Bundle offer comprising Startone SCL- 65 Bb- Clarinet Bb Clarinet - Boehm system- 17 Keys- 6 Rings- Body made of ABS plastic- High-gloss silver-plated nickel silver key system- With two barrels- Mouthpiece with silver-plated metal ligature, pull-through cloth, grease and case with backpack straps- Each instrument is checked in our master workshop for woodwind instruments and set up prior to selling! K&M 15228 Clarinet Stand Clarinet Stand - Extremely small and compact- Excellent stability ensured by 5 stable die-cast zinc feet- Thanks to the patented and easy to operate screw-in system the feet can be conveniently stored in the peg- The short peg completely fits into the bell of the clarinet- It makes it easy for transport in all common instrument cases- Diameter assembly size: 196 mm- Total height: 130 mm- Weight: 0.149 kg- Colour: Black Startone Bb-Clarinet Boehm Reed 2.0 Reeds for Boehm Bb Clarinet - Strength: 2.0- High quality and selected reeds- Easy response- Specially designed to meet the requirements of beginners- From pesticide-free cultivation- Delivery quantity: 5 Pieces Thomann Mouthpiece Cushion Black 0.8 Rubber Mouthpiece Cushion - Standard- Suitable for all saxophone and clarinet mouthpieces- No solvents thanks to avoiding the use of glue- Absolutely resistant to biting- Thickness: 0.8 mm- No slipping when playing, and a pleasant touch- Colour: Black- Package quantity: 6 Pieces

Ultra-high performance LED PAR 56 with 9 extremely bright 3-Watt TRI colour LEDs in a black housing. This high-performance LED PAR has a beam angle of 25 degrees and a power consumption of just 50 Watts. Like all new LED PAR cans, the CLP 56 TRI 3 WPS features a sturdy housing. The double bracket makes this PAR can the ideal lamp for use as a floor PAR or for mounting to cross-beams and bars. It is actuated either via the DMX protocol (3-pole XLR) with six control channels, in master/slave or standalone mode (sound control, colour change, solid colours). It features an integrated microphone and is quick and easy to operate using four buttons and an LED display. - 9 ultra-bright 3-Watt TRI colour LEDs - Beam angle of 25 degrees - Low power consumption of just 50 Watts - Operated via DMX (6 channels), in master/slave mode or standalone mode - Simple to operate using the four buttons and LED display - Double bracket included as standard - Cooling method: Heat sink - Sturdy aluminium housing Specifications - Product: LED Par Can - Type: PAR56 - Colour Range: RGB - Number of LEDs: 9 - LED Type: 3 W TRI Colour - Beam Angle: 25° - DMX Input: XLR 3-pole - DMX Output: XLR 3-pole - DMX Mode: 6-channel - DMX Functions: RGB, Master Dimmer, Strobe, Colour Jump, Colour Fade - Standalone Modes: Static Colour, Colour Change, Colour Fading, Sound Control, Slave - Controls: Mode, Value Up, Enter, Value Down - Indicators: LED Display - Power Supply: 100 V AC - 250 V AC - Power Consumption: 50 W - Power Connector: Earthing contact - Housing Material: Aluminium - Housing Colour: Black - Dimensions without mounting bracket): 230 x 250 x 260 mm

SPORTS SET * 30 MHz selection bandwidth (depending on local frequency plans) * 8 hours of operation with a single AA size battery * Rugged, one-size-fits-all C 544 L headworn microphone * Compatible with all AKG MicroMics * Low battery indicator * Smallest and lightest bodypack transmitter in its classThe Perception Wireless Sports system with its comfortable C 544 L and ultralightweight PT 45 bodypack transmitter ensures maximum user mobility for all handsfree applications. The new C 544 L headworn microphone comes with four moisture shields protecting the transducer from perspiration while you practice your favorite sport. The C 544 L uses the proven transducer of the C 555 L and is quick and easy to put on and replace.The system comprises an SR 45 receiver, PT 45 bodypack transmitter, universal power supply with US/UK/EU adapter, C 544 L headworn microphone, and one AA size dry battery. Optional microphones for PT 45Consumer Alert (for US users)Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change.

Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering. Louder. Closer. Cleaner. X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise equivalent to the sound of a jet aircraft from less than 200 feet away enabling you to capture sounds louder, closer, and cleaner than you ever could before. The XYH-5 X/Y microphone capsule provides two matched unidirectional condenser microphones set at a 90 degree angle. These mics are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to minimize vibration and handling noise, making the XYH-5 ideal for location videography and live broadcast/podcast applications. The design of the XYH-5 also allows it to handle extremely loud sounds 140 dB SPL, to be precise (equivalent to the sound of a jet aircraft from less than 200 feet away) making it perfect for capturing the sound of live rock concerts and for electronic news gathering. Ins and Outs In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder. The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a mini phone jack. The H5 supports a 4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments. There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad. Power and Storage Just 2 AA batteries either alkaline or rechargeable NiMH are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files File types The H5 can operate in two different modes choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks) and it captures audio in the two most commonly used file formats: WAV and MP3. The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites allowing you to quickly and easily share your creations around the world. * 96kHz sampling rate available in stereo mode only Signal Processing The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner. Other features But the list of H5 features doesn't end there. There's playback looping, pitch change and variable playback speed (without pitch change) to help with phrase training. A pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD. There s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine! ou can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Wavelab LE software, and start creating a masterpiece. * 44.1 and 48kHz WAV files only. ** Apple Camera Connection Kit required. Features at a glance Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise Compatible with all Zoom input capsules Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective roll-bar type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries Here's what comes included with the H5. Operation manual XYH-5 X/Y mic capsule SD card (2GB) AA size (LR6) battery x 2 USB cable Foam windscreen Case Steinberg Wavelab LE software download Optional Accessories SGH-6 Shotgun mic capsule EXH-6 Dual XLR/TRS Combo capsule HS-01 Hot Shoe Mount adapter APH-5 Accessory Pack includes RCH-5 wired Remote Controller AD-17 USB-type AC adapter and Hairy Windscreen

The long-awaited desktop module of KORG s next-generation analog synthesizer Minilogue xd module is the new desktop module version of minilogue xd, the four-voice polyphonic analog synthesizer with a customizable digital multi-engine and built-in stereo digital effects. The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analog polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another minilogue xd or minilogue xd module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage. Add the sounds of the minilogue xd to your setup or system! Equipped with an analog synthesizer circuit and a digital multi-engine Voice structure of minilogue xd is 2VCO MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into minilogue xd s filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analog to fat basses and crisp lead sounds, covering every situation. The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analog VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analog, and use it at the same time as the analog engine, infinitely expanding xd module s potential through hybrid sound design. High-quality digital effects minilogue xd s high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created. User customization brings out infinite potential The minilogue xd features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you ve created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software, as well as oscillators other users share online. What sounds can you create using the fusion of expanded digital oscillators with analog synthesis Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started. Polyphonic Step Sequencer One of the major features of the minilogue xd series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind. The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed. When you turn Keyboard mode on, these 16 buttons operate as a keyboard of more than an octave, providing a convenient way to check the sound. Poly chain support The minilogue xd module can be used in conjunction with another unit (*2) in the minilogue xd series (*1) for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesizer (*3). This supports a variety of uses, such as a voice-expansion module for the minilogue xd or as a sound module for a DAW-based production system. *1: For keyboard-equipped models, supported in system ver. 1.10 or later. *2: Any combination of the xd and xd module can be used. *3: The two xd units can each play four voices, for a maximum total of eight voices. The master unit takes priority for producing notes, and the fifth and subsequent voices are assigned to the slave unit. Specification - Controls : KEYBOARD switch - Poly chain function : Two minilogue xd units can play up to eight voices polyphonically. - Dimensions (W x D x H) : 500 x 179 x 85 mm / 19.69 x 7.05 x 3.35 - Weight : 2.6 kg / 5.73 lbs.

VOCAL SET * 30 Mhz selection bandwidth (depending on local frequency plans) * 8 hours of operation with a single aa size battery * Gain control on handheld transmitter * Low battery indicator * Noiseless on/off/mute switch on handheld transmitterThe Perception Wireless Vocal Set delivers brilliant sound and is surprisingly easy to use.The SR 45 receiver provides professional XLR and ¼ jack outputs. The audio level and squelch threshold are adjustable on the receiver.The handheld transmitter features a spring-steel wire mesh front grill to protect the dynamic transducer from the hardships of onstage use. Its cardioid polar pattern ensures maximum gain before feedback and makes your voice cut through any mix.The system includes an SR 45 receiver, HT 45 handheld transmitter, universal power supply with US/UK/EU adapter, SA 45 stand adapter, and one AA size dry battery.Consumer Alert (for US users)Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: The system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change.

APH-5 Included in this kit: - Hairy Windscreen, - Remote RCH-5 - AD 17 USB-type AC adapter H5 Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic news gathering. Louder. Closer. Cleaner. X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise equivalent to the sound of a jet aircraft from less than 200 feet away enabling you to capture sounds louder, closer, and cleaner than you ever could before. The XYH-5 X/Y microphone capsule provides two matched unidirectional condenser microphones set at a 90 degree angle. These mics are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to minimize vibration and handling noise, making the XYH-5 ideal for location videography and live broadcast/podcast applications. The design of the XYH-5 also allows it to handle extremely loud sounds 140 dB SPL, to be precise (equivalent to the sound of a jet aircraft from less than 200 feet away) making it perfect for capturing the sound of live rock concerts and for electronic news gathering. Ins and Outs In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder. The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a mini phone jack. The H5 supports a 4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments. There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad. Power and Storage Just 2 AA batteries either alkaline or rechargeable NiMH are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files File types The H5 can operate in two different modes choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks) and it captures audio in the two most commonly used file formats: WAV and MP3. The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites allowing you to quickly and easily share your creations around the world. * 96kHz sampling rate available in stereo mode only Signal Processing The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner. Other features But the list of H5 features doesn't end there. There's playback looping, pitch change and variable playback speed (without pitch change) to help with phrase training. A pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD. There s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine! ou can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Wavelab LE software, and start creating a masterpiece. * 44.1 and 48kHz WAV files only. ** Apple Camera Connection Kit required. Features at a glance Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise Compatible with all Zoom input capsules Four-track simultaneous recording Large backlit LCD display Records directly to SD and SDHC cards up to 32GB Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats Two mic/line inputs with XLR/TRS combo connectors each with selectable phantom power and -20dB pad Analog-style gain controls for each input Protective roll-bar type covers prevent accidental movement of gain controls Plug-in power (2.5 volts) Built-in effects, including low-cut filtering, compression and limiting Chromatic tuner and metronome Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take MS decoding Multitrack to stereo internal mixdown Normalize, Divide and Trim editing Voice memo and up to 99 marks per recording A/B loop playback Variable playback speed and variable pitch without affecting playback speed Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function Mountable directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter Uses two standard AA alkaline or NiMH rechargeable batteries Over 15 hours of operation with alkaline batteries Here's what comes included with the H5. Operation manual XYH-5 X/Y mic capsule SD card (2GB) AA size (LR6) battery x 2 USB cable Foam windscreen Case Steinberg Wavelab LE software download Optional Accessories SGH-6 Shotgun mic capsule EXH-6 Dual XLR/TRS Combo capsule HS-01 Hot Shoe Mount adapter APH-5 Accessory Pack includes RCH-5 wired Remote Controller AD-17 USB-type AC adapter and Hairy Windscreen

Available in black or white, the Cameo Q-Spot 15 W is a compact, RDM-compatible PAR projector, delivered with 3 lenses for a choice of three starting angles: 4.5°, 10° and 25°. It has a powerful 15-watt warm white LED and 16-bit technology for ultra-progressive dimming. Thanks to its 3600 Hz refresh rate and total absence of flicker, the Q-Spot is ideal for cinema and TV set applications, and its highly efficient convection cooling ensures total operational silence. The Q-Spot 15 offers 3-channel DMX control, automatic music control, Master/Slave and standalone modes, and comes with an infrared remote control for easy control. It features 4 high-definition Dimmer curves with adjustable response to imitate halogen lamps, a high-frequency strobeoscope and an OLED display with 4 user keys for intuitive setup. Its all-metal housing is equipped with 3-pin DMX input/output subbases and a blue and white input/output connector for easy cascade connection. Compact spotlight with warm white LED 15 watts high power 15 watts 3 lenses for 4,5,10 or 25° starting angles RDM compatible 16-bit technology for ultra-progressive dimming No flicker, ideal for use in film and TV shooting 4 high resolution dimming curves, with adjustable response 3-channel DMX control, plus music control and master, slave or stand-alone mode. OLED display with 4 keys, for easy configuration Convection cooling, ensuring total silence during operation Comes with practical infrared remote control SPÉCIFICATIONS Product type PAR spotlights with LEDs Interior Type Colour spectrum Warm white Number of LEDs 1 Colour temperatures 3200 K LED type 15 W Refresh frequency 3600 Hz Dispersion angle 10 °, 25 °, 4.5 ° DMX input 3-pin male XLR connector DMX output 3-pin female XLR connector 3-channel DMX modes DMX Master Dimmer, Sound Control, Strobe DMX features Standalone modes Master / Slave mode, Sound Control Settings Low, Enter, High, Mode OLED display indicators Mains voltage 100 - 240 V, 50 - 60 Hz Power consumption 18 W Input and deflection power supply subbase power supply blue and white Housing material Metal Case color black Cooling Convection cooling Light illuminance 5500lx @ 1m Luminous flux 435 lm CRI 94 Width 89 mm Height (mm) 89 mm Depth 172 mm Weight 1.2 kg

ORGANIC GROOVES FOR UNPLUGGED MUSICIANS Introducing the DR-01S Rhythm Partner, the world s first virtual percussionist designed specifically for acoustic musicians. Unlike the rhythm machines used by electronic musicians and DJs, the DR-01S is packed with organic percussion sounds and simple, versatile grooves that tastefully complement the unplugged experience. It s an ideal companion for acoustic guitar and vocals, and just as powerful with ukulele, violin, piano, and other types of acoustic instruments. The friendly interface on the DR-01S makes it easy to cater beats and variations to suit any style, while the onboard speaker provides high-quality sound that blends perfectly with acoustic instruments. And with battery-powered operation, you can take your rhythm partner everywhere you go. Whether playing solo or with friends, the inspiring DR-01S brings a new level of enjoyment to all your acoustic music sessions. - Great-sounding, easy-to-use rhythm box designed for acoustic musicians - Filled with simple, tasteful grooves to support and enhance unplugged music styles - Convenient all-in-one design with high-quality integrated sound system - User-friendly interface for selecting instrument types and grooves, adjusting volume and tempo, and more - Seven simultaneous instrument categories include everything from tambourines, shakers, and congas to full drum set, sound effects, standard metronome, and many other sounds - Dedicated patterns in each instrument category, with the ability to layer patterns from all categories together in real time - Save 50 favorite rhythm combinations for quick recall - Control various functions and trigger sounds hands-free with optional footswitches - Line out for connecting to an acoustic guitar amp or larger sound system - Aux input enables use as a speaker for a smartphone or other audio player - Powered by six AA-size batteries or included AC adapter The Perfect Rhythm Partner for Unplugged Music One of the great joys of acoustic music is that it s simple and uncomplicated you just grab your instrument and start playing. The DR-01S flows seamlessly with that relaxed unplugged vibe, offering a friendly panel interface, all-in-one design, and tasteful, understated grooves that enhance any acoustic music style without getting in the way. Via dedicated buttons, you can call up all sorts of beats and variations, layer up to seven instruments together to create your own unique rhythms, and save up to 50 favorites for later recall. Volume, tempo, and time signature can be adjusted with just a few touches, and it s easy to add a count-in before the rhythm starts. You can even fade out grooves to create polished endings for your songs. Expressive Percussion Instruments and Grooves The DR-01S takes full advantage of the acclaimed rhythm machine and sound development history of BOSS and its parent company Roland. A large variety of authentic acoustic percussion sounds are on board, including shakers, maracas, tambourines, congas, bongos, bells, cajon, and many more. There s even a full drum kit with acoustic and electronic sounds, perfect for when you want to rock up your acoustic jams. Every instrument category includes lots of expressive grooves created by acoustic percussionists, giving you a wide range of organic backing for any unplugged style. Impressive Sound in a Compact Design With its integrated audio system, the DR-01S produces warm, full sound that blends right in with the natural tones of your acoustic instruments. BOSS s advanced approach combines an innovative cabinet design, custom speaker, and a high-efficiency amplifier to deliver impressive sound in a highly portable package. And when you want to take your rhythm partner to the stage, just connect the line out into your acoustic amp or PA system. Hands-Free Control with Optional Footswitches While you can access all DR-01S functions from the front panel, it s often handy to perform some operations while keeping both hands on your instrument. And by connecting one or two optional footswitches, you can. There are a variety of assignable functions to choose from, including start/stop, tempo up/down, tap tempo, pattern variation, and many more. It s also possible to trigger nearly any DR-01S percussion sound by foot, great for manually tapping out beats as you play. SPECIFICATIONS: Maximum Polyphony: 24 voices Tempo: Quarter note = 40 300 Time Signature: 3/4, 4/4, 6/8 Tones: Shaker, Maracas, Bell, Whistle, Tambourine, Pandeiro, Claves, Cowbell, Triangle, Guiro, Bongo, Hand clap, Paila, Conga, Cajon, Drums, Metronome, Sound effects Number of Favorite: 50 Rated Power Output: 7 W Speaker: 10 cm (4 inches) Display: 7 segments, 3 characters (LED)DA Conversion24 bits Nominal Input Level: AUX IN: -20 dBu Input Impedance: AUX IN: 22 k ohms Nominal Output Level: LINE OUT: -10 dBu Output Impedance: LINE OUT: 1 k ohm Recommended Load Impedance: LINE OUT: 10 k ohms or greater Connectors: AUX IN jack: Stereo miniature phone type LINE OUT jack: Stereo miniature phone type CTL 1, 2 jack: 1/4-inch TRS phone type DC IN jack Power Supply: Alkaline battery (AA, LR6) x 6 (sold separately) / AC adaptor Current Draw: 330 mA Expected battery life under continuous use: Alkaline: Approx. 10 hours * These figures will vary depending on the actual conditions of use. Accessories: Owner's manual Leaflet USING THE UNIT SAFELY AC adaptor Options (sold separately): Footswitch: FS-5U Dual Footswitch: FS-6, FS-7 SIZE AND WEIGHT Width: 210 mm 8-5/16 inches Depth: 143 mm 5-11/16 inches Height: 127 mm 5 inches Weight: 900 g 2 lbs * 0 dBu = 0.775 Vrms

Bundle offer comprising AKG WMS 470 Instrument Set Band 10 UHF Wireless-System - Diversity- 30 MHz Bandwidth- Can operate up to 8 frequencies simultaneously in this frequency band- Frequency scan- 50 mW Transmitting power- Pilot tone- Low battery warning on the transmitter- Bi-colour programmable display- Auto Set Up and Rehearsal mode for quick start- 9.5" Receiver in metal casing- Pocket transmitter with guitar cable, battery and battery level displayed in hours- Noiseless on/mute/off switch- Operates with 1 x 1.5V AA Batteries- Charging contacts f. CU 400- Infrared frequency transmission from receiver to transmitter- Receiver outputs: XLR (balanced) and Jack (unbalanced)- Frequency range: Band 10 (823 - 832 MHz)- Includes: 19 "/ 1U rack kit, guitar cable, 1 x batteries (1.5 V) and tripod adapter- Optional fast charger AKG CU 400: Article Nr. 182940 the t.bone Ovid System CC 100 RC Condenser Clip Microphone for The Ovid System - Easy installation with different instrument holders (optional - not included)- With phantom power adapter (phantom power required)- Detachable cable with screw contact- Directivity: Cardioid- Frequency range: 20 - 20,000 Hz- Flexible gooseneck for easy alignment on the instrument- 3-Pin mini XLR connector for operating with t.bone wireless systems - also suitable for AKG wireless systems- Length of gooseneck: 130 mm- Cable length: 2 m- Optional cables with Sennheiser EW and Shure TQG connector available separately (not included)- Foam windshield included

BOSS introduces the 200 Series, a new generation of pedals that combine advanced sound and versatility in a format designed to save space in a pedalboard. Easy-to-access controllers and multifunction switches allow easy and intuitive handling, and built-in storage memory allows you to save many configurations. All 200 Series pedals offer 32-bit AN / NA sound quality, 32-bit internal processing, 96 kHz sampling rate, and the ability to add external switch or expression pedals, as well as MIDI. The EQ-200 is the most versatile compact equalizer pedal ever created for guitar and bass. It incorporates two 10-band EQs, as well as a graphic display to visualize at a glance the selected correction curve. The optional signal flow structures configure both channels in stereo, parallel or serial operation, and it is even possible to connect external pedals for even more advanced pre / post sound modeling. To go even further, the frequency ranges of the 10 bands can be chosen from three different types, in order to allow you to optimize the performances of the EQ-200 according to your instrument. Strong points - High-end 32-bit AN / NA sound quality, 32-bit floating-point internal processing, 96 kHz sample rate - Two 10-band EQs that can be used in stereo, parallel or series - Insert function for external effects processing with pre and / or post sound modeling - Three available frequency range settings: 30 Hz to 12.8 kHz, 32 Hz to 16 kHz and 28 Hz to 14 kHz - Boost / cut 15 dB on each band, plus general volume setting on each channel - Stereo Link function to operate the two equalization channels together - Intuitive interface with physical cursors and graphic display of the EQ - Real time settings and four storage memories of favorite settings - Panel Lock feature disables controllers to prevent unintended changes - Two integrated footswitches with assignment setting - Possibility of adding extra controllers: footswitches, expression pedal or MIDI - MIDI input and output via TRS minijacks (BMIDI-5-35 adapter cable available separately) - Micro USB connector for system updates - Works on PSA series power adapter or three AA batteries

The DDP-610M is a robust and reliable dimming pack which can be used for both touring as well as installation applications. It offers 6 dimmer channels which can be loaded up to 10 Amp each. Each channel is completely patchable. Furthermore each channel can set its dedicated dimming curve (linear, switch, square). In case of any power- or DMX failure the DDP-610M will hold as its latest position ensuring that your venue or gig never will be in the dark. Furthermore up to 12 chases can be stored and recalled for easy recall or stand-alone applications. All functions can be set and controlled by the compact but easy to operate LCD Display. Specifications Input voltage: 230VAC, 50/60 Hz, single phase connection 400VAC, 50/60 Hz, 3-phase connection Channel output: Max. 10 Amp each channel, Total 60A Control: DMX, Local Contral, Built-in chase DMX Channels: 6 Mode: Dim or Switch Protection: Short circuit, temperature, overload Power connection: Terminal Power Output: 16 Pole Multipin Monitor: Control LED per channel, LCD Display Dimensions: 483x380x90 mm (LxWxH) (Rubber feet removed) 483x385x94 mm (LxWxH) (incl. rubber feet) Weight: 12 Kg IP-rating: IP-20

Tenor Recorder- Made from Castello boxwood- The Mollenhauer Comfort Tenor makes playing easy- Two additional keys reduce strain on the hands- G-key: The left ring finger no longer needs to be strained.- F-key: The right index finger stretches less, making the entire hand relaxed.- C / C# double key- The ergonomically designed and easy to operate key mechanism relieves the little finger of any strain when playing the lowest notes.- Scope of supply: Instrument, thumb rest, carrying strap, case, cleaning rod, joint grease, oil maintenance, fingering chart and care instructions

Bundle offer comprising Buffet Crampon Prodige Bb-Clarinet 17/6 Bb Clarinet - Model: BC2541-2-0GB- Boehm system- 17 Keys- 6 Rings- ABS body- Poly-cylindrical bore in accordance with E13- Root note: A' = 442 Hz- Barrel: 64 mm- Adjustable thumb rest- Blue steel springs- Leather pads- Silver-plated key system- Incl. mouthpiece, gig bag and accessories Bari Original Reed Bb- Clarinet M Plastic reed for Bb clarinet - Boehm system- Strength: Medium- Brilliant and lively sound- Big projection and focus- Fast response K&M 15228 Clarinet Stand Clarinet Stand - Extremely small and compact- Excellent stability ensured by 5 stable die-cast zinc feet- Thanks to the patented and easy to operate screw-in system the feet can be conveniently stored in the peg- The short peg completely fits into the bell of the clarinet- It makes it easy for transport in all common instrument cases- Diameter assembly size: 196 mm- Total height: 130 mm- Weight: 0.149 kg- Colour: Black Thomann Cleaning Set Flute or Clarinet Cleaning Set for Flute or Bb Clarinet - Consists of a form-optimised swab and a cleaning cloth, 30 x 30 cm- Soft, lint-free material- Made of heavy and absorbent microfibre- Washable- The soft material protects the instrument from scratches during cleaning- Includes lockable storage box BG France A21 Thumb Rubber Thumb Rubber - For clarinet or oboe- For instruments with adjustable thumb rest

The small format FT-1 Fender Clip-On Tuner is easy to operate even under darkened stage conditions. Built-in vibration sensor for accurate tuning even in noisy areas. The large LCD display with easy-to-read needle shows white when out of tune and bright green when in tune. Small, compact size one-handed swivel clamp. Tuning modes include: Guitar, Bass, Ukulele, Violin and Chromatic. Tuning range B0 B7. A4 Calibration: 440Hz. Lightweight: 30 grams. Power: 3V2032 cell battery (one piece)