Pedro de Araújo (c. 1640 – 1705 or 1610 – 1684)
was a Portuguese organist and composer who worked with
the Roman Catholic Archdiocese of Braga, northern
Portugal. He was singing master at the Conciliar
Seminary of St. Peter and St. Paul in Braga between
1663 and 1668, and second organist at Braga Cathedral
until 1665. Like Juan Cabanilles, he was one of the
last representatives of the traditional concentrated
Iberian style.
Source: Wikipedia
(https://en.wikipedia.org/wiki/Pedro_...(+)
Pedro de Araújo (c. 1640 – 1705 or 1610 – 1684)
was a Portuguese organist and composer who worked with
the Roman Catholic Archdiocese of Braga, northern
Portugal. He was singing master at the Conciliar
Seminary of St. Peter and St. Paul in Braga between
1663 and 1668, and second organist at Braga Cathedral
until 1665. Like Juan Cabanilles, he was one of the
last representatives of the traditional concentrated
Iberian style.
Source: Wikipedia
(https://en.wikipedia.org/wiki/Pedro_de_Ara%C3%BAjo).
Although originally written for Chorus (SATB), I
created this Interpretation of the Batalha de 6 tono
for String Quartet (2 Violins, Viola & Cello).