Crossoverr stéréo 2 voies/Mono 3 voies de haute précision avec sortie subwoofer Behringer CX2310The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!Sound QualityWhen a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection plus Mute and Phase Invert switches, making troubleshooting even a large system virtually effortless!What s a Crossover Chances are if you re reading this, you already know what a crossover is and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you re bench-pressing your limit!)That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover s function to divide these tasks between the various amplifiers and transducers.Divide and ConquerThe CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310 s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected and which controls are currently active.Extraordinary Value- The high-precision CX2310 is the super-effective and affordable way to optimize the performance of your sound system and protect your valuable loudspeaker investment at the same time! Stop by your authorized Behringer dealer, or get your SUPER-X PRO CX2310 online today!- Filtre stéréo professionnel à 2 voies/mono à 3 voies avec filtres Linkwitz-Riley de 24 dB/octave.- Sortie supplémentaire pour subwoofer avec contrôle de fréquence indépendant- Réponse en amplitude additionnée absolument plate, différence de phase nulle- Commandes de gain de sortie individuelles pour toutes les bandes- Commutateurs de sourdine de sortie individuels pour un réglage facile des bandes- Commutateurs d'inversion de phase individuels pour une correction de phase instantanée- Filtre coupe-bas 25 Hz commutable sur chaque entrée pour la protection des haut-parleurs basse fréquence.- Connecteurs XLR servo-balancés et plaqués or pour toutes les entrées et sorties.- Potentiomètres de très haute précision pour une précision et une répétabilité optimales.- Commutateurs éclairés pour un fonctionnement sûr dans les environnements de scène sombres.- Alimentation à découpage interne (100 - 240 V~) pour un son sans bruit et une faible consommation d'énergie.- Conçu et fabriqué en Allemagne CARACTÉRISTIQUES TECHNIQUES : - Compatible 19: Oui, mise en rack possible- Hauteur d'encastrement (U) : 1- Compatible MIDI : Non- Numérique : Non- Entrée microphone : No- Nombre de canaux : 2- Réponse en fréquence à partir de (Hz) : 5- Réponse en fréquence allant jusqu'à (Hz) : 60000- Compresseur : Non- Egaliseur : Non- Expandeur : Non- Gate : Non- Limiteur : No- Gain : Oui- Attaque / Release réglable : Non- Coupe bas : Oui- Bypass : Non- GroundLift : Non- Pad interrupteur : Non- actif/passif : actif- Entrées : XLR- Sorties : XLR- Alimentation fantôme : No- LED clip : Non- Commutateur casque : Non- Adaptateur : Non

Active 300-Watt 2-Way 10 PA Speaker System with Wireless Option B110D - High-power 300-Watt 2-way PA sound reinforcement speaker system for live and playback applications - Ultra-compact and lightweight system delivers excellent sound even at extreme sound pressure levels - Wireless-ready for high-quality BEHRINGER digital wireless system (not included) - Ultra-low noise Mic/Line input with Volume control and Clip LED - Dedicated 2-band EQ plus integrated sound processor for ultimate system control and speaker protection - Additional Line output allows linking of additional speaker systems - Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight - Extremely powerful 10'' long-excursion driver provides incredibly deep bass and acoustic power - State-of-the-art 1'' phenolic compression driver for exceptional high-frequency reproduction - Ultra-wide dispersion, large-format exponential horn - Additional Line output allows linking of additional speaker systems - Versatile trapezoidal enclosure design allows different positioning: - Stand mounting with 35-mm pole socket - Tilts on its side for use as a floor monitor - Ergonomically shaped handles for easy carrying and setup - Conceived and designed by BEHRINGER Germany The EUROLIVE B110D is a super-compact, exceptional 2-way, 300-Watt PA sound-reinforcement loudspeaker with Wireless Option that is ideal for live sound, portable PA, monitor wedge and House of Worship applications. This amazingly-versatile active loudspeaker is ultra-lightweight thanks to our revolutionary Class-D amplifier technology and it comes Wireless-ready for use with our incredible ULM Digital Wireless Microphones. A convenient Line Output allows you to connect multiple B110D speakers, or any of our other high-quality active loudspeakers. Sound reinforcement has never been so easy! Own the Stage with Digital Wireless Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM s digital, license-free 2.4 GHz frequency spectrum. The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver dongle , and instantly you have an exceptional wireless mic system. Freeing you from cables is the simply easy way to own the stage. Front End Flexibility Flexibility rules the day on the B110D, with input options for your choice of an ultra-low noise Mic or Line input with a dedicated Volume control and Clip LED. Tone shaping options such as a dedicated 2-band EQ plus integrated sound processor are included for the ultimate in system control, as well as speaker protection. The additional Line Output allows you to connect multiple B110D units, or any of our other high-quality active loudspeakers. Class-D - Massive Power, Perfect Sound Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment. Superb Sound Quality The B110D features a powerful 10 long-excursion low-frequency driver for solid bass, a 1.35'' aluminum-diaphragm compression driver mounted on an ultra-wide dispersion, large-format exponential horn for crystal-clear high-frequency reproduction. These speaker components were designed specifically as a perfect match for the amplifiers that drive them, ensuring excellent performance and amazing sound every time! Future Proof Versatile and extraordinarily user-friendly, the B110D offers convenient expandability, allowing your sound system to grow as your coverage requirements change. Thanks to the trapezoidal enclosure design, the B110D can also be used as a monitor wedge, making this solution ideal for a wide range of applications. The additional Line Output allows linking multiple speaker systems to form a larger array, and the 35-mm pole socket allows mounting on speaker stands at the optimal height for maximum coverage. As your system needs grow, you can easily pole mount your B110D speakers atop a pair of B1200D Active Subwoofers to add some serious bottom-end to your mix. The B110D features the highest-quality components throughout and the exceptionally-rugged chassis and enclosure build ensures many years of top-notch performance. When you add it all up: superb sound quality; high output power; lightweight portability and scalability plus wireless mic ease-of-use and rugged-durability, the EUROLIVE B110D will elevate your sound-quality to the next level.

EUROLIVE VQ1500D Professional Active 500-Watt 15 PA Subwoofer with Built-In Stereo Crossover - Professional 500-Watt powered subwoofer for PA applications - Powerful 15'' long-excursion transducer with high temperature voice coil provides incredibly accurate and pulse-pounding bass - Precise reproduction of ultra-low frequencies for bulletproof punch and impact - State-of-the-art 500-Watt Class-D amplifier with comprehensive over-excursion, thermal and clip limit protection - Built-in active stereo crossover provides high-pass filtered outputs for full-range loudspeakers - Tunable and switchable Bass Boost plus Phase switch for ultimate low-frequency performance - Variable High Cut control for perfect sound alignment - Subwoofer Level control to adjust the balance between subwoofer and the full-range speakers - Power, Signal and Clip LEDs for perfect monitoring - Intelligent limiter for maximum sound performance and woofer protection - Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption - Pole socket for mounting with commercial spacer poles - Ergonomically shaped handles for easy transport - Rugged steel grill for optimal speaker protection - High-quality components and exceptionally rugged construction ensure long life - Conceived and designed by BEHRINGER Germany Our EUROLIVE VQ1500D 500-Watt active subwoofer provides the ultimate in low-frequency reproduction, and the built-in stereo crossover makes it ideally suited for use with any of our active 2-way loudspeakers. Packed with a powerful 500-Watt Class-D amplifier, 15 long-excursion Low-Frequency (LF) transducer and an incredible array of professional features, the VQ1500D produces extreme levels of low-end punch, with the definition and clarity typically reserved for much larger systems! Put simply, these cool-running systems are much lighter, making them ultra-easy to transport and set up and our no-compromise design means you get amazingly-deep, chest-pounding bass that will keep the party going all night long. Class-D - Massive Power, Perfect Sound Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment. Custom-Engineered Transducers Powerful, high-efficiency Class-D amplifiers and Switch Mode Power Supply technology coupled with state-of-the-art DSP functionality sure sounds impressive but what about the part of the system you actually hear We never cut corners on our transducers (woofers and tweeters), and we never just pull what we have off the shelf. Our LF transducers are designed specifically for each application it s what sets us apart from the competition. When you buy a BEHRINGER active subwoofer, you can rest assured that the transducer inside has been engineered to perform flawlessly with every other element for truly professional results. The VQ1500D active subwoofer is capable of extremely high sound pressure levels: 122 dB (Full Space, 1 W @ 1 m), with a frequency range of 40 - 200 Hz. Take Control The VQ1500D features balanced XLR inputs and outputs, as well as balanced XLR Thru jacks for connecting additional enclosures. A Boost Frequency knob targets a boost frequency between 40 and 90 Hz. Flick the Boost switch to give your selected frequency a 10 dB boost. The VQ1500D also has a High Cut dial that provides precision control over the upper-corner frequency of the subwoofer s amplifier. The High Cut dial does not affect the Thru signals, only signals directed to the subwoofer (however, it does affect the Output socket signals sent out to full-range speakers). A Level knob controls the input gain, and the Phase switch reverses the output phase to compensate for frequency cancellation between the subwoofer and satellite speakers. LEDs show operational status at a glance, including power, signal present and input overloads. Which Speaker Do I Need As you have probably noticed, we make these subwoofers in two different woofer sizes. Which one is right for you An 18 woofer has more surface area with which to move air than a 15. If you re running sound for a jazz combo in a dinner club, a single VQ1500D might be all you ll need. But if you need to serve up pulse-pounding techno at a large, standing-room-only dance club, you might need a pair of VQ1800Ds to really ignite the dance floor. Sound Value The VQ1500D PA subwoofer stands head and shoulders above the rest of the pack and delivers exceptional performance, even when pushed to the limit. Lightweight and powerful with custom-designed transducers, 500 Watts of Class-D output power and a state-of-the-art onboard active stereo crossover, the VQ1500D is ideal for any music application at a price that is unheard of in this class. Experience the EUROLIVE VQ1500D at your local dealer today and find out why more and more professionals are turning to BEHRINGER EUROLIVE active subwoofers for their superb performance and extraordinary value.

Specifications : Smooth Surface Footboard The newly designed classic style footboard features lightweight construction and smooth surface, making it a great choice for any drumming style. Center Strike Height Adjust By simply loosening the square head bolt of the side pillar, you can change the height of the beater shaft. This makes it possible to have the beater strike the center of the bass drum without using a bass drum lifter or adjusting the length of the beater. Easy Access Spring Adjustment This unique Easy Adjust Spring Post allows you to adjust the spring tension while still sitting on the drum throne because of its top mounted construction. This means you can adjust the tension while actually checking the resulting feel simultaneously. The Classic Beater This traditional style round beater has a slightly tapered shape. It allows you to hit the bass drum evenly, and provides a warm sound with clear articulation. (available as an individual item) Individual Adjustment of Beater and Footboard Angle Using a drum key, you can adjust the beater angle as desired. Also, by changing the chain position on the sprocket, you can adjust the footboard angle independently of the beater angle. Easy-Tight Hoop Clamp We set the screw to tighten the hoop clamp on the outside of the pedal frame, making it quick and easy to set and remove. Compact Folding Design This pedal can be folded compactly to store it in a pedal bag. By tilting the spring post toward you, it becomes a compact right-angle triangle. While super complex and technical playing can wow audiences, sometimes a simpler and stripped down approach is even more moving. Sometimes, eliminating everything but the most essential can produce greater creativity and boosts interaction between players and audiences. A similar relationship exists between players and their instruments. Very simple instruments and setups can often conversely stimulate the creativity of players. The Classic Pedal is just that a drum pedal taking a sophisticated path to simplicity, to stimulate joy and creativity from its player. Due to their simple, user-friendly nature, vintage pedals have remained popular in modern times, when technology and innovation abound. While taking inspiration from vintage models, we also incorporated years of product research and development, and condensed it into this simple structure. The streamlined footboard was carefully designed, with great attention to detail, so that it is easy to use in any playing style. We developed a height adjustment mechanism that precisely strikes the center of the head, for a range of bass drum sizes. And above all, its weight balance achieves a very natural feel and response, while still delivering power and nuance. This comfortable feeling allows that player to forget about the pedal itself and instead focus on playing music, naturally inspiring joy and creativity.

A Mute Bass Trombone Practice; practice mute for bass trombone; offers strong damping, precise response and clean intonation, making it easy to practise even in sensitive environments such as at home, in a hotel or on the road; the screw-apart design makes the mute particularly practical; Easy to transport and fits easily into the case of a trombone with a detachable bell; the perfect companion for musicians who are often on the move or want to practise regularly while travelling

Eurolite WLF-1500 Water Low Fog PRO; DMX fog machine installed in a robust case produces water-based ground fog; thanks to ultrasound technology, no CO2 or dry ice is required, making it economical to operate; Integrated in the flight case for high resistance, durability and easy transport; crucial components inside the machine made of stainless steel; Concentrated and even fog output; Adjustable timer with interval, duration and amount of fog; very low fluid consumption; Drain device for easy emptying and cleaning; Short warm-up time: approx. 3 min; Output range: approx. 2 m; Controllable via DMX; Radio remote control; Timer; for applications such as: weddings/galas/events; stage; theater; video and photography; rental companies; Large tank capacity; Monochrome LCD display; With level indicator; Operates with water-based fog fluid; Removable, backlit tank; Tank content: 1.8 l fog fluid and 6.7 l water permanently installed tank; Fluid consumption: approx. 13 ml/min; DMX channels: 1; DMX connection: XLR 3-pin 5-pin In / Out; Power connection: Power Twist In; Control: DMX; Radio remote control; Timer; Power supply: 230 V AC, 50 Hz; Total connected load: 1400 W (heating element: 1000 W); Protection class: IP20; Dimensions WxDxH: 41.5 x 68 x 52 cm; Weight: 34.65 kg; Scope of delivery: 1 x device, 1 x operating instructions, 1 x power cable/power cable, 1 x remote control, 1 x hose, 1 x declaration of conformity,

A Mute Tenor Trombone Practice; practice mute for tenor trombone/french horn; offers strong damping, precise response and clean intonation, making it easy to practise even in sensitive environments such as at home, in a hotel or on the road; the screw-apart design makes the mute particularly practical; Easy to transport and fits easily into the case of a trombone with a detachable bell; the perfect companion for musicians who are often on the move or want to practise regularly while travelling

Kupo KSF-15 Shot Bag 6.5kg; filled sandbag; 2mm steel ball filling ensures high density, making the shotbag particularly compact yet heavy; effective counterweight for boom arms and stability for tripods; water-repellent polyurethane coating on the inside; wing design allows draping over tripods or boom arms; eyelet and carabiner hook provide flexible options for securely attaching the sandbag to a tripod; integrated handle for easy transport; outer material: 1000D Cordura nylon, water-repellent and durable; 2 firmly sewn, filled pockets; filling: 2mm steel balls; color: black; size: approx. 15 x 15 x 13 cm; weight: 6.5 kg

The Zoom F1 Field Recorder Shotgun Mic is the ultimate solution for run-and-gun filmmakers who need to capture professional quality audio for video. Main Features - Two-channel audio recorder - Compatible with Zoom microphone capsules - Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats - One-touch button controls - 1.25 monochrome LCD display - Rec Hold function to avoid accidental operation of buttons - Stereo Mic/Line In mini phone jack with Plug-in power (2.5V) - Stereo Phone/Line Output jack with dedicated volume control - Built in limiter and auto level control to avoid clipping - Pre-Record function - Tone generator for calibrating audio levels between the F1 and a DSLR or video camera without the need for an attenuator cable - Sound marker function that outputs quick tone to make syncing audio and video easy - Records directly to micro SD and SDHC cards up to 32 GB - Micro USB port for data exchange to and from computer and use as an audio interface with computer or iOS device - Runs on only 2 standard AAA alkaline, Lithium, or NiMH rechargeable batteries, or AC adapter (AD-17) - Up to 10 hours of operation with alkaline batteries (when using lavalier) *Camera not included What\'s included - F1 Field Recorder - SGH-6 Shotgun microphone - WSS-6 Windscreen - SMC-1 Stereo mini cable for DSLR - SMF-1 Shock mount - 2 AAA batteries - Quick guide

transducer and an incredible array of professional Features, the VQ1800D produces extreme levels of low-end punch, with the definition and clarity typically reserved for much larger systems! Put simply, these cool-running systems are much lighter, making them ultra-easy to transport and set up and our no-compromise design means you get amazingly-deep, chest-pounding bass that will keep the party going all night long. Features - Professional 500-Watt powered subwoofer for PA applications - Powerful 18'' long-excursion transducer with high temperature voice coil provides incredibly accurate and pulse-pounding bass - Precise reproduction of ultra-low frequencies for bulletproof punch and impact - State-of-the-art 500-Watt Class-D amplifier with comprehensive over-excursion, thermal and clip limit protection - Built-in active stereo crossover provides high-pass filtered outputs for full-range loudspeakers - Tunable and switchable Bass Boost plus Phase switch for ultimate low-frequency performance - Variable High Cut control for perfect sound alignment - Subwoofer Level control to adjust the balance between subwoofer and the full-range speakers - Power, Signal and Clip LEDs for perfect monitoring - Intelligent limiter for maximum sound performance and woofer protection - Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption - Pole socket for mounting with commercial spacer poles - Ergonomically shaped handles for easy transport - Rugged steel grill for optimal speaker protection - High-quality components and exceptionally rugged construction ensure long life - Conceived and designed by BEHRINGER Germany

The CP-60S acoustic guitar s parlor body style ensures a comfortable playing experience, thanks to its smaller size. It also sings with a distinctly warm and intimate voice traditionally embraced by folk and blues players, making this model an ideal choice for the up-and-coming fingerstyle player. Other features include a solid spruce top, mahogany back and sides, rosewood fingerboard, rolled fingerboard edges and a new easy-to-play neck shape.

Virtual Synthesizer (Download)- Flexible and clear FM synthesizer with eight operators- Interconnection of the operators using the FM8 matrix view- 32 Waveforms per operator and modulation options such as multi-segment envelope and LFO- Sound morphing pad with automation and MIDI control for seamless crossfading of four presets- Extensive arpeggiator with step matrix enables rhythmic and melodic patterns- Easy Edit Page provides a clearly structured interface and uncomplicated controls for controlling complex sound parameters, making it fun to play and experiment- Effects section with 12 effects such as overdrive, tube amp, talk wah, EQ, phaser, flanger and much more.- Browser with 1200 presets and attributes for quickly finding sounds- Import MIDI SysEx data from known FM synthesisers

The 50s Fender Bassman was the pro bassist s answer to amplifying a great new invention: the Fender Precision Bass® guitar. This powerful 50-watt rig could easily compete with the common instrumentation of the day: horns, piano, four-piece drum kit with calfskin heads, and maybe even an electric guitar through a nice, new 10-watt amp! By the 60s and 70s, the original all-tube Tweed 4x10 Bassman was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. Even some emerging British amp designers of the day copied its circuitry for use in their most celebrated designs.In the 1990s, Fender released an affordable reissue of the now-collectible 59 Bassman amplifier to massive acclaim. Many guitarists, tired of experimenting with preamps, equalizers, and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. The Bassman s wide stage coverage, touch-sensitive dynamics and full-frequency swirl make it the perfect vehicle for building a great tone with almost any guitar or effect. The reissue Bassman continues to be a staple of the Fender guitar amp line to this day.The new 59 Bassman LTD is enhanced with: Genuine lacquered Tweed covering. Finger-joined pine cabinet for woody, resonant tone. Original spec 5AR4 rectifier tube for natural compression when playing hard. Internal bias pot makes it easier to experiment with various output tubes. Two GT-6L6 Groove Tube output tubes. Three improved 12AX7 preamp tubes. Fitted cover. Model Name '59 Bassman® LTDModel Number 217-1000-010 (120V, 60Hz) USA,217-1003-010 240V, 50Hz) AUS,217-1004-010 (230V, 50Hz) UK,217-1006-010 (230V, 50Hz) EUR217-1007-010 (100V, 50Hz) JPN,Series Vintage Reissue SeriesType All TubeOutput 45 watts into 2 ohmsOhms 2 ohmsSpeakers 4-10 Jensen® P-10R, 8 ohm Speakers with AlNiCo Magnets, p/n 0055613000Channels Dual Channels (Normal and Bright)Features Chrome Control Panel,Solid Finger-Jointed Pine Cabinet,New US Made GT-6L6-GE Output Tubes,Improved 12AX7 Preamp Tubes,Original Spec 5AR4 Rectifier Tube,Internal Bias Pot (Makes it Easier to Experiment with Various Output Tubes)Fitted Cover is Included,Controls That Go to 12,4 Inputs (2 per Channel),Standby SwitchControls Presence,Middle,Bass,Treble,Volume (Bright Channel),Volume (Normal Channel)Covering Genuine Lacquered Tweed with Striped Oxblood Grille ClothWeight 53 lbs. (24 kg)Dimensions Height: 22.37 (56.81 cm),Width: 23.5 (59.69 cm),Depth: 10.5 (26.67 cm)Power Handling N/ATube Complement 3 X 12AX7,2 X GT 6L6,1 X 5AR4 Rectifier TubeShipping Weight 61 lbsCover Uses Cover, p/n 0037965000, (Included)Accessories Cover, p/n 0037965000, (Included)Footswitch N/AIntroduced 1/2004

StompLab IG / IB / IIG / IIBModeling Guitar/Bass Effect ProcessorsPowerful sounds and a sophisticated appearance!The new StompLab series - shattering expectations for compact multi-effect unitsFeaturesA total of 100 preset programs are categorized into styles such as rock, blues, metal, and popEasy to use interface; even novice users can instantly access the sounds they want!StompLab IG provides 103 types of modeling effects, StompLab IIG provides 104 types, StompLab IB provides 60 types, and StompLab IIB provides 61 typesEach effect model boasts a sound engine that has been distilled from the worldwide best-selling VT series of modeling amps as well as the ToneLab series of multi-effect units.Edit and save 20 of your own user programsUp to 8 effect models can be used simultaneouslySophisticated appearance that was unimaginable for older effect units.The StompLab IIG and IIB provide an expression pedal that lets you control a variety of effect parameters including wah and volumeTwo-way power; works on batteries or on the AC adapter (separately sold)Built-in auto chromatic tuner with bypass and mute functionsThe StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to comeFirst check out the sounds!Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You ll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.Create your own original sounds!Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.It looks great!The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it s compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.Use the expression pedal for realtime control!The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.Packed with convenient functions including a tuner!The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go. VOX StompLab SpecificaitonsEffect Type - StompLab IG/IIGPedal (8): COMP, FIX WAH or WAH *IG=FIX WAH, IIG=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp(44) : BTQ CLEAN, PURE CLEAN, JAZZ CLEAN 1, JAZZ CLEAN 2, CALI CLEAN 1, CALI CLEAN 2, CALI CLEAN 3, CALI CLEAN 4, VOX AC4, VOX AC15TB, VOX AC15, VOX AC30TB, VOX AC30HH, VOX CRUNCH, US BLUES 1, US BLUES 2, US BLUES 3, US BLUES 4, US 2x12 1, US 2x12 2, US 2x12 3, US 2x12 4, UK ROCK 1, UK ROCK 2, UK ROCK 3, UK ROCK 4, BTQ OD, VOX NT15, VOX AC30BM, UK METAL 1, UK METAL 2, UK METAL 3, UK METAL 4, US HIGAIN 1, US HIGAIN 2, US HIGAIN 3, US HIGAIN 4, US METAL 1, US METAL 2, US METAL 3, US METAL 4, BTQ METAL 1, BTQ METAL 2, BTQ METAL 3Drive (18): TONE DRIVE, BLUE DRIVE, TREBLE BOOST, GOLD DRIVE, TUBE OD, BRIT LEAD, FAT, METAL DIST, ROCK PLANET, TUBE DX, ORANGE DIST, CLASSIC , GERMANIUM FUZZ, BIG FUZZ, VOX TONE BENDER, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15, VOX AC30, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Display (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IG Only) Effect Type - StompLab IB/IIBPedal (9): COMP, EXCITER, FIX WAH or WAH *IB=FIX WAH, IIB=WAH , AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MODAmp (10): VALVE 1, VALVE 2, CLASSIC, SCOOPED, LA STUDIO, GOLD PANEL, JAZZ, STUDIO, AC100, UK MAJORDrive (8): TUBE OD, FAT DIST, ORANGE DIST, SHRED DIST, FUZZ, OCTA FUZZ, TECHNO FUZZ, CRUSHERCabinet (12): LA 4x10, LA 1x18, METAL 4x10, UK 4x12, UK 4x15, CLASSIC 8x10, MODERN 4x10, STUDIO 1x15, JAZZ 1x15, AC 2x15, COMBI, CUSTOMModulation (9): CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)Delay (8): ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4Reverb (3): ROOM, SPRING, HALLNoise Reduction (1)Volume (*IIB Only) Program CategoryStomLab IG / IIG BALLAD 0, JAZZ/FUSION 0, POP 0, BLUES 0, ROCK and ROLL 0, ROCK 0, HARD ROCK 0, METAL 0, HARD CORE 0, OTHER 0, USER 0StompLab IB / IIBJAZZ/FUSION 0, POP1 0, POP2 0, ROCK1 0, ROCK2 0, HEAVY 0, FUNK1 0, FUNK2 0, DANCE 0, OTHER 0, USER 0Technical SpecificationsThe number of Effect:StompLab IG=103StompLab IIG=104StompLab IB=60StompLab IIB=61 The number of Program: 120 (User = 20 / Preset = 100)Audio Input: 1 (Monaural Standard)Audio Output: OUTPUT/PHONES (Stereo Standard)Signal processing: A/D conversion: 24-bit / D/A conversion: 24-bitTuner: Measurement Range: A0 - E6Calibration Range: A=438 Hz - 445 HzPower: AA battery x 4 DC 9V (Option: AC Adapter)Battery Life: 7.5 hours (Alkaline battery)Dimensions (W x D x H): StompLab IG / IB = 145 x 125 x 57 / mm, 5.7 x 4.92 x 2.24 / inchStompLab IIG / IIB = tbcWeight:StompLab IG / IB = 590 g / 20.8 ozStompLab IIG / IIB = tbcIncluded items: AA battery x 4 for verifying proper operationOptions: AC Adapter

TASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera s microphone in. ProSound Network Best of Show The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera s microphone in. The DR-60DmkII is the next generation of 4-track solid-state recording, based on TASCAM s decades of recording innovation. The upgraded HDDA microphone preamps provide up to 64dB of gain, capturing every nuance of a performance. Up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8 stereo connector for wireless and lavaliere microphones. A Camera Output sends the mic mix to the camera for later synchronization, and a Camera Input is provided for monitoring playback. An additional headphone out and line out assist the crew during filming. The DR-60DmkII is designed for low-noise operation, including soft touch buttons and dedicated gain controls. Multiple recording modes are available on the DR-60DmkII. Four-Channel Mode records all four microphone inputs. Dual Recording is an alternate setting, capturing a copy of your audio at a lower level for a distortion-free safety track. Menus and operation are well laid out, owing to decades of innovative recording design. Reach beyond the limited performance of your camera s audio to capture the other half of your film. At a cost less than competing preamps, the TASCAM DR-60DmkII is the ultimate 4-track recorder designed for filmmakers, television, live events and web broadcast. Main Features To Top High-Quality HDDA Mic Preamps High quality mic preamps are a necessity for high-grade sound. The DR-60D's HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility. A CIRRUS LOGIC's AD converter (used also on the DR-40 portable recorder) is used to ensure detailed recording from any input signal. A Variety of Inputs and Outputs With Internal Mixing The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation. Three sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a powerful Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable. The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a Limiter or Hipass Filter (40/80/120Hz), and set individual channel Delay from the user-friendly set-up. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls. Multiple Record Modes Meet Any Challenge On-Set The DR-60DmkII includes several recording modes to adapt to any recording scenario: MONO/DUAL MONO mode Ideal for single source microphones, like using a shotgun together with a clip-on lavaliere mic STEREO/DUAL STEREO mode These modes are ideal for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording 4CH mode This mode records all four microphone inputs to their own tracks. DUAL MONO and DUAL STEREO mode Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn t distorted Custom-designed for DLSR Shooters To Top Soft-Touch Controls Every aspect of the DR-60DmkII is designed specifically for DSLR Audio for Video Recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. Whether the device is used under a camera, on a rig or strapped around a solitary sound engineer, TASCAM's DR-60D will meet all on-site audio production needs. Dedicated Camera Output The CAMERA OUT connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in editorial. Most modern editors including Final Cut Pro X and Adobe Premiere include a function to automatically synchronize audio recordings with camera clips. If your editing software lacks this feature, applications such as Red Giant PluralEyes can automate the process. Slate Tone Generator for Tighter Lock The internal slate tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways: Automatic Tones are added to the head or the head and tail of each clip (from 0.5 3 sec) Manual Push the SLATE button to record a tone Ch 3 and 4 Inputs Support High-Output Microphones The channel 3/4 input connector supports a high-level maximum input up to 10dBV. Many microphones designed for use with video cameras have a high-level output and a 3.5mm output connector. Plug-in power is also available for microphones that need it. Tripod Mounting on Top and Bottom The DR-60D can be placed between a DSLR Camera and a tripod, or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a (removable) tripod bracket is mounted on the top. Lightweight Body Designed for Rugged Portability The DR-60DmkII's body was manufactured with very rigid plastic for a durable but lightweight design. TASCAM understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the feature-rich DR-60DmkII is extremely compact. Only 5.25 wide, the DR-60DmkII won t interfere with camera operation. All batteries can be replaced without removing the device from the Camera or tripod / rig.

At Ibanez, we have always made it a point to study and understand how guitar playing evolves and progresses with music trends over time. Currently, we are seeing an explosion of young contemporary guitarists pushing their playing techniques into exciting new directions. We are viewing this trend as the beginning of a third phase of guitar playing. All of us at Ibanez challenge ourselves as guitar designers to step up and answer the needs of this third phase. We found that, in order to fully grasp the expanding range of musical expression created, we must consider the guitar not just as an isolated device, but as an extension of the guitarist's body. If we were to give this phenomenon a name, it would be Synchronizing Guitars and Players. In launching the AZ series, our aim was not to merely create a completely new guitar model, but to sculpt a great guitar that can foster the potential of the modern third phase' while maintaining traditional elements. Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well balanced asymmetrical body shape, and a neck heel that allows unrivaled playability. It also features details such as a new tremolo bridge, as well as new pickups developed in collaboration with Seymour Duncan. All of these elements help the AZ push the existing boundaries of playability and sound even further. We always strive to make our guitars with the finest materials and parts, yet we know that collecting new parts and materials alone do not make a great guitar. Rather, exquisite guitars are made through the processes of examining, testing, understanding, then finally synchronizing these materials together. The harmonic balance between the bridge and pickups, nut and machine heads, neck and fret material, all work together in order to help guitarists create their desired sound. From A to Z, there is no aspect of guitar making that we ever overlook. This tradition has been passed down masterfully to the AZ series. At first glance, the AZ series may seem like an enigma to some. The magic of this new series is not something that may be apparent by just visual observation. The magic, however, does become instantly apparent once an AZ model is played. The AZ series represents the future of guitar playing and we welcome you to play one and see for yourself. AZ Modern Oval C S-TECH WOOD roasted maple 1pc neck S-TECH treated Maple was used for the AZ's neck construction, a first. Its nitrogen-heating treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. After extensive prototyping and trials, we concluded that 20.5mm thickness at the 1st fret and 22.5mm at the 12th fret was the optimal neck thickness for this process. The neck was then sealed with an oil finish, making it feel similar to a well-played guitar neck. Neck Grip In order to achieve supreme neck grip comfort, the fretboard edge was finished with a smooth curve that extends from the border between the fretboard and the neck to the surface of the fretboard. The detailed neck shape was precisely carved using a ball mill for ultimate consistency. The width measurements of the fretboard are 42mm at the nut and 57mm at the last fret. These dimensions allow for an easy grip in the lower register, and a more modern feel in the higher register. Body Design The AZ's shallow back body contour and big forearm contour lets the guitar's body fit the player naturally, thus increasing playing comfort. The AZ body has a deep waist and different radii on each body edge curve (3 mmR on body top/8 mmR on body back), making it easier to play in both standing or sitting positions. Seymour Duncan Hyperion Pickups The AZ's custom Hyperion pickups were developed in collaboration with Seymour Duncan. Hyperion pickups feature a moderate output through Alnico-5 magnets to keep the clarity of the fundamental tone when using a distortion sound and deliver a clear pick attack. From treble to bass, and from high-E string to low-E string, the overall tonal balance is evenly adjusted, and works well with various effect pedals. dyna-MIX 9 w/Alter switch The Dyna-MIX 9 offers nine sound variations, and can easily switch between humbucker and single coil modes with just a flick of the mini switch. One Dyna-MIX 9 mode even simulates a humbucker sound using the combination of the two single coil pickups. Ibanez T1802 Tremolo Bridge (made by GOTOH) The new T1802 Bridge, a collaboration between GOTOH and Ibanez, features machined titanium saddles and a machined steel tremolo block for a quick response, thick lows and rich highs. The 10.5mm string spacing allows for easy picking across strings, including techniques such as string skipping and hybrid picking. The snap and hold tremolo arm socket makes it easy to load a tremolo arm, and the arm torque adjuster enables fine torque adjustment without any tools. The 2-point floating tremolo system allows for a super smooth tremolo motion when either raising or lowering the pitch. GOTOH H.A.P-M machine heads The AZ comes with GOTOH MAGNUM LOCK machine heads, which have an established reputation for tuning stability. Its H. A. P (Height Adjustable Post) system allows for the adjustment of string posts for the appropriate tension of each string. AZ Oval C S-TECH WOOD Roasted Maple neck S-TECH WOOD Roasted Maple fretboard w/Black dot inlay Seymour Duncan Hyperion Pickups dyna-MIX 9 switching system w/Alter switch Gotoh T1802 tremolo bridge Oil-impregnated Bone nut /Stainless Steel Frets Super All Access Neck Joint Luminlay side dot inlay Gotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post) An ergonomic body back contour Neck Type : AZ Oval C Neck Joint : Bolt-on Neck Material : S-TECH WOOD Roasted Maple Neck finish : Oil Neck thickness (1st fret, mm) : 20,5 Neck thickness (12th fret, mm) : 22,5 Scale (inch) : 25,5 Scale (mm) : 648 Nut width (mm) : 42 End width (mm) : 56,4 Number of fret : 22 Fretboard : S-TECH WOOD Roasted Maple Fretboard Radius (mm) : 305 Fret Type : Jumbo Stainless Steel Fret edge treatment : Prestige fret edge treatment Inlay : Black dot Body Material : Alder Body finish : Gloss Polyester Total length (mm) : 978 Body thickness (mm) : 44 Body length (mm) : 452 Body Width (mm) : 309 Bridge : Gotoh T1802 String spacing (mm) : 10,5 Active or Passive : Passive Nut : Bone Machine Head : Gotoh Magnum Lock machine heads w/H.A.P. Hardware color : Chrome Neck Pickup : Seymour Duncan Hyperion (S) Middle Pickup : Seymour Duncan Hyperion (S) Bridge Pickup : Seymour Duncan Hyperion (H) Controls, Pickup selector : 1 Volume, 1 Tone, 5-way lever switch Other Swtichs : dyna-MIX9 switching system w/Alter Switch Side Dot Inlay : Luminlay side dots Special Strings : D'Addario EXL110 String Gauges (from top to bottom) : .010/.013/.017/.026/.036/.046 Tuning (from top to bottom) : 1E,2B,3G,4D,5A,6E Included case or bag : M20AZ Other item(s) included : Tremolo arm, Multi tool Net Weight (g) : 3300

Bose® Expands Portable P.A. Offerings with F1 Subwoofer and F1 Model 812 Flexible Array Loudspeaker Bose® Professional has drawn near-universal acclaim from end users and venue owners for its iconic L1® portable array systems. Bose now expands its portable P.A. offerings with the introduction of the F1 Model 812 Flexible Array Loudspeaker and F1 Subwoofer. Designed to serve an even broader set of applications than L1 systems, F1 Model 812 is the first powered portable loudspeaker that lets users optimise sound by creating up to four different vertical coverage patterns. Offering exceptional power and clarity, the F1 system provides versatility for a wide range of applications and venues, easy setup, aesthetically pleasing design, and rugged durability. The F1 system is an ideal choice for live music, DJ, corporate AV, house-of-worship, AV rental and general P.A. applications. F1 Subwoofer High performance compact subwoofer: All the performance of a larger bass box in a more compact design that s lighter and easier to carry than conventional subwoofers High-excursion 10-inch drivers: 2 woofers provide deep impactful bass Integrated mounting stand: Built-in stand is stored in the rear of the subwoofer making set up fast and easy includes cable channels to neatly hide wires Line output EQ: Output can be set to THRU (full range) or HPF (high pass filter) allowing for easy crossover selection when used with a main loudspeaker How it works With the F1 system sound can be optimised for playing at floor level, on stage or facing tiered or raked seating. To control the vertical coverage pattern, users simply push or pull the array into position to create Straight (tightest vertical control, for floor-level audience coverage), J (adjust vertical splay down, when P.A. is placed on stage), C (adjust vertical splay up and down, to cover extreme raked seating), or Reverse J (adjust vertical splay up, e.g. for tiered seating coverage) dispersion patterns. Once set, the system automatically adjusts the EQ to maintain optimum tonal balance for each coverage pattern. Engineered with an array of eight proprietary 2.25-inch drivers, 100-degree horizontal waveguides, a high-powered 12-inch woofer and a lower crossover point, the F1 Model 812 loudspeaker (664.66 x 334.3 x 372.5 mm; 20.2 kg) delivers high SPL performance while maintaining vocal and midrange clarity that s dramatically better than conventional loudspeakers. For extended bass response, the optional Bose F1 Subwoofer (688 x 410.16 x 448.5 mm; 25.1 kg) packs all the power of a larger bass module into a more compact design. The loudspeaker and subwoofer have a combined 2,000 watts of power (1,000 watts each), able to fill nearly any venue with immersive sound. A proprietary mounting stand for the loudspeaker is integrated right into the body of the subwoofer, making setup fast and easy. The stand even includes cable channels to neatly hide the wires. Additionally, the loudspeaker and subwoofer feature strategically placed handles for stress-free transportation (the system easily fits in a car), made with highly durable materials to ensure years of reliability.

At Ibanez, we have always made it a point to study and understand how guitar playing evolves and progresses with music trends over time. Currently, we are seeing an explosion of young contemporary guitarists pushing their playing techniques into exciting new directions. We are viewing this trend as the beginning of a third phase of guitar playing. All of us at Ibanez challenge ourselves as guitar designers to step up and answer the needs of this third phase. We found that, in order to fully grasp the expanding range of musical expression created, we must consider the guitar not just as an isolated device, but as an extension of the guitarist's body. If we were to give this phenomenon a name, it would be Synchronizing Guitars and Players. In launching the AZ series, our aim was not to merely create a completely new guitar model, but to sculpt a great guitar that can foster the potential of the modern third phase' while maintaining traditional elements. Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well-balanced asymmetrical body shape, and a neck heel that allows unrivaled playability. It also features details such as a new tremolo bridge, as well as new pickups developed in collaboration with Seymour Duncan. All of these elements help the AZ push the existing boundaries of playability and sound even further. We always strive to make our guitars with the finest materials and parts, yet we know that collecting new parts and materials alone do not make a great guitar. Rather, exquisite guitars are made through the processes of examining, testing, understanding, then finally synchronizing these materials together. The harmonic balance between the bridge and pickups, nut and machine heads, neck and fret material, all work together in order to help guitarists create their desired sound. From A to Z, there is no aspect of guitar making that we ever overlook. This tradition has been passed down masterfully to the AZ series. At first glance, the AZ series may seem like an enigma to some. The magic of this new series is not something that may be apparent by just visual observation. The magic, however, becomes instantly apparent once an AZ model is played. The AZ series represents the future of guitar playing and we welcome you to play one and see for yourself. AZ Modern Oval C S-TECH WOOD roasted maple 1pc neck S-TECH treated Maple was used for the AZ's neck construction, a first. The neck's nitrogen-heating treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. After extensive prototyping and trials, we concluded that 20.5mm thickness at the 1st fret and 22.5mm at the 12th fret was the optimal neck thickness for this process. The neck was then sealed with an oil finish which makes it feel similar to a well-played guitar neck. Neck Grip In order to achieve supreme neck grip comfort, the fretboard edge was finished with a smooth curve that extends from the border between the fretboard and the neck to the surface of the fretboard. The detailed neck shape was precisely carved using a ball mill for ultimate consistency. The width measurements of the fretboard are 42mm at the nut and 57mm at the last fret. These dimensions allow for an easy grip in the lower register, and a more modern feel in the higher register. Body Design The AZ's shallow back body contour and big forearm contour lets the guitar's body fit the player naturally, thus increasing playing comfort. The AZ's body has a deep waist and different radii on each body edge curve (3 mmR on body top/8 mmR on body back), making it easier to play in both standing or sitting positions. Seymour Duncan Hyperion Pickups The AZ's custom Hyperion pickups were developed in collaboration with Seymour Duncan. Hyperion pickups feature a moderate output through Alnico-5 magnets to keep the clarity of the fundamental tone when using a distortion sound and deliver a clear pick attack. From treble to bass, and from high-E string to low-E string, the overall tonal balance is evenly adjusted, and works well with various effect pedals. Dyna-MIX 10 w/Alter switch The Dyna-MIX 10 offers ten sound variations, and can easily switch from humbucker and single coil modes with just a flick of the mini switch. The Power Tap mode provides a realistic single coil sound despite its two humbucker pickup layout. Ibanez T1802 Tremolo Bridge (made by GOTOH) The new T1802 bridge, a collaboration between GOTOH and Ibanez, features machined titanium saddles and a machined steel tremolo block for a quick response, thick lows and rich highs. The 10.5mm string spacing allows for easy picking across strings, including techniques such as string skipping and hybrid picking. The snap and hold tremolo arm socket makes it easy to load a tremolo arm, and the arm torque adjuster enables fine torque adjustment without any tools. The 2-point floating tremolo system allows for a super smooth tremolo motion when either raising or lowering the pitch. GOTOH H.A.P-M machine heads The AZ comes with GOTOH MAGNUM LOCK machine heads, which have an established reputation for tuning stability. Its H. A. P (Height Adjustable Post) system allows for the adjustment of string posts for the appropriate tension of each string. AZ Oval C S-TECH WOOD Roasted Maple neck S-TECH WOOD Roasted Maple fretboard w/Black dot inlay Seymour Duncan Hyperion Pickups dyna-MIX 10 switching system w/Alter switch Gotoh T1802 tremolo bridge Oil-impregnated Bone nut /Stainless Steel Frets Super All Access Neck Joint Luminlay side dot inlay Gotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post) An ergonomic body back contour Neck Type : AZ Oval C Neck Joint : Bolt-on Neck Material : S-TECH WOOD Roasted Maple Neck finish : Oil Neck thickness (1st fret, mm) : 20,5 Neck thickness (12th fret, mm) : 22,5 Scale (inch) : 25,5 Scale (mm) : 648 Nut width (mm) : 42 End width (mm) : 57 Number of fret : 24 Fretboard : S-TECH WOOD Roasted Maple Fretboard Radius (mm) : 305 Fret Type : Jumbo Stainless Steel Fret edge treatment : Prestige fret edge treatment Inlay : Black dot Body Material : Alder Body finish : Satin Polyester Total length (mm) : 978 Body thickness (mm) : 44 Body length (mm) : 452 Body Width (mm) : 309 Bridge : Gotoh T1802 String spacing (mm) : 10,5 Active or Passive : Passive Nut : Bone Machine Head : Gotoh Magnum Lock machine heads w/H.A.P. Hardware color : Chrome Neck Pickup : Seymour Duncan Hyperion (H) Bridge Pickup : Seymour Duncan Hyperion (H) Controls, Pickup selector : 1 Volume, 1 Tone, 5-way lever switch Other Swtichs : dyna-MIX10 switching system w/Alter Switch Side Dot Inlay : Luminlay side dots Special Strings : D'Addario EXL110 String Gauges (from top to bottom) : .010/.013/.017/.026/.036/.046 Tuning (from top to bottom) : 1E,2B,3G,4D,5A,6E Included case or bag : M20AZL Other item(s) included : Tremolo arm, Multi tool Net Weight (g) : 3300

At Ibanez, we have always made it a point to study and understand how guitar playing evolves and progresses with music trends over time. Currently, we are seeing an explosion of young contemporary guitarists pushing their playing techniques into exciting new directions. We are viewing this trend as the beginning of a third phase of guitar playing. All of us at Ibanez challenge ourselves as guitar designers to step up and answer the needs of this third phase. We found that, in order to fully grasp the expanding range of musical expression created, we must consider the guitar not just as an isolated device, but as an extension of the guitarist's body. If we were to give this phenomenon a name, it would be Synchronizing Guitars and Players. In launching the AZ series, our aim was not to merely create a completely new guitar model, but to sculpt a great guitar that can foster the potential of the modern third phase' while maintaining traditional elements. Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well-balanced asymmetrical body shape, and a neck heel that allows unrivaled playability. It also features details such as a new tremolo bridge, as well as new pickups developed in collaboration with Seymour Duncan. All of these elements help the AZ push the existing boundaries of playability and sound even further. We always strive to make our guitars with the finest materials and parts, yet we know that collecting new parts and materials alone do not make a great guitar. Rather, exquisite guitars are made through the processes of examining, testing, understanding, then finally synchronizing these materials together. The harmonic balance between the bridge and pickups, nut and machine heads, neck and fret material, all work together in order to help guitarists create their desired sound. From A to Z, there is no aspect of guitar making that we ever overlook. This tradition has been passed down masterfully to the AZ series. At first glance, the AZ series may seem like an enigma to some. The magic of this new series is not something that may be apparent by just visual observation. The magic, however, becomes instantly apparent once an AZ model is played. The AZ series represents the future of guitar playing and we welcome you to play one and see for yourself. AZ Modern Oval C S-TECH WOOD roasted maple 1pc neck S-TECH treated Maple was used for the AZ's neck construction, a first. The neck's nitrogen-heating treatment increases the wood's stability, durability, water resistance and tolerance of temperature changes. After extensive prototyping and trials, we concluded that 20.5mm thickness at the 1st fret and 22.5mm at the 12th fret was the optimal neck thickness for this process. The neck was then sealed with an oil finish which makes it feel similar to a well-played guitar neck. Neck Grip In order to achieve supreme neck grip comfort, the fretboard edge was finished with a smooth curve that extends from the border between the fretboard and the neck to the surface of the fretboard. The detailed neck shape was precisely carved using a ball mill for ultimate consistency. The width measurements of the fretboard are 42mm at the nut and 57mm at the last fret. These dimensions allow for an easy grip in the lower register, and a more modern feel in the higher register. Body Design The AZ's shallow back body contour and big forearm contour lets the guitar's body fit the player naturally, thus increasing playing comfort. The AZ's body has a deep waist and different radii on each body edge curve (3 mmR on body top/8 mmR on body back), making it easier to play in both standing or sitting positions. Seymour Duncan Hyperion Pickups The AZ's custom Hyperion pickups were developed in collaboration with Seymour Duncan. Hyperion pickups feature a moderate output through Alnico-5 magnets to keep the clarity of the fundamental tone when using a distortion sound and deliver a clear pick attack. From treble to bass, and from high-E string to low-E string, the overall tonal balance is evenly adjusted, and works well with various effect pedals. Dyna-MIX 10 w/Alter switch The Dyna-MIX 10 offers ten sound variations, and can easily switch from humbucker and single coil modes with just a flick of the mini switch. The Power Tap mode provides a realistic single coil sound despite its two humbucker pickup layout. Ibanez T1802 Tremolo Bridge (made by GOTOH) The new T1802 bridge, a collaboration between GOTOH and Ibanez, features machined titanium saddles and a machined steel tremolo block for a quick response, thick lows and rich highs. The 10.5mm string spacing allows for easy picking across strings, including techniques such as string skipping and hybrid picking. The snap and hold tremolo arm socket makes it easy to load a tremolo arm, and the arm torque adjuster enables fine torque adjustment without any tools. The 2-point floating tremolo system allows for a super smooth tremolo motion when either raising or lowering the pitch. GOTOH H.A.P-M machine heads The AZ comes with GOTOH MAGNUM LOCK machine heads, which have an established reputation for tuning stability. Its H. A. P (Height Adjustable Post) system allows for the adjustment of string posts for the appropriate tension of each string. AZ Oval C S-TECH WOOD Roasted Maple neck S-TECH WOOD Roasted Maple fretboard w/Black dot inlay Seymour Duncan Hyperion Pickups dyna-MIX 10 switching system w/Alter switch Gotoh T1802 tremolo bridge Oil-impregnated Bone nut /Stainless Steel Frets Super All Access Neck Joint Luminlay side dot inlay Gotoh Magnum Lock machine heads w/H.A.P.(Height Adjustable Post) An ergonomic body back contour Neck Type : AZ Oval C Neck Joint : Bolt-on Neck Material : S-TECH WOOD Roasted Maple Neck finish : Oil Neck thickness (1st fret, mm) : 20,5 Neck thickness (12th fret, mm) : 22,5 Scale (inch) : 25,5 Scale (mm) : 648 Nut width (mm) : 42 End width (mm) : 57 Number of fret : 24 Fretboard : S-TECH WOOD Roasted Maple Fretboard Radius (mm) : 305 Fret Type : Jumbo Stainless Steel Fret edge treatment : Prestige fret edge treatment Inlay : Black dot Body Material : Alder Body finish : Satin Polyester Total length (mm) : 978 Body thickness (mm) : 44 Body length (mm) : 452 Body Width (mm) : 309 Bridge : Gotoh T1802 String spacing (mm) : 10,5 Active or Passive : Passive Nut : Bone Machine Head : Gotoh Magnum Lock machine heads w/H.A.P. Hardware color : Chrome Neck Pickup : Seymour Duncan Hyperion (H) Bridge Pickup : Seymour Duncan Hyperion (H) Controls, Pickup selector : 1 Volume, 1 Tone, 5-way lever switch Other Swtichs : dyna-MIX10 switching system w/Alter Switch Side Dot Inlay : Luminlay side dots Special Strings : D'Addario EXL110 String Gauges (from top to bottom) : .010/.013/.017/.026/.036/.046 Tuning (from top to bottom) : 1E,2B,3G,4D,5A,6E Included case or bag : M20AZL Other item(s) included : Tremolo arm, Multi tool Net Weight (g) : 3300

DIGITAL MIXER X32 32-Channel, 16-Bus, 40-Bit Digital Mixing Console with Programmable MIDAS Preamps, Motorized Faders, 32-Channel Audio Interface and iPad* Remote Control Product Features: -> 32-channel digital mixer with 16 mix buses, 6 mute and 8 DCA groups -> MIDAS-designed, fully programmable mic preamps for audiophile sound quality -> 40-Bit floating-point DSP features unlimited dynamic range with no internal overload and near-zero overall latency -> Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control -> 32 x 32 channel audio interface over FireWire and USB 2.0, with DAW remote control emulating HUI* and Mackie Control* -> Powerful scene management for convenient handling of complex productions -> iPad* app for professional remote operation available free of charge no host PC required -> High-resolution 7 day-viewable Color TFT for easy viewing of workflow components and parameters -> Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction -> Main LCR, 6 matrix buses and all 16 mix buses each featuring inserts, 6-band parametric EQ's and full dynamics processing -> Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc. -> Future firmware updates, incl. new FX Plug Ins , downloadable from behringer.com free of charge -> 16 analog XLR outputs plus 6 additional line in/outputs, 2 phones connectors and a talkback section with integrated or external mic -> 48-channel Digital Snake ready** via AES50 ports, featuring KLARK TEKNIK s SuperMAC networking capability for ultra-low jitter and latency -> USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates -> Dedicated and easy-to-use channel strip section with direct access controls and graphic user interface for intuitive workflow -> Additional user-definable control section allows for on-the-fly adjustments of your favorite parameters -> ULTRANET connectivity for BEHRINGER's P-16 Personal Monitoring System** plus AES/EBU stereo digital output and MIDI -> Networked remote control for show setups with on-screen software editor via Ethernet -> Built-in expansion port for audio interface cards or digital networking bridges -> Conceived and designed by BEHRINGER Germany Ever since the dawn of digital audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small. Ready for your input Use any combination of the local 32 console mic inputs or the networked digital snake inputs on stage their audiophile quality programmable preamps always ensure full control, purity and impeccable dynamics. The dedicated channel strip section puts 17 backlit buttons and 13 rotary controls with LED-collars right at your fingertips for nuanced adjustment of each channel s compressor, 4-band parametric EQ and much more. Each input and output channel strip features its own color backlit 128x64 graphic LCD, which provides vital channel information at-a-glance. Virtual FX Rack The onboard virtual FX Rack provides access to eight true-stereo, multi-effects processors (16 mono) including delay, chorus, dynamics and it can run 4 production quality true-stereo reverbs concurrently with 8 channels of 31-band graphic equalization, all without the need for expensive, space-consuming external hardware. High-count I/O options X32 s extensive connectivity includes 32 high-end programmable mic preamps, 6 balanced Line Ins and Outs on 1/4 TRS, 16 balanced XLR Outs, plus dual Phones and balanced Control Room outputs on both XLR and 1/4 TRS connectors. Additionally, a single AES50 CAT5 cable from FOH to the stage can transfer up to 48 channels of bi-directional audio, collecting all input signals and delivering all bus outputs, along with 16 individual monitor feeds for BEHRINGER s brand new P16 personal monitoring system all on just one line! The two AES50 ports provide connectivity for up to 6 BEHRINGER S16 stage boxes, or for sharing signals between multiple consoles all with its ultra-low latency and high reliability the SuperMAC technology is known for. Vital information is just a click away Thanks to the netbook-resolution, 800x480 high-contrast color TFT display, you are never more than one or two button presses away from any of X32 s eight highly intuitive control screens. Once you select the desired function, dedicated rotary/push encoders allow you to set parameters and source I/O assignment, without the need to drill down through multiple layers of menus or page through a complex owner s manual. Versatile signal and scene management Signals can be assigned to eight DCA groups (Digitally Controlled Amplifier), which provides simultaneous group level control via dedicated 100 mm motorized faders. The audio engineer can communicate with the talent by means of the Talkback section s onboard mic or an external mic of their choosing. X32 s scene management allows snapshots of high-level production mixes to be captured and recalled for future use (you can even save them to a USB stick). X32 even has a dedicated custom control section with user-definable knobs and buttons where you can create your own set of controls, making it easy to access frequently used functions on-the-fly. Powered by MIDAS and KLARK TEKNIK When we began development on the X32, we called on our sister companies, MIDAS and KLARK TEKNIK, recognized the world over for their digital consoles and EQ/FX processing, for implementation support. The programmable, high-grade mic preamps found in the X32 are based on a genuine MIDAS design, all the way down to their A/D converters. The resulting design ensures superior common mode rejection (CMRR) and extremely low harmonic distortion (THD). The X32 is an amazingly clean amalgam of high technology merged with superb user-friendly features. We received brilliant support from MIDAS and KLARK TEKNIK in designing X32's GUI (graphical user interface), a major advancement in digital mixing made easy, productive, and well fun! They also drew on their extensive experience in FPGA (Field Programmable Gate Array) coding for rock-solid, ultra-low latency digital channel patching giving the X32 the capacity to handle up to 168 sources on 168 destinations, including the two AES50 ports. You can expect to see more collaboration between BEHRINGER and MIDAS in the very near future. Bus and Rear Panel Flexibility X32 provides 25 fully featured mix buses that can be configured for many different applications; Main LCR (Left, Center, Right) buses; 16 mix buses (individually configurable as pre/post EQ, pre/post Fader or Subgroup) with Inserts, 6-band parametric EQ and dynamics processing; plus six independent Matrix Mixes with Inserts, also with 6-band parametric EQ and dynamics processing.  The X32 abounds with a total of 168 accessible sources and destinations and managing this much I/O has never been easier! Next to all the analog ins and outs, the rear panel also sports two AES50* ports, each with KLARK TEKNIK s rock-solid SuperMAC networking capability (addressing a total of 96 concurrent inputs and outputs) for dependable communication between the X32 and digital snakes, remote stage boxes or even other consoles. Stereo AES/EBU output, ULTRANET P16 and MIDI are also supported, plus a convenient top panel USB port is provided for recording an uncompressed two-channel board mix straight to any standard USB thumb drive or for playing background music. The Ethernet socket allows complete remote control via LAN or WiFi, and the expansion slot suggests there is even more to come... The Future is Here Now! X32 ships with the insanely powerful XUF FireWire/USB audio interface card pre-installed in the expansion slot right out-of-the-box! XUF provides lowlatency 24-bit audio interfacing with Mac or PC host computers in the form of 32 In x 32 Out channels and MIDI. It even transmits HUI and Mackie Control data along with the audio I/O, which provides convenient remote control of your DAW via the X32 group fader section controls. XUF is compatible with CoreAudio on Mac OS 10.5 and above, and high-performance ASIO drivers for Windows PC are downloadable from behringer.com. Digital Mixing Analog Price The BEHRINGER X32 digital mixing console sets a new benchmark for live sound mixing along with unprecedented value. Behringer is proud to offer the full-featured X32 digital mixing console with it's large input and output channel count, comprehensive processing, flexible expansion options and intuitive user interface all at a price point that anyone can afford! *All trademarks, including but not limited to AES50, HUI, Mackie Control, Lexicon 480L and PCM70, Quantec QRS, EMT250 and iPad are registered trademarks of their respective owners. Their use neither constitutes a claim of the trademark by MUSIC Group nor affiliation of the trademark owners with MUSIC Group. Effects names are mentioned solely as a reference for X32 sound effects.  ** Digital Snake Stagebox and Personal Monitoring System not included with X32.