Grammy-winner Luis Conte is an acknowledged master of percussion. His celebrated career includes touring and/or recording with some of the greatest names in contemporary music, including Madonna, Eric Clapton, Santana, C ne Dion, Barbara Streisand, Backstreet Boys, Ray Charles and Cuban legends Arturo Sandoval and Cachao. He can also be heard on the scores and/or soundtracks to movies such as Mission Impossible, Rain Man, Disney’s animated Tarzan and many more. Luis began 2006 by playing at the Grammy Awards with musical director Patrice Rushen and performed with James Taylor (as person of the year) in a concert where he had to back guest artists such as Bonnie Raitt, Dixie Chicks, Paul Simon, Bruce Springsteen and Dr. John. The year continued with a clinic tour throughout the Midwestern US. While not on tour, Luis has been busy in Los Angeles appearing on a variety of recordings, such as jingles (TV commercials), movie soundtracks such as Miami Vice, Smoking Aces and The Lost City and on albums such as Five for Fighting, OK Go, Michael W Smith, Michael Bolton, Russell Watson, Pussy Cat Dolls, Ziggy Marley, Marco Antonio Solis, Aly and AJ, Slumber Party Girls and many more. Besides an Australian tour with Jackson Browne and concerts with the great R&B Soul and Gospel Diva Patti Labelle, Luis also performed in Christian concerts with D ris Carbaugh, Bill Cantos and the City of Angels Orchestra. If this wasn’t enough, Luis also jammed at the Andre Agassi Celebrity Benefi t concert in Las Vegas with Phil Collins, Christina Aguilera and Tears For Fears. During the summer months, Luis gave an extensive clinic tour which took him to Switzerland, Portugal, Spain, the Netherlands, Belgium, France, Turkey, the Czech Republic, England, Sardinia and Italy where he performed in front of several thousand enthused visitors. His next triumph was an incredible duet with Thomas Lang at the Modern Drummer Festival in Newark, NJ. Luis and Thomas convened on the New Jersey Performing Arts Center with many other lovers of all things drumming to give a performance which many will remember for years to come. Luis has also been touring with his own band around Los Angeles and Santa Barbara Counties and is currently working on his next solo CD which will be released sometime in 2007.All of Luis’ needs have been met and exceeded with the MEINL Artist Series Luis Conte Signature Congas. They combine the charm and sound of the old traditional Cuban drums with modern features and innovations. The congas are equipped with traditional rims, are mounted as close to the shell as possible, and when combined with MEINL’s True Skin Buffalo Heads, they enable an even more controlled sound.Size 11 Quinto, 11 3/4 Conga, 12 1/2 Tumba 30 tallMaterial Two ply Rubber Wood (Hevea brasiliensis Muell.-Arg.)Features True Skin Buffalo Heads 8 mm strong tuning lugs 4 mm traditional TTR-Rims Black powder coated hardwareIncludes MEINL Conga Saver (patented) MEINL Soundpads Accessory pouch L-shaped tuning key Tune Up OilFinish MattColours NT-M = Natural

Grammy-winner Luis Conte is an acknowledged master of percussion. His celebrated career includes touring and/or recording with some of the greatest names in contemporary music, including Madonna, Eric Clapton, Santana, C ne Dion, Barbara Streisand, Backstreet Boys, Ray Charles and Cuban legends Arturo Sandoval and Cachao. He can also be heard on the scores and/or soundtracks to movies such as Mission Impossible, Rain Man, Disney’s animated Tarzan and many more. Luis began 2006 by playing at the Grammy Awards with musical director Patrice Rushen and performed with James Taylor (as person of the year) in a concert where he had to back guest artists such as Bonnie Raitt, Dixie Chicks, Paul Simon, Bruce Springsteen and Dr. John. The year continued with a clinic tour throughout the Midwestern US. While not on tour, Luis has been busy in Los Angeles appearing on a variety of recordings, such as jingles (TV commercials), movie soundtracks such as Miami Vice, Smoking Aces and The Lost City and on albums such as Five for Fighting, OK Go, Michael W Smith, Michael Bolton, Russell Watson, Pussy Cat Dolls, Ziggy Marley, Marco Antonio Solis, Aly and AJ, Slumber Party Girls and many more. Besides an Australian tour with Jackson Browne and concerts with the great R&B Soul and Gospel Diva Patti Labelle, Luis also performed in Christian concerts with D ris Carbaugh, Bill Cantos and the City of Angels Orchestra. If this wasn’t enough, Luis also jammed at the Andre Agassi Celebrity Benefi t concert in Las Vegas with Phil Collins, Christina Aguilera and Tears For Fears. During the summer months, Luis gave an extensive clinic tour which took him to Switzerland, Portugal, Spain, the Netherlands, Belgium, France, Turkey, the Czech Republic, England, Sardinia and Italy where he performed in front of several thousand enthused visitors. His next triumph was an incredible duet with Thomas Lang at the Modern Drummer Festival in Newark, NJ. Luis and Thomas convened on the New Jersey Performing Arts Center with many other lovers of all things drumming to give a performance which many will remember for years to come. Luis has also been touring with his own band around Los Angeles and Santa Barbara Counties and is currently working on his next solo CD which will be released sometime in 2007.All of Luis’ needs have been met and exceeded with the MEINL Artist Series Luis Conte Signature Congas. They combine the charm and sound of the old traditional Cuban drums with modern features and innovations. The congas are equipped with traditional rims, are mounted as close to the shell as possible, and when combined with MEINL’s True Skin Buffalo Heads, they enable an even more controlled sound.Size 11 Quinto, 11 3/4 Conga, 12 1/2 Tumba 30 tallMaterial Two ply Rubber Wood (Hevea brasiliensis Muell.-Arg.)Features True Skin Buffalo Heads 8 mm strong tuning lugs 4 mm traditional TTR-Rims Black powder coated hardwareIncludes MEINL Conga Saver (patented) MEINL Soundpads Accessory pouch L-shaped tuning key Tune Up OilFinish MattColours NT-M = Natural

Grammy-winner Luis Conte is an acknowledged master of percussion. His celebrated career includes touring and/or recording with some of the greatest names in contemporary music, including Madonna, Eric Clapton, Santana, C line Dion, Barbara Streisand, Backstreet Boys, Ray Charles and Cuban legends Arturo Sandoval and Cachao. He can also be heard on the scores and/or soundtracks to movies such as Mission Impossible, Rain Man, Disney s animated Tarzan and many more. Luis began 2006 by playing at the Grammy Awards with musical director Patrice Rushen and performed with James Taylor (as person of the year) in a concert where he had to back guest artists such as Bonnie Raitt, Dixie Chicks, Paul Simon, Bruce Springsteen and Dr. John. The year continued with a clinic tour throughout the Midwestern US. While not on tour, Luis has been busy in Los Angeles appearing on a variety of recordings, such as jingles (TV commercials), movie soundtracks such as Miami Vice, Smoking Aces and The Lost City and on albums such as Five for Fighting, OK Go, Michael W Smith, Michael Bolton, Russell Watson, Pussy Cat Dolls, Ziggy Marley, Marco Antonio Solis, Aly and AJ, Slumber Party Girls and many more. Besides an Australian tour with Jackson Browne and concerts with the great R&B Soul and Gospel Diva Patti Labelle, Luis also performed in Christian concerts with D maris Carbaugh, Bill Cantos and the City of Angels Orchestra. If this wasn t enough, Luis also jammed at the Andre Agassi Celebrity Benefi t concert in Las Vegas with Phil Collins, Christina Aguilera and Tears For Fears. During the summer months, Luis gave an extensive clinic tour which took him to Switzerland, Portugal, Spain, the Netherlands, Belgium, France, Turkey, the Czech Republic, England, Sardinia and Italy where he performed in front of several thousand enthused visitors. His next triumph was an incredible duet with Thomas Lang at the Modern Drummer Festival in Newark, NJ. Luis and Thomas convened on the New Jersey Performing Arts Center with many other lovers of all things drumming to give a performance which many will remember for years to come. Luis has also been touring with his own band around Los Angeles and Santa Barbara Counties and is currently working on his next solo CD which will be released sometime in 2007. All of Luis needs have been met and exceeded with the MEINL Artist Series Luis Conte Signature Congas. They combine the charm and sound of the old traditional Cuban drums with modern features and innovations. The congas are equipped with traditional rims, are mounted as close to the shell as possible, and when combined with MEINL s True Skin Buffalo Heads, they enable an even more controlled sound. Size 11 Quinto, 11 3/4 Conga, 12 1/2 Tumba 30 tall Material Two ply Rubber Wood (Hevea brasiliensis Muell.-Arg.) Features True Skin Buffalo Heads 8 mm strong tuning lugs 4 mm traditional TTR-Rims Black powder coated hardware Includes MEINL Conga Saver (patented) MEINL Soundpads Accessory pouch L-shaped tuning key Tune Up Oil Finish Matt Colours NT-M = Natural

Helix Family Feature Bullets more detail with no character count restrictions Helix Next Generation, Tour Grade Guitar Processor Dual DSP-powered HX modeling engine with 4 discrete stereo signal paths, 45 amps, 30 cabs, 16 mics and 70 effects Imports 3rd party 1024/2048 cab IR s (impulse responses) 12 capacitive-sensing footswitches and customizable scribble strips touch to edit, hold to assign, press to engage Hands-free Pedal Edit mode lays out effect parameters across switches and expression pedal Near-instant footswitch and controller assignment Up to 3 expression pedals, CV/Expression out, external amp switching and deep MIDI control Extensive I/O for seamless integration with your entire rig - 10 inputs 12 outputs (including four fx loops), plus 8-in/8-out USB audio interface AES/EBU, SPDIF and VDI interfaces Industry-leading 123dB of dynamic range on the guitar input, for tremendous depth and ultra-low noise Tour Grade construction Helix Real. Smart. Control. HelixTM is a new kind of guitar processor: it s not only a tour-grade multi-effect pedal that sounds and feels authentic, it s also the most comprehensive master controller for guitar systems ever built. Start by recreating the tones in your head with the new HX modeling engine - the new amps, cabs, mics, and effects will feel familiar to anyone who has ever spent time in the studio getting the best guitar sounds from both vintage and modern gear. Have a pile of oddball pedals that you rely on for your personal sounds No problem. Take advantage of the most comprehensive I/O and routing capabilities ever built into a multi-effect and easily integrate them into the Helix environment. Once connected, create custom setups and footswitch labels that make your external pedals feel like they re all under the hood. Whether you spend your time in the studio or on the stage, Helix is the next-generation guitar processor you ve been waiting for. Real Tone It feels and sounds like your analog gear When it comes down to authentic sound and feel, Helix represents a giant leap forward for guitar technology. The dual-DSP engine provides massive power to accurately recreate the dynamic feel of tube amplifiers, not just their sonic fingerprint. Each stage of an amp s circuit has been measured and matched back to the original, so that each model reacts and interacts just like the real thing. This level of dynamic circuit detail extends into areas like power supply ripple, individual tube sag, and control over B voltages. Once these elements are captured, you get classic bloom and gooey compression on some amps, and a powerful gut punch on others. Helix also lets you load custom impulse responses, allowing you to personalize your rig setup. Smart Interaction So intuitive you already know how to use it Massive power traditionally comes with a steep learning curve, but Helix challenges that way of thinking. Touch-sensitive footswitches allow you to select an effect block for editing simply by touching it. In combination, the large 6.2 inch 800x480-pixel LCD display all but eliminates menu-diving and provides the same level of control you would expect from an external editor. Colored LED rings and customizable scribble strips complete the user interface, letting you know what each footswitch is doing at a glance. When it comes to creating tones, Helix is as fast as you are. Part of the goal in developing Helix was to allow guitarists to interact with technology in ways that are more intuitive, making the creation of tones easier. This means that - for the very first time - you won t have to stop playing to tweak a knob. With Pedal Edit Mode, you can edit any parameter you like using your foot: simply select the block that you want to tweak, and its parameters spill out onto the footswitches. Select a parameter, and tweak the value using the expression pedal. Giving you the ability to touch a footswitch and quickly tweak parameters or easily assign or learn controllers, Helix is the fastest tone creator of its kind on the planet. But that s only part of the story it s also the most flexible. Helix has FOUR stereo paths per preset, allowing you to design complex routing scenarios for each patch. Creating variations on wet and dry routing schemes is as easy as loading a template or tweaking the joystick, and using the onboard effects models in conjunction with the 4 freely-assignable effects loops means that the tonal possibilities are truly huge. Control of your entire rig Integrate and control internal and external devices As the most advanced guitar processor ever made, Helix can become the nerve center for your entire guitar rig. Easily integrate traditional effects pedals and other hardware into your environment, creating a seamless hybrid rig that incorporates the best of what software and hardware have to offer. Helix has the most flexible audio routing ever seen on a guitar processor, thanks to its dynamically allocated DSP. Use the four effects loops to connect four separate pedal chains, or split them up and use them as freely-assignable inputs and outputs. In combination with four stereo paths, this means that you can process multiple instruments at once, send wet and dry signals to different places, and create large integrated systems that take advantage of both digital and analog I/O at the same time. When you need to incorporate external devices via MIDI, Helix offers more flexibility than any multi-effect ever. In addition to powerful real time MIDI control, Helix can send up to six separate commands at patch recall that aren t assigned to a footswitch, which means you can change a patch on a synth, start a sequencer, and turn up a fader on an external mixer, all with one press of a footswitch. Add three expression pedals, CV/Expression out, and external amp switching, and Helix can be the command center for any size rig. Helix Helix is like no other guitar pedal that you ve ever seen before. It represents a new way of thinking about guitarists and technology, and it gives creative musicians the tools to quickly recreate the sound they hear their head, without sonic compromise.

Time-Warped Reverberator. Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before. Reverberant Synthesis Machine. NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven t heard a pedal like this before. The Rules of Space and Time Have Been Rewritten. New Sonic Territory. NightSky is a reverb pedal you will want to get your hands on. Deep and powerful sound manipulation with instant response knob-tweaking and no menu diving set a new standard in experimental reverb sound design. Warp Core Reverb. NightSky achieves some of its most mind bending sounds by using a Variable Process Rate for its reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales. And it can be sequenced. Harmonic Sculpture Machine. Use Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky s synth-like variable-resonance low pass filter. Challenge The Conventions. NightSky evolved from a desire to push the envelope and challenge the conventions of traditional reverb while also paying homage to the experimental reverberant sounds from decades past. It started with the variable rate core. Once that was nailed down, we knew we had to complement it with a set of sound-shaping features that could take full advantage of the unique possibilities and expand them exponentially. This led us to a full-featured modulation section, a 4-pole resonant filter, and a unique Voice section to control the reverb s harmonic structure. Three Reverb Textures: Sparse, Dense, and Diffuse. NightSky gives you three distinct Reverb textures to choose from: Sparse, Dense, and Diffuse. The Sparse reverb creates reflections that are far enough apart from each other to be audibly distinct. Legato notes create a lush but pleasingly clean sound field, while staccato notes reveal individual echoes in a way that is well suited for sound design and special effects. The Dense reverb texture is an immediate-response reverb with a smooth sound field, featuring sonic characteristics similar to a plate. The Diffuse reverb creates a slow-building, atmospheric wash that excels at ambient, swell, and even reverse-like textures. The Diffuse reverb deconstructs and spreads transients over time to achieve its bloom-like effect. Travel at Warp Speed. NightSky jettisons tradition and opens up a new universe of possibilities by using a variable rate process to expand and contract the reverb core size. This changes the reflection density and response of the reverb while retaining the integrity of the audio within the reverb. The result is a reverberated signal that can be transposed, sequenced and pitch modulated for interplanetary approval. Sonically Beautiful Reverb Repitching. Inspired by the classic shimmer effects pioneered in the 80s using digital reverbs and pitch shifters, NightSky s Shimmer voice is carefully created from the reverberated signal itself to generate maximum radiance and beauty. Call forth deep, low ambient string sections with the octave down setting, or spacey ethereal textures with octave up. In between the octaves are several musically interesting intervals available for shifting the harmonic structure of the reverb. The Shimmer processing can be applied at the reverb input only, or can regenerate within the reverb core for ever-ascending or descending pitches as the reverb decays. Custom Tailored Harmonic Spectrum. Glimmer creates an enhanced harmonic spectrum using an optimally tuned dynamic resonant network. Its high setting accentuates higher frequency harmonics, creating a washy, dreamy, ambient top end. With Glimmer switched to its low setting, lower frequency harmonics are enhanced to alter the perceived harmonic structure and create mysterious synth-like textures. Explosions in the NightSky. NightSky s Drive feature generates saturated overdriven harmonics that can either react to the signal going into the reverb core, or dynamically distort the reverb s output in a very interactive way. When Drive is applied at the input to the reverb, digging in generates more distorted harmonics, so you can dynamically play the distortion going into the reverb core. Placed on the reverb output, Drive acts as a soft-clipped limiter, reacting dynamically with the complexities of the decay of the reverb. This can produce interesting distorted stereo panning effects, as reflections on either side of the stereo image surpass or recede below the amplitude necessary to generate noticeable distortion. The harmonic complexity created by the Drive block is perfectly suited for sonic sculpting via NightSky s low pass filter. Synth-like Low Pass Filter and More. NightSky features a beautifully tuned 4-pole 24dB/octave low pass filter with a user-selectable resonance amount for gorgeous synth-like filter sweeps of the reverb output. The low pass filter is especially effective at shaping the distortion products from the Drive section. When used with NightSky s Modulation section this filter reveals the inspiring power of subtractive reverberant synthesis. The low pass filter can also be swapped for a high cut filter that removes high frequencies from the regenerating reverb core to create a reverb that gets darker as it decays. Also in NightSky s TONE section is a low cut filter that removes low end content both at the output and in the reverb core. Powerful Modulation Capabilities. Add motion to your sounds with NightSky s Modulation section. Create slowly evolving ethereal textures, or push the limits of wildly experimental sound design. Triangle, square, ramp, saw, random, and envelope waveforms can be used to modulate your choice of targets: Modulate the delay lines within the regenerating reverb core, or modulate the size/pitch (process rate) of the reverb core. Or, for very synth-like sounds, modulate the resonant low pass filter. Unlock the Power of Morph. NightSky s Morph feature allows you to seamlessly go from one set of knob positions to another at the press of a footswitch, at any Morph speed you choose. Use it to gradually vary modulation speed and depth, or morph from a subtle short-decay reverb to a huge, mysterious, modulated long-decay reverb. You can morph between different size/pitch settings or even morph between shimmer intervals. Turn up the resonance on the low pass filter and use Morph to sweep the filter s center frequency, sweeping through audible harmonics as you go. Morph settings are saved per-preset, making it a powerful live performance tool. Sequence Your Reverb. NightSky features a powerful and easy to use eight step sequencer. Each step effectively changes the SIZE/PITCH setting and can be easily tuned in half step increments or to notes in the musical scale of your choosing, or can be tuned freely with no pitch quantization. The sequencer can be set to advance a single step each time you press a footswitch, or can run automatically at a tapped tempo. Individual steps can be instantly activated or deactivated as the sequence runs, and you can set a variable glide time for smooth pitch transitions between steps. Sequences are saved per preset. Infinite Sky. NightSky s INFINITE footswitch freezes the audio at the input to the reverb core, and any new audio can still be processed by the reverb on top of the frozen audio. Not only does this allow you to create a lush ambient bed to play over, it offers a whole new world of possibilities when used in conjunction with NightSky s sequencer. Now you can repitch that frozen audio by predetermined intervals stored in your sequence, creating on-demand chord changes to play over, or single note sequences to set a groove. Go Beyond. NightSky s front panel offers an abundance of control over your reverberated signal. Should you desire to venture even further beyond the ordinary, there are several secondary parameters to add to your sound design toolkit. Infinite Input Mode With Infinite mode, select whether additional input signal gets processed by the reverb and sequencer or passes through unprocessed Glide Time Set the Glide (portamento) speed for the sequencer Pre-Delay Adjust pre-delay from 0 to 500ms Scale Select Choose from eight different scales when scale quantize is selected Filter Resonance Vary the resonance from gradual rolloff to sharp peaking response when low pass is selected Glimmer Gain Adjust the intensity of the Glimmer effect Drive Gain Set the intensity of the Drive effect Morph Time Adjust how quickly settings morph between each other Instant Access to 16 Presets. NightSky gives you instant front panel access to 16 presets. Of course, if 16 is not enough, 300 preset locations are available via MIDI. Core of your MIDI Rig. With full MIDI control of every parameter plus 300 preset locations, NightSky is designed to be the center of sonic expressiveness for your MIDI pedalboard. Control sequencer tempo and pitch via MIDI. Modulate NightSky s filter with beat-synced modulation envelopes from your DAW. Let NightSky provide the inspiration, and the possibilities are as unlimited as your imagination. NightSky transmits and receives MIDI over 5-pin DIN, USB, and even the Expression jack (via our MIDI EXP cable) perfect for your pedalboard or in your studio. Morphing expression control. Connect an expression pedal and enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal. Dedicated Instrument/Line Input Level Switch. NightSky offers an input level switch to work perfectly with a variety of input sources. Set the switch to the INST position when using a guitar level input. Set to LINE when using NightSky in the effects loop of a guitar amp, or when driving NightSky with a hot output from a synth or mixer insert. The LINE input mode gives you an additional 10dB of clean headroom, and is also perfect for using NightSky as a send effect or insert effect in the studio. Additional Control with MultiSwitch Plus. Connect MultiSwitch Plus to NightSky s Expression Pedal jack for additional footswitchable control. Use MultiSwitch Plus to instantly select between three presets, or scroll through the 16 onboard presets and engage or bypass the preset you have selected. Or set MultiSwitch Plus to individually engage or bypass the MOD, TONE, or VOICE sections of NightSky. Sound Design Three selectable reverb types offer a wide variety of ambient textures MOD section with various waveforms to modulate the reverb or tone filters TONE section to sculpt the high and low EQ of the reverb VOICE section to enhance the aural spectrum of the reverb Adjustable SHIMMER for adding pitch shifting of up to /- 1 octave to the reverb GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures Pre or Post DRIVE to add saturated overdriven harmonics to the reverb Adjustable reverb core size to increase or decrease the space for reflections Independent REVERB and DRY level controls Step sequencer for programming rhythmic pitch variations of the reverb Access to 16 presets from the front panel and 300 presets via MIDI Ins, Outs, and Switches High impedance ultra low-noise discrete Class A JFET preamp stereo inputs Low impedance stereo outputs Input Level switch allows for both instrument and line level signals On, Favorite, and Infinite footswitches Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4 to MIDI cable Full featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more USB jack for controlling via MIDI from a computer or for performing firmware updates Audio Quality Analog dry path for a zero latency dry signal that is never converted to digital Premium JFET analog front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality Super high performance SHARC DSP 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm More True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass Strong and lightweight anodized dark blue aluminum chassis 9V DC power supply included Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current Dimensions: 4.5 deep x 7 wide x 1.75 tall 114.3 mm deep x 177.3 mm wide x 44.5 mm tall Designed and built in the USA

Effect Pedal For Electric Guitars- Delay / Looper- Modular delay system architecture- 2540 ms Fully configurable dual delay- Configurable delay structures and types as well as signal processing elements for fully customisable delay processing- Intuitive user interface based on a colour display- True stereo 60-second looper (always available)- 99 Preset locations in 33 banks- Favorite Preset Bank for direct access to 3 favourite presets- Built-in instant access tuner with configurable reference and output mode- Deep Modifier Section allows routing of control signals to processing parameters- True stereo processing elements with completely new designs and familiar elements from the Meris family (Polymoon, Hedra, Enzo and Ottobit Jr.)- Selectable note divisions for each side of the stereo dual delay- Digitally controlled analogue mix bus- Switchable input / output headroom level for instrument or line level- Assignable expression pedal control for multiple parameters simultaneously- MIDI preset send and receive- MIDI beat clock synchronisation- High-quality analogue signal path and JFET input section- Screen and logo brightness dimmable- 24-bit A/D and D/A conversion- 32-bit Floating point DSP- Sample rate: 48,000 Hz- Frequency range: 20 - 20,000 Hz- Selectable true bypass (Relay) or analogue buffered bypass- Controls for: Time, feedback, mod, mix, control 1, control 2, control 3 (Save)- 4x LED buttons - preset bypass and tap function for desktop users- 4x Footswitches - bypass, looper control, tap- Metal housing- 2x Inputs: 6.3 mm mono jack (true stereo)- 2x Outputs: 6.3 mm mono jack (true stereo)- Expression pedal input: 6.3 mm- MIDI IN and MIDI THRU connectors: 5-pin DIN- USB-C connector, only for firmware updates- Power adapter connector: Hollow female plug 5.5 x 2.1 mm, negative polarity inside- Power supply via 9 V DC mains adapter is not included in the delivery- Power consumption: 300 mA- Dimensions (L x W x H): 184 x 114 x 51 mm- Weight: 680 g- Made in the USA

The MEINL Woodcraft Series Congas stand for tradition combined with exceptional workmanship. Only the finest hand selected materials are used to produce these premium drums. Their “Cuban Style“ shaped shells provide a broad range of different tonal characteristics. It blends warm bass tones, soft open tones, and sharp slaps into one powerful drum and at the same time yields extraordinary projection.Size 11” Quinto, 11 3/4 Conga, 12 1/2” Tumba 30” tall (76 cm)Material Two ply American White Ash (Fraxinus americana L.)Features True Skin Buffalo Heads 10 mm strong tuning lugs 4 mm traditional TTR-Rims Chrome plated hardware Handle welded to the rimIncludes MEINL Conga Saver (patented) MEINL Soundpads Accessory pouch L-shaped tuning key Tune Up OilFinish MattColours ZFA-M = Zebra Finished Ash

MARATHON EXCLUSIVE SERIES CONGA 12 1/2 TUMBA The MEINL Marathon Exclusive Series Congas include many professional features. Ideal for the working percussionist who demands a great sound combined with quality and excellent craftsmanship. FEATURES True skin buffalo heads 8 mm strong tuning lugs 2.6 mm rounded SSR-Rims Chrome plated hardware MATERIAL Two ply Siam Oak (Hevea brasiliensis Muell.-Arg.) INCLUDES Steely II Conga Stand (patented) MEINL Conga Saver (patented) Accessory pouch L-shaped tuning key Tune Up Oil SIZE 12 1/2 Tumba HEIGHT 30 COLOR Chrome plated hardware PATENTS Steely-II patents: L-shaped leg and metal spike attachment (De, TH, US patend) U-shaped notch (US patent) Ergonomic arched rubber bracing ( CN, DE, US patent) Notches for quick height adjustability (DE patent)

DÉCOUVREZ LA VERSION LIMITEE WHITE EDITION DU PRIME 4 LE PRIME 4 Le Prime 4 , système DJ autonome le plus puissant et le plus avancé au monde, se pare d’une nouvelle finition blanche rafraichissante pour cette White Edition limitée. Cette mouture au style raffiné se mariera parfaitement à toutes vos prestations, des mariages aux soirées privées ou aux évènements corporate, où une esthétique ultra épurée est appréciée.Son système d'exploitation Engine OS embarqué permet de mixer sur 4 pistes simultanément, à partir d'une multitude de sources -USB, SSD, SD, services de streaming via Wifi et même Bluetooth depuis Engine 3.4- et de profiter pour la toute première fois des Stems en toute autonomie ! Son écran tactile XXL de 10,1est idéal pour gérer votre bibliothèque, piloter les effets Touch FX et même gérer vos systèmes lumière en quelques gestes.  Denon DJ, célèbre développeur des solutions DJ autonomes Prime et SC Live qui ont révolutionné l’univers du DJing en proposant des produits aux technologies avant-gardistes pour les DJ de clubs comme sur les plus grandes mainstages, frappe fort avec la sortie de son nouveau vaisseau amiral à 4 voies autonomes : le Prime 4 .Remplaçant direct du Prime 4, le Prime 4 reprend tous les points forts de son prédécesseur et se pare de nouvelles caractéristiques et fonctionnalités renversantes, allant des nouveaux plateaux métal de 6 pouces professionnels à la gestion autonome des Stems, en passant par l’ajout du Bluetooth. Toujours plus performant !Le Prime 4, système DJ autonome le plus puissant et le plus avancé au monde, se dote d’un nouveau style raffiné et de nouvelles fonctionnalités de pointe avec le Prime 4  ! Découvrez ses nouveaux jogs en métal de 6 pouces 10% plus larges, ses nouveaux effets dynamiques, sa capacité d’accès inégalée à la musique en streaming, et ses nouveaux modes de performance grâce à son système d’exploitation ultra évolutif Engine DJ, telle que le Stems Split en mode autonome, une véritable première sur une machine DJ autonome !  Conçu pour les DJ professionnelsLe Prime 4 combine les puissantes possibilités créatives offertes par les 4 voies autonomes avec des fonctionnalités professionnelles inégalées, et une qualité de fabrication exemplaire afin de garantir des prestations sans failles, concert après concert. Les 2 sections micro indépendantes garantissent que vous ou vos invités ayez toujours le meilleur son possible, grâce aux commandes d'égalisation, de volume et d'effets dédiées, ainsi qu’aux modes de talkover automatiques. Tout en gérant la piste de danse principale, vous pouvez également envoyer un second mix ou une playlist dans un salon ou un espace cocktail à l’aide de la sortie Zone indépendante, vous apportant une plus grande flexibilité et une grande valeur ajoutée en tant que DJ professionnel. Faites face à toutes les situationsAvec le Prime 4 , abordez en toute confiance n'importe quel événement ou concert avec la certitude d'être prêt à répondre à toutes les demandes des invités.  Grâce à la prise en charge de nombreux services de streaming musical, dont Amazon Music Unlimited, le PRIME 4 permet d'accéder instantanément à plus de 100 millions de titres, tous styles confondus. L'analyse embarquée ultra-rapide met en mémoire tampon les morceaux streamés dans la mémoire interne, garantissant une lecture ininterrompue des morceaux streamés à partir de n'importe quelle source Wi-Fi ou hotspot de téléphone portable.  Une nouvelle suite d’effets dynamiques ultra complèteLe Prime 4 embarque plus de 25 Main FX entièrement paramétrables et 4 Sweep FX dynamiques, contrôlés par des potentiomètres, afin que vous puissiez libérer tout votre potentiel de mixage créatif. Les 2 sections Main FX dédiées disposent d'écrans OLED, de potentiomètres et de boutons permettant de régler et de moduler la fréquence, les paramètres, les intervalles de temps et le mélange wet/dry de l'effet sélectionné.Pour ajouter encore plus de dynamisme et de suspense à votre jeu, les 4 Sweep FX peuvent être automatiquement activés en tournant le bouton Sweep FX sur chaque canal et peuvent même être superposés aux Main FX pour des combinaisons d'effets immersives. Le Touch FX est un puissant outil expressif qui transformera l'écran tactile de 10,1 pouces en un contrôleur XY permettant de manipuler les effets en direct, littéralement au bout des doigts !  Une gestion intégrée de la lumière sans équivalentLes programmations lumière DMX complexes et les réglages fastidieux font désormais partie du passé. Le Prime 4 facilite la configuration et la réalisation d'une expérience lumière immersive et impressionnante pour n'importe quel événement ou concert. Grâce à la puissance du système de gestion des lumières embarqué Engine Lighting, vous disposez d'un accès complet à des shows lumière sur mesure ou automatiques pour les pistes enregistrées ou en streaming. De plus, vous pouvez entièrement gérer les couleurs, la gradation, les séquences de poursuite, la position des têtes mobiles, les stroboscopes, le blackout et même le contrôle on/off des machines à glace carbonique, à fumée ou à brouillard. Des mises à jour riches en fonctionnalitésLe Prime 4 est administré par Engine DJ, un système d’exploitation pour système DJ en constante évolution qui apporte de nouvelles fonctionnalités à chaque mise à jour. Engine DJ a fait ses preuves en mettant d'abord à la disposition des DJ des fonctions clés telles que le Wi-Fi, le sampler intégré, le contrôle des lumières, Ableton Link, et bien plus encore.Avec les récentes mises à jour ajoutant le Touch FX, l’affichage tête haute des pads de performance ou l’accès à distance à la bibliothèque Engine, Engine DJ continue de prouver qu'il est le système d'exploitation pour système DJ le plus puissant au monde. Grâce aux mises à jour Over The Air par Wi-Fi, vous êtes automatiquement informé sur votre appareil lorsqu'une mise à jour est disponible, vous permettant d’être à la pointe de la technologie à tout moment. Une armada de sources disponibleAvec le Prime 4 , vous avez l’embarras du choix de la source de votre musique ! Vous pouvez accéder à d'importantes bibliothèques musicales grâce à quatre entrées USB, un lecteur de carte SD et une baie SATA pour disque de 2,5’’ intégrée située sur la partie inférieure du Prime 4 . La connexion de lecteurs multimédias externes, de platines ou de sources audio est un jeu d'enfant grâce aux 4 entrées RCA commutables phono/ligne. Avec la prise en charge de claviers USB pour une navigation optimisée entre les pistes et la lecture de formats audio non compressés (FLAC, ALAC, WAV), le PRIME 4 prend en charge l'ensemble de votre bibliothèque musicale grâce à une connectivité qui garantit un accès immédiat à votre bibliothèque et à vos sources audio externes.  Une intégration sans précédent des Stems autonomesLe premier PRIME 4 a fait du DJ mixant sans ordinateur une réalité. Aujourd'hui, le PRIME 4 apporte la puissance créative des Stems à un système DJ autonome pour la toute première fois ! Exclusif au PRIME 4 , le tout nouveau Stems Split vous permet d’isoler le chant ou l’instrumental d’un seul geste. La puissance du processeur multicœur du PRIME 4 , combinée au formidable système Engine DJ OS, fait enfin de l'analyse de Stems embarquée, sans ordinateur portable nécessaire, une réalité ! Caractéristiques principales du PRIME 4 Système DJ autonome à 4 voies pour des performances DJ sans ordinateurÉcran HD tactile multitouch 10,1 pouces inclinableStreaming de musique via WiFi pour accéder à des millions de titres d’Amazon Music Unlimited, Tidal, Beatsource, Beatport, Soundcloud GO ou DropboxSampler intégré avec 16 slots de samples déclenchés par les pads, contrôle du volume et du routage en sortieToute première fonction Stems autonome pour une isolation en temps réel des voix et des instruments (bêta, disponible été 2023)Bluetooth intégré avec routage avancé (été 2023)Touch FX offrant un contrôle des effets sur l'écran tactile via une matrice X/Y26 Main FX avec écrans OLED et réglages de paramètres4 Sweep FX dynamiques contrôlés par des potentiomètres (combinables avec les Main FX)Contrôle intégré de la lumière pour des shows lumineux DMX, Philips Hue et Nanoleaf automatiques et sur mesure4 ports USB et 1 port SD pour la lecture de musiqueEngine Remote Desktop : accès sans fil à la bibliothèque musicale de l'ordinateur via Engine DJ DesktopAnalyse intégrée des morceaux en streaming et des fichiers stockés sur les supports physiques16 pads avec modes Hot Cue, Saved Loop, Auto Loop, Roll, Sampler, Slicer et Slicer LoopChâssis métallique robuste et axes de potentiomètres en acier pour une fiabilité à toute épreuveSortie Zone XLR dédiée avec égaliseur et contrôle du volume pour envoyer des playlists et des titres vers une autre salleBaie SATA 2,5 pouces intégrée pour stocker votre musique en toute sécuritéJog wheel de 6 pouces en métal avec une surface tactile étendue, couleur assignable et écrans HD centraux affichant la pochette du morceau4 canaux d'entrée assignables pour les sources média externes en niveau ligne/phono2 entrées combo XLR/jack dédiées aux microphones avec réglage du niveau, de l’égalisation, du Talkover et de l’échoEnregistreur audio interne pour capturer les performances en directCrossfader entièrement paramétrable avec potentiomètre de contrôle de la courbe, commutateurs d'assignation de canaux et Fader StartConnexion StagelinQ pour le contrôle de l'éclairage et de la vidéo d'un événementLecture des formats audio non compressés (FLAC, ALAC, WAV)Qualité audio Denon DJ 24 bitsPrise en charge des claviers USBMode Computer pour utilisation en tant que contrôleur pour Serato DJ Pro (Déverrouillage à la connexion du Prime 4 ) et Virtual DJ ( licence requise ).

The Roland Meinl Professional Series Congas are the preferred conga model by many top congueros. Outstanding in look and sound, they reach from fat basses to cutting slaps with a great warm overall tone. They set the standard in the professional conga ranges.* Two ply Rubber Wood (Hevea brasiliensis Muell.-Arg.)* 4mm rounded SSR Rims* Chrome plated hardware* True skin buffalo heads* 10mm strong tuning lugs* Tune Up Oil* MEINL Conga Saver (patented)* MEINL Soundpads* L-shaped tuning key* Accessory pouch

The Roland Meinl Professional Series Congas are the preferred conga model by many top congueros. Outstanding in look and sound, they reach from fat basses to cutting slaps with a great warm overall tone. They set the standard in the professional conga ranges.* Two ply Rubber Wood (Hevea brasiliensis Muell.-Arg.)* 4mm rounded SSR Rims* Chrome plated hardware* True skin buffalo heads* 10mm strong tuning lugs* Tune Up Oil* MEINL Conga Saver (patented)* MEINL Soundpads* L-shaped tuning key* Accessory pouch

The Roland Meinl Professional Series Congas are the preferred conga model by many top congueros. Outstanding in look and sound, they reach from fat basses to cutting slaps with a great warm overall tone. They set the standard in the professional conga ranges.* Two ply Rubber Wood (Hevea brasiliensis Muell.-Arg.)* 4mm rounded SSR Rims* Chrome plated hardware* True skin buffalo heads* 10mm strong tuning lugs* Tune Up Oil* MEINL Conga Saver (patented)* MEINL Soundpads* L-shaped tuning key* Accessory pouch

If you ve dreamed of having a piano in your home but don t have the space or budget for a full-sized instrument, your wait is over. The affordable FP-30 offers Roland s acclaimed sound, feel, and modern features in a top-quality 88-note instrument that fits any space with ease. Light and portable, it s a great fit for performing players and music classrooms as well. Adding in numerous sounds beyond the piano, built-in practice and recording functions, and Bluetooth® wireless support for working with popular music apps, the FP-30 delivers a premium musical experience previously unattainable in such a streamlined package. Specifications Keyboard Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Accessory pedal Damper Optional pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS Max. Polyphony 128 voices Tones Piano: 6 Tones E.Piano: 7 Tones Other: 22 Tones Stretched Tuning (only for piano tones) Always On Master Tuning 415.3 Hz--466.2 Hz (adjustable in increments of .1 Hz) Transpose -6-- 5 (in semitones) Effects Ambience (Off, 1--4) Brilliance (Mellow, Normal, Bright) Only for Piano Tones: String Resonance (Always On) Damper Resonance (Always On) Key Off Resonance (Always On) Metronome Tempo Quarter note = 2--25 Beat /4, 2/4, 3/4, 4/4, 5/4, 6/4 Smf Recorder Parts 1 part Save Format Standard MIDI Files (Format ) Note Storage Approx. 3, notes Controls Song Select Play/Stop Rec Tempo Count-in Mix Balance All Song Play Tempo Quarter note = 2--25 Resolution 12 ticks per quarter note Rhythm Rhythms 8 types Controls Rhythm Select Start/Stop Tempo Tempo Quarter note = 2--25 Audio Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Controls Song Select Play/Stop Internal Memory Save Song Standard MIDI Files (Format ) Songs Max. 1 song External Memory External Storage USB Flash Memory Playable Song Format Standard MIDI Files (Format , 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Format Standard MIDI Files (Format ) Bluetooth MIDI, Turning music sheet Bluetooth Ver 4. Other Internal Songs 3 songs Connectors DC In jack USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks (usable as output jack) x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 11 W x 2 Speakers 12 cm (4-3/4 inches) x 2 Volume Level (Spl) 12 dB (This value was measured according to the method that is based on Roland's technical standard.) Language English Control Volume (with the speaker volume and the headphones volume automatically select function) Other Functions Panel Lock Tone Demo Auto Off Power Supply AC adaptor Power Consumption 8 W (3--22 W) 8 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner's Manual Music Rest AC Adaptor Power Cord (for connecting AC Adaptor) Damper pedal Options (Sold Separately) Dedicated Stand: KSC-7 Dedicated Pedal Board: KPD-7 Keyboard Stand: KS-12 Damper Pedal: DP-1 Headphones USB Flash Memory * * Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used. Size And Weight (With Music Rest Detached) Width 1,3 mm 51-3/16 inches Depth 284 mm 11-7/8 inches Height 15 mm 5-7/8 inches Weight 14.1 kg 31 lbs 2 oz Size And Weight (With Music Rest And Dedicated Stand Ksc-7) Width 1,3 mm 51-3/16 inches Depth 324 mm 12-13/16 inches Height 925 mm 36-3/8 inches Weight 23 kg 5 lbs 12 oz

If you ve dreamed of having a piano in your home but don t have the space or budget for a full-sized instrument, your wait is over. The affordable FP-30 offers Roland s acclaimed sound, feel, and modern features in a top-quality 88-note instrument that fits any space with ease. Light and portable, it s a great fit for performing players and music classrooms as well. Adding in numerous sounds beyond the piano, built-in practice and recording functions, and Bluetooth® wireless support for working with popular music apps, the FP-30 delivers a premium musical experience previously unattainable in such a streamlined package. Specifications Keyboard Keyboard 88 keys (PHA-4 Standard Keyboard: with Escapement and Ivory Feel) Touch Sensitivity Key Touch: 5 types, fixed touch Keyboard Mode Whole Dual (volume balance adjustable) Split (split point adjustable, volume balance adjustable) Twin Piano Pedals Accessory pedal Damper Optional pedals Damper (capable of continuous detection) Soft (capable of continuous detection) Sostenuto (function assignable) Sound Generator Piano Sound SuperNATURAL Piano Sound MIDI Format Conforms to GM2, GS Max. Polyphony 128 voices Tones Piano: 6 Tones E.Piano: 7 Tones Other: 22 Tones Stretched Tuning (only for piano tones) Always On Master Tuning 415.3 Hz--466.2 Hz (adjustable in increments of .1 Hz) Transpose -6-- 5 (in semitones) Effects Ambience (Off, 1--4) Brilliance (Mellow, Normal, Bright) Only for Piano Tones: String Resonance (Always On) Damper Resonance (Always On) Key Off Resonance (Always On) Metronome Tempo Quarter note = 2--25 Beat /4, 2/4, 3/4, 4/4, 5/4, 6/4 Smf Recorder Parts 1 part Save Format Standard MIDI Files (Format ) Note Storage Approx. 3, notes Controls Song Select Play/Stop Rec Tempo Count-in Mix Balance All Song Play Tempo Quarter note = 2--25 Resolution 12 ticks per quarter note Rhythm Rhythms 8 types Controls Rhythm Select Start/Stop Tempo Tempo Quarter note = 2--25 Audio Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format) Controls Song Select Play/Stop Internal Memory Save Song Standard MIDI Files (Format ) Songs Max. 1 song External Memory External Storage USB Flash Memory Playable Song Format Standard MIDI Files (Format , 1) Audio File (WAV, 44.1 kHz, 16-bit linear format) Save Format Standard MIDI Files (Format ) Bluetooth MIDI, Turning music sheet Bluetooth Ver 4. Other Internal Songs 3 songs Connectors DC In jack USB COMPUTER port: USB Type B USB MEMORY port: USB Type A Phones jacks (usable as output jack) x 2: Stereo miniature phone type, Stereo 1/4-inch phone type Rated Power Output 11 W x 2 Speakers 12 cm (4-3/4 inches) x 2 Volume Level (Spl) 12 dB (This value was measured according to the method that is based on Roland's technical standard.) Language English Control Volume (with the speaker volume and the headphones volume automatically select function) Other Functions Panel Lock Tone Demo Auto Off Power Supply AC adaptor Power Consumption 8 W (3--22 W) 8 W: Average power consumption while piano is played with volume at center position 3 W: Power consumption immediately after power-up; nothing being played 22 W: Rated power consumption Accessories Owner's Manual Music Rest AC Adaptor Power Cord (for connecting AC Adaptor) Damper pedal Options (Sold Separately) Dedicated Stand: KSC-7 Dedicated Pedal Board: KPD-7 Keyboard Stand: KS-12 Damper Pedal: DP-1 Headphones USB Flash Memory * * Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used. Size And Weight (With Music Rest Detached) Width 1,3 mm 51-3/16 inches Depth 284 mm 11-7/8 inches Height 15 mm 5-7/8 inches Weight 14.1 kg 31 lbs 2 oz Size And Weight (With Music Rest And Dedicated Stand Ksc-7) Width 1,3 mm 51-3/16 inches Depth 324 mm 12-13/16 inches Height 925 mm 36-3/8 inches Weight 23 kg 5 lbs 12 oz

The MEINL Marathon® Exclusive Series Congas include many professional features. Ideal for the working percussionist who demands a great sound combined with quality and excellent craftsmanship. FEATURES True skin buffalo heads 8 mm strong tuning lugs 2.6 mm rounded SSR-Rims Chrome plated hardware MATERIAL Two ply Siam Oak (Hevea brasiliensis Muell.-Arg.) INCLUDES Steely II Conga Stand (patented) MEINL Conga Saver (patented) Accessory pouch L-shaped tuning key Tune Up Oil SIZE 11 3/4 Conga HEIGHT 30 COLOR Chrome plated hardware PATENTS Steely-II patents: L-shaped leg and metal spike attachment (De, TH, US patend) U-shaped notch (US patent) Ergonomic arched rubber bracing ( CN, DE, US patent) Notches for quick height adjustability (DE patent)

Helix Family Feature Bullets more detail with no character count restrictions Helix Next Generation, Tour Grade Guitar Processor Dual DSP-powered HX modeling engine with 4 discrete stereo signal paths, 45 amps, 30 cabs, 16 mics and 70 effects Imports 3rd party 1024/2048 cab IR s (impulse responses) 12 capacitive-sensing footswitches and customizable scribble strips touch to edit, hold to assign, press to engage Hands-free Pedal Edit mode lays out effect parameters across switches and expression pedal Near-instant footswitch and controller assignment Up to 3 expression pedals, CV/Expression out, external amp switching and deep MIDI control Extensive I/O for seamless integration with your entire rig - 10 inputs 12 outputs (including four fx loops), plus 8-in/8-out USB audio interface AES/EBU, SPDIF and VDI interfaces Industry-leading 123dB of dynamic range on the guitar input, for tremendous depth and ultra-low noise Tour Grade construction Helix Real. Smart. Control. HelixTM is a new kind of guitar processor: it s not only a tour-grade multi-effect pedal that sounds and feels authentic, it s also the most comprehensive master controller for guitar systems ever built. Start by recreating the tones in your head with the new HX modeling engine - the new amps, cabs, mics, and effects will feel familiar to anyone who has ever spent time in the studio getting the best guitar sounds from both vintage and modern gear. Have a pile of oddball pedals that you rely on for your personal sounds No problem. Take advantage of the most comprehensive I/O and routing capabilities ever built into a multi-effect and easily integrate them into the Helix environment. Once connected, create custom setups and footswitch labels that make your external pedals feel like they re all under the hood. Whether you spend your time in the studio or on the stage, Helix is the next-generation guitar processor you ve been waiting for. Real Tone It feels and sounds like your analog gear When it comes down to authentic sound and feel, Helix represents a giant leap forward for guitar technology. The dual-DSP engine provides massive power to accurately recreate the dynamic feel of tube amplifiers, not just their sonic fingerprint. Each stage of an amp s circuit has been measured and matched back to the original, so that each model reacts and interacts just like the real thing. This level of dynamic circuit detail extends into areas like power supply ripple, individual tube sag, and control over B voltages. Once these elements are captured, you get classic bloom and gooey compression on some amps, and a powerful gut punch on others. Helix also lets you load custom impulse responses, allowing you to personalize your rig setup. Smart Interaction So intuitive you already know how to use it Massive power traditionally comes with a steep learning curve, but Helix challenges that way of thinking. Touch-sensitive footswitches allow you to select an effect block for editing simply by touching it. In combination, the large 6.2 inch 800x480-pixel LCD display all but eliminates menu-diving and provides the same level of control you would expect from an external editor. Colored LED rings and customizable scribble strips complete the user interface, letting you know what each footswitch is doing at a glance. When it comes to creating tones, Helix is as fast as you are. Part of the goal in developing Helix was to allow guitarists to interact with technology in ways that are more intuitive, making the creation of tones easier. This means that - for the very first time - you won t have to stop playing to tweak a knob. With Pedal Edit Mode, you can edit any parameter you like using your foot: simply select the block that you want to tweak, and its parameters spill out onto the footswitches. Select a parameter, and tweak the value using the expression pedal. Giving you the ability to touch a footswitch and quickly tweak parameters or easily assign or learn controllers, Helix is the fastest tone creator of its kind on the planet. But that s only part of the story it s also the most flexible. Helix has FOUR stereo paths per preset, allowing you to design complex routing scenarios for each patch. Creating variations on wet and dry routing schemes is as easy as loading a template or tweaking the joystick, and using the onboard effects models in conjunction with the 4 freely-assignable effects loops means that the tonal possibilities are truly huge. Control of your entire rig Integrate and control internal and external devices As the most advanced guitar processor ever made, Helix can become the nerve center for your entire guitar rig. Easily integrate traditional effects pedals and other hardware into your environment, creating a seamless hybrid rig that incorporates the best of what software and hardware have to offer. Helix has the most flexible audio routing ever seen on a guitar processor, thanks to its dynamically allocated DSP. Use the four effects loops to connect four separate pedal chains, or split them up and use them as freely-assignable inputs and outputs. In combination with four stereo paths, this means that you can process multiple instruments at once, send wet and dry signals to different places, and create large integrated systems that take advantage of both digital and analog I/O at the same time. When you need to incorporate external devices via MIDI, Helix offers more flexibility than any multi-effect ever. In addition to powerful real time MIDI control, Helix can send up to six separate commands at patch recall that aren t assigned to a footswitch, which means you can change a patch on a synth, start a sequencer, and turn up a fader on an external mixer, all with one press of a footswitch. Add three expression pedals, CV/Expression out, and external amp switching, and Helix can be the command center for any size rig. Helix Helix is like no other guitar pedal that you ve ever seen before. It represents a new way of thinking about guitarists and technology, and it gives creative musicians the tools to quickly recreate the sound they hear their head, without sonic compromise.

When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. TimeLine provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you re on your way to delay bliss. Hand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences Twelve delay machines to choose from: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape , dBucket . Seven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth Additional menu-driven parameters deliver extremely flexible tone shaping options and complete tweakability 200 easily accessible and nameable presets, save and recall at the press of a switch

Ramon “Mongo” Santamaria was without a doubt one of the most respected conga players ever and a pioneer of modern Latin Jazz. During the 50´s his band Black Cuban Diamonds laid down the foundation for an outstanding career. He has recorded dozens of legendary percussion albums. Worldwide Jazz hits, such as Watermelon Man in 1963 and the album Summertime from 1980 are only two of the many recordings from this great master percussionist. Mongo has inspired more percussionists around the globe than any other conguero.Mongo Santamaria died at the Baptist Hospital in Miami, USA in February 2003. He was 85 years old.It is with great appreciation and deepest respect that we honour our friend and his life’s work with his MEINL Artist Series Mongo Santamaria Congas.Size 11” 3/4 Conga 30” tall (76 cm)Material Two ply American White Ash (Fraxinus americana L.)Features True Skin Buffalo Heads 10 mm strong tuning lugs 4 mm rounded SSR-Rims Gold tone hardwareIncludes MEINL Conga Saver (patented) MEINL Soundpads Accessory pouch L-shaped tuning key Tune Up Oil

Ramon “Mongo” Santamaria was without a doubt one of the most respected conga players ever and a pioneer of modern Latin Jazz. During the 50´s his band Black Cuban Diamonds laid down the foundation for an outstanding career. He has recorded dozens of legendary percussion albums. Worldwide Jazz hits, such as Watermelon Man in 1963 and the album Summertime from 1980 are only two of the many recordings from this great master percussionist. Mongo has inspired more percussionists around the globe than any other conguero.Mongo Santamaria died at the Baptist Hospital in Miami, USA in February 2003. He was 85 years old.It is with great appreciation and deepest respect that we honour our friend and his life’s work with his MEINL Artist Series Mongo Santamaria Congas.Size 11” Quinto 30” tall (76 cm)Material Two ply American White Ash (Fraxinus americana L.)Features True Skin Buffalo Heads 10 mm strong tuning lugs 4 mm rounded SSR-Rims Gold tone hardwareIncludes MEINL Conga Saver (patented) MEINL Soundpads Accessory pouch L-shaped tuning key Tune Up Oil

Ramon “Mongo” Santamaria was without a doubt one of the most respected conga players ever and a pioneer of modern Latin Jazz. During the 50´s his band Black Cuban Diamonds laid down the foundation for an outstanding career. He has recorded dozens of legendary percussion albums. Worldwide Jazz hits, such as Watermelon Man in 1963 and the album Summertime from 1980 are only two of the many recordings from this great master percussionist. Mongo has inspired more percussionists around the globe than any other conguero.Mongo Santamaria died at the Baptist Hospital in Miami, USA in February 2003. He was 85 years old.It is with great appreciation and deepest respect that we honour our friend and his life’s work with his MEINL Artist Series Mongo Santamaria Congas.Size 12 1/2” Tumba 30” tall (76 cm)Material Two ply American White Ash (Fraxinus americana L.)Features True Skin Buffalo Heads 10 mm strong tuning lugs 4 mm rounded SSR-Rims Gold tone hardwareIncludes MEINL Conga Saver (patented) MEINL Soundpads Accessory pouch L-shaped tuning key Tune Up Oil