it is considered to deliver more balanced, clearer and smoother tones than plastic or other materials. EASE OF PLAYABILITY 1 PIECE HARD MAPLE NECK The neck is made with one-piece Canadian hard maple. The hardness and strength of the hard maple minimizes the movement and stabilizes the neck to maintain its original shape and condition. The one-piece neck also minimizes the loss of vibration and maximizes the tone sustainability for a lasting tone. EBONY FINGERBOARD Ebony fingerboards are made with very dense wood that delivers clear, crisp, and well-rounded tones. BATTERY COMPARTMENT The battery insertion compartment has changed from a plastic cover to an Ash wood battery cover for longer lasting durability and aesthetic upgrade.

The genuine BOSS and Roland Dimension effect is back, and it s now more versatile than ever! Designed in the premium Waza Craft analog tradition, the DC-2W offers not just a perfect sonic recreation of the original DC-2 Dimension C pedal, but also the legendary SDD-320 Dimension D studio rack effect it was based on. The DC-2W features the same intuitive four-button preset interface as the original 80s-era effects, now evolved with electronic switching that unlocks a multitude of sonic variations not available on the vintage units. Highly sought-after by musicians and audio engineers, the Dimension s unique spatial processing magically enhances the width and depth of any sound, from electric and acoustic guitars to keyboards, vocals, and other sources. Built from the original circuit designs and updated with modern refinements, the DC-2W is the only pedal available that delivers the classic Dimension experience with complete sonic authenticity. Premium Waza Craft pedal with all-analog audio circuitry Standard mode provides the sound of the original DC-2 Dimension C pedal SDD-320 mode authentically reproduces the vintage Roland SDD-320 Dimension D, a legendary studio rack effect heard on countless hit records Iconic four-button preset interface, updated with reliable electronic switches and LED status indicators Four main sounds in each mode, plus six variations by pressing two switches together (20 total sounds available) Premium buffer and enhanced bypass circuitry Versatile I/O for integrating with any mono or stereo application, from guitar and bass pedalboards to keyboards and studio mixing Made in Japan BOSS five-year warranty Enhance Your Sound with Natural Width and Depth The vintage Dimension effect is famous for its innovative 3D spatial processing that just makes everything sound a little better. It s often mistakenly called a chorus effect, but it s actually not. Though time-based like a chorus, the Dimension s circuit is quite unique and sophisticated, subtly enhancing the width and depth of the source audio without any prominent modulated movement. The resulting sound is more open and natural, gently enriching any instrument or mix without making it sound overly processed. Four Switches, Expanded Sonic Possibilities Just like the original Dimension effects, the DC-2W offers a simple and direct interface with four preset switches that provide sonic variations with increasing width and depth. While the originals had mechanical switches, the DC-2W is equipped with modern electronic switches and status LEDs for more solid performance. The new switches also allow you to press two at once to access a variety of additional sounds. Across the DC-2W s two effect modes (S and SDD-320), 20 different Dimension variations are possible with just four switches. Authentic Tones with Modern Refinements In the Waza Craft tradition, the DC-2W delivers vintage analog tones with modern design refinements for enhanced performance and versatility. Along with the new electronic mode switches, the pedal features a newly designed internal bypass circuit that greatly improves on that found in the original DC-2. In addition, versatile I/O enables the pedal to blend in with any mono or stereo rig, from regular guitar setups to audio interfaces and studio mixing consoles. And like all Waza Craft pedal models, the DC-2W includes a premium buffer circuit for ultra-transparent tone when the pedal is switched off. The Roland SDD-320 Dimension D: A Studio Legend Very quickly after its debut in 1979, the Roland SDD-320 Dimension D became a go-to secret weapon for audio engineers and music producers around the world. It can be heard on countless classic records in all genres, and is still regularly used today. From guitars, electric pianos, and synths to strings, backing vocals, and more, the Dimension D injects instant spatial mojo and sonic glue without creating an obvious effect sound. The DC-2W s SDD-320 mode fully captures the original Dimension D vibe in every way. Many engineers like to press multiple buttons on the Dimension D rack for new and different sounds. But in truth, only two actual sound variations are technically possible with this undocumented feature. With its modern switching, the DC-2W s SDD-320 mode enables six sound variations when two buttons are pressed, including four in-between sounds and two all-new voices. The BOSS DC-2 Dimension C: 3D Sound in a Compact Pedal Introduced in 1985, the DC-2 Dimension C pedal brought the Dimension D s distinctive spatial effect to the BOSS compact pedal format. While the Dimension D was designed as a studio effect that supported either mono or stereo input sources, the DC-2 was specifically created for mono sources like guitar, and features a modified circuit that produces a Dimension effect with a slightly different tonal flavor. When S (Standard) mode is selected, the DC-2W delivers the exact sound of the original DC-2 pedal. Despite players trying, pressing multiple buttons on the DC-2 didn t actually produce any sound variations. Similar to SDD-320 mode, pressing two buttons at once in the DC-2W s S mode provides access to six different in-between sounds not available on the original DC-2. Waza Craft: The Art of Superior Tone Since the beginning, the engineers at BOSS have been committed to achieving the finest guitar tones using any technology necessary, from old-school analog circuits to high-tech DSP. This enthusiastic spirit continues on with the Waza Craft series, which brings you exceptional tone and touch response through carefully selected analog components, refined circuitry, and meticulous attention to detail. In Japan, Waza is the term for art and technique, and these special edition pedals proudly carry the Waza symbol to represent the pinnacle of BOSS design and craftsmanship. BOSS DC-2W: Dimension C -Modes S (Standard) SDD-320 -Nominal Input Level -20 dBu -Input Impedance 2.2 M ohms -Nominal Output Level -20 dBu -Output Impedance 1 k ohm -Recommended Load Impedance 10 k ohms or greater -Bypass Buffered bypass -Controls Pedal switch S/SDD-320 switch MODE SELECTOR [1]--[4] buttons -Indicators CHECK indicator (Serves also as battery check indicator) MODE SELECTOR [1]--[4] indicators -Connectors INPUT A (MONO) jack: 1/4-inch phone type INPUT B jack: 1/4-inch phone type OUTPUT A (MONO) jack: 1/4-inch phone type OUTPUT B jack: 1/4-inch phone type DC IN jack -Power Supply Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) -Current Draw 65 mA -Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.) Alkaline: Approx. 6 hours -Dimensions 73 (W) x 129 (D) x 59 (H) mm 2-7/8 (W) x 5-1/8 (D) x 2-3/8 (H) inches -Weight (including battery) 450 g 1 lb -Accessories Owner\'s manual Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information) Alkaline battery (9 V, 6LR61) -Options (sold separately) AC adaptor: PSA series * 0 dBu = 0.775 Vrms

More than ever, producers are making tracks using electronic instruments such as synthesizers and drum machines. And now, in collaboration with Dave Smith Instruments, we ve created a new monophonic synthesizer for music production and live performances: the TORAIZ AS-1. The synth is the second musical instrument in our TORAIZ series that brings new creative possibilities to the studio and stage, and its release follows the launch of our popular TORAIZ SP-16 live sampler in August 2016. The TORAIZ AS-1 is driven by a fully programmable, true analog synthesis engine based on the discrete analog circuitry in Dave Smith Instruments Prophet-6 synthesizer a modern reboot of his classic Prophet-5. Working closely with Dave Smith himself, we ve created a synth that produces powerful analog sound and makes an ideal addition to the set-ups of professional and aspiring producers. Our experience in making DJ equipment and production gear has been poured into the development of the new synth s user interface and performance features. The intuitive controls include parameter knobs that let you make both subtle and dramatic changes to the tone of your music to create your own personalised sound. You can use the touchpad-style keyboard and slider to manipulate sounds during performances. And it s easy to manipulate the seven on-board effects, which with the addition of a brand-new digital distortion come from the Prophet-6 synth. You can connect the TORAIZ AS-1 synth to the TORAIZ SP-16 live sampler via MIDI and use the sampler s sophisticated sequencer to create even more complex patterns with the powerful analog sounds you ve created in the synthesizer. Together, the two TORAIZ instruments can be connected to your DJM mixer via Pro DJ Link and MIDI, creating a set-up where the CDJs play the track, the TORAIZ SP-16 adds loops and one-shots, and the TORAIZ AS-1 generates unique analog leads in sync with the BPM of the music. KEY FEATURES OF THE TORAIZ AS-1 : True analog sound from Dave Smith Instruments Prophet-6 : Create your own fat bass and edgy lead sounds thanks to the synthesis engine at the core of the TORAIZ AS-1, which is based on the discrete analog circuitry of Dave Smith Instruments revered Prophet-6 synthesizer. The TORAIZ AS-1 has two voltage-controlled oscillators (VCO) with continuously variable triangle, sawtooth and pulse wave shapes. Sculpt your sound using the two voltage-controlled filters (VCF) also from the Prophet-6: a 4-pole, resonant low-pass filter that can self-oscillate and a 2-pole, resonant high-pass filter. Full programmability and 495 presets : Use the TORAIZ AS-1 to create one-of-a-kind sounds using two VCOs, two VCFs, one VCA, two EGs, and one LFO, then save each sound and its parameter settings as a program so you can access it later. There are 495 preset programs to give you inspiration, each with a different sound and 64-step sequence that can be edited independently. In addition, you can save up to 495 of your own programs in the five user banks, and you can assign up to 13 programs as Quick Programs to each key on the keyboard and instantly recall them at any time. VCO: Voltage-controlled amplifier EG : Envelope generator LFO : Low-frequency oscillator VCO : Voltage controlled oscillator FX from the Dave Smith Instruments Prophet-6 synthesizer : Get creative with the Prophet-6-derived dual effects engine. Add a single effect or pair two together to add extra texture to your sounds. True bypass preserves a pure analog signal path. * FX1: Bucket Brigade Delay, Distortion, Ring Modulation * FX2: Chorus, High-resonance Phaser, Low-resonance Phaser, Maestro Phaser Intuitive user interface and performance features : Create unique sounds and phrases using the intuitive touchpad-style keyboard and slider. Harness features such as the 64-step sequencer, arpeggiator and Scale Mode to bring even more creative possibilities to your performance. * Keyboard and Scale Mode: Use the touchpad-style keyboard to perform with the sounds you create. Use Scale Mode to change the notes assigned to the keys, choosing from any of the 21 on-board scales. You don t need a deep understanding of musical theory. Just select the scale in which you want to play and the TORAIZ AS-1 will make sure your performance is in perfect harmony. * Slider: Add dynamism to your performances by moving your finger up and down the slider to manipulate your choice of seven different parameters. Change the pitch of two oscillators at once, adjust the amount of FX, and more. The slider is sure to become an essential tool in your live performances. * Arpeggiator: Perform a repeating chord pattern by holding notes on the touchpad-style keyboard. Change it in real time, either by octave or by changing its key in semitones. Experiment with combinations of different scales, or match the scale with that of a track that s playing. * 64-step sequencer: Use the 64-step sequencer for step recording of patterns. Change the musical key of a pattern in real time by touching the relevant key of the keyboard during playback. Find inspiration from a preset sequence pattern and use Sequence Lock so you can play the keyboard and quickly edit the sound without editing the pattern that s playing. Other features : - Bright OLED display shows parameter information - USB-B port and MIDI terminals (IN, OUT/THRU) for easy connection to a PC/Mac or an external MIDI device - Robust metal chassis suitable for use in the studio or on stage - Sound generation : Analog synthesis - Input / Output Terminals : * OUTPUTS : AUDIO OUT L/R ((¼-inch TS jacks), PHONES (¼-inch stereo phone jack) * MIDI : MIDI IN (5P DIN), MIDI OUT/THRU (5P DIN) * USB : USB (Type B) * OTHERS : TRIGGER IN (¼-inch TS jack) - Power supply : AC adaptor (DC 5V) - Power consumption : 1,500 mA - Maximum dimensions (W D H) : 267.4 mm x 177.7 mm x 68.6 mm / 10.5 × 7.0 × 2.7 - Weight : 1.4 kg / 3.1 lb - Accessories : AC adaptor, Power cord, Quick Start Guide -

Plugin Bundle (Download)- Includes all currently available BLEASS plug-ins- BLEASS strikes a unique balance between clean, precise tools with straightforward, almost traditional functions on one hand, and inventive creative twists on the other—making the workflow both fresh and inspiring.- The BLEASS arpeggiator combines classic MIDI pattern design with an in-built soft synth - ideal for immediate testing and layering without any setup effort- SampleWiz 2 offers granular and cloud-based sample playback with live editing and DJ-like time-shifting- The BLEASS Granuliser translates complex grain processing into a visual real-time interface that remains intuitively playable- Megalit combines a modern wavetable synth with motion sequencer, FM and mod matrix in a very small space- Omega shows how focussed FM can sound if you don't overload itv- Classic effects like delay, reverb, saturator, and phaser may appear straightforward, but thoughtful details—such as pitch shimmer, ping-pong routing, and modulation targets—unlock highly practical and versatile possibilities.- FX and synths complement each other perfectly—each plugin has its own focus while remaining flexible for creative combinations.- Arpeggiator- Alpha Black- Megalit- Monolit- Omega- SampleWiz 2- Chorus- Compressor- Delay- Filter- Flanger- Phaser- Reverb- Saturator- Shimmer- Dragonfly- Fusion- Granulizer- Motion EQ- Motion FX- Multiband Compressor- Phase Mutant- Sidekick- Slow Machine- Tides- Voices- Vox

The American Acoustasonic Telecaster® embodies the spirit of purposeful innovation that Fender was built on. From acoustic shape-shifting to electric rhythm tones, this powerful guitar uses a revolutionary Fender and Fishman®-designed Acoustic Engine to deliver new sonic expression from the studio to the stage. Elegantly simple, the Acoustasonic Telecaster was designed to inspire mixing future technology with organic feel and playability as a way to connect artists to their music. The fully hollow body features an integrated forearm contour and our patent-pending Stringed Instrument Resonance System (SIRS) designed to deliver a naturally loud voice with lively harmonics. A smooth-playing mahogany neck and open-pore satin finish make this cutting-edge guitar comfortable and easy to play. On stage the Acoustasonic Telecaster eliminates many of the challenges associated with playing an acoustic guitar live by cutting out feedback, and making it easy to access the sounds you need without switching instruments. The Acoustasonic Telecaster is powered by the Fender and Fishman®-designed Acoustic Engine proprietary blend of classic analog and future technologies that optimize the guitar s natural sound, and then modify the resonance to deliver a curated collection of voices. These acoustic and electric voices can be played solo, or blended via the Mod Knob to create new sounds. They can also be used simultaneously, courtesy of the Fender Acoustasonic Noiseless magnetic pickup. Handcrafted in Corona, California, at the same factory that makes Fender s iconic electric instruments, the Acoustasonic Telecaster represents the next era in Fender craftsmanship and innovation designed for fearless artists who want an inspiring instrument with limitless new sounds and a great Fender feel.

The American Acoustasonic Telecaster® embodies the spirit of purposeful innovation that Fender was built on. From acoustic shape-shifting to electric rhythm tones, this powerful guitar uses a revolutionary Fender and Fishman®-designed Acoustic Engine to deliver new sonic expression from the studio to the stage. Elegantly simple, the Acoustasonic Telecaster was designed to inspire mixing future technology with organic feel and playability as a way to connect artists to their music. The fully hollow body features an integrated forearm contour and our patent-pending Stringed Instrument Resonance System (SIRS) designed to deliver a naturally loud voice with lively harmonics. A smooth-playing mahogany neck and open-pore satin finish make this cutting-edge guitar comfortable and easy to play. On stage the Acoustasonic Telecaster eliminates many of the challenges associated with playing an acoustic guitar live by cutting out feedback, and making it easy to access the sounds you need without switching instruments. The Acoustasonic Telecaster is powered by the Fender and Fishman®-designed Acoustic Engine proprietary blend of classic analog and future technologies that optimize the guitar s natural sound, and then modify the resonance to deliver a curated collection of voices. These acoustic and electric voices can be played solo, or blended via the Mod Knob to create new sounds. They can also be used simultaneously, courtesy of the Fender Acoustasonic Noiseless magnetic pickup. Handcrafted in Corona, California, at the same factory that makes Fender s iconic electric instruments, the Acoustasonic Telecaster represents the next era in Fender craftsmanship and innovation designed for fearless artists who want an inspiring instrument with limitless new sounds and a great Fender feel.

Three years ago, Darkglass Electronics released the Microtubes 900. An uncompromising, light, versatile and unapologetically loud bass amplifier. Its features and design embodied the Darkglass ethos like none of the brand s previous products. Now, a thousand days after the first Microtubes amplifier saw the light of day, Darkglass is proud to announce the next steps in their bass amplification evolution: Microtubes 900 v2 and Alpha·Omega 900. Microtubes 900 v2 features both of Darkglass celebrated Microtubes engines. From the powerful dynamic saturation circuit from the B3K to the classic overdriven tone from the Vintage Microtubes, clean, vintage and aggressive metal tones are only a stomp away. Alpha·Omega 900 s dual drive engine takes bass saturation to a new dimension: Alpha is punchy, tight with a lot of definition, whereas Omega is brutal and raw. Paired with the studio-grade VCA compressor, six-band graphic EQ and an obnoxiously loud 900-watt power section make for a monstrous amplifier with earth-shattering tone. Either of Darkglass signature drive engines adds incredible girth and size to the overdriven signal, but the addition of a studio-grade VCA compressor adds an extra layer of control and the ultra-quiet 6-band graphic equalizer will help sculpt the tone from aggressive and overdriven, to crystal clear clean. Whatever your tone needs may be, both models feature all the options the modern, professional bassist needs in a compact, sleek and powerful format. But there is more! Both amplifiers also feature MIDI for channel switching, and muting programmability, impulse response cabinet simulation, with up to three different storable virtual cabinets, auxiliary input, and headphone output, making the Microtubes 900 v2 and Alpha·Omega 900 not only among the most complete amplifier solutions for the touring musician, but also the ideal tools for silent practicing.

Three years ago, Darkglass Electronics released the Microtubes 900. An uncompromising, light, versatile and unapologetically loud bass amplifier. Its features and design embodied the Darkglass ethos like none of the brand s previous products. Now, a thousand days after the first Microtubes amplifier saw the light of day, Darkglass is proud to announce the next steps in their bass amplification evolution: Microtubes 900 v2 and Alpha·Omega 900. Microtubes 900 v2 features both of Darkglass celebrated Microtubes engines. From the powerful dynamic saturation circuit from the B3K to the classic overdriven tone from the Vintage Microtubes, clean, vintage and aggressive metal tones are only a stomp away. Alpha·Omega 900 s dual drive engine takes bass saturation to a new dimension: Alpha is punchy, tight with a lot of definition, whereas Omega is brutal and raw. Paired with the studio-grade VCA compressor, six-band graphic EQ and an obnoxiously loud 900-watt power section make for a monstrous amplifier with earth-shattering tone. Either of Darkglass signature drive engines adds incredible girth and size to the overdriven signal, but the addition of a studio-grade VCA compressor adds an extra layer of control and the ultra-quiet 6-band graphic equalizer will help sculpt the tone from aggressive and overdriven, to crystal clear clean. Whatever your tone needs may be, both models feature all the options the modern, professional bassist needs in a compact, sleek and powerful format. But there is more! Both amplifiers also feature MIDI for channel switching, and muting programmability, impulse response cabinet simulation, with up to three different storable virtual cabinets, auxiliary input, and headphone output, making the Microtubes 900 v2 and Alpha·Omega 900 not only among the most complete amplifier solutions for the touring musician, but also the ideal tools for silent practicing.

T5 INFINIUM 5-Watt Cage-Style Tube Amplifier Head with INFINIUM Tube Life Multiplier and Reverb Overview: - Hand-built 5-Watt guitar head driven by 1 x 12AX7 and 1 x EL84 tubes - Authentic 2-channel preamp everything from traditional clean/ crunch to modern high-gain sounds - Revolutionary INFINIUM Tube Life Multiplier technology: *Extends the life of your amplifier s expensive power tubes up to 20 times *Provides incredible reliability and consistent tone over the complete lifespan of your tubes *Monitors performance of the power tube continuously and displays defective tube to allow for easy replacement - Integrated high-definition reverb with dedicated Reverb control - Vintage Equalizer section with dedicated Bass and Treble controls - Phat switch to boost the sound character of your guitar playing - Built-in 2-way Power Attenuator allows you to get ultimate sound at any volume - Cage style metallic mirror finish and suitcase-type handle redolent of vintage taste - Designed and engineered by BUGERA Germany The timeless design and sound of the all-tube amplifier has made its indelible mark on countless beloved tracks spanning the history of the electric guitar. With the ultimate pursuit of those wonderfully saturated and buttery vintage tones in mind, we proudly present the T5 amplifier. Sporting a gorgeous look and feel, the T5 serves up 5 beautiful, tube-soaked, Class-A Watts in all your favorite flavors and features our revolutionary INFINIUM Tube Life Multiplier Technology which not only controls your output tube s status, but can extend its lifespan by up to 20 times. A built-in 2-way Power Attenuator, allows you to achieve the ultimate sound at any volume, all the way down to 0.1 Watts and the ultra easy-to-use vintage equalizer (Bass and Treble) will have you dialing up the tone of your dreams. We topped it all off with a sweet-sounding, high-definition Reverb that lends an air of timelessness to your solo and rhythm parts, and a Phat switch to boost the sound character of your guitar playing even more. It all adds up to an all-tube amplifier with vintage styling and outrageous tone the small but mighty T5 INFINIUM! Classic All-Tube Design The T5 INFINIUM features true Class-A technology with a 12AX7 front-end and an EL84 power stage. A masterful, hand-crafted all-tube amplifier, the T5 provides sweetly-balanced harmonics and natural tube compression, resulting in the warm distortion and break-up you ve come to love from those vintage megaliths of yesteryear only in a much more portable and attractive package. The hand-selected 12AX7 preamp tube in T5 s classic 60s-era preamp provides everything from sweetly-purring blues to mind-blowing crunch. Often employed in British-style amplifiers, the EL84 output tube is known for its crisp and chiming tonal quality, when pushed to the max, and the T5 harnesses that power via the built-in power attenuator for the ultimate guitar tone at any volume level. INFINIUM Tube Life Multiplier Technology Years in the making, our INFINIUM Tube Life Multiplier Technology can extend the usable lifespan of your amplifier s expensive power tubes by up to 20 times, saving you huge money and ensuring the integrity of your tone. How This revolutionary circuit automatically and continuously monitors the performance of each output tube, and dynamically drives it towards the target operating point, for an evenly distributed load. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your tubes sounding as good as new even when AC line voltages drop below nominal levels. Similar technology has been used for decades in all-wheel drive cars, where systems modulate the power going to each wheel to improve traction. Just consider INFINIUM Series amps 4-wheel drive for your guitar. INFINIUM Series amps take all the guesswork out of tube replacement by illuminating an LED next to a tube that is reaching the end of its usable lifespan. And thanks to INFINIUM s Auto-Bias design, you simply replace the indicated tube without a trip to the repair shop, saving you even more money. Available exclusively from BUGERA, INFINIUM Tube Life Multiplier Technology is a major breakthrough in amplifier design and manufacture, providing incredible reliability for your stage performance and more consistent sound over the lifespan of your tubes. Since they are always operating at optimal levels, your output tubes perform more predictably and last much longer, thanks to BUGERA s marvelous INFINIUM Technology, saving you some serious money! High-Definition Reverb Adding to its impressive list of tone-shaping options, the T5 s high-definition Reverb puts the perfect finishing touch to your signature sound. Adjustable via the dedicated control on the front panel, you can finally achieve any sound you desire from a subtle touch to the cavernous, natural-sounding reverberation of a large arena. Power Attenuator and Speaker Emulation - Your Best Tone at Any Volume The convenient, built-in Power Attenuator allows you to operate the incredibly-tasty T5 at your choice of 5 Watts, 1 Watt, or even 0.1 of a Watt, so you get everything from sweet and sassy to maximum tube saturation at any volume level. This amazing feature alone makes the T5 INFINIUM worth its weight in gold! Uncompromising Quality and Sound Long life and impressive durability are ensured, thanks to the high-quality components and exceptionally-rugged construction found throughout. Designed and Engineered by BUGERA Germany and featuring our 3-Year Limited Warranty Program, the BUGERA T5 INFINIUM gives you all the wonderful tones of the most-revered, classic tube amps, pairing a vintage Class-A design with our fully-adjustable power attenuator. Whether you re bringing yesterday s golden tones to life, or creating some of your own the T5 is destined to become your favorite new sonically-inspired, do-it-all amp!

New Features at a glance A new ratio Eleven , which emulates a favorite classic compressor setting. New Two Color Front Panel Improved Logic Separate TRACKING LED, more intuitive display. Backwards stepping when a front panel button is held. New extended stereo link functions. More choices of how to lock compressors. Cooler running Logic Circuitry, resulting in an overall cooler operating temperature. Improved overall noise floor, due to lower logic power consumption. THE FAT GOES TO ELEVEN ELEVEN is a new compressor for the Fatso, replacing the old GP Ratio, and emulates the famous UREI 1176LN in 20:1, with the slowest attack, and fastest release. This 1176 setting has been used on countless hit records through the decades. With the slower 1176 attack, the transients keep the dynamics present, while the high ratio, can radically limit the dynamic range of any source, making it present and sitting in a nice little place in your mix. One can slam it, or just touch it with a few dB of compression. You will find it great on Vocals, Bass, acoustic guitars, drum room mikes, pianos etc. The ELEVEN ratio took several months of experimentation, and required a rather radical attack mod to get close. It was one of those projects that Dave Derr, the designer, thought would only take a few days, but upon initial research and listening tests, subtleties emerged which required starting over several times. I got in one of these design loops, where you would get one thing right, then change another parameter or component, and find that it changed the first thing you thought you had right. It was actually a long frustrating series of changes, that slowly spiraled towards the desired result. Any kind of math calculations or scaling seemed useless. In addition, while testing 1176 s, I discovered issues that I m quite sure were not intended by the original designers, and probably things of which they were not even aware. But using modern digital oscilloscopes and analyzers, along with digital workstations, and our good old ears, we could see artifacts that the original designers couldn t. Heck, they may have even tried to fix the little imperfections that gave the 1176 its unique character, had they the tools to see them. Thank gosh they didn t, right Anyway, the design loop was frustrating, but like anything that takes you to unexpected places, hopefully you come out a little bit wiser, and with a great product. I hope our customers find the new ELEVEN ratio fun to use, and discover it can add some more magic to your music. NOTE: ALL existing older Fatso Jr s can be modified to change the GP ratio to the new ELEVEN ratio. In addition, all Fatsos shipped from Empirical Labs since June 2013 have had the ELEVEN ratio already installed in the circuit, under the GP ratio, so if you bought a Fatso recently, you probably already have the equivalent EL7-X circuitry. NEW LOGIC AND INTERFACE OPERATION The original Fatso Jr could operate quite warm. Since heat is the enemy of reliability, we decided to do what we could to cool the unit down in this re-design. By replacing discrete logic with a microprocessor, and eliminating warm running and often unreliable display circuitry, the current draw was dropped over 20%, allowing the power supply and analog circuitry to benefit from a cooler running product. The new FATSO also has greatly improved interface operation. Holding any button in for a second will make the control step backwards, so the user doesn t have to cycle around to go back one step in setting one parameter. In addition, the Stereo Link is improved and offers a second link method by holding in both COMP buttons. It locks the compressors and Bypass logic together, and allows either channels buttons to control the settings. Much more foolproof. There is now a separate LED for the TRACK (Tracking) compressor, so that two LEDs do not have to be used, and interpreted by the user. SPANK is now a Blue LED delineated from the other compressors off to the side, to indicate that it is different and can be used in conjunction with the other ratios. Customers will find compressor selection more obvious and FUN. FATSO S FOUR TYPES OF PROCESSING Harmonic Generation and Soft Clipper (Distortion Generation) - this class A circuit gently rounds the peaks like saturated tubes or tape. High Frequency Saturation (Warmth) - a one-of-a-kind dynamic low pass filter which softens high frequencies when they pile up on a source. Transformer and Tape Head Emulation - a simulation of the effect of input and output transformers of older devices, which adds the low frequency harmonics that characterize them, as well as analog tape.. Classic Knee Compression - your typical automatic leveling device found on just about every instrument and vocal track as well as on the overall buss, done Empirical Labs compression smooth and sweet, but in your face!

After almost 7 years of making one of the finest high-end outboard gear lines in the industry, Heritage Audio is proud to introduce the Elite series. Leveraging the expertise and reputation obtained with its existing hand wired, extremely time-consuming hand soldered series, Heritage is able to offer a zero compromise, high quality yet very affordable new series of products. A combination of mass production, lean manufacturing and modern construction techniques minimizes hand labor and, therefore, its high associated costs when manufacturing takes place in Western Europe. By passing the savings straight into the end users pockets, Heritage Audio releases the most affordable outboard preamps and equalizers in its class up to date. Key components to obtain a true vintage sound are indeed maintained, like the industry standard Carnhill transformers, hand wound in St Ives, England. Manufactured in the same Spanish facilities as the rest of the HA line of products, the Elite Series will be available in January 2018. First models to be released in the series are the 1 rack unit format HA-73 single mic preamp. Specification: Made to the same specifications as the acclaimed 73JR, 73EQJR and DMA73 models. Industry standard Carnhill transformers hand wound in St Ives, England. 80dB, 3 stage fully discrete class A mic preamp. Line input on separate XLR for adding fat and warmth to prerecorded tracks. 20dB PAD on the mic input to avoid overloading the input transformer when desired. LOZ, switches the input impedance of the mic transformer from 1200 to 300 ohm. Ultra high impedance, JFET based D.I. Fully discrete 3 band classic equalizer with vintage correct inductors. Hi shelf at 12Khz. Mid band selectable between 6 different frequencies and OFF. Lo shelf selectable between 4 different frequencies and OFF Inductor based High Pass filter, frequency selectable between 4 different frequencies and OFF. 1 Rack unit format. External universal power supply for worldwide use.

Effect Pedal for Electric Guitar- The MXR Poly Blue Octave combines modern and classic pitch-shifting styles with fuzz and modulation, making it the ultimate octave pedal for sound tinkerers and tone seekers- Controls: Dry, SUB-1, SUB-2, Mod, Oct+1, Oct+2- Push buttons: Fuzz, Mono- LED: Effect On- Foot switch: Effect bypass- Input and output: 6.3 mm jack- Mains adapter connection: Hollow female plug 5.5 x 2.1 mm, negative pole inside- Power consumption: 265 mA- Power supply via 9 V DC mains adapter (included)