Bundle offer comprising 2x Fun Generation LED Pot 12x1W QCL RGB WW 15° Multi-Colour LED Spotlight - With RGB WW colour mixing- The extremely small housing means that the LED spot can be placed almost anywhere and provides the necessary lighting atmosphere- Professional features in compact plastic housing- Suitable transport bag for four pieces: Article number 406359 (not included)- Suitable infrared remote control: Article number 354223 (not included) Technical specifications: - Light source: 12 x 1 W QCL RGB WW LEDs- Beam angle: 15°- Control: DMX (4/6/8 channels), music control, automatic mode with internal programs, static colours, master/slave- DMX input and output: 3-Pin XLR- Fanless- Length of mains cable: 1.3 m- Power supply: 100 - 240 V AC, 50-60 Hz- Maximum power consumption: 17 W- Protection class: IP20- Dimensions (W x H x D): 168 x 172 x 130 mm- Weight: 0.42 kg- Transport bag for 4 pieces: Article number 406359 (not included) Stairville AF-40 Mini Fog Machine Fog Machine - very compact fog machine with efficient vaporiser system- Ideal for small clubs, small stages or also for the party cellar- Heating element: 400 W vaporiser system- Warm-up time: approx. 5 min- Continuous output: 30 s- Reheating time: 50 s- Fluid consumption: approx. 13 ml/min- Fog output: approx. 3 m / 85 m³ per min- Power supply: AC 230V 50~60 Hz- Max. power consumption: 400 W- Dimensions: (W x H x D) 28 x 15 x 19 cm- Weight: 2.1 kg- Includes cable remote control with approx. 4 m cable Note: This machine is intended exclusively for use with original Stairville fluids: - FAST-FOG: Article Nr 209054 (not included)- E-M Fluid: Article Nr 121307 (not included)- E Fluid: Article Nr 105454 (not included)- E-C Fluid: Article Nr 105455 (not included)- E-HD Heavy Duty Fluid: Article Nr 105456 (not included) 2x Fun Generation Colour Burst MKII Small Effect Spotlight with RGBW LEDs - Easy and convenient to operate via the IR remote control supplied- 4 2 W LEDs in the colours red, green, blue and white create countless moving colourful dots in the room- Music control and built-in programmes can be called up via the remote control- Power supply: 5V/2A USB-C- Power consumption: 10 W- Dimensions: 158 x 135 x 135 mm- Weight: 0.4 kg- Includes mounting bracket for ceiling installation, USB-C cable and infrared remote control Stairville E-M Fluid 5l Fog Fluid Type E-M - Light fog- Special fluid for generating light fog for professional lighting designs- Exceptional reflectivity- Ready for use- Odourless- Toxicologically safe- Not harmful to health- Purity of contents guaranteed in accordance with Ph. Eur. (European Pharmacopoeia)- VOC (CH): 0.00%- Reusable canister- Biodegradable- Non flammable- Glycerine-free- Content: 5 l- Made in Germany

The Series 180 consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the Series 180 is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All Series 180 microphones are available with either matte black or nickel finish. Applications Their slender shapes and the transmission characteristics described below make the Series 180 especially suitable for a very wide range of tasks in the radio and television sector. Acoustic features The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone. The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule s rear opening, and is not due to resonances. The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°. Electrical features The Series 180 microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output of the Series 180, as in all Neumann microphones, is balanced and phantom (48V) powered. Economy The Series 180 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the Series 180 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones. Technical Data Acoustical operating principle : Pressure/Pressure gradient transducer Directional pattern : omnidirectional Frequency range : 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm : 12 mV/Pa Rated impedance : 50 ohms Rated load impedance : 1 kohms Equivalent noise level, CCIR1) : 24 dB Equivalent noise level, A-weighted1) : 13 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) : 70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) : 81 dB Maximum SPL for THD 0.5%2) : 140 dB Maximum output voltage : 10 dBu Supply voltage (P48, IEC 61938) : 48 V ± 4 V Current consumption (P48, IEC 61938) : 3.2 mA Matching connectors : XLR 3F Weight approx. : 80 g Diameter : 22 mm Length : 107 mm ______________________________________________ 1) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

Bundle offer comprising XVive Wireless System U2 Carbon Digital wireless system for guitar / bass - 2.4 GHz ISM worldwide usable frequency band- Set with transmitter and receiver - both with battery and without power supply to operate- Up to 5 hours of battery life per charge- Range up to approx. 30 m without obstacles- Frequency range: 20 - 20,000 Hz- Latency- 4 Channels switchable- 24-bit / 48 kHz A / D converter- Dynamic bandwidth> 103 dB- Fixed built-in rechargeable lithium battery- Micro USB charging port- ON switch- Channel selector switch- Status and battery charge indicator LEDs- Robust ABS housing- Colour: Carbon- Includes USB charging cable Thomann USB Power Supply USB Power Supply - 5V DC- Max. 1000 mA- Input: 100 - 250 V AC- USB portNote: USB cable is not included.

ZonePRO 6 x 4 processor with display. - 2 stereo audio sources (unbalanced inputs on RCA connector), - 4 balanced micro or line sources (inputs on Euroblock terminal blocks) to 4 balanced outputs (on Euroblock terminal blocks). ZONEPROs are digital processors dedicated to fixed installations such as restaurants, bars, conference centers, performance halls and nightclubs, requiring treatment, protection and programming. Particularly complete and compact (1U), usable alone or in a network, the Zone Pro allow the distribution of 4 to 8 stereo audio sources (unbalanced inputs on RCA connector) and 2 other balanced microphone or line sources (inputs on Euroblock terminal blocks), and 1 digital stereo source (AES / EBU) for models 1260 and 1261. These different sources can be assigned to 4 or 6 balanced outputs (on Euroblock terminals). The analog input signals, once converted to digital, are processed by the internal DSP before being converted back to the analog outputs. The user has a wide range of treatments available to him to meet all the needs encountered in the fixed installation: mixing, feedback eliminator, automatic gain control, compressor, limiter, noise gate, filter rejector, filter high pass, low pass filter, cross-over, parametric EQ and front panel function lock. The 1260 and 1261 allow the function of mixing all inputs to all outputs. The Zone Pro can be configured from a PC to then operate autonomously. The recall, activation and adjustment of the various programs (source, level, program assignment) are easily carried out using dedicated control buttons on the front panel (only for the 640 and 1260, models 641 and 1261 offering no front panel control). These same programs can also be recalled using recessed wall remote controls (see opposite page). All ZonePro processors (except the 640 and 641) have built-in mixing capability. Technical characteristics : - Conversion: 24-Bit / 48 kHz - BP: 20 Hz to 20 kHz, /- 0.5 dB - Dynamic:> 109 dBA,> 106 dB unweighted - THD Noise: 0.003% at 4 dBu, 1 kHz - Crosstalk between channels:> 80 dB - Propagation delay: 0.6 msec

The HEAVY METAL HM300 produces the huge, slicing guitar tone that, until now, was only available from high-gain amps cranked to the point just before meltdown. Tone with Serious Attitude With its ultra-high gain circuitry, the HM300 gives you rude and rowdy distortion for the fiercest rhythm chops and searing leads, with virtually endless sustain. Easy to Operate Its dedicated DISTORTION, LOW, HIGH and LEVEL controls allow you to sculpt your own trademark metal tone, from deep and brooding to crisp and furious. A status LED tells you when this beast is activated, and a top-quality on/off switch maintains incredible signal integrity in bypass mode. You can power the HM300 with either a 9 V battery or a PSU-SB DC power supply (not included).

Lashing Strap- With automatic roll mechanics- As simple to operate as a seat belt- For cargo securing in road traffic, etc.- No more flapping straps- Easy handling thanks to the automatic roll mechanics- Quick hooking possible thanks to open hooks- Manufactured according to DIN EN 12195-2- Strap made of 100% polyester- One piece- Width: 50 mm- Length: 3.0 m- Min. usable length: 40cm- Pull force SWL 500 daN- Colour: Black

The Series 180 consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the Series 180 is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All Series 180 microphones are available with either matte black or nickel finish. Applications Their slender shapes and the transmission characteristics described below make the Series 180 especially suitable for a very wide range of tasks in the radio and television sector. Acoustic features The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone. The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule s rear opening, and is not due to resonances. The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°. Electrical features The Series 180 microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output of the Series 180, as in all Neumann microphones, is balanced and phantom (48V) powered. Economy The Series 180 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the Series 180 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones. Technical Data Acoustical operating principle : Pressure/Pressure gradient transducer Directional pattern : hypercardioid Frequency range : 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm : 10 mV/Pa Rated impedance : 50 ohms Rated load impedance : 1 kohms Equivalent noise level, CCIR1) : 24 dB Equivalent noise level, A-weighted1) : 15 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) : 70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) : 79 dB Maximum SPL for THD 0.5%2) : 142 dB Maximum output voltage : 10 dBu Supply voltage (P48, IEC 61938) : 48 V ± 4 V Current consumption (P48, IEC 61938) : 3.2 mA Matching connectors : XLR 3F Weight approx. : 80 g Diameter : 22 mm Length : 107 mm ______________________________________________ 1) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

The Series 180 consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the Series 180 is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All Series 180 microphones are available with either matte black or nickel finish. Applications Their slender shapes and the transmission characteristics described below make the Series 180 especially suitable for a very wide range of tasks in the radio and television sector. Acoustic features The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone. The KM 183 is a pressure transducer with a boost of approximately 7 dB at 10 kHz in the free field. In the diffuse sound field it has a flat frequency response. The pressure gradient transducers KM 184 and KM 185 feature very smooth frequency responses not only for the 0° axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0° frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule s rear opening, and is not due to resonances. The KM 185 with its hypercardioid characteristic features attenuation of sound incidence from the side or rear of about 10 dB, with minimum sensitivity at an angle of 120°. Electrical features The Series 180 microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handlingcapability of up to 138 dB. The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output of the Series 180, as in all Neumann microphones, is balanced and phantom (48V) powered. Economy The Series 180 is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range. The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the Series 180 is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones. Technical Data Acoustical operating principle : Pressure/Pressure gradient transducer Directional pattern : omnidirectional Frequency range : 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm : 12 mV/Pa Rated impedance : 50 ohms Rated load impedance : 1 kohms Equivalent noise level, CCIR1) : 24 dB Equivalent noise level, A-weighted1) : 13 dB-A Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) : 70 dB Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) : 81 dB Maximum SPL for THD 0.5%2) : 140 dB Maximum output voltage : 10 dBu Supply voltage (P48, IEC 61938) : 48 V ± 4 V Current consumption (P48, IEC 61938) : 3.2 mA Matching connectors : XLR 3F Weight approx. : 80 g Diameter : 22 mm Length : 107 mm ______________________________________________ 1) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS 2) measured as equivalent el. input signal

KEYSCAPE is an extraordinary new virtual instrument featuring the largest selection of collector keyboards in the world. From holy grail pianos to stunning keyboards you didn t even know existed, this is a keyboardist s dream come true. Ten years in the making, each of these sought-after keyboards was carefully restored and then deeply multisampled by the renowned Spectrasonics Sound Development Team. These compelling and highly expressive sounds will inspire you to PLAY! The process began with going to the ends of the earth to find and restore each one of these rare and incredibly special instruments with the top technicians and expert craftsmen from each discipline. We even went as far as spending years redoing these instruments from scratch again and again until they were totally right. This incredible attention to detail and meticulous care given to each instrument allowed us to develop these sounds to a whole new level of authentic tone. While it s every performing keyboardist s dream to have the very best instruments instantly available anywhere, Keyscape is equally useful in the studio for producers and composers. Since these instruments can be easily transformed into amazing unreal sounds with the powerful STEAM Engine® under the hood, Keyscape easily turns these coveted instruments from History into innovative new sounds of the Future. Main Features Huge library with over 500 Best-in-class sounds, 36 Instrument Models and Hybrid Duo Patches Deeply Multisampled sounds with up to 32-way velocity switching, Round Robins, etc. Mechanical Noise, Pedal Noise and Release Noise behavior modeling Patches feature authentic circuit modeled amplifiers and effects Available as Download (77 GB) or Boxed USB Drives Edition Optional Lite installation (30 GB) for stage use Full Omnisphere® 2 integration System requirements 2.2 GHz Intel dual core processor or higher 8GB RAM minimum Solid State Drive recommended 80 GB of free hard drive space (30 GB for lite install) Mac Users: OS X 10.9 Mavericks or higher AU, VST 2.4 or AAX-capable host software Native 64-bit host* Windows Users: Microsoft Windows 7 or higher VST 2.4 or AAX-capable host software Native 64-bit host* *32-bit hosts are not supported for Keyscape. However, Keyscape sounds can be played within Omnisphere 2 which can operate in 32-bit hosts

The SRM Series offers exceptional sound despite their light weight. SRM uses an ultra-dynamic Class D amplifier that dissipates very little heat. As a result, they will be able to operate at full output all night long without faltering. - Active 2000W Class D speaker system - 15 speaker and tweeter Sym-X - Frequency response: 40Hz - 20kHz - Max. SPL level 136 dB - Coverage: 60°(H) x 40°(V) - 4-channel mixer - 2 mic/line combo XLR/ 6.35mm jack mic/line inputs and 1 stereo minijack input with gain control - EQ presets and integrated limiter - Equalization adjustment per channel - Delay setting up to 30 m - Direct Out and Mix out XLR outputs - Bluetooth interface for music streaming, mixer control and pairing of two speakers - Colour control screen - Universal power supply with power correction factor - Slanted panel for use in return - 35 mm base plate (two corners) and M10 attachment points (vertical orientation) - Black finish - Weight and dimensions: 22.2 kg - 732 x 391 x 447 mm

Active Studio Monitor- 5" Woofer (100 watts)- 2" AMT tweeter (100 watts)- Frequency range: 45 Hz - 40,000 Hz- Maximum sound pressure level: 112 dB- DSP system with integrated lineariser technology- CoP (Closed or Ported) technology to operate the monitor open or closed using the included locking pieces- Resolution: 24 Bit / 96 KHz- Input signal strength: ± 12 dB- Shelf-Filter Low/High: ± 4 dB- Desk-Filter- Analogue input: XLR, balanced- Digital input: AES IN- Digital output: AES Through- Dimensions (H x W x D): 308 x 180 x 245 mm- Weight: 6.4 kg- Colour: White

Enhancer Plug-in (Download)- Based on Greg Well's analog vintage hardware- Enriches the signal with an analogous "flair"- Easy to operate with a controller

UHF Wireless System- SM guitar series- BLX1 pocket transmitter- Can operate up to 12 systems simultaneously- Pilot tone- Microprocessor-controlled antenna diversity- Quick scan feature to find free frequencies- Pocket transmitter with 4-pole TQG connection- 9,5" / 1 RU Metal receiver- Removable BNC antennas- XLR and jack outputs- LCD display with audio and HF levels- Frequency range: H8E (518 - 542 MHz)- Incl. WA302 guitar cable and rack mount kit

Active Studio Monitor- 5" Woofer (100 Watts)- 2" AMT tweeter (100 Watts)- DSP system with integrated lineariser technology- CoP technology (Closed or Ported) to operate the monitor open or closed using the included locking pieces- Analogue input: XLR, balanced- Digital input: AES IN- Digital output: AES Through- Resolution: 24 Bit / 96 KHz- Input signal strength: ± 12dB- Shelf filter low / high: ± 4dB- Desk filter- Frequency response: 45 - 40,000 Hz- Max. sound pressure level: 112 dB- Dimensions (H x W x D): 308 x 180 x 245 mm- Weight: 6.4 kg- Colour: Black

Headset- For OP-Z, smartphone and tablets- Detachable microphone- Ideal for hands-free voice sampling in combination with the OP-Z- Headphone jack can be looped through to operate a second pair of headphones- Foldable headphones- Frequency range: 20 - 20,000 Hz- Sensitivity: 100 dB SPL- Impedance: 32 ohms- Microphone polar pattern: Cardioid- Detachable cable 4-pin (trrs) 3.5 mm mini jack plug- Cable length: 1.2 m

With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation XENYX Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, wireless-ready integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, one-knob mono channel compressors and KLARK TEKNIK FX engines (available on select models), XENYX Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio. Product Features:- Premium ultra-low noise, high headroom mixer- 8 state-of-the-art, phantom-powered XENYX Mic Preamps comparable to stand-alone boutique preamps- 8 studio-grade compressors with super-easy one-knob functionality and control LED for professional vocal and instrumental sound- Ultra-high quality KLARK TEKNIK FX processor with LCD display, dual-parameters, Tap function and storable user parameter settings- Wireless-ready for high-quality BEHRINGER digital wireless system (not included)- Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com- Neo-classic British 3-band EQs with semi-parametric mid band for warm and musical sound- Channel inserts on each mono channel for flexible connection of outboard equipment- 3 aux sends per channel: 1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, 1 post fader (for internal FX or as external send)- Clip LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels- 2 subgroups with separate outputs for added routing flexibility; 3 multi-functional stereo aux returns with flexible routing- Balanced main mix outputs with 1/4 jack and gold-plated XLR connectors, separate control room, headphones and stereo rec outputs- Control room/phones outputs with multi-input source matrix; rec inputs assignable to main mix or control room/phones outputs- Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls- Planet Earth switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving- High-quality components and exceptionally rugged construction ensure long life- Conceived and designed by BEHRINGER GermanyKLARK TEKNIK FX on All QX ModelsNothing adds the finishing touch to a live or recorded performance like really good effects, so we equipped a select group of these mixers with one of the best FX engines in the industry. Designed by the world-renowned KLARK TEKNIK engineering team, these high-end FX processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild! Wireless Ready PerformanceQX1204USB - QX2442USB mixers are wireless-ready right out of the box. Our new ULTRALINK ULM200USB (sold separately) features two high-quality 2.4 GHz wireless mics, plus a special 2-channel receiver dongle that connects directly to a dedicated input port on the top of the mixers. This technologic breakthrough makes for seamless wireless integration that is easier and more affordable than ever. What's a Compressor Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous - dynamic compression. What's compression Glad you asked. Compression limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. Our one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. Our one-knob compressors come standard on each and every XENYX Q Series USB mixer. Sonically Superior Mic PreampsAll XENYX mixers have one thing in common; great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology- and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10 Hz to well above 200 kHz. As a result, XENYX mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren't looking. Sweet British EQThe British consoles of the 1960s and '70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality. Recording ReadyThere was a time when the recording process called for lots of specialized gear, which meant the average musician had to buy time at a recording studio-and that time was expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer That's where XENYX Q Series mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software... How About Some Free Software!Because you'll want to take full advantage of your XENYX QX Series mixers' recording and podcasting potential, we've put together a massive software download at www.behringer. com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio. XENYX QX2222USBHow about eight XENYX mic channels with inserts, dedicated compressors, 3-band EQ with semi-parametric mids and three Aux Sends You get all of this with the QX2222USB-plus four stereo line-level channels, two convenient mix subgroups and onboard KLARK TEKNIK 24-bit digital FX processing, with dual user-addressable parameter controls, and our built-in dual-channel ULM wireless mic receiver port. All this and much more in a rugged, roadworthy steel chassis. Outstanding ValueNo matter what your audio mixing needs are, BEHRINGER QX Series USB mixers provide the performance and features to take your talent to the next level, at a price sure to amaze you. Try one on today-we've got one in your size!

Bundle offer comprising Buffet Crampon Prodige Bb-Clarinet 17/6 Bb Clarinet - Model: BC2541-2-0GB- Boehm system- 17 Keys- 6 Rings- ABS body- Poly-cylindrical bore in accordance with E13- Root note: A' = 442 Hz- Barrel: 64 mm- Adjustable thumb rest- Blue steel springs- Leather pads- Silver-plated key system- Incl. mouthpiece, gig bag and accessories Buffet Crampon ClariMate Digital Practice Mute - For Bb and A clarinet (Boehm system and German system)- ClariMate turns the clarinet into an electronic wind instrument- Suitable for most clarinet brands- High-quality breathing sensor with realistic clarinet settings- Lithium-ion battery with a runtime of up to 4 hours- USB-C port for connection to a PC, charging, MIDI and software updates- Bluetooth for a seamless playing experience and changing settings from your smartphone- Realistic reed placement and usage that mimics the embouchure of an acoustic clarinet- Headphone/Line Out: 3.5 mm mini jack- Dimensions: 5.4 x 6.9 x 5.0 cm- Weight: about 70 g K&M 15228 Clarinet Stand Clarinet Stand - Extremely small and compact- Excellent stability ensured by 5 stable die-cast zinc feet- Thanks to the patented and easy to operate screw-in system the feet can be conveniently stored in the peg- The short peg completely fits into the bell of the clarinet- It makes it easy for transport in all common instrument cases- Diameter assembly size: 196 mm- Total height: 130 mm- Weight: 0.149 kg- Colour: Black

Bundle offer comprising AKG WMS 470 Instrument Set Band 10 UHF Wireless-System - Diversity- 30 MHz Bandwidth- Can operate up to 8 frequencies simultaneously in this frequency band- Frequency scan- 50 mW Transmitting power- Pilot tone- Low battery warning on the transmitter- Bi-colour programmable display- Auto Set Up and Rehearsal mode for quick start- 9.5" Receiver in metal casing- Pocket transmitter with guitar cable, battery and battery level displayed in hours- Noiseless on/mute/off switch- Operates with 1 x 1.5V AA Batteries- Charging contacts f. CU 400- Infrared frequency transmission from receiver to transmitter- Receiver outputs: XLR (balanced) and Jack (unbalanced)- Frequency range: Band 10 (823 - 832 MHz)- Includes: 19 "/ 1U rack kit, guitar cable, 1 x batteries (1.5 V) and tripod adapter- Optional fast charger AKG CU 400: Article Nr. 182940 the t.bone Ovid System CC 100 RC Condenser Clip Microphone for The Ovid System - Easy installation with different instrument holders (optional - not included)- With phantom power adapter (phantom power required)- Detachable cable with screw contact- Directivity: Cardioid- Frequency range: 20 - 20,000 Hz- Flexible gooseneck for easy alignment on the instrument- 3-Pin mini XLR connector for operating with t.bone wireless systems - also suitable for AKG wireless systems- Length of gooseneck: 130 mm- Cable length: 2 m- Optional cables with Sennheiser EW and Shure TQG connector available separately (not included)- Foam windshield included

Effects Pedal for Electric Guitar- 69 dB Noise reduction- Latest NR technology- No change to the guitar tone- Easy to operate- Link in and link out- True bypass- Dimensions: 9.4 x 5.1 x 5.1 cm- Matching power supply available under Article Nr 409939 (not included)

Chromatic tuner- Easy to operate - Clip it on, flip up the display and the FT-2 powers on- Simply flip the tuner back down and the device will shut itself off- Large, high-contrast and backlit display- Accuracy: ±1 cent- High-contrast, multi-colour backlit display features a "tuning needle"- Powered via a 2032 button cell battery (included)- Dimensions (L x W x H): 48 x 44 x 27 mm- Weight: 21 g