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Haendel, Georg Friedrich Georg Friedrich Haendel
Germany Germany
(1685 - 1759)
1954 sheet music
2615 MP3
476 MIDI


Instrumentations :
CHOIR - VOCAL
› Choral SATB, Orchestra (3) Original
› Choral SATB, Piano (5)
› Choral SATB (4)
› Choral SATB a cappella (3)
› Soli, Chorus and Orchestra (1)
› Choral SSAA, Organ (1)
› voice, violin, guitar (1)

Arrangers : › Haendel, Georg Friedrich Original (1)
› Adrian A, Cuello Piraquibis (1)
› Bergeron, Guy (1)
› Bert, Jacques (2)
› Best, William Thomas (1)
› Chrysander, Friedrich (3)
› Czerny, Carl (1)

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Haendel, Georg Friedrich: "I know that my Redeemer Liveth" for Marimba & Strings

"I know that my Redeemer Liveth" for Marimba & Strings
HWV 56 No. 45
Georg Friedrich Haendel




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Composer :Georg Friedrich HaendelHaendel, Georg Friedrich (1685 - 1759)
Instrumentation :

Marimba and strings

Style :

Baroque

Arranger :
Publisher :
Georg Friedrich HaendelMagatagan, Mike (1960 - )
Date :1741
Copyright :Public Domain
Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the "Hallelujah" chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven.
Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times.
From the gentle falling melody assigned to the opening words ("Comfort ye") to the sheer ebullience of the "Hallelujah" chorus and the ornate celebratory counterpoint that supports the closing "Amen", hardly a line of text goes by that Handel does not amplify".
The Air for soprano "I know that my Redeemer liveth" draws from both Job and Paul. It begins with the "ascending fourth", a signal observed by musicologist Rudolf Steglich as a unifying motif of the oratorio,[5] on the words "I know", repeated almost every time these words appear again. "For now is Christ risen" is pictured in a steadily rising melody of more than an octave.
Although originally written for Vocal soloists (2 sopranos, alto, tenor, bass), Chorus, Orchestra and Harpsichord, I created this arrangement for Marimba & Strings (2 Violins, Viola & Cello).
Source / Web :MuseScore
Sheet central :Messiah (137 sheet music)
Added by magataganm the 2015-02-08


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This sheet music is part of the collection of magataganm :
Viola Arrangements

Viola Arrangements
Sheet music list :
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› 'Élégie' for Viola & Harp - Viola and Harp
› "3 Chants Sacrés" for Viola & Piano
› "Ach bleib bei uns, Herr Jesu Christ" for Viola
› "Albinoni's Adagio" for Viola & Harp - Viola and Harp
› "Album leaf" from Lyric Pieces for String Quartet
› "Album" for String Quartet
› "All They That See Him Laugh Him to Scorn" for Horn & Strings
› "All Through the Night" for Violin, Viola & Harp
› "Allemanda" from the Partita for Violin No. 2 for Viola - Viola