Partitions de Oxford University Press pour Chorale 2 parties

This in an outstanding collection of twelve African-American spirituals arranged for upper voices. Rosephanye and William C. Powell have collaborated with some of the most talented and respected spiritual arrangers in the United States to deliver specially commissioned authentic settings. You'll find familiar melodies such as 'Deep River' and 'Somebody's knockin' at yo' do'' alongside lesser-known spirituals and a range of styles and moods extending from the aspirational to the celebratory. Many of the arrangements include a 'lead voice' part allowing the opportunity for solo singing and idiomatic piano parts support the voices for the accompanied spirituals; pianoreductions are included for the unaccompanied arrangements. This inspirational journey through the African-American spiritual tradition is sure to captivate and delight all upper-voice choirs.Arrangements in tow three or four parts'Lead Voice' parts for three arrangementsAccompanied and unaccompaniedPiano reductions for a capella arrangementsAuthentic arrangements by specialistsRange of styles and moods Edited by Rosephanye Powell and William C. PowellRosephanye Powell is a singer arranger and widely published composer. A graduate of the Florida State University Westminster Choir College and Alabama State University she has distinguished herself as a researcher and interpreter of the African-American spiritual. She has served as a consultant for nationally syndicated radio published articles on the subject and presented lectures and performances at high schools colleges universities music organizations and churches around the United States. Her spiritual arrangements have been commissioned by nationally and internationally recognized professional choral groups and conductors. She was appointed Professor of Voice at Auburn University in 2001.William C. Powell holds degrees from Alabama State University

Over Hill Over Dale by Andrea Ramsey for SA and Piano.In this charming piece for upper Voices and Piano Ramsey's characterization of the fairy's monologue from Act 2 Scene 1 of A Midsummer Night's Dream is both fun and imaginative. The rhythmic fluidity driving Piano part and clever accentuation perfectly complement Shakespeare's metre and rhyme scheme and bring the text to life.Over Hill Over Dale was originally published in the collection Hark hark the lark.

For women's voices and strings Latin and English words translation by Beatrice E. Bulman Orchestral material is available on hire.

A lyrical and gentle carol arranged for unison voices with a smooth and sonorous Piano accompaniment.

This Day by Bob Chilcott unites five very different texts both sacred and secular in an exploration of man's relationship with the world and with God. A wonderful concert piece for upper-voice choirs of all ages. For SA and Piano.

Sarah Quartel's In Time Of Silver Rain for SA and piano. Commissioned by the Treble Makers Women's Choir to celebrate both their 10th anniversary and the 150th anniversary of Canada this secular work for upper voices sensitively sets Langston Hughes' poem of the same name. A lilting melodic line eloquent part-writing and an effective piano part combine to create a piece that will appeal to both youth and adult upper-voice choirs.

A joyful carol of celebration with the refrain Gloria In Excelsis. Arranged for SS (or SA) with either harp or piano accompaniment.

Written by John Rutter with text by F.S. Pierpoint this is a joyful and celebratory choral song arranged for upper voices with Piano accompaniment.

Par RUTTER JOHN. There are two versions of the vocal parts - for SATB and piano or orchestra, or SS or SA and piano or orchestra Orchestral material is available on hire / Date parution : 2022-08-27/ Répertoire / SA et Piano

Scored for SA Organ and Piano this uplifting anthem by the British composer Malcolm Archer combines two well-known texts that are commonly read at weddings- 1 Corinthians 13:13 â??And now these three remain: faith hope and love. But the greatest of these is loveâ?? and Song of Solomon 8:6-7 â??For love is strong as death. Many waters cannot quench love neither can the floods drown itâ??.Retaining the Organ part of the original SATB version the music perfectly mirrors the message of the texts with melodic vocal lines building to full homophonic textures at the climax.Malcolm Archer: Faith Hope And Love Remain is perfect foruse as part of a wedding ceremony or for a general service or concert.