PHANTOM POWERED, ULTRA-QUIET VERSION OF THE ICONIC R44 MICROPHONE The A440 is the quietest high-performance ribbon microphone ever produced. It combines all of the warmth and beauty of the classic 44 with a signal so hot, you ll have to experience it to believe it. As with the rest of AEA's Big Ribbon microphones, it needs very little EQ, takes it nicely when you want it, and is free of resonances in the audible range. The A440 is unlike any other microphone on the market today, and no professional studio should be without one. Like its passive cousin, the R44CX, the A440 is based on the RCA 44BX, but is phantom powered and uses a custom-made German transformer. The active electronics are inspired by AEA s acclaimed TRP JFET preamp technology, providing a consistent sound immune to preamp loading. The A440 uses the same RCA NOS (new-old stock) ribbon element, only 1.8 microns thick, which is hand-cut from material originally manufactured for RCA. It features a museum-quality shell with a durable bronze investment cast yoke. Umber paint and a red medallion on the transformer case, and a bright nickel finish with polished brass accents are the icing on the cake for this piece of beauty. Because of its exceptionally low noise floor and its classic sound characteristics, the A440 has quickly become a favorite of even the most critical ears. Orchestral sampling experts EastWest Studios now favor their pair of A440s over their vintage RCA 44s due to the advantages in noise performance.Musicians with very high sound-quality demands and the desire for a long-lasting investment for their microphone locker gravitate towards the A440. Legendary guitarists Peter Frampton and Neil Young, or Irish alternative rockers The Script, all share their love for this stunning microphone. FEATURES - Phantom powered Big Ribbon microphone with 18 dB more gain than the R44 - JFET active electronics in the AEA TRP tradition - Exceptionally low equivalent noise level 6 dB(A): quietest ribbon microphone ever made - Long ribbon sound in the 44 tradition - Authentic RCA New Old Stock ribbon material - Investment cast bronze yoke and machined brass parts, no zinc - Single-diaphragm with well-controlled, native figure-8 polar pattern - Consistent horizontal polar response, on and off axis - 90º null-plane helps reject difficult acoustics - High SPL capability: 132.5 dB with a load of 1 kOhm - Hand built to order - Computer matched to production reference standards - Custom German toroidal transformer

The LEHLE SUNDAY DRIVER SW II is a compact high-end preamp for all types of electric and acoustic instruments - a preamp for electric and acoustic guitars and basses, not to mention other stringed instruments (such as violins, cellos and double basses) to realize their full musical potential. The switchable version expands on the classic LEHLE SUNDAY DRIVER II with a soft-touch foot switch, to activate and deactivate the pedal. The LEHLE-Switch works with a microcontroller and an intelligent True-Bypass-Relay-Circuit with active pop suppression circuit, thereby allowing the LEHLE SUNDAY DRIVER SW II to switch even faster than mechanical switches, noise-free and without wear. The easy-action mushroom-shaped button characteristic of LEHLE products is mounted in the cover, so that your foot pressure is transmitted indirectly, via a spring. Thus the electronics board is not exposed to mechanical loads, making the LEHLE SUNDAY DRIVER SW II virtually indestructible and guaranteeing years of trouble-free switching. When ON, its circuit is based on a discrete Class A circuit with JFET technology and provides two modes of operation, selected by a mode selector switch with gold-plated contacts: D stands for Driver: in this mode, your guitar signal is amplified, with absolutely no modification, at the input impedance of a guitar amp, efficiently eliminating losses on the route through leads and effects; the signal remains strong and clear, retaining its full dynamics. The second setting S - as in Sunday - multiplies the input impedance by five, bringing out previously inaudible details and, as gain increases, giving your guitar a characteristic and unmistakable warmth that has given this preamp its name - the result is a sound as mellow as a sunny Sunday afternoon. Even at the maximum 18 dB gain setting, the LEHLE SUNDAY DRIVER II always stays clean and absolutely free of background noise, thanks to its studio-standard overall dynamic range of 130 dB. To exploit the dynamics of tube amplifiers to the full, the input voltage is also rectified from the power supply socket, then filtered, stabilized and transformed to 30 V. When OFF, the LEHLE SUNDAY DRIVER SW II provides two different modes of operation: in TB (= True Bypass) mode, the input and output are linked via relay, with zero tonal loss. True-Bypass mode is the best option if you have a small setup with short cable routings and for when a treble booster or old-school fuzz pedal is placed after the LEHLE SUNDAY DRIVER SW II. If you have long cables or a complex effects board configuration, switch to TS (= True Sound) mode, and the LEHLE SUNDAY DRIVER SW II is active as a buffer, without amplifying or modifying the signal in any way. In this mode, the LEHLE SUNDAY DRIVER SW II operates as a totally neutral line-driver equivalent to mode D with the gain pot turned all the way to the left. The Bypass mode option enables you to effortlessly and tone-fully integrate the LEHLE SUNDAY DRIVER SW II into any setup, no matter how complex. High-end preamp, buffer and booster Discrete Class A input stage 130 dB dynamic range thanks to 30 V technology Choose between two sound modes Neutral, studio quality sound Switchable boost up to 18 dB Choose between Buffer and True-Bypass operation Balanced output can be used as a DI box

THE FAITHFUL REPRODUCTION OF THE ICONIC RCA 44 The Reinvention of a Classic Whether it be the smooth brass section of a Hollywood soundtrack, the velvety lushness of a jazz vocal, or the larger-than-life drum sound of a classic rock record - chances are that you will find a 44 ribbon mic used on most of your favorite albums. In studio use for more than 80 years, the 44 ribbon design by RCA is as rich in history as it is in sound and character. When the company s microphone division was closed down in 1976, we at AEA began servicing ribbon microphones, and by 1998 we were manufacturing 100% of the parts for the 44, resulting in the release of our very own version of this classic mic. Its recognizable sound produces thunderous lows due to the strong proximity effect, full and rich mids, and a unique top end taking the edge off of harsh instruments. This beautiful, natural-sounding microphone provides an unmatched authenticity of sonic reproduction, particularly when placed at a distance in a well-tuned room. History Repeating Forty years of servicing ribbon microphones has given AEA a lot of insight into why RCA 44s are still in daily use at world-class studios. Designed in the 1930s, the 44 was a groundbreaking revolution in recording technology. At a time when engineers had only one, maybe two microphones to record anything from a solo artist to an entire orchestra, studio mics had to deliver a great sound in every application. With its extended reach, reliability, and high fidelity sound, the 44 set a new quality standard for broadcast, recording, motion pictures, and sound reinforcement work. Even though ribbon mics fell out of fashion in the days of tape recording, many studios like Capitol Records or Warner kept their revered 44s in service. Since the advent of the digital revolution, the 44 is now back in demand more than ever. Reborn as the AEA R44, this mic is a permanent fixture in the studios of esteemed engineers and producers such as Bruce Swedien, Kevin Bacon, Shawn Murphy, and John Kurlander, and half the movies scored in Los Angeles now have an AEA 44 somewhere on the scoring stage. The R44 Microphone Family The AEA R44-series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. They even feature ribbon material originally manufactured for RCA. The original 44 microphones were constantly updated during their twenty years of production, and after carefully looking at some of the technical modifications, we at AEA decided to adopt the British engineering from RCA that reduces the mic's weight and hum sensitivity. The R44C was designed to meet or exceed the output of a brand-new RCA 44. It is a museum-quality replica, featuring a bronze investment cast yoke, superior to the original zinc yokes by RCA (which tend to corrode over time), a hand-polished cushion mount and a cloth-covered Accusound Silver Studio Pro cable. The R44CX is a high-output, red-badge version of the R44C, specially designed for scoring and other applications demanding a wide dynamic range with the classic 44 sound. The cost-effective R44CE features the exact same ribbon, transformer, and luscious sound as the R44C, but with a simpler, economical exterior trim. This version features a one-piece cushion mount, a formed steel yoke with satin nickel finish, and a star-quad XLR output cable. Finally, the R44CXE is the high output version of the R44CE combining the economical finish with the higher output of the R44CX. FEATURES - Museum grade reproduction of the RCA 44B/BX - New-old stock (NOS) RCA ribbon material - Legendary character with more than 80 years of studio history - Full and rich sound; smooth highs and warm lows - X motor option delivers 6 dB more dynamic range for film scoring

The KU4 has the unmistakable characteristics of a smooth ribbon sound, yet it is uniquely different. Like other ribbons, its lightly-tensioned, ultra low mass ribbon has a frequency response beyond 20 kHz, an accurate transient response, and no upper midrange resonances common to large condenser mics. Having a supercardioid instead of a figure-eight polar response pattern mics sets it apart from other ribbon mics. The KU4's suppressed rear lobe reduces the pickup of room ambience and is especially useful when the rear of a figure-eight pattern would pick up undesirable sounds. The KU4's reduced bass proximity effect facilitates closer miking, while its low-tuned ribbon does not exhibit bass distortion. These characteristics make the KU4 well-suited for the modern studio. It is currently the only supercardioid ribbon microphone in commercial production. The KU4 is a re-vision of the legendary RCA KU3A, a unidirectional microphone originally designed for the Hollywood movie studios. Also known as the 10001 (for its RCA manufacturing number), it was RCA s most expensive ribbon microphone and fewer than 600 units were ever manufactured. The KU3A combined the smooth ribbon sound of a 44 with a unidirectional pattern, a wide sweet spot, and reduced proximity bass boost. Expanding an engineer's range of placement choices, it became a standard at film studios around the world. Today, however, the KU3A is a rare collector's item, and only a handful of studios or rental houses own them. The few lucky owners of vintage KU3As in great condition like Grammy-winning producer/engineer Kevin Augunas (Sound City Studios) treat their mics as little treasures. Original KU3As are notorious for their sonic inconsistencies due to production tolerances, so with the KU4, we at AEA engineered the microphone from the ground up in order to recreate this seminal design while ensuring flawless consistency from unit to unit. AEA is proud to put this microphone back into the hands of modern users. The KU4 is your ticket to discovering why RCA unidirectional ribbon microphones have been used in professional studios for over 60 years. AEA is honored to play a part in its history, and invites you to listen to the KU4 and claim your part of this legacy. The KU4 utilizes a medium sized ribbon unlike all other AEA mics. While AEA s Large Ribbon Geometry TM design offers advantages like extended bass response and maximum SPL level, the KU4 s shorter and narrower ribbon is characterized by a unique upper midrange presence that is particularly interesting for vocals and acoustic stringed instruments. Because of the shorter ribbon, the KU4 is much more similar to the venerable RCA 77 type microphone rather than the RCA 44. By comparison to the 77, the KU4 has a slightly longer ribbon, a fixed polar pattern, and a more natural sounding unidirectional mode. Compared to other non-bidirectional ribbon mics like the Beyer M160, the KU4 s ribbon is 50% longer providing better bass response and higher SPL handling capabilities. - Unidirectional (supercardioid) pickup pattern - Reduced proximity effect and room ambience - Extended top end with classic ribbon smoothness - Modern, consistent version of the RCA KU3A

Evolution Of A Revolution Yet another quantum leap in tuning Positively PolyTune The original PolyTune rocked the world. It forever changed the way we look at tuning. The world s first polyphonic tuner took the hearts of guitarists by storm. Was it the jaw-droppingly awesome polyphonic tuning that made tuning much faster, easier and intuitive The bright LED matrix with auto-dimming that ensured maximum visibility Tuning Magnet, the slowing of the needle as you approached the correct pitch Maybe the MonoPoly technology that sensed whether you played one or six strings and instantly adjusted accordingly Like musicians who never really know how they wrote that number 1 hit, it was probably a combination of factors for us. Whatever it was, you loved it and we loved it! But at TC Electronic we re all about moving forward, so we ve improved on perfection and added some guitarist gems that cement PolyTune 2 as the leader of the pedal tuning pack. PolyTune® Technology Tune All Strings Simultaneously Retina-scorching Bright Display Ultra-precise Chromatic Strobe Tuner Polyphonic Perfection Unless you ve been living under a rock for the past few years, you ll know this. With PolyTune, you simply strum all strings on your guitar or bass at once and it will immediately tell you which strings need tuning! It really is as simple as strum - tune - rock! This way, you spend minimum time tuning and maximum time doing what you love the most - playing. And They Thought Einstein Was Bright! You ain t seen nothing yet! The display on PolyTune 2 is primed with some of the brightest LEDs you ve ever laid your eyes on. Remember when some tuners were really good for daytime gigs, and others excelled in dark clubs With PolyTune 2, you get an instant clear overview, no matter what the situation. And the ambient light sensor makes sure you get just the right amount of brightness. Every time. It s truly amazing how bright they get, so don t come complaining if planets want to orbit your pedalboard. The Strobe Is Strong With This One The original PolyTune was best in class when it came to precision. Great but why stop there We ve received many requests from the guitar community to add a strobe tuner a decision we d been debating internally as well. So let there be strobe! For fine-tuning your precious gear and giving it the care and attention it deserves, to super accurate tuning in the studio or by a roadie on stage. This strobe tuner is lightning fast and ultra precise. But how precise is it Well, let s just say if you tune and then put your pick on the fret-board you re going to see the difference (we re not even joking). PolyTune 2 FineTuning Innovation With PolyTune 2, we wanted enhanced performance and maximum precision, without getting away from what made the original PolyTune such a hit. Have a look at our feature list, which combines the revolutionary with a strong display of innovation. Full Strobe Ahead The strobe tuner in PolyTune 2 is super accurate and super fast. Finetune your instruments with surgical precision at blinding speeds. Sounds good, right We re talking /- 0.1Cent tuning accuracy and in case you don t really know what that means believe us there are atomic clocks that d kill for that accuracy. Tuning Magnet The tuner magnet feature slows down the needle once you get close to the desired pitch, delivering a quick and easy tuning experience any time, every time. MonoPoly MonoPoly instantly recognizes whether you play one or more strings and replies with the appropriate polyphonic or monophonic tuning mode. Total recall PolyTune 2 stores your preferences. From pitch reference to tuning mode, it hangs on to this information even after it is powered down, making sure you only have to set how you want things to happen once. Brighten Up Your Day This feature will make you smile. Basically, the new LEDs in PolyTune 2 are bright enough to be seen from space, but the ambient light sensor in PolyTune 2 ensures you always have the right brightness. The result A clear and pleasant visibility, no matter what situation you re in. True Bypass This allows for your carefully sculpted tone to flow unaffected when the pedal is bypassed and for silent tuning once engaged. PolyTune 2 Resume PolyTune® - Tune all strings simultaneously New chromatic strobe tuner - 0.1 cent tuning accuracy New bigger and brighter LED display with ambient light sensor Drop-D and capo tuning modes True bypass with silent tuning DC output for powering other pedals (power supply not included) 3M Velcro for pedal board attachment

Bundle offer comprising Alesis Strata Prime E-Drum Kit E-Drum Set - New module with 10.1" touch display- BFD sound engine- 75 Preset drum sets- Virtually unlimited number of user kits- 440 Kit pieces- 1092 Articulations and thousands of samples recorded via multiple microphone channels- Over 40 GB of occupied memory- 128 GB total storage space- Revolutionary new customisable trigger engine with automatic crosstalk filtering- Including rack, 90-day free subscription to Drumeo and 30-day free subscription to Melodics and BFD desktop application software Set configuration: - 20" Kick drum- 8" Tom pad- 10" Tom pad- 12" Tom pad- 14" Tom pad- 14" Snare pad- 14" Hi-Hat pad- 2 x 16" Crash cymbal pad- 18" Ride cymbal pad- All cymbal pads 360° with 3-zones- 14" Active hi-hat system with magnet system Note: Millenium DT-900 Drum Throne Round Drum Throne - Millenium Pro Series- Double-braced- Round seat- Height adjustable via spindle- Max. height: approx. 66 cm- Depth: approx. 51 cm- Max. load capacity: 135 kg- Black artificial leather seat- Extremely strong- Includes Memory Lock- Seat diameter: 34 cm Millenium HH-901 Pro Series Hi-Hat Stand - Pro Series- 3 Legs- Double-braced stand- Patented cymbal incline with tuning nut- Memory clamp- Chain connection between pedal and hi-hat stand- Rotating pedal- Sturdy, professional pedal- Height adjustable from 78 - 100 cm Millenium PD-122 Pro Bass Drum Pedal Bass Drum Pedal - Pro Series- Aluminium hinge- With steel base plate- Double chain over sprocket drive- Side-operating clamp mechanism- Beater equipped with two playing surfaces (felt - plastic)- Tuning key holder included Superlux HD-665 Headphones for Drummers - Circumaural- Closed- 40 mm Drivers- Sound pressure level: 102 dB- Impedance: 68 Ohm- Frequency range: 10 - 20000 Hz- Load capacity: 200 mW- Headphone pressure: 10 N- Detachable cable- Straight 3 m cable with 3.5 mm stereo jack- Weight with cable: 428 g- Weight without cable: 372 g- Colour: Black- Includes 6.3 mm stereo jack adapter, cable clip and bag Zultan 5A Hickory Drumsticks - Size: 5A- Unique grip due to coating based on natural waxes and oils- Hickory wood- Tear-drop shaped tip- Diameter: 14.3 mm- Length: 405 mm- Made in Germany

E-Drum Set- New module with 10.1" touch display- BFD sound engine- 75 Preset drum sets- Virtually unlimited number of user kits- 440 Kit pieces- 1092 Articulations and thousands of samples recorded via multiple microphone channels- Over 40 GB of occupied memory- 128 GB total storage space- Revolutionary new customisable trigger engine with automatic crosstalk filtering- Including rack, 90-day free subscription to Drumeo and 30-day free subscription to Melodics and BFD desktop application software- 20" Kick drum- 8" Tom pad- 10" Tom pad- 12" Tom pad- 14" Tom pad- 14" Snare pad- 14" Hi-Hat pad- 2 x 16" Crash cymbal pad- 18" Ride cymbal pad- All cymbal pads 360° with 3-zones- 14" Active hi-hat system with magnet system

Drumstick bag- Material: durable nylon- Suitable for up to 8 pairs of drumsticks- Carrying handle- Additional inner and outer compartment- With floor tom fastening cords

Bundle offer comprising Alesis Strata Core E-Drum Kit E-Drum Set - Core Drum Module with 7" touch display- BFD3 sound engine- 75 Preset drum sets- Virtually unlimited number of user kits- 370 Kit pieces- 800 Articulations and thousands of samples recorded via multiple microphone channels- Over 25 GB of occupied memory- 32 GB total storage space- Customisable trigger engine- Includes 90-day free subscription to Drumeo- BFD Desktop application software Set consisting of: - 1" x 8" Kick drum- 2x Tom pads- 1x 10" Tom pads- 1x 12" Two-zone snare pad- 1x 12" Hi-Hat pad- 2x 12" Cymbal pads and 14" ride cymbal pad- Mesh pads- 360° Three-zone cymbal pads- 12" Active hi-hat system with magnet system Hardware set consisting of: - Rack- 3 Cymbal boom stands- Snare Stand Note: Millenium DT-900 Drum Throne Round Drum Throne - Millenium Pro Series- Double-braced- Round seat- Height adjustable via spindle- Max. height: approx. 66 cm- Depth: approx. 51 cm- Max. load capacity: 135 kg- Black artificial leather seat- Extremely strong- Includes Memory Lock- Seat diameter: 34 cm Millenium HH-901 Pro Series Hi-Hat Stand - Pro Series- 3 Legs- Double-braced stand- Patented cymbal incline with tuning nut- Memory clamp- Chain connection between pedal and hi-hat stand- Rotating pedal- Sturdy, professional pedal- Height adjustable from 78 - 100 cm Millenium PD-122 Pro Bass Drum Pedal Bass Drum Pedal - Pro Series- Aluminium hinge- With steel base plate- Double chain over sprocket drive- Side-operating clamp mechanism- Beater equipped with two playing surfaces (felt - plastic)- Tuning key holder included Superlux HD-665 Headphones for Drummers - Circumaural- Closed- 40 mm Drivers- Sound pressure level: 102 dB- Impedance: 68 Ohm- Frequency range: 10 - 20000 Hz- Load capacity: 200 mW- Headphone pressure: 10 N- Detachable cable- Straight 3 m cable with 3.5 mm stereo jack- Weight with cable: 428 g- Weight without cable: 372 g- Colour: Black- Includes 6.3 mm stereo jack adapter, cable clip and bag Zultan 5A Hickory Drumsticks - Size: 5A- Unique grip due to coating based on natural waxes and oils- Hickory wood- Tear-drop shaped tip- Diameter: 14.3 mm- Length: 405 mm- Made in Germany

OFFERT :En plus d'une remise sur le performer kit, pour le black friday on vous offre le chargeur RS-1 qui va avecEnsemble Micro main sans fil Rode Performer Kit- Inclut Le TX-M2 (microphone à condensateur de haute qualité), le RX-DESK (récepteur de table) et une batterie au lithium-ion rechargeable LB-1- Transmission numérique série II de 2.4 GHz- Cryptage du signal 128 bits- Jusqu à 8 unités utilisables simultanément- Faible bruit de manipulation- Portée jusqu à 100 m*- Alimenté par la batterie rechargeable LB-1 incluse ou 2 piles AA LR06- Interrupteur de coupure- Conçu et fabriqué en AustralieComprenant un microphone-main à condensateur de haute qualité (TX-M2) et un récepteur de table, le RØDELink Performer Kit est parfait pour les discours, les interviews, les présentations scolaires, les mariages et les performances live. Offrant un appairage à une touche avec le récepteur RØDELink, le microphone peut être alimenté par la nouvelle batterie au lithium-ion LB-1 incluse ou 2 piles AA LR06.La gamme de fréquences du RØDELink est si intuitive que tout fonctionne dès la première utilisation, sans avoir à sélectionner un canal. Doté d une transmission numérique fiable et cryptée de série II de 2,4 GHz envoyée simultanément sur deux canaux, le RØDELink sélectionne automatiquement le signal le plus puissant et garantit une qualité audio aussi bonne et fiable qu avec une connexion filaire.Le Performer Kit inclut le TX-M2, Le RX-DESK, la batterie au lithium-ion rechargeable LB-1, une pince pour le microphone, un étui, un câble micro USB et offre une garantie étendue de deux ans (* LB-1 n'est pas inclus dans la garantie prolongée).RØDELINK PERFORMER KIT- Type de transmission Système agile à fréquence fixe 2,4 Ghz- Gamme dynamique du système 118dB- Portée (distance) Jusqu'à 100m*- Gamme de fréquences 35Hz - 20kHz- Niveau de sortie maximum 18dBu- Niveau maximal du signal d'entrée 140dB SPL- Latence maximale 4msRÉCEPTEUR (RX - DESK)- Source d'alimentation Bloc d'alimentation CC 15v 1A ou Bloc d'alimentation CC- Antenne Antenne de diversité externe- Connexion de sortie XLR symétrique / Jack 1/4asymétrique- Dimensions 208mm(W) X 37mm(H) X 166mm(D)- Poids 792gmÉMETTEUR (TX - M2)- Source d'alimentation Piles ou USB- Antenne Antenne de diversité située à la base du TX - M2- Connexion d'entrée N/A- Dimensions 40mm(W) X 256mm(H) X 40mm(D)- Poids 222gm

The first audio interface designed for sharing Today's mobile devices make it easier than ever to share your music with the world. From live Instagram feeds to YouTube videos, SoundCloud playlists, and more, social media and smartphones have become a key part of how musicians make themselves heard and communicate with their fans. iRig Stream simplifies sharing, allowing you to connect instruments, mixing consoles and more to your iPhone, iPad, Android and Mac / PC, with practical functions specially designed to be used on the most popular platforms. Whether in mono or stereo, live or from an existing mix, iRig Stream offers to connect to all your favorite apps, to connect instantly with your listeners. Connect With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads and Android devices, as well as Mac and PC, even newer ones. 2 RCA line-level inputs are ideal for connecting DJ and multichannel mixers, but also keyboards, synths, drum machines, etc. Whether you want to stream your DJ set, record group rehearsals, jam on your favorite track or even host a podcast, iRig Stream allows you to connect a wide variety of materials. Broadcast the best sound iRig Stream offers 24-bit, 48 kHz 24-bit A / D and D / A converters for a clean, professional signal no matter what platform you're on. Plus, the adjustable input gain and easy-to-read level meters let you instantly compose the right sound level. Make yourself heard iRig Stream offers a single wired headphone / microphone jack, like your smartphone, so you can listen and talk simultaneously on the stereo input. The microphone input is mixed into the stereo inputs, to make sure it works with any app, and offers adjustable volume. Best of all, it works with most headsets with a built-in mic *, as well as with IK products such as iRig Mic Lav, iRig Mic and iRig Pre, giving you a wide range of options for every situation. Designed for Apps If you've already tried streaming or sharing audio on social media, you know that many apps only support mono signals - iRig Stream therefore offers a mono / stereo switch to compensate for this lack. Stereo transmits the two inputs as left and right channels, mono mixes them together on a single channel, ensuring that you won't lose anything that has been panning from one side. iRig Stream also offers a loopback function that allows you to mix the output of your device with the incoming signal. Load a backing track into your favorite music app, play your instrument, then send both signals together to a live video or stream - all on one device! Full compatibility iRig Stream works with all apps that record or stream audio or video, so you'll never stop finding new ways to use it. For starters, it includes iRig Recorder 3 LE (iPhone / iPad / Android) - a high-quality, easy-to-use audio and video recording app. Save, cut, edit and share, right from your device. Features: - Connector: 1/8 TRRS Jack (CTIA wiring standard) - Frequency response: 20 Hz - 20 kHz - Supply voltage: 2.5V - Adjustable microphone gain with numbered dial - Headphone level control with numbered dial - Headphone output power: 100 mW at 50 Ohms - 1x Lightning to mini-DIN cable (60cm) - 1x USB cable type C to mini-DIN (60 cm) - 1x USB cable type A to mini-DIN (60 cm) - Dimensions: 105 x 44 x 24 mm - Weight: 65 g

Minitaur is a powerful, compact Analog Bass Synthesizer that features a classic one knob per function design. It is the first instrument in the Taurus family that does not have foot pedals. At only 8.5 x 5.25 and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today's performance and production environments. There are no confusing or convoluted menus to dig through. Plug in a MIDI controller or hook it up to your computer and start playing immediately.Don't be fooled by it's size. Minitaur delivers all the growl, snarl and low end assosiciated with the Taurus family of Bass Synthesizers in a rugged performance package that is small enough to take with you anywhere.- One knob per function interface for tweaking and creating new sounds on the fly. It also makes live performance a blast.- Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with sawtooth waves, or create new sounds with square waves or a combination of both.- 2 Mixer VCAs for VCO levels control of Oscillators 1 and 2.- Moog Ladder Filter with adjustable resonance delivers classic Taurus 1 and 3 bass and boom.- Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On/Off switch.- Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount- DIN MIDI and MIDI over USB offer complete control of the Minitaur's sound engine.- Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers.- External audio input for processing external audio through the Mixer and Filter section of Minitaur.- Headphone output with 1/8 connection.- Compact rugged steel chassis that is built like a tank.TECHNICAL SPECIFICATIONSFront panel :- VCO2 Frequency Sets the frequency offset of VCO2 from VCO1 from -1 Octave to 1 Octave. Center is unison with VCO1.- Oscillator 1 and 2 Saw/Square Waveform Selector Selects a Sawtooth wave (LED OFF) or Square wave (LED ON) Signal for VCO1 and 2. - VCO1 Level Sets the level of VCO1- VCO2 Level Sets the level of VCO2- VCF Cutoff Sets the Cutoff Frequency of the 4-pole Moog Lowpass VCF from 20Hz to 20KHz - VCF Resonance This sets the gain for the amount of signal from the output of the VCF fed back to the input of the VCF. This creates a peak in Frequency response at the Cutoff Frequency that can be increased all the way to self-oscillation.- VCF EG Amount Bi-polar control sets the ( ) or (-) Amount of Envelope Generator modulation of the VCF. Center is no Envelope Generator modulation.- LFO Rate Sets the frequency of the LFO. Range is from 0.01Hz to 100Hz- LFO VCO Amount Sets the Amount that the LFO modulates the VCO- LFO VCF Amount Sets the Amount that the LFO modulates VCF- VCA EG Attack Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds.- VCA EG Decay/Release Sets both the decay time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.- VCA EG Sustain Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA.- VCF EG Attack Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds.- VCF EG Decay/Release Sets both the decay Time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.- VCF EG Sustain Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF.- Release On/Off Switch Enables (LED On_ or Disables (LED Off) the Release segments of both Envelope Generators.- Glide On/Off Switch Enables/ Disables the Glide function- Glide Sets the rate of Glide when the note controlling the MINITAUR changes.- Volume The Master Volume of the MINITAUR s synth Engine.- Fine Tune Adjusts the frequency of the VCOs /- 1 semitone.- MIDI Indicator LED Indicates incoming MIDI activity- LFO Rate Indicator LED Indicates the rate of the LFO.Back Panel:- Audio Out 1/4 Unbalanced jack.- Headphones -- Jack for stereo headphone output.- Audio In 1/4 Unbalanced jack accepts line-level input.Analog CV Inputs:- Pitch CV 1/4 TRS Jack accepts 0 to 5V signal (internally processed for 1 V/Octave) via passive Expression Pedals or CVs.- Filter CV 1/4 TRS Jack accepts 0 to 5Vsignal via passive Expression Pedals or CVs.- Volume CV 1/4 TRS Jack accepts 0 to 5Vsignal via passive Expression Pedals or CVs.- Gate 1/4 Jack accepts a 0 (Off)/ 5V(On) Gate signal to trigger the unit s EGs.MIDI:- MIDI (DIN) Standard DIN MIDI input for MIDI Control of the MINITAUR- MIDI (USB) Type B USB connector for connecting MINITAUR to host for USB MIDI.

Pickup for Electric Guitar- Trembucker- 6-String version- For the bridge position- Based on the coveted sound of the early 80s, delivering the powerful dimensions, fat overtones and firepower that defined the heyday of glam rock- High output- Shielded connections: 4-Conductor- Magnet material: Ceramic- DC resistance: 17.06 kOhm- Nickel cover- Made in USA

Le son de l’album Dookie à portée de pédale avec la MXR Dookie DriveSur l’album révolutionnaire Dookie, le son de Billie Joe Armstrong est bien sale, percutant et puissant, avec juste ce qu’il faut de précision pour faire ressortir toute la musicalité de ses riffs. Ce son unique, il l’a obtenu en passant dans deux amplis lourdement modifiés : l’un avec un gain extrême et des médiums creusés, l’autre avec une réponse bien définie dans les médiums.La MXR Dookie Drive capture l’essence de ces amplis dans une pédale unique, pour que vous puissiez retrouver ce son légendaire. L’équipe MXR a récupéré les amplis de Billie Joe pour analyser chaque nuance qui les rend si puissants. Après de nombreux tests A/B, les ingénieurs MXR ont recréé ces amplis et les ont compressés dans un petit boîtier. La section High Gain et la section Crunch Gain possèdent chacune leurs propres réglages, tandis que la commande Blend vous permet de les mixer, tout comme Green Day l’a fait en studio. Besoin de creuser davantage les médiums de votre son Le switch Scoop est là pour ça.La MXR Dookie Drive ne s’adresse pas qu’aux fans de Green Day. Cette pédale unique en son genre propose une gamme complète de sons saturés riches en harmoniques, offrant une expérience de jeu profonde et immersive. Cette édition spéciale arbore un nouveau design pour célébrer les 30 ans de la sortie monumentale de Dookie en 1994.

The UDG Ultimate Backpack has been designed for general day to day work use with the digital DJ in mind.The UDG Backpack is constructed from high quality fabric and contains a padded laptop sleeve that will fit up to a 17' MacBook Pro. The bag main compartment can also hold a small MIDI controller or magazines/paperwork if required.A unique pouch pocket can be found just inside the bag opening that allows for quick access to your headphones. A cleverly designed organiser section and spacer mesh pocket provide storage for small miscellaneous accessories so that your possessions are held safely in place.Specifications- Water Resistant Nylon 450D- Padded laptop compartment fits MacBook Pro 17' and more space for MIDI Controller- Hinged headphone pocket inside- Deluxe organizer with spacer mesh accessory pockets for today's latest technology.- Quick access front pocket and dual side pocket for accessories and smaller gears- Padded haul carry handles- Detachable shoulder backpack with sling for fixing on trolley- Bottom guards fabrics for added protection from scuffing and abrationOuter Dimensions- cm: 40 x 51 x 22- inch: 15.7 x 20 x 8.7Inner Dimensions- cm: 33 x 40 x 14- inch: 13 x 15.7 x 5Weight- 1.5 kg 3.3 lbs

Full HD Block Camera with 10x Optical Zoom- Sensor: 2.1 Megapixel CMOS (1 / 2.8" Progressive)- Resolution: 1920 x 1080- Pixel size: 2.9 µm x 2.9 µm- Min. Exposure: 0.1 Lux (Day-colour) / 0.01 Lux (Night-b/w) / 0.001 Lux (DSS on)- Lens permanently fixed to the housing- 10x optical zoom (12x digital zoom)- Focal length: 4.7 ~ 47 mm (F1.6 ~ F3.0)- Opening angle (H): 60° to 6°- Minimum distance for optimal sharpness: 100 mm (at max. opening angle), 900 mm (with tele end)- Resolution and frame rates: HD progressive 1920x1080 (60 / 59.94 / 50 / 30 / 29.97 / 25/24 / 23.98 fps) / HD interlaced 1920x1080 (60 / 59 / 50 fps) / SD progressive 1280x720 (60 / 59 / 50 fps )- Video outputs: 3G HD-SDI / HDMI- Sample rate: 16/24/32 Bit- Interface for remote control: RS485 SONY-VISCA Protocol / PELCO-P / D- Image adjustment functions: Focus Auto / Manual, Exposure Auto / Shutter Priority / Iris Priority / AGC Priority / Manual / Bright, White Balance Auto (3,000°K ~ 8,000°K) / ATW (1,900°K ~ 11,000°K) / INDOOR / OUTDOOR / ONE PUSH / Manual- Light modes: DAY (colour), NIGHT (b/w), AUTO switch- Electronic shutter: NTSC: 1/60 ~ 1/10000, PAL: 1/50 ~ 1/10000- Pedestal (Black Level), White Level, Privacy Mask, Image Mirror/Flip, Image Freeze, 2D/3D Noise Reduction, Edge Enhance, Defog, DIS (Digital Image Stabiliser) and Gamma Correct can be configured freely- Power supply: 12 V DC- Power consumption: 4.5 W maximum- Housing: Metal- Weight: 360g (460 g including breakout cable)- Mounting option: 1/4" Internal thread on the bottom- Dimensions (H x W x D): 56 x 56 x 105 mm- Includes infrared remote control for zoom, focus and menu navigation, power supply unit with various adapters for EU and US standards, breakout cable for power supply, audio-in and RS232 interface

Jam and Have Fun with YouTube Pocket-size guitar processor with integrated features for YouTube learning and everyday playing. Pocket GT introduces a fun new way to practice, jam, and get better every day. Combining premium BOSS guitar tones with integrated YouTube learning, this pocket-size amp/effects processor pairs with your smartphone or tablet to create the ultimate go-everywhere lesson studio. Watch YouTube content in the companion BOSS Tone Studio app and create song lists, set loop markers, and more. Access deep editing tools to emulate the tones of famous players or craft new sounds all your own. And with automatic user memory switching, you can change up sounds as a YouTube video plays! Adding in other great features like Bluetooth music streaming, USB audio interface capability, and more, Pocket GT is a must-have companion that no guitar player should be without. Ultra-compact guitar amp/effects processor with powerful integrated learning features Companion BOSS Tone Studio app (iOS/Android/Mac/Windows) with built-in YouTube browser and deep tone editing tools Create video song lists and set A/B markers to repeat sections Assign user memories to markers and change sounds automatically during video playback Authentic GT sound engine with over 100 amps and effects, ready to play with zero latency 99 user memories (amp and effects settings compatible with the floor-based GT-1 guitar processor) Wirelessly stream music over Bluetooth or connect via the Aux In jack Control song/video playback with dedicated hardware buttons Center Cancel function reduces the volume of guitar solos and vocals in videos and music tracks Built-in rechargeable battery with up to four hours of runtime Onboard tuner with dedicated button for fast access USB audio interface for recording in desktop music software Download additional patches at BOSS Tone Central The Future of Learning Guitar Pocket GT makes learning with YouTube easier and more productive than ever. This miniature hardware hub provides the sound engine and audio connections, while the companion BOSS Tone Studio app features a YouTube browser that streams sound to Pocket GT and deep editing tools for shaping sounds instantly. This integrated approach simplifies set up and eliminates switching between apps, giving you a hassle-free way to enjoy studio-quality guitar tones while watching online lessons and jamming with videos. Build Skills Faster with Powerful Session Tools BOSS Tone Studio comes loaded with tools to supercharge your practice sessions. Create YouTube song lists for quick recall, and loop sections for focused study. And when you want to jam with backing tracks and other songs on YouTube, automatic user memory switching takes the experience to a new level. For example, you can set a clean sound for the verse, crunch for the chorus, and high-gain drive with echo for your lead solo and they ll all change in real time as the video plays! Premium GT Amps and Effects Equipped with the same sound engine as the best-selling GT-1 floor processor, Pocket GT puts over 100 world-class amps and effects in the palm of your hand. The 99 user memories come filled with ready-to-play sounds, but you can customize them or craft your own from scratch. And since Pocket GT and the GT-1 share the same DNA, stored amp and effects setups can be exchanged via their respective BOSS Tone Studio editors. Direct Hardware Controls Pocket GT s simple-yet-powerful interface puts an array of essential functions at your fingertips. Scroll through user memories with a dedicated knob, tweak amp gain and effects levels, and activate the built-in tuner with a quick press. Remote control buttons are provided as well, providing fast access to YouTube playback. And with the Center Cancel switch, you can instantly reduce the volume of vocals and guitar solos in songs and play them yourself. Bluetooth Streaming, USB Audio, and More Pocket GT doesn t just work with YouTube you can also wirelessly stream nearly any music app over Bluetooth and play along. There s an Aux In jack too, perfect for connecting a non-Bluetooth music player, drum machine, or other device. If you make music on a desktop computer, you can use Pocket GT to record mix-ready guitar tracks in your DAW via USB. And if you re looking for sonic inspiration, you ll find loads of great patches for download at BOSS Tone Central. Specifications : -Sample Rate 44.1 kHz -AD Conversion INPUT: 32 bits AF method * AF method (Adaptive Focus method) is a proprietary method from Roland and BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters. AUX IN: 24 bits -DA Conversion 32 bits -Effects 108 types -User Patches 99 -Nominal Input Level INPUT: -10 dBu, AUX IN: -13 dBu -Maximum Input Level INPUT: 7 dBu, AUX IN: 0 dBu -Input Impedance INPUT: 1 M ohm, AUX IN: 22 k ohms -Nominal Output Level PHONES/REC OUT: -10 dBu -Output Impedance PHONES/REC OUT: 2 ohms -Recommended Load Impedance PHONES/REC OUT: 16 ohms or greater -Display 7 segments, 2 characters (LED) -Connectors INPUT jack: 1/4-inch phone type PHONES/REC OUT jack: Stereo miniature phone type AUX IN jack: Stereo miniature phone type USB COMPUTER port: USB Micro-B type -Bluetooth Ver 4.2 Profile Support: A2DP (Audio), AVRCP (Remote Control) GATT (MIDI over Bluetooth Low Energy) -Power Supply Rechargeable lithium-ion battery Supplied from the USB port -Current Draw 500 mA -Expected battery life under continuous use Approximately 4 hours * These figures will vary depending on the actual conditions of use. -Battery charging time Approximately 3 hours *To charge the unit, use the USB port of a computer or a commercially available USB power supply adaptor (5 V, 500 mA or higher). -Dimensions 71 (W) x 129 (D) x 27.6 (H) mm 2-13/16 (W) x 5-1/8 (D) x 1-1/8 (H) inches -Weight (including battery) 160 g 6 oz -Accessories Owner's manual Leaflet USING THE UNIT SAFELY Micro USB cable * 0 dBu = 0.775 Vrms