Bach, Johann Sebastian Johann Sebastian Bach
Allemagne Allemagne
(1685 - 1750)

7449 Partitions
8089 MP3
1707 MIDI

Microphones pour flûte
Des microphones spécialement adaptés à la flûte traversière !

"Depuis 20 ans nous vous fournissons un service gratuit et légal de téléchargement de partitions gratuites.

Si vous utilisez et appréciez, merci d'envisager un don de soutien."

A propos / Témoignages de membres

Partitions Flute Flute, Hautbois, Clarinette, Bassoon, Piano Johann Sebastian Bach
Bach, Johann Sebastian: Concerto in A Minor for Piano & Winds

Concerto in A Minor for Piano & Winds
BWV 1044
Johann Sebastian Bach

Annoter cette partition
Notez le niveau :
Notez l'intérêt :

VoirTélécharger PDF : Concerto in A Minor (BWV 1044) for Piano & Winds (76 pages - 1.15 Mo)201x
Maintenant que vous eu cette partition en accès libre, les artistes membres attendent un retour de votre part en échange de cet accès gratuit.

Merci de vous connecter ou de créer un compte gratuit afin de pouvoir :

laisser votre commentaire
noter le niveau et l'intérêt de la partition
attribuer un coeur (et participer ainsi à l'amélioration de la pertinence du classement)
ajouter cette partition dans votre bibliothèque
ajouter votre interprétation audio ou video
Connectez-vous gratuitement
et participez à la communauté
EcouterTélécharger MP3 : Concerto in A Minor (BWV 1044) for Piano & Winds 66x 419x

Compositeur :Johann Sebastian BachJohann Sebastian Bach (1685 - 1750)
Instrumentation :

Flute, Hautbois, Clarinette, Bassoon, Piano

Genre :


Arrangeur :
Editeur :
Johann Sebastian BachMagatagan, Mike (1960 - )
Tonalité :La mineur
Droit d'auteur :Public Domain
Johann Sebastian Bach was better known as a virtuoso organist than as a composer in his day. His sacred music, organ and choral works, and other instrumental music had an enthusiasm and seeming freedom that concealed immense rigor. Bach's use of counterpoint was brilliant and innovative, and the immense complexities of his compositional style -- which often included religious and numerological symbols that seem to fit perfectly together in a profound puzzle of special codes -- still amaze musicians today. Many consider him the greatest composer of all time.

Each of Bach's harpsichord concertos, save perhaps one, is really a new arrangement made by him of a concerto conceived for another solo instrument (invariably violin or oboe). A similar origin can be ascribed to the Concerto for flute, violin, harpsichord, and strings in A minor, BWV 1044 (the Triple Concerto, as it is known), though in the case of this most unusual of all Baroque concertos it is not another concerto, but rather two separate keyboard works that Bach plundered. The occasion for which Bach crafted the Triple Concerto is unknown, but it very likely falls among those works composed for performance by the Leipzig Collegium Musicum; a tentative composition date of ca. 1730-1735 is usually assigned. Whereas in most of the harpsichord concertos Bach remains relatively true to his sources -- the original solo part is of course fleshed out in wholly new ways and the tutti scoring is sometimes adapted to suit, but the course of the music usually remains largely untouched -- in BWV 1044, Bach treats his two sources very freely indeed, so much so that one cannot really call the work a transcription or arrangement; it is, rather, a new composition "after" the other two. The two sources are: for the first and last of the Concerto's three movements, the Prelude and Fugue in A minor for harpsichord, BWV 894; and for the middle movement, the middle movement of the Organ Sonata in D minor, BWV 527. Throughout the triplet-driven opening Allegro, which takes its material only from the prelude half of BWV 1044, the harpsichord is utterly superior to the flute and the violin, who spend most of their time working out countermelodies to and brief commentaries on the harpsichord's often dense oratory (the Concerto is properly called a concerto for "harpsichord, flute, and violin," though one will hardly ever find the soli listed in that order). In the Adagio, ma non tanto, e dolce second movement, however, the flute and violin come to the fore, the former engaging in a pleasant pastoral dialogue with the harpsichord while the latter accompanies them with strolling pizzicati. Bach converts the fugue of BWV 1044 into an Alla breve movement, throughout which the harpsichordist again reigns supreme.

Source: AllMusic ( -violin-harpsichord-strings-continuo-in-a-minor-triple- bwv-1044-mc0002357217).

Although originally written for Solo Flute, Violin, Harpsichord & Orchestra (2 Violins, Viola & Continuo), I created this Arrangement of the Concerto in A Minor (BWV 1044) for Piano & Winds (Flute, Oboe, Bb Clarinet, English Horn & Bassoon).
Source / Web :MuseScore
Ajoutée par magataganm le 2017-08-30
Partition centrale :Concerto pour flûte, violon et clavecin en La mineur, 1044 (2 partitions)

Matériel & Partitions
Walt Disney pour Flute
Toutes les partitions de Walt Disney pour flute.

0 commentaire


Cette partition est associée à la collection de magataganm :
des arrangements pour piano
Liste des partitions :
› Étude in Gb Major for Piano
› "2 Ave Regina" for Trumpet, Horn & Piano - Trompette et Piano
› "2 Christmas Songs" for Piano - Piano seul
› "Agitation" from "Lieder ohne Worte" for Piano
› "Agnus Dei" from the Requiem in C Minor (Mvt. 7) for Piano Duet
› "Alla Fuga" from "12 pieces pour Orgue" for Piano
› "Allegra" for Bassoon & Piano - Basson, Piano
› "Andante Grazioso" from "Lieder ohne Worte" for Piano
› "Après un Rêve" for Viola & Piano
› "Asturias (Leyenda)" from the Suite "Española" for Piano


Partitions & Méthodes
Voir aussi les partitions digitales

Accessoires & Instruments
Voir aussi les idées cadeaux