Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...(+)
Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.:
Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris.
Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets.
' / Chant Et Piano / Partition
Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Barenreiter is s...(+)
Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Barenreiter is successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a slightly lower-priced and lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a singer’s life.
Following the publication of Don Giovanni K. 527 (BA 4553-93) and Cosi fan tutte (BA 4606-93) this is now the third vocal score we are publishing in a hardback version. It is based on the respective volume of the ”New Mozart Edition” edited by Daniel Heartz (NMA II/5/11).
This vocal score contains an appendix with markings and amendments for the premiere performance in Munich as well as the 1786 Vienna revision. Suggestions for cadenzas and the embellishment of fermatas in the vocal parts have been rendered as footnotes. / Date parution : 2020-07-03/ Répertoire / Chant et Piano
Following the publication of Dvorák's early set of love songs 'Cypresses?, all ...(+)
Following the publication of Dvorák's early set of love songs 'Cypresses?, all his other songs with piano accompaniment are now appearing in Urtext editions.'Songs II? includes the mature works from Dvorák's late period. Besides the well-known cycle 'Love Songs? and the less well-known cycle 'Three Modern Greek Songs?, the volume also contains some entirely unknown and previously unpublished pieces: 'Lullaby? and the posthumously published 'Song from The Smith of Le?etín? completed by Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition. - Second volume of the new five-volume Urtext edition of the complete songs - First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print - Vocal texts in three languages (Cz/Eng/Ger) / Voix Basse Et Piano
For many, the title will awaken memories of the demonstrations against the clear...(+)
For many, the title will awaken memories of the demonstrations against the clearance of the Flörsheim Forest to allow for a new runway at the Frankfurt Airport. Both the poem, which extends beyond this local incident to remind us of the seriousness of our global situation, and the music join together to form an expressive, universally valid call for the conservation of our core values, our future together: 'Die Erde jedoch wird sich wehren. Sie wird uns, am Ende, nichts mehr geben als den Staub, in dem wir aufgehn.' (The earth, however, will resist. She will, in the end, not give us any more than dust, into which we will submerge.) It is up to us, to prevent the situation from advancing so far: 'Wir, die wir zu ihren Schülern wurden, sollten die Lehre der Bäume verbreiten.' (We, the students, should spread the teachings of the trees.' / Voix Et Piano
The new Urtext edition of Schubert's lieder edited by Walther Dürr continues wi...(+)
The new Urtext edition of Schubert's lieder edited by Walther Dürr continues with volume 7, presented in separate volumes for high, medium, and low voice. This new volume contains the lieder that Schubert composed between May and August 1815, including his setting of Schiller's ballad 'Die Bürgschaft? (D 246).- Based on the Urtext of the 'New Schubert Edition?- Clear, well-presented engraving- Foreword by Walther Dürr (Ger/Eng) on the genesis and history of the work as well as an explanation of the sources for each individual lied- Includes English translations of the lieder texts by Richard Wigmore / Voix Moyenne(s) Et Piano
Schumann's song cycle 'Frauenliebe und Leben?, on poems by Adelbert von Chamisso...(+)
Schumann's song cycle 'Frauenliebe und Leben?, on poems by Adelbert von Chamisso, deals with the trauma of a woman who loses the man who was her first love and the guiding light of her life. Schumann himself completed what is perhaps his most unified song cycle in blissful anticipation of his union with Clara Wieck.This new edition presents the work on the basis of the first print, using Schumann's autograph for purposes of consultation. The alternative readings in the autograph vocal part also give singers valuable tips for a nuanced delivery of the words.- Original edition for medium voice- Comprehensive bilingual foreword (Ger/Eng) and Critical Commentary (Ger)- The song texts are printed separately and include English translations taken from Richard Stokes' publication 'The Book of Lieder?ContentsI. Seit ich ihn gesehenII. Er, der Herrlichste von allenIII. Ich kann's nicht fassen, nicht glaubenIV. Du Ring an meinem FingerV. Helft mir, ihr SchwesternVI. Süßer Freund, du blickestVII. An meinem Herzen, an meiner BrustVIII. Nun hast du mir den ersten Schmerz getan / Voix Et Piano
The new Urtext edition of Schubert's lieder edited by Walther Dürr continues wi...(+)
The new Urtext edition of Schubert's lieder edited by Walther Dürr continues with volume 7, presented in separate volumes for high, medium, and low voice. This new volume contains the lieder that Schubert composed between May and August 1815, including his setting of Schiller's ballad 'Die Bürgschaft? (D 246).- Based on the Urtext of the 'New Schubert Edition?- Clear, well-presented engraving- Foreword by Walther Dürr (Ger/Eng) on the genesis and history of the work as well as an explanation of the sources for each individual lied- Includes English translations of the lieder texts by Richard Wigmore / Voix Basse(s) Et Piano
Français et Allemand. Par SAINT-SAENS CAMILLE. Saint-Saëns? setting of the bib...(+)
Français et Allemand. Par SAINT-SAENS CAMILLE. Saint-Saëns? setting of the biblical story of Samson, a hero equipped with superhuman powers, and his seduction by the Philistine Dalila is considered his magnum opus for the musical stage. It stands alongside Gounod?s ?Faust? and Bizet?s ?Carmen? among the most popular operas in the French repertoire. Lust, hate, frailty and religious war are the ingredients of the plot. Among other things, the sensual music includes Dalila?s famous arias ?Mon coeur s?ouvre ta voix? and ?Printemps qui commence?. The Bärenreiter vocal score, newly engraved with a clear presentation, contains Richard Pohl?s authentic singable translation of the libretto used at the Weimar premiere in 1877./ Répertoire / Chant et Piano
Walther Durr continues the new Urtext edition of Schubert's lieder by editing Vo...(+)
Walther Durr continues the new Urtext edition of Schubert's lieder by editing Volume 8 in separate editions for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on works of a particular poet, immediately catch the eye: they consist of a number of Ossian settings, a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore, the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten, which starts in Volume 7, is concluded in this volume. / Voix Grave Et Piano
Walther Dürr presents Volume 8 of the new Urtext edition of Schubert's lieder i...(+)
Walther Dürr presents Volume 8 of the new Urtext edition of Schubert's lieder in separate editions for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on a particular poet, immediately catch the eye: a number of Ossian settings, a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore, the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7, is concluded in this volume. / Voix medium Et Piano
Walther Dürr presents Volume 8 of the new Urtext edition of Schubert's lieder i...(+)
Walther Dürr presents Volume 8 of the new Urtext edition of Schubert's lieder in separate editions for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on a particular poet, immediately catch the eye: a number of Ossian settings, a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore, the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7, is concluded in this volume. / Voix Haute Et Piano
The new Urtext edition of Schubert's lieder edited by Walther Dürr continues wi...(+)
The new Urtext edition of Schubert's lieder edited by Walther Dürr continues with volume 7, presented in separate volumes for high, medium, and low voice. This new volume contains the lieder that Schubert composed between May and August 1815, including his setting of Schiller's ballad 'Die Bürgschaft? (D 246).- Based on the Urtext of the 'New Schubert Edition?- Clear, well-presented engraving- Foreword by Walther Dürr (Ger/Eng) on the genesis and history of the work as well as an explanation of the sources for each individual lied- Includes English translations of the lieder texts by Richard Wigmore / Voix Haute