Camille Saint-Saëns (9 octobre 1835 à Paris - 16 décembre 1921 à Alger) était un compositeur français de l'époque romantique. Dès son enfance il se révèle être un virtuose : il donne son premier concert à onze ans et fait sensation avec un concerto de Wolfgang Amadeus Mozart. Il entre au Conservatoire à 13 ans. À l'âge de 18 ans, il est nommé organiste de l'église Saint-Merry, à Paris. Il acquiert très vite une très bonne réputation et suscite l'admiration de musiciens tels Hector Berlioz et Franz Liszt, qui le décrit comme le « premier organiste du monde ». À l'initiative de ce dernier, il créera son opéra Samson et Dalila à Weimar. Il commence alors sa carrière officielle, au cours de laquelle il abordera la plupart des grandes formes musicales, avec un classicisme que certains qualifieront, assez injustement, d'académique (surtout en France). Son oeuvre se révèle souvent remarquable, claire et d'une grande qualité d'écriture. Pianiste virtuose, il écrira près de 30 ?uvres pour piano dont cinq concertos pour cet instrument. (Rétracter)...(Lire la suite)
Camille Saint-Saëns showed all characteristics of a musical prodigy: he started playing the piano, when he was three years of age and before he was t...
Camille Saint-Saëns showed all characteristics of a musical prodigy: he started playing the piano, when he was three years of age and before he was ten (when he made his formal début at the Salle Pleyel in Paris) he had recieved composition lessons and instruction on the organ. His long life was musically very successful, not only as piano vituoso, but also as composer.
Saint Saëns composed his Feuillet d?Album [Album Leaflet] for piano four hands (Opus 81) in November 1887 and dedicated the piece to the young pianist Rachel Léon, whose parents were friends of his.
The piece was published in its present form one year later, in April 1888, with the name of Paul Taffanel (1844-1908), the flautist and leader of the Société des Instruments à vent, on the title page as the arranger.
Album Leaf was a popular title in the Romantic Era in music for a short character piece, usually for piano. Saint-Saëns, of course, wrote many short pieces, all of impeccable workmanship and generally with charming melodies and uncomplicated spirit. This one was written in 1887 for piano duet. Soon thereafter Saint-Saëns authorized a version for flute and piano by his friend, the younger composer Paul Taffanel. In either version it is a highly enjoyable little piece, less than four minutes long, rather in the style of Charles Gounod.