Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Das Wohltemperierte Klavier I qui a été écrite pourPiano. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5191 . / Piano / Partition

Par SCHUBERT FRANZ. Published on the basis of the “New Schubert Edition” In a reader-friendly landscape format with separate primo and secondo parts and practical page turns With informative notes on performance practice in Schubert's day (Ger/Eng), especially on Schubert's notation of accents, as well as interpretationally relevant readings in the Critical Commentary (Eng) / Date parution : 2025-01-21/ Répertoire / Piano 4 Mains

Opera in three acts. Par HAENDEL GEORG FRIEDRICH. George Frideric Handel's 'Siroe, Re di Persia', HWV 24, was premiered on February 17, 1728 at the King's Theatre in London's Haymarket. With Francesca Cuzzoni, Faustina Bordoni and Francesco Bernardi, known as Senesino, the composer had top-class vocal soloists famous throughout Europe at his disposal for no fewer than 17 consecutive performances. However, Handel's opera was not an outstanding success due to the strong competition from the 'Beggar's Opera' presented in London at the same time. The libretto for 'Siroe' goes back to Pietro Metastasio and was very well-known and popular at the time, so that various settings of the subject matter, among others by Leonardo Vinci, Nicola Porpora and Johann Adolph Hasse, have been handed down. The historical background against which the plot of the opera unfolds is the forced handover of the reign of the Persian king Chosrau II (Cosroe) to his son Siroe, the later Kavadh II, in the 7th century AD. With its abundance of love affairs, intrigues and misunderstandings, the libretto offers a proverbially magnificent 'stage' for Handel's singing stars, to whom he entrusted rousing arias and ensemble pieces. Taking into account numerous manuscript and printed sources, this scholarly-critical edition offers a reconstruction of an abridged version by Handel in the first appendix, in addition to the premiere version. Apparently, Handel made preparations here for a revival of the work which, however, never materialized. This version is interesting both from a documentary and dramaturgical point of view, because it was Handel himself who significantly shortened his opera – incidentally the one from his oeuvre with the longest share of recitatives. The second appendix contains an abridged version of the aria 'D'ogni amator la fede', an early version of the famous aria 'Sgombra dall'anima', as well as an ornamented version of the aria 'Non vi piacque, ingiusti dei'. These ornaments in the vocal part, which rarely survive in Handel's operatic oeuvre, are contemporary and provide valuable evidence of the apparently highly differentiated performance of the opera arias by Handel's singers. / Date parution : 2025-01-21/ Répertoire / Opéra

Orchestral version of 1785. Par HAYDN FRANZ JOSEF. The Seven Last Words Of Our Saviour On The Cross Hob. XX:1A - Orchestral version of 1785. Urtext from Joseph Haydn Werke, G. Henle Verlag Munich. Study score format 22. 5 x 16. 5 cm. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores atextremely affordable prices! The Vocal version is published as BA4655. Vocal score (BA4655-90) available for sale; full score and performance material available for hire./ Répertoire / Partition de Poche

Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5 cm; With an introduction in English and German by Alfred Dürr. The 2nd version with the 4 inserts from the E-flat major version (transposed into D major). Barenreiter Urtext: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter, “Urtext” ismore than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye./ Répertoire / Partition de Poche

Par BEETHOVEN LUDWIG VAN. Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition, which is unparalleled in terms of its philological accuracy, has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng/Ger) which covers all salient editorial issues withregard to Beethoven’s notation and performance practice issues, supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship! - A definitive new critical performing edition at the cutting edge of Beethoven scholarship - Elegant, ready-friendly layout with practical page turns - Table of contents with incipits as well as running titles enable easy location of works / Date parution : 2019-09-06/ Répertoire / Piano

Dramma giocoso in two acts. Par MOZART WOLFGANG AMADEUS. Neue Ausgabe Sämtlicher Werke. Urtext Bestellung Zur Fortsetzung Zu Einem Um 10 % Ermäßigten Serienpreis Möglich/ Répertoire / Chant

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

Par BACH JOHANN SEBASTIAN. In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition. The present expanded publication goes a step further in that it offers not only the two solo violin parts as presented in the New Bach Edition, but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze. Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held, fingerings, bowing, shifting, the use of open strings and much much more./ Répertoire / 2 Violons, Instruments à Cordes et Basse Continue

Par SCHUBERT FRANZ. Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly slow tempos. The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part, however, the Mass can also be performedwith organ accompaniment. - Urtext from the New Schubert Edition - Standard work in the church music repertoire - Can be accompanied by organ or wind instruments - No vocal soloists necessary/ Répertoire / Chant