UNIQUE PRODUCT FEATURES Prevents hearing damage Retains the music quality, only the volume is lower Extremely natural attenuation, thanks to the special rectilinear AlpineAcousticFilters No more annoying ringing in your ears after the concert or party Conversations remain perfectly audible Optimum fit due to the soft AlpineThermoShape material Barely visible in the ear With free pouch, handy cord and Alpine Clean cleaning spray (5 ml) Reusable EARPLUGS FOR FESTIVALS, CONCERTS AND GOING OUT FILTER EARPLUGS WITH SMOOTH, NATURAL ATTENUATION If you go to a concert or festival you particularly want to enjoy the music. But you don t want to incur hearing damage or a permanent ringing in your ears. Especially for music lovers, there are now the Alpine Party Plug Pro Natural earplugs. These earplugs have special rectilinear AlpineAcousticFilters . This means that the music is attenuated equally at all frequencies. The music quality remains perfect and only the harmful sound is muted. It s like you ve turned down the volume button. In addition, thanks to the filters you also won t have an isolated feeling, and conversations remain properly audible. ENJOY MUSIC MORE WITH GOOD EARPLUGS Alpine Party Plug Pro Natural earplugs are specially developed for use during festivals, concerts and going out. You can wear them without any problem all day and night. The earplugs are made of soft and flexible AlpineThermoShape material. This forms to the ear canal for optimal fit and attenuation. The material contains no silicones. As a result, the earplugs don t itch or irritate. Alpine earplugs are easy to clean and are durable. WITH FREE CLEANING SPRAY, CORD AND POUCH The Alpine Party Plug Pro Natural comes with a handy pouch to keep your ear plugs in as standard. You can also attach the pouch easily to your key ring. In addition, every pack contains a carrying cord. Attach the ear plugs to the cord and hang it around your neck. Ideal if you briefly take out the earplugs. You can quickly and easily clean the earplugs with the supplied Alpine Clean cleaning spray (5 ml). DUTCH DESIGN Alpine hearing protectors are quality products from The Netherlands. PACKAGE CONTENTS Two universal earplugs with acoustic flat filters Alpine storage pouch Handy cord Alpine Clean cleaning spray (5 ml)

Don t be fooled by the diminutive size of the new Takamine Pro Series P3NY New Yorker parlor-style acoustic while it is the smallest body type Takamine offers, its clear, full-bodied voice resounds with an irresistible airy sweetness and character. Along with smooth feel and state-of-the-art onboard electronics, you re in for a wonderfully distinctive acoustic experience. The solid cedar top features hand-scalloped X bracing and ivory binding, with dark purfling and a gorgeous concentric-ring rosette with wood marquetry. The unique Takamine split-saddle bone bridge provides faultless intonation and excellent acoustic coupling to the top. Other premium features include a solid sapele back, mahogany neck, rosewood fingerboard with wood dot-in-dot inlays, gold tuners with amber buttons, natural satin finish and the highly acclaimed CT4B II preamp system with three-band EQ, volume control and built-in tuner.Body style : New Yorker (No Cutaway)Barrage Table : Scalloped XTop : solid cedar Bridge : Rosewood Nut : Two part Back : Sapele MahoganySides : Sapele MahoganyBack binding: Ivory Head : Mahogany Tuners : gold with amber tuning pegs Head Nut : BoneNUT WIDTH: 42.5mm Fingerboard : Rosewood Inlay : Wood DotNeck binding : Rosewood Neck : African MahoganyPreamp : CT4B II

Bundle offer comprising 8x Eurolite LED PARty Spot Silent RGB/WW LED PAR Spot - With 12 x 5 W 4-in-1 QCL COB (chip-on-board) RGB/WW LED- Ten internal show programmes- Direct colour selection for 20 colours- Colour temperature: 2700K- Can be controlled via stand-alone, music control via microphone, master/slave function, DMX, IR remote control (not included) and QuickDMX via USB (not included)- Flicker free- Dispersion angle: 12°- Almost noiseless operation due to passive convection cooling- Power supply: 100 - 240 V AC, 50/60 Hz- Power consumption: 17 watts- IP protection rating: IP20- Protection class: SK II- Power connection: Fixed power connection cable with Euro plug- Cable type: 2 x 0.75 mm² H03VVH2-F- Cable length: Approx. 1 m- DMX channels: 4, 6, 8- DMX input and output: XLR 3-pin- Display type: 4-digit 7-segment LED display- Mounting system: Split-yoke bracket- Housing material: Plastic- Dimensions (L x W x H): 9 x 16 x 19 cm- Diameter: 12.5 cm- Weight: 600 g- Colour: Black, Matte Contents of delivery: - One light effect- Two mounting brackets- Two screws- Two washers- One user manual 8x Eurolite QuickDMX USB Wireless T/R DMX Transmitter - Phantom powered- With swiveling antenna- interference-free operation thanks to GFSK modulation with 78 channels, in addition to other QuickDMX receivers and other wireless devices in the 2.4 GHz band (such as W-LAN and Bluetooth)- Range up to 400 m (in visual contact)- Simultaneous operation of up to 6 transmitters, thereby controlling 6 DMX512 universes (3072 DMX channels) possible- Plug & Play: quick and easy commissioning with a button for connecting / disconnecting QuickDMX receivers- LED function display- Transceiver- Usable as transmitter and receiver- 2.4 GHz ISM band - worldwide registration and free of charge- Parallel operation: Up to 6 transmitters- QuickDMX connector: USB Type A- DMX channels: 1 Universe (512 channels)- Dimensions with antenna (L x W x H): 86 x 40 x 11 mm- Weight: 15 g Note:

Ditto X2 Looper If It s Worth Doing Twice, it s Worth Doing Twice Looping s next quantum leap Loops And Bounds Ahead The original Ditto Looper rocked guitarists with a lust for looping like nothing else. Finally something that was simple, made for guitarists and sounded great. What would possibly be better Well, how about all of that, plus new, next level looping features forged from pure awesome - Dedicated Stop Footswitch - Looper effects: Stop, Reverse and Half Speed - Loop Import/Export and Backing tracks Start Where We Began Guitarists love Ditto Looper like nothing else. Its ultra simple design and guitar-centric features like true-bypass, analog dry-through, high quality audio, as well as 5 minutes of looping time and unlimited overdubs resonated with guitarists around the world. So why mess with what we nailed the first time Evolooption Ditto X2 is the natural evolution of Ditto Looper. We ve listened to all the feedback we ve had from happy Ditto users and carefully selected a handful of amazing features that are designed specifically to take your looping to the next level. Ditto X2 is for when you want to get serious about looping, but without sacrificing that signature-simplicity that guitar players know and love from Ditto Looper. History Repeating Let ya in on a little secret We love effects. But to us they need to make sense, and the resurgence of loopers fueled by Ditto Looper had more and more guitarists scream: loop-laden effects please! Ditto X2 Looper allows you to play loops in reverse, half-speed or both at the same time. Which, as you might imagine, can make for a subtle performance or a jaw dropping show that makes the audience stop dead in their tracks. Both options are highly recommended. Don t Stop Til You Get Enough Don t use effects you say Well, if you have ever tried looping during a live performance then you know the importance of being able to stop the loop exactly when you want to. Ditto X2 lets you use the FX footswitch as a dedicated stop, letting you end things nice and easy. Free Your Mind Your loops are a reflection of you. So to have them trapped in a tiny box just doesn t make any sense. Now you are free to export your loops and work with them in a DAW of your choice, or you can import loops and even backing tracks into the pedal and take them to gigs. Small sentence, HUGE advantage for gigging musicians!. Jammin Loopers are the ultimate jamming tool. It s your ultra-tight rhythm guitar player that never gets bored of bangin out power chords, boogie riffs or I-IV-V vamps. But too make practicing even more inspiring, we ve collaborated with JamTrackCentral to give you a package of some of the best backing tracks available. The tracks are expertly recorded, feature solos by top guitarists and best of all they re free of charge when you buy a Ditto X2. True To Tone You love tone, so do we and our design philosophy testifies to that. So whatever route you want to go, we ve got your back. With optimized headroom and True Bypass, Ditto X2 guarantees optimal tonal integrity and zero loss of tone. No matter if Ditto X2 is on or off, your precious dry sound is always passed through unharmed in all of its pure analog glory due to an Analog-Dry-Through. Backstage Pass - All access If the original Ditto Looper was a home run, Ditto X2 Looper would be a grand slam. That s a cool thing made even cooler, for those of you not into sports. Let s have a look at all the features and you ll see exactly what we mean. Made by guitarists for guitarists Following the strong heritage of the original Ditto Looper, we ve also designed Ditto X2 Looper specifically for guitarists. It s simple, it s fun and it sounds great. Dirt simple looping The UI on Ditto X2 Looper flows nicely and is super simple, so you can focus on performing and playing. True bypass and Analog-Dry-Through Ah, the forums these two terms have filled. Basically, they ensure zero tone coloration and maximum signal integrity. 5 minutes of looping Enough to play Eruption. Twice! Undo / Redo function Fade parts out, then bring them back with ease - making for a more fun experience and a better performance. Unlimited overdubs Unlimited. That s a lot. Point is you ll run out of ideas before Ditto X2 Looper ever gives in. High quality sounds Audiophile approved 24-bit uncompressed high quality audio. The audio nerds at HQ assure us that s really, really good. We know it as CD quality. And Ditto X2 Looper sounds brilliant. Dedicated Stop/Clear footswitch A request directly from the guitar community, so we made it happen. Loop FX You can now reverse loops or slow them down to ½ speed, which makes for cool parts, tension-building and hey, aren t you the musician Sure you can come up with how YOU are going to kick maximum butt with these. Import/Export loops from PC/Mac This greatly adds to the versatility for Ditto X2 Looper. Preload your perfected loops for a gig, bring backing tracks and easily export loops into your favorite DAW for well whatever you want to DAW, really. Backing Track Running backing tracks straight from Ditto X2 Looper as opposed to all kinds of other hardware just increases the quality of your musician-life. Having backing tracks right at your feet makes practicing more fun and gigging a lot easier. Stereo In/Out Another much requested feature, your loops can now go nice and wide Ditto X2 Looper s Resumé - The guitar player s looper made by guitarists for guitarists - Dirt simple looping and nothing but looping - True Bypass and Analog-Dry-Through - 5 minutes of looping time - Undo / Redo function - Unlimited overdubs - Audiophile approved 24-bit uncompressed high quality audio - Dedicated Stop/Clear footswitch - Loop FX (Reverse and ½ speed) - Import/Export loops from PC/Mac - Backing Track perfect for solo practice and live performance - Stereo In/Out

Based around the high voltage, discrete and class-A signal paths made famous in the 5088 Mixer and the Portico II: Channel, the Portico II Master Buss Processor is creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. With input and output transformers designed and implemented by Mr. Rupert Neve, the high-voltage 72V topology found in the Master Buss Processor (MBP) will integrate flawlessly with virtually any system. Additionally, the MBP incorporates mastering grade detented pots throughout to fine tune its revolutionary dynamics, tone, and stereo field controls. This new topology is a significant evolution of Mr Rupert Neve s classic designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy while still providing for the sweet, musical performance that has been a part of countless recordings. The Compressor The MBP s two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain. With the stereo link control engaged, Ch. A settings act as the master control for convenient operation. When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent modern response (feed-forward), or a smoother more musical vintage response (feed-back). Peak mode alters the compressor s attack to react to peak transients with a roughly .1ms response time. When the Peak switch is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings. SC HPF inserts a high pass filter at 250 Hz into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. Blend creates a parallel mix between the compressed and dry signals. By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements. To further control the side chain, there is also an insert send and return that may be paired with an external EQ or other filters for additional manipulation. The return may also be used as a Key input for ducking one signal to another (for instance, a voice-over keying the compressor to duck a background music track). The Limiter The Portico II Master Buss Processor also features an extremely versatile, transparent and musical limiter. At first glance, one might scoff at the single knob operation, however this limiter is extremely intelligent, knowing how to appropriately respond to the various signals presented to it. Our new Adaptive Release Technology is behind this revolutionary performance. Using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (such as the snap of a snare drum) and slowly to more sluggish signals (such as a bass guitar). This configuration allows the limiter to grab a transient and let go just an instant later, while also dealing with more constant signals in a slower, more musical way. In this manner, the MBP Limiter can provide a much more aggressive amount of limiting than typically possible, while maintaining the essential character of the music and remaining free of the modulation distortion usually found in a fast acting limiter. Typically there is a tradeoff between how fast limiter can react and the amount of modulation distortion in the lower frequencies. This is due to the lower frequencies finding their way into the side chain signal, triggering the compressor on and off very quickly, which ends up modulating the overall signal. This is interesting to look at with sine waves, but sounds quite undesirable with music. The MBP does not have this tradeoff, and one is able to have the best of both worlds: a quick, snappy response while maintaining the integrity and smoothness of the low end. In addition to the adaptive time constant circuitry, the release time is also varied with the position of the knob. As the knob is turned counter clock-wise, the release time is increased accordingly, as typically one would want a longer release time with a larger amount of reduction. The new limiter found in the MBP is designed to respond as fast as .03 mS in order to reduce the first half of a 20 kHz waveform over the threshold. It has a medium knee initial ratio and within 3 dB of the threshold attains a better than 10:1 ratio. A soft clipper circuit catches transients that may have been in the knee when the threshold knob is set quite high. Both the limiter and soft clipper are switched out of circuit with the knob is fully clockwise. The release times are fully automatic and adjust depending both on the average depth of limiting and the duration of the transients above the threshold. The limiters share the same discrete, class-A gain module and VCA with the compressors, so using the Limiter does not introduce more stages that the music would have to pass through. This combination of features provides exceptionally transparent limiting, and often allows twice as much gain reduction compared to other limiters before objectionable artifacts become apparent. The Stereo Field Editor The stereo field editor on the MBP takes traditional M-S techniques to new heights with width, depth and corresponding bandpass filters. The width control enables the user to increase or decrease the width of a stereo image (wide/mono) and adjust the amount of ambience inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, often resulting in more ambient material, and accentuated stereo reverbs. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the stereo field editor s other controls, listening and experimentation are essential for the best results. The depth control of the MBP adjusts the spatial positioning of elements in the sound stage. Center-panned elements like solo instrument or vocal can be brought forward in a mix, in relation to supporting instruments. In many cases, these same elements may be virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension. To fine tune the SFE, there are individual filters that allow a fine tuning of what information is reintroduced from the width and depth circuits, thus tailoring each effect to a specific bandwidth. For example, if one wanted to increase the amount of low frequencies in the center image, engaging the SFE Depth and Depth EQ, set to LF, would filter out everything in the Mid signal except what is below the filter point (in this case, 250 Hz), and once reintroduced to the original would result in a perceived increase in the low frequencies in the center image. It is also possible to do the same thing with the Width EQ, except instead of boosting the width, cutting it, which removes low frequencies from the Sides, tightening up the low frequency perception in the center. Using the Width EQ again, this time set to HM (or LM as the case may be), increasing the amount of band-passed Side information can provide a wonderful spreading of instruments, reverberation and background vocals, giving the illusion that the sounds are spread further out, enveloping the listener. Another technique available on the SFE is routing the Mid and Side signals to the Channel A and Channel B compressors, respectively. Now whatever amount of Depth or Width is introduced is first routed to the compressors, allowing the user to utilize the compressor features on the Mid and Side information. Now it is possible to not only increase the side information, but to utilize the compressor to bring up some of the low level side information, or allow the user to tame an overly expressive lead singer. With the addition of using the EQ section on the Depth and Width, a wide range of tools is available to the engineer.

Dialogue Analysis Plug-In (download) AI-powered measurement tool for evaluating speech intelligibility in audio content Powerful analysis plug-in for objective measurement of dialogue intelligibility in real time – perfect for film, TV, games and podcasts Developed in collaboration with Netflix and based on Fraunhofer IDMT's ‘Listening Effort’ technology for evaluating listening effort in speech Typical areas of application: Film sound, television, radio, game audio, podcasting Uses two AI neural networks to analyse speech in the context of music, noise, effects and room acoustics Displays clarity in real time as well as median and percentile values for long-term evaluation Provides reliable information for improving dialogue mixing without direct audio intervention – no signal processing, only measurement Useful for quality assurance in both post-production and pre-production (e.g. for original sound evaluation) Supports channel formats up to 7.1.4 – suitable for immersive audio formats such as Dolby Atmos System Requirements Shipping Format: E-Mail License validity: perpetual Copy Protection: Online Activation or iLok 2/3 Simultaneous Activations: 1 Windows: from 7 Mac OS (64 Bit): from 11 add. System requirements: Internet Connection for Installation and Activation Supported Formats AAX native 64-Bit AU 64-Bit VST3 64-Bit

ZED-14 OVERVIEW ZED-14 is a fantastic entry-level mixer for small bands, solo performers or AV applications. Its comprehensive feature set, compact size and fine lines combine to make it one of the best small mixers around. Provided with configurable USB audio in/out makes it easy to capture stereo recordings, 6 mic or line inputs, 4 stereo inputs with EQ, there are an incredible 157 controls on the front panel of the ZED-14. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It ll be equally happy running your gig on stage, recording live or mixing down in your studio at home. We ve teamed up with major software supplier, Cakewalk, to bundle its SONAR X1 LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation. RELATED PRODUCTS MUSIQ ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope (or Q factor) for equalising individual instruments. DUOPRE Based on the proven pre-amps from the hugely successful PA series, ZED-14 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge 69dB of range to be exact and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR LE PROVIDED FREE! We ve included Cakewalk SONAR LE with this ZED mixer so you can start recording your own music today with the most complete introductory music production software for Windows PC. Based on Cakewalk s award-winning SONAR X3 digital audio workstation, SONAR LE has been enhanced with cutting-edge instruments, effects, and creative tools to make creating your own music as simple and intuitive as possible, no matter what your experience level. You can use SONAR LE and your ZED mixer together in many ways e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features 32 audio tracks 64 MIDI tracks Seamlessly record, edit and mix using award-winning Skylight Interface Edit audio and MIDI intelligently with Smart Tool Premium Cakewalk instruments including full Studio Instruments suite and Square I Mix using a professional Console view and 10 studio-quality effects 1 GB of content including loops, MIDI Groove Clips and templates Save and share music using Gobbler,YouTube Export and SoundCloud FEATURE SUMMARY 6 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain DuoPre mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL and peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns and playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1and2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR LE bundled with mixer Rack ears available

Bundle offer comprising Bach TR-450 Bb-Trumpet Bb Trumpet - ML bore: 11.66 mm (.459")- Brass bell Ø: 120 mm (4 3/4")- New 2-part bell shape for radiant full sound- Wire-reinforced bell edge- Engraved logo- Gold brass leadpipe- Brass mouthpiece clamp- Two-piece valve bushings of nickel silver / brass- Nickel silver outer slides- Stainless-steel valves with aluminium valve stem- Thumb saddle on 1st move- Fixed finger ring on the 3rd slide- 2-Piece 3rd valve slide (Stradivarius Design)- 1 Water-key on the main tuning slide- Bach water-key design- Finish: Clear coat- Muller lacquered- Includes Bach SPS gigbag with backpack system and original VINCENT BACH 7C mouthpiece- Made in Germany BuzzBuddy Trumpet Attachment for Trumpet Mouthpiece - Fits 3C, 7C and most standard mouthpieces- Also works with many cornet, flugelhorn and French horn mouthpieces for children (e.g. JK 1DK)- The BuzzBuddy is placed on the mouthpiece and gives the player more comfort- Especially suitable when wearing braces, for marching bands, in cold weather or with lip injuries- Suitable for beginners up to professionals- Made of approved food grade silicone- Developed in Australia Note: K&M 15213 Trumpet Stand 5-Leg Trumpet Stand - Highly stable- The tripod base can be stored in the cone- The entire stand can therefore be stored in the bell of the trumpet- Rubber cone tip- Weight: 0.32 kg- H: 205 mm- Colour: black Thomann Cleaning Set Trumpet Cleaning Kit for Trumpet - Consists of cleaning coil, mouthpiece brush, two valve housing brushes and a cleaning cloth 30 x 30 cm, grey- Resealable storage can included Al Cass Fast Valve Oil Valve Oil - Lubricant for perinet- and cylinder brass instruments- It can also be used for trumpet, French horn, baritone and tuba valves, among others- Weatherproof - does not stick and does not dissolve- Content: 60 ml

Adio Air BS 50W amp that outperforms its size Though it is compact and lightweight, the Adio is equipped with a high-wattage power amp boasting 50W of stereo output. It delivers a startling sense of volume that outperforms other amps in its class. The 2 x 3 stereo speaker system makes for an incredible playing and listening experience. Because it is capable of such high-output, the Adio is equally effective as an at-home practice amp as it is a full-fledged performing amp. Proprietary chassis design ensures powerful and clear sound Adio provides both the hard-hitting cabinet resonance of a guitar/bass amp, and the high fidelity of home audio speakers. Thanks to new concepts used in its cabinet structure, the multi-purpose Adio excels in both scenarios. It features a bass reflex structure that delivers a sound density far exceeding the unit's size, and an inner box that emanates the sense of spatiality and depth you expect from stereo speakers. The speakers are contained in a sophisticated slant-body design, creating powerful and high-quality sound that shines for both performance and listening. A divided cabinet design To prevent unwanted cabinet resonance, the inner box that secures the speakers is completely separated from the rear cabinet. Additionally, the inner box separates L and R into independent spaces to produce stereo playback with an enhanced sense of spatiality. Rigidity is enhanced by a chassis design that minimizes parallel surfaces, suppressing unwanted vibration that would adversely affect the quality of the sound. Honeycomb-structure speaker frame The front grille uses a honeycomb structure that perforates the speaker area with a set of hexagons. This efficiently maintains strength, yet ensures maximum space. The high ratio of openness means that the speaker is not obstructed, allowing the sound to be clear and direct. Ported design further enhances low-frequency playback The bass reflex section uses a flair component that creates a smooth widening at the entry and exit of the cabinet s port. This minimizes unwanted noise and also enhances the bass reflex efficiency to further boost the low-frequency playback. Unique shape allows for enhanced listening experience The unique slanted design of the Adio allows you to position it with the speakers pointing diagonally upward so that the output reaches your ears directly even at short distances. This means that you can enjoy always performing or listening in the sweet spot. The chassis is designed to minimize parallel surfaces, delivering a smooth sound that suppresses any internal resonances. A handle that's integrated with the cabinet With a recessed slot built into the back of the cabinet, the Adio combines sleek looks with convenient portability. Battery-powered with eight hours of continuous operation Lightweight body is only 2.9 kg / 6.39 lb. In spite of its high output power, the Adio can also operate on batteries. Eight AA batteries allow up to eight hours of continuous operation. At a mere 2.9 kg / 6.39 lb. in weight, the Adio is also highly portable. You can take it with you to enjoy performing or listening anywhere. VOX's proprietary VET (Virtual Element Technology) modeling technology The Adio uses VET (Virtual Elements Technology). Instead of simply imitating the output sound of the original amp, VET meticulously models even its components and circuit design. Without relying on the ears of individual engineers, and without being influenced by the condition of a specific amp unit, VET perfectly reproduces the characteristics of the original amp. And it's equipped with a high-performance DSP to ensure high sound quality. In addition, the distortion algorithms on the Adio Air GT have been refined, allowing you to enjoy the ultimate touch response that reflects your finest picking nuances without obscuring them. Up to 17 types of realistic and wide-ranging amp models The total of 11 amp models includes not only classic amps, but also slap, rock, and modern. We have included only truly usable amp models that have been tuned to maximize the potential of the compact Adio. By using the Tone Room software, you can choose from a total of 17 types of amp model. From a bass synthesizer to guitar amp models that you can enjoy when playing guitars, this single unit lets you enjoy a variety of amp sounds. A full complement of effects is also provided: four types of effects such as compressor and auto-wah (FX1) and four ambience-type effects such as delay and reverb (FX2). Appropriately for the Adio with its stereo speakers, it is also equipped with high-quality effects, and you can simultaneously use a total of three effects including noise reduction. As with the amp models, using the Tone Room software lets you choose from a total of 19 types of effect: 11 for FX1 and 8 for FX2. Via Bluetooth, via USB Tone Room software draws out the essence of the Adio Tone Room editor/librarian software is provided, which lets you choose from an even richer selection of amp models and effects, and also lets you take advantage of the Adio's full potential by customizing detailed parameters and audio EQ settings. Up to eight customized amps and effects can be saved in the Adio. Tone Room runs on multiple platforms: Windows, Mac, iOS, and Android. The Adio Air additionally supports Bluetooth MIDI, so you can control parameters wirelessly, allowing you to effortlessly design your sound using your favorite device. Via Bluetooth, via AUX Superb performance as a speaker for listening The Adio performs equally as well as an audio speaker, delivering pure, analog-quality sound. With a high output of 50W, the Adio gives you an extremely clear sound that's well balanced from the low to the high ranges The Adio Air also supports Bluetooth audio. You can connect it to your computer or smartphone via Bluetooth, and use it to play back your favorite music from either device. Whether for personal enjoyment in your living room or bedroom, for playing background music in a store, or for outdoor use, you can enjoy the ultimate listening experience in a variety of situations that take advantage of this unit's high output power, battery operation, and compact size. Of course, an AUX input jack is also provided. This is a convenient way to enjoy jam sessions while you listen to your favorite songs. Experience virtual surround with Acoustage The Adio is equipped with Acoustage virtual surround technology. Simply by turning on this function, you can obtain a startlingly wide stereo effect. This function is particularly impressive when used in conjunction with a stereo effect, giving you a guitar/bass amp that lets you feel as though you're on a wide stage, or experience an unmatched surround space as if you're inside a lavish multi-channel audio speaker setup. * What is Acoustage (Virtual Surround Technology by KORG) This is revolutionary virtual surround technology developed by KORG, allowing the creation of a unique personal acoustic space. Using just front stereo speakers, it can produce an unprecedented three-dimensional acoustic experience. It provides the best possible result because it performs an acoustical analysis of the actual playback system, and optimizes various aspects of the system accordingly. Multiple functions to support the player Audio equalizer The unit provides four preset EQ settings for you to select as desired. Additionally, you can use the Tone Room software to make detailed adjustments to each frequency band of the parametric equalizer. Furthermore, you can use Tone Room to make settings for VOX's original Bassilator circuit which covers the low-frequency range not reached by the EQ, letting you enjoy ultra-low sounds that you would not expect from a unit of this size. Up to four of the EQ settings you've made can be stored onboard. Noise reduction A noise reduction function is provided to reduce unwanted noise when using high-gain sounds. This can be adjusted in five steps. Auto tuner that also supports dropped tunings The Adio also provides a tuning function that's indispensable for guitar/bass playing. The tuner also supports half-down tuning mode. USB audio interface Since the Adio is equipped with a USB port, you can connect it to your computer or tablet and use Tone Room software, or use the Adio as a USB audio interface to record and play back your performance. The Tone Room software lets you switch between three types of routing: monaural/stereo recording or re-amp. JamVOX III modeling software is bundled Since JamVOX III modeling software is bundled, you can take advantage of the GXT function that lets you cancel or extract/emphasize a specific part from an existing song; you can also use the music player function to play back a loop from a song that you're learning or practicing, and even change its tempo. Although this software is designed for guitar, the bassist will also find it convenient. Number of Amp Models 11 (17 when using Tone Room) Number of Effects Effects 1 types: 4 (11 when using Tone Room) Effects 2 types Delay/Reverb: 4 (8 when using Tone Room) Number of User Programs 8 (two banks x four programs) Wide Stereo Effect (Virtual Surround) Off, On Noise Reduction Off, 1 - 4 steps Audio Equalizer Off, Loud, Bass Boost, Mid Boost, Treble Boost Input/Output Jacks INPUT Jack, AUX IN Jack, PHONES Jack, USB (Type B) Port Wireless Method Bluetooth (A2DP Sink) Bluetooth low energy (MIDI) Power Amp Output Maximum approx. 25 W x 2 RMS @ 8 ohms When Using Batteries: Maximum approx. 2.5 W x 2 @ 8 ohms Speakers 3, 8 ohms x 2 Signal Processing Sample Rate: 44.1 kHz A/D Conversion: 24-bit D/A Conversion: 24-bit Power Supply AA batteries (alkaline batteries or nickel hydride batteries): 8 batteries Or the included AC adapter (DC 19V) Current Consumption 3.42 A When Using Batteries: 200 mA Battery Life Maximum 8 hours (when using alkaline batteries) Dimensions (W x D x H) 360 x 165 x 163 mm / 14.17 x 6.50 x 6.42 Weight 2.9 kg / 6.39 lb. (excluding batteries) Included Items AC adapter, Power cord, JamVOX III download card Amp Models (Total 17 types) When Using Alone (11 types): CLASSIC (NORMAL), SLAP, ROCK (1), MODERN, DEEP, TIGHT SYNTH, DIRTY SYNTH, DELUXE CL, AC30TB, DOUBLE REC, FLAT When Using Tone Room (6 types added): CLASSIC BRIGHT, ROCK 2, PUNCHY SYNTH, AC30, BRIT 800, ERUPT III CH3 Effect 1 Types (Total 11 types) When Using Alone (4 types): COMPRESSOR, T.WAH, FUZZ, CHORUS (STEREO CHORUS) When Using Tone Room (7 types added): CE CHORUS, BLACK FLANGER, STEREO FLANGER, ORG PHASER, SMALL PHASE, TWIN TREM, HARMONIC TREM Effect 2 Types Delay/Reverb (Total 8 types) When Using Alone (4 types): ANALOG DELAY, WIDE DELAY, SPRING, HALL When Using Tone Room (4 types added): TAPE, CROSS DELAY, ROOM, PLATE * Bluetooth is a registered trademark of Bluetooth SIG, Inc. * Apple, Mac, iPad, iPhone, iPod touch, iTunes and Mac are registered trademarks of Apple Inc. * Android and Google Play are registered trademarks of Google Inc. * All product, company, and standard names are trademarks or registered trademarks of their respective holders. * Appearance and specifications of products are subject to change without notice.

Combining a looper and organic rhythms in a compact body, the RC-10R is able to renew your inspiration during concerts, composition phases and daily exercises. This next-generation Loop Station allows spontaneous, real-time creation of moving and grooving music with two Song sections, intros and ends, and rhythmic fills. Built-in controllers and visual loop indicators allow easy operation, with the possibility of increasing the number of controllers using external switches and / or MIDI. The vast library of rhythms offered covers most musical genres, but you can also import your own rhythms into the RC-10R for specific songs and styles. Strong points - A new generation tool combining a looper and dynamic rhythms in a compact housing - Play in almost any genre with more than 280 preset rhythms in two sections, with intro and end fills and two transition fills. - Sixteen versatile drum kits with high quality sounds from BOSS and Roland percussion libraries - A stereo looper offering six hours of recording and high-end processing AN / NA and 32-bit floating point - Operation in two tracks in series to build the loops with two independent parts - Two circular indicators show the status of the loop and the rhythmic - Simple operation thanks to the LCD screen and the intuitive interface - Built-in memory for 99 phrases and 50 user rhythms - Multiple output filters to optimize guitar and percussion sounds for a guitar amp or PA system - Possibility of adding extra controllers: footswitches, expression pedal or MIDI - MIDI input and output with TRS minijacks (BMIDI-5-35 adapter cable available separately) - Software for Mac and PC for importing loops in WAV format and rhythms in SMF format - Additional content can be downloaded from BOSS Tone Central

Bundle offer comprising Behringer WING-Bk 48-Channel Full Stereo Digital Mixer - New routing concept by focusing on sources instead of channels- Fully compatible with Behringer X32/Midas M32 consoles and stageboxes- Vintage emulations of EQs, compressors and gates available in each of the 40 stereo inputs- 40 stereo inputs- Eight stereo aux inputs- 28 Buses: 16 stereo aux, 8 stereo matrices, 4 stereo mains- 24 faders in 3 fully programmable sections- 10" multi-touch display with adjustable angle- Programmable custom control section- Eight midas Pro microphone preamp- Eight analogue Midas line outputs- Eight aux inputs- Sixux outputs and two monitor outputs: 6.3 mm jack balanced mono- Two headphone outputs- Three AES50 ports: 48 x 48 channels per port - cable length up to 80 metres- MIDI I/O- Two programmable GPIOs- 48 x 48 channel USB interface- Expansion slot including WING-LIVE card- 64 x 64 Channel SD recorder / player- Additional cards (Dante, MADI, Soundgrid) optionally available- StageCONNECT 32 channel port for personal monitoring- 16 FX Engines: 8 premium and 8 standard- Six band EQ in the inputs- Eight band EQ in the outputs- Dimensions (H x W x D): 201 x 870 x 575 mm- Weight: 24 kg- Colour: Black- Including dust cover Tutorial Experts Hands On Behringer Wing Video Tutorial (Download) - Detailed video training on the Behringer Wing- German and English interactive video tutorial for PC, Mac and tablet- Comprehensive training for all models in the Behringer Wing series with over 18 hours of total running time- Professional knowledge for all areas of application- Suitable for both beginners and advanced users- Created and presented by digital mixer specialist Wolfgang Benke Contents: - Overview- Basics and connections- Updating the firmware- Network connection and use of the Copilot and MixingStation app- Operating concepts- Quick start chapter - the most important information in brief- Setting up sources and mixer channels- Use of the Wing Live card- Main-Mix and Send-FX- Various options for monitor mixes- Detailed explanations of routing and routing scenarios- Mixing console interface in detail- Configuring fader banks, user layers and custom controls- Gate, ducker, filter, EQ and compressor- Busses for send FX, subgroups and monitor- Channel strip presets- Working with output channels and groups- Special functions in the matrix channels- Using effects in theory and practice- Recording with WING via USB, Wing-Live and DAW- Useful accessories such as stage boxes, personal monitoring systems, Wing DANTE card, etc.- Comprehensive lessons on new features and changes in firmware 3.x, including DCA and FX spill, new bus configurations, and advanced functions- Working with the library area (snapshots, snippets, presets, audio files) and building a complete show in practice- Use of the WING Edit app, the Live Sessions app and connections via StageConnect- Including printable lesson overview

ZED-18 OVERVIEW ZED-18 has an incredibly advanced feature-set for a mixer at this level it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings. RELATED PRODUCTS USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left Right (Post-fade) 2) Main Mix Left Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 RETURN OPTIONS 1) To Stereo 3 channel MUSIQ ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope (or Q factor) for equalising individual instruments. DUOPRE Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge 69dB of range to be exact and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR LE PROVIDED FREE! We ve included Cakewalk SONAR LE with this ZED mixer so you can start recording your own music today with the most complete introductory music production software for Windows PC. Based on Cakewalk s award-winning SONAR X3 digital audio workstation, SONAR LE has been enhanced with cutting-edge instruments, effects, and creative tools to make creating your own music as simple and intuitive as possible, no matter what your experience level. You can use SONAR LE and your ZED mixer together in many ways e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features 32 audio tracks 64 MIDI tracks Seamlessly record, edit and mix using award-winning Skylight Interface Edit audio and MIDI intelligently with Smart Tool Premium Cakewalk instruments including full Studio Instruments suite and Square I Mix using a professional Console view and 10 studio-quality effects 1 GB of content including loops, MIDI Groove Clips and templates Save and share music using Gobbler,YouTube Export and SoundCloud FEATURE SUMMARY 10 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain DuoPre mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL and peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ Stereo returns and playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1and2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Global 48V phantom power Cakewalk SONAR LE bundled with mixer Rack ears available

ZED-24 OVERVIEW ZED-24 has an incredibly advanced feature-set for a mixer at this level it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you d think it would cost much, much more! RELATED PRODUCTS USB AUDIO FLEXIBILITY Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:- SEND OPTIONS 1) Main Mix Left Right (Post-fade) 2) Main Mix Left Right (Pre-Fade) 3) Auxes 1-2 4) Auxes 3-4 RETURN OPTIONS 1) To Stereo 3 channel MUSIQ ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope (or Q factor) for equalising individual instruments. DUOPRE Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge 69dB of range to be exact and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. SONAR LE PROVIDED FREE! We ve included Cakewalk SONAR LE with this ZED mixer so you can start recording your own music today with the most complete introductory music production software for Windows PC. Based on Cakewalk s award-winning SONAR X3 digital audio workstation, SONAR LE has been enhanced with cutting-edge instruments, effects, and creative tools to make creating your own music as simple and intuitive as possible, no matter what your experience level. You can use SONAR LE and your ZED mixer together in many ways e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop. Key Features 32 audio tracks 64 MIDI tracks Seamlessly record, edit and mix using award-winning Skylight Interface Edit audio and MIDI intelligently with Smart Tool Premium Cakewalk instruments including full Studio Instruments suite and Square I Mix using a professional Console view and 10 studio-quality effects 1 GB of content including loops, MIDI Groove Clips and templates Save and share music using Gobbler,YouTube Export and SoundCloud FEATURE SUMMARY 16 mono channels Neutrik mic XLR Neutrik 1/4 inch jacks Channel insert Super wide gain DuoPre mic line input 3 band EQ with MusiQ 4 auxes Illuminated mute Sound image pan Illuminated PFL and peak warning indicator ALPS 100mm faders 4 stereo channels with 2-band EQ and inputs for extra sources Stereo returns and playback All inputs with level control 12 bar meters Mono/stereo function on auxes 1and2 Monitor output section Alt stereo output source Configurable USB stereo audio in/out Cakewalk SONAR LE bundled with mixer

Time-Warped Reverberator. Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before. Reverberant Synthesis Machine. NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven t heard a pedal like this before. The Rules of Space and Time Have Been Rewritten. New Sonic Territory. NightSky is a reverb pedal you will want to get your hands on. Deep and powerful sound manipulation with instant response knob-tweaking and no menu diving set a new standard in experimental reverb sound design. Warp Core Reverb. NightSky achieves some of its most mind bending sounds by using a Variable Process Rate for its reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales. And it can be sequenced. Harmonic Sculpture Machine. Use Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky s synth-like variable-resonance low pass filter. Challenge The Conventions. NightSky evolved from a desire to push the envelope and challenge the conventions of traditional reverb while also paying homage to the experimental reverberant sounds from decades past. It started with the variable rate core. Once that was nailed down, we knew we had to complement it with a set of sound-shaping features that could take full advantage of the unique possibilities and expand them exponentially. This led us to a full-featured modulation section, a 4-pole resonant filter, and a unique Voice section to control the reverb s harmonic structure. Three Reverb Textures: Sparse, Dense, and Diffuse. NightSky gives you three distinct Reverb textures to choose from: Sparse, Dense, and Diffuse. The Sparse reverb creates reflections that are far enough apart from each other to be audibly distinct. Legato notes create a lush but pleasingly clean sound field, while staccato notes reveal individual echoes in a way that is well suited for sound design and special effects. The Dense reverb texture is an immediate-response reverb with a smooth sound field, featuring sonic characteristics similar to a plate. The Diffuse reverb creates a slow-building, atmospheric wash that excels at ambient, swell, and even reverse-like textures. The Diffuse reverb deconstructs and spreads transients over time to achieve its bloom-like effect. Travel at Warp Speed. NightSky jettisons tradition and opens up a new universe of possibilities by using a variable rate process to expand and contract the reverb core size. This changes the reflection density and response of the reverb while retaining the integrity of the audio within the reverb. The result is a reverberated signal that can be transposed, sequenced and pitch modulated for interplanetary approval. Sonically Beautiful Reverb Repitching. Inspired by the classic shimmer effects pioneered in the 80s using digital reverbs and pitch shifters, NightSky s Shimmer voice is carefully created from the reverberated signal itself to generate maximum radiance and beauty. Call forth deep, low ambient string sections with the octave down setting, or spacey ethereal textures with octave up. In between the octaves are several musically interesting intervals available for shifting the harmonic structure of the reverb. The Shimmer processing can be applied at the reverb input only, or can regenerate within the reverb core for ever-ascending or descending pitches as the reverb decays. Custom Tailored Harmonic Spectrum. Glimmer creates an enhanced harmonic spectrum using an optimally tuned dynamic resonant network. Its high setting accentuates higher frequency harmonics, creating a washy, dreamy, ambient top end. With Glimmer switched to its low setting, lower frequency harmonics are enhanced to alter the perceived harmonic structure and create mysterious synth-like textures. Explosions in the NightSky. NightSky s Drive feature generates saturated overdriven harmonics that can either react to the signal going into the reverb core, or dynamically distort the reverb s output in a very interactive way. When Drive is applied at the input to the reverb, digging in generates more distorted harmonics, so you can dynamically play the distortion going into the reverb core. Placed on the reverb output, Drive acts as a soft-clipped limiter, reacting dynamically with the complexities of the decay of the reverb. This can produce interesting distorted stereo panning effects, as reflections on either side of the stereo image surpass or recede below the amplitude necessary to generate noticeable distortion. The harmonic complexity created by the Drive block is perfectly suited for sonic sculpting via NightSky s low pass filter. Synth-like Low Pass Filter and More. NightSky features a beautifully tuned 4-pole 24dB/octave low pass filter with a user-selectable resonance amount for gorgeous synth-like filter sweeps of the reverb output. The low pass filter is especially effective at shaping the distortion products from the Drive section. When used with NightSky s Modulation section this filter reveals the inspiring power of subtractive reverberant synthesis. The low pass filter can also be swapped for a high cut filter that removes high frequencies from the regenerating reverb core to create a reverb that gets darker as it decays. Also in NightSky s TONE section is a low cut filter that removes low end content both at the output and in the reverb core. Powerful Modulation Capabilities. Add motion to your sounds with NightSky s Modulation section. Create slowly evolving ethereal textures, or push the limits of wildly experimental sound design. Triangle, square, ramp, saw, random, and envelope waveforms can be used to modulate your choice of targets: Modulate the delay lines within the regenerating reverb core, or modulate the size/pitch (process rate) of the reverb core. Or, for very synth-like sounds, modulate the resonant low pass filter. Unlock the Power of Morph. NightSky s Morph feature allows you to seamlessly go from one set of knob positions to another at the press of a footswitch, at any Morph speed you choose. Use it to gradually vary modulation speed and depth, or morph from a subtle short-decay reverb to a huge, mysterious, modulated long-decay reverb. You can morph between different size/pitch settings or even morph between shimmer intervals. Turn up the resonance on the low pass filter and use Morph to sweep the filter s center frequency, sweeping through audible harmonics as you go. Morph settings are saved per-preset, making it a powerful live performance tool. Sequence Your Reverb. NightSky features a powerful and easy to use eight step sequencer. Each step effectively changes the SIZE/PITCH setting and can be easily tuned in half step increments or to notes in the musical scale of your choosing, or can be tuned freely with no pitch quantization. The sequencer can be set to advance a single step each time you press a footswitch, or can run automatically at a tapped tempo. Individual steps can be instantly activated or deactivated as the sequence runs, and you can set a variable glide time for smooth pitch transitions between steps. Sequences are saved per preset. Infinite Sky. NightSky s INFINITE footswitch freezes the audio at the input to the reverb core, and any new audio can still be processed by the reverb on top of the frozen audio. Not only does this allow you to create a lush ambient bed to play over, it offers a whole new world of possibilities when used in conjunction with NightSky s sequencer. Now you can repitch that frozen audio by predetermined intervals stored in your sequence, creating on-demand chord changes to play over, or single note sequences to set a groove. Go Beyond. NightSky s front panel offers an abundance of control over your reverberated signal. Should you desire to venture even further beyond the ordinary, there are several secondary parameters to add to your sound design toolkit. Infinite Input Mode With Infinite mode, select whether additional input signal gets processed by the reverb and sequencer or passes through unprocessed Glide Time Set the Glide (portamento) speed for the sequencer Pre-Delay Adjust pre-delay from 0 to 500ms Scale Select Choose from eight different scales when scale quantize is selected Filter Resonance Vary the resonance from gradual rolloff to sharp peaking response when low pass is selected Glimmer Gain Adjust the intensity of the Glimmer effect Drive Gain Set the intensity of the Drive effect Morph Time Adjust how quickly settings morph between each other Instant Access to 16 Presets. NightSky gives you instant front panel access to 16 presets. Of course, if 16 is not enough, 300 preset locations are available via MIDI. Core of your MIDI Rig. With full MIDI control of every parameter plus 300 preset locations, NightSky is designed to be the center of sonic expressiveness for your MIDI pedalboard. Control sequencer tempo and pitch via MIDI. Modulate NightSky s filter with beat-synced modulation envelopes from your DAW. Let NightSky provide the inspiration, and the possibilities are as unlimited as your imagination. NightSky transmits and receives MIDI over 5-pin DIN, USB, and even the Expression jack (via our MIDI EXP cable) perfect for your pedalboard or in your studio. Morphing expression control. Connect an expression pedal and enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal. Dedicated Instrument/Line Input Level Switch. NightSky offers an input level switch to work perfectly with a variety of input sources. Set the switch to the INST position when using a guitar level input. Set to LINE when using NightSky in the effects loop of a guitar amp, or when driving NightSky with a hot output from a synth or mixer insert. The LINE input mode gives you an additional 10dB of clean headroom, and is also perfect for using NightSky as a send effect or insert effect in the studio. Additional Control with MultiSwitch Plus. Connect MultiSwitch Plus to NightSky s Expression Pedal jack for additional footswitchable control. Use MultiSwitch Plus to instantly select between three presets, or scroll through the 16 onboard presets and engage or bypass the preset you have selected. Or set MultiSwitch Plus to individually engage or bypass the MOD, TONE, or VOICE sections of NightSky. Sound Design Three selectable reverb types offer a wide variety of ambient textures MOD section with various waveforms to modulate the reverb or tone filters TONE section to sculpt the high and low EQ of the reverb VOICE section to enhance the aural spectrum of the reverb Adjustable SHIMMER for adding pitch shifting of up to /- 1 octave to the reverb GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures Pre or Post DRIVE to add saturated overdriven harmonics to the reverb Adjustable reverb core size to increase or decrease the space for reflections Independent REVERB and DRY level controls Step sequencer for programming rhythmic pitch variations of the reverb Access to 16 presets from the front panel and 300 presets via MIDI Ins, Outs, and Switches High impedance ultra low-noise discrete Class A JFET preamp stereo inputs Low impedance stereo outputs Input Level switch allows for both instrument and line level signals On, Favorite, and Infinite footswitches Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4 to MIDI cable Full featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more USB jack for controlling via MIDI from a computer or for performing firmware updates Audio Quality Analog dry path for a zero latency dry signal that is never converted to digital Premium JFET analog front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality Super high performance SHARC DSP 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm More True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass Strong and lightweight anodized dark blue aluminum chassis 9V DC power supply included Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current Dimensions: 4.5 deep x 7 wide x 1.75 tall 114.3 mm deep x 177.3 mm wide x 44.5 mm tall Designed and built in the USA

Waldorf M 16Voice; 16-voice polyphonic wavetable synthesizer; 4 Parts multitimbrality (4 parts can be assigned to 4 individual stereo outputs); 2 wavetable oscillators with independent wavetables and two different tone generation models (Waldorf MicrowaveI and modern Waldorf MicrowaveII); 96 factory wavetables + 32 slots for User Wavetables; Analog low-pass filter with 24 dB/oct (SSI 2144 extended cascade filter) with saturation; Analog stereo VCA for each voice; 4 envelope generators: 8 points time/level Wave envelope generator, VCF, and VCA ADSR envelopes and free assignable 4 points time/level envelope; Two LFOs with different waveforms; Arpeggiator with 16 preset patterns and chord mode, synchronizable to MIDI clock; 2048 sound programs and 128 multi-programs; Compatible with Waldorf Microwave I sysex data (for sound bank transfer/sound transfer); SD Card slot for loading / storing user content as sound-banks and wavetables; MIDI: USB 2.0 and DIN (5-pin DIN jacks for In/Out/Thru); Connectors: 2x line output 6.3 mm jack unbalanced (L/R stereo),4x 6.3mm TRS jack stereo output (aux outputs A-D); Dimensions: 440 x 305 x 85 mm, Weight: 5.7 kg

The Ernie Ball Super Locks provide absolutely secure locking of your strap on the guitar. The strap holder contains a real mini-lock that prevents the strap from breaking even if you're a heck on stage! The installation is very simple: - Guitar side, unscrew the current strap attachments from your instrument with a Phillips screwdriver, install the Ernie Ball strap fasteners using the supplied screws. - Side strap: Pass the locking brackets through the holes in your strap. Then pass the washer, then the nut and tighten firmly with a wrench of 13 (not supplied). To put the strap on, press the two black parts of the holder. Engage the support in the strap fastener, release the black parts. Repeat for the other end of the strap. Your guitar is perfectly maintained. Contents: 2 screws, 2 strap fasteners, 2 locking brackets. black finish. Category: strap-fastener Instrument: bass, guitar Quantity 2 Color: black