Partitions de Barenreiter pour Piano seul

Concerto for piano and orchestra. Par MOZART WOLFGANG AMADEUS. Piano Concerto No. 25 in C major K. 503. Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. TheStudy Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano

for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano

Liszt, Franz
Piano Pieces from the Years 1880?85
- Scholarly-critical Urtext edition at the cutting edge of musicology
- Valuable notes on interpretation by Steffen Schleiermacher (Ger/Eng)
- Well-suited for medium-level piano teaching
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Romance oubliée (Vergessene Romanze) / Romance oubliée (Forgotten Romance)
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Vergessene Romanze (Romance oubliée) / Forgotten Romance (Romance oubliée)
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Wiegenlied (Chant du berceau) / Cradle Song (Chant du berceau)
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Unstern! (Sinistre) / Disaster! (Sinister)
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Die Trauer-Gondel (La lugubre gondola)
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The Funeral Gondola (La lugubre gondola) (S 200/1)
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Die Trauer-Gondel (La lugubre gondola)
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The Funeral Gondola (La lugubre gondola) (S 200/2)
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R. W. ? Venezia
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Am Grabe Richard Wagners / At the Grave of Richard Wagner
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Frage und Antwort. Nocturne / Question and Answer. Nocturne
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Schlaflos! Frage und Antwort. Nocturne (nach einem Gedicht von Toni Raab)
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Sleepless! Question and Answer. Nocturne (after a Poem by Toni Raab)
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Trübe Wolken (Nuages gris) / Gloomy Clouds (Nuages gris)
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En rêve. Nocturne / In a Dream. Nocturne / Partitions classique / Piano - instruments à clavier / Piano / BARENREITER

The scope of the genres and styles in Jazz Piano Studies 2 is broader compared to that of Jazz Piano Studies 1, since it also covers the various offshoots of contemporary popular music related only marginally to jazz. The selection of twenty studies is aimed at amateur piano players who are interested in jazz and popular music, and serves, in particular, for the improvement of technique and style. The studies also equip pianists with the necessary grounding for their own improvisation, although they can also be used by professional piano players.
/ Partitions jazzandblues / Piano - claviers / Piano / BARENREITER

The War Years (1914-1916). Par VIERNE LOUIS. Sämtliche Klavierwerke. Hrsg Helga Schauerte-Maubouet (Keine Auslieferung Nach Frankreich, Italien Und Spanien)/ Répertoire / Piano

Par SCHUBERT FRANZ. Schubert?s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1828, the last year of his life. All three volumes are equipped with informative prefaces on the genesis and sources, as well as valuable notes on piano playing in Schubert's time (including articulation, pedal usage, ornamentation) by Mario Aschauer - with a focus on Schubert's characteristic notation of accents. A quick location of works and individual movements is facilitated by running titles at the top of the right-hand pages with indications of opus and movement numbers. The Critical Commentary lists in particular readings relevant to interpretation. Schubert's drafts and sonata fragments are accessible via the Bärenreiter website. The indispensable three-volume standard work at the cutting edge of Schubert research is available at a special set price! / Date parution : 2023-07-31/ Recueil / Piano

with Bagatelle in A minor WoO 59 'Für Elise'. Par BEETHOVEN LUDWIG VAN. This edition brings together all of Beethoven's pieces that he himself associated with the term 'bagatelle', a trifle. The Bagatelles reflect Beethoven's diverse compositional cosmos in miniature and span almost his entire oeuvre from 1801/02 to 1824/25. In terms of playing technique, they range from moderate dexterity to demanding virtuosity. In addition to the well-known collections opp. 33, 119 and 126, ten more pieces were found after Beethoven's death in an envelope labelled ?Bagatelles?. These included the revised version of ?Für Elise? as well as two further revisions of bagatelles which appear here in print for the first time. Beethoven conceived the cycle, still known today as 'op. 119' ? although this opus number did not stem from him ? as two separate projects with five and six pieces respectively. Our edition presents these two collections separately for the first time, as Beethoven proposed. Variants, additions and revisions in the first print that go beyond the main manuscript source and were most likely intended by Beethoven are presented in grey print. A variety of new insights, an informative Foreword and insightful notes on Viennese piano playing in Beethoven's time (German/English) as well as a detailed Critical Commentary (Eng) offer the performer an abundance of information and a new perspective on Beethoven's bagatelle oeuvre. / Date parution : 2024-01-06/ Recueil / Piano

Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that! Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings. All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library. The piano reduction will be presented in a new format: As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano

9 Popular Arrangements for Piano solo. Par BEETHOVEN LUDWIG VAN / ARR JEAN KLEEB. Beethoven often incorporated musical influences from other countries in his works. Jean Kleeb has picked up on this idea and developed it further in these arrangements for piano solo. In his tributes to Beethoven he emphasizes ethnic attributes such as 'alla turca” or he coaxes exotic rhythms out of certain works with playful exaggeration. At other times, he simply enjoys demonstrating the stark differences between the 'classical” piano piece and world music. Enjoy pieces in samba style, with Cuban rhythms or jazzy-Arabic-like scales. These pieces are fun to play, making Jean Kleeb's 'Beethoven Around the World” a true musical pleasure. About the composer: When it comes to music, Jean Kleeb is a globetrotter. A Brazilian of Swiss descent, he has been living in Germany for many years. Travelling the world with his music, he is always seeking new sources of musical inspiration. As a composer, pianist, choral conductor and lecturer, he regularly amazes and entertains his audiences with his boundless musicality and compositional ease. / Date parution : 2019-06-14/ Répertoire / Piano

Par RAVEL MAURICE. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. / Niveau : 5 / Répertoire / Piano

This collection contains 39 easy-to-play piano pieces from the Baroque to the Early Modern period and presents an ideal repertoire for music schools and private music-making.Conceived as a current supplement to Bärenreiter's popular anthology 'Easy Classics for Piano? (BA 8758), it offers a wide-ranging repertoire which includes popular classical pieces but also small gems such as Chopin's 'Contredanse? in G-flat major as well as Satie's 'Berceuse? and 'Méditation?. Tried and tested fingering by the experienced pianist and piano teacher Annette Töpel help players to learn the pieces more quickly.- Ideal for students, music-lovers and piano teachers- Tried and tested fingering - Practical page-turnsFrom the contents:Chopin, 'Préludes? in A major and C minor (op. 28 nos. 7 and 20), Contredanse in G-flat major, Schumann, 'Bärentanz and Haschemann? / Bach, 'Preludes? / Debussy, 'The little shepherd? from 'Children's Corner? / Mendelssohn, 'Wedding March? / Brahms, 'Waltz? in E major (op. 39 #5), Theme from the 'Paganini Variations? (op. 35), 'Verstohlen geht der Mond auf? from Piano Sonata op. 1 (movt. 2) / Ravel, Prélude / Satie, 'Berceuse? and 'Méditation? / Piano