Partitions de Oxford University Press pour Chorale 3 parties

Magi videntes stellam. for SSA unaccompanied Skilful word-painting and rhythmic energy makes this attractive Epiphany motet by Agostino Agazzari an appealing choice for Christmastide. Offprinted from The Oxford Book of Upper-Voice Polyphony.

This setting of a text by George Herbert is written by Bob Chilcott for Unison and Divisi Upper Voices with Piano or Organ accompaniment. Part of the Oxford Upper Voices series (T125) the melody is simple and softly flowing suitable for amateur or younger choral groups.

Anthems for SA & Men is the perfect collection for church choirs looking for high-quality accessible material in three parts. Ideal for performance during Holy Communion and suitable for use across the Church year the nine pieces by favourite Oxford composers have been re-scored specially for this collection with a particular focus on producing practical singable parts for unison men's voices. The approachable accompaniments for organ or piano support the vocal lines throughout.

Par CHILCOTT BOB / KNIGHT SUSAN. 29 chants pour l'ASS accompagnés et non accompagnés Cette collection contient la voix supérieure des pièces originales et arrangements de partout dans le monde. Dans un grand éventail de styles, il ya la musique ici, pour convenir à tous les adultes ou les jeunes supérieur voix chorales. Le volume comprend des chants de compositeurs populaires et des compositions peu connues. Chaque pièce peut être chanté dans sa langue originale ou en anglais, et des guides de prononciation sont fournis pour tous les textes non-anglais. Une introduction utile comprend les notes de programme pour tous les morceaux. Accompagnements pour certains des chants sont disponibles en location. Bob Chilcott a été impliqué dans la musique chorale, toute sa vie, d'abord comme choriste, puis une chorale Scholar au Kings College, Cambridge. Plus tard, il a chanté et composé des musiques pour 12 ans avec des chanteurs du Roi. Ses expériences avec ce groupe, son engagement passionné pour les chorales de jeunes et amateurs, et sa conviction profonde que la musique peut unir les gens, ont inspiré à la fois de composer à plein temps et, à travers workshopping proactive, afin de promouvoir la musique chorale dans le monde entier. Susan Knight est le fondateur et directeur artistique de la Newfoundland Symphony Youth Choir et le Festival 500. Elle est active en tant que chef invité, arbitre, enseignant, conférencier et avocat, et a servi en position de direction au sein de musique nationaux et provinciaux et des organismes éducatifs. / Niveau : Facile à Moyennement Difficile / Recueil / SSA

for SABar and piano Higgins's arrangement of the popular German carol is given a modern twist with fresh harmonies, but still captures the gentleness and tranquility found in more traditional settings. Supported by sustained 'oo's and 'ah's throughout, the well-known melody is underpinned by a delicate piano accompaniment.

Par CHAPPLE BRIAN. for SSA and piano Inspired by the simple directness of William Chatterton Dix's vivid text, the composer explores the breadth of the choral … / Niveau : Facile / Feuillet / Choeur SSA et Piano

Par HATFIELD STEPHEN. for SSA and piano This work sets words by the composer on a reflective yet inspirational theme, against the backdrop of images from the … / Niveau : Facile / Feuillet / Choeur SSA et Piano

The vocal score for this popular and highly entertaining set of Madrigals for mixed chorus. Composed by John Rutter for the occasion of the 75th birthday of composer and musician George Shearing the set comprises five Madrigals written with an obvious and warming affection for the Renaissance secular polyphonic tradition. Some are unaccompanied and others have full Piano and optional Double Bass parts thus creating a rich and varied concert programme when performed as a set.

A gentle and expressive setting of John Donne's Catch A Falling Star demonstrates Chilcott's mastery of the wistful melody and varied vocal textures with rich harmonies bringing the poet's powerful imagery to life in a setting of great beauty.For SSA Choir with Piano accompaniment.

The Cambridge Singers Hymn Series-John Rutter's All Things Bright And Beautiful for SA choir and Harp or Piano.This arrangement of the hymn tune Royal Oak is not to be confused with Rutter's original composition of the same title which sets the same text by C.F. Alexander. The elegant text praising God's creation combined with Rutter's skilful handling of the hymn tune makes this piece ideally suited for any religious service.

Blow Blow Thou Winter Wind by Sarah Quartel for SSA and Piano.This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'.Blow Blow Thou Winter Wind was originally published in the collection Hark hark the lark.

A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide and bass and drums can join in ad lib.