D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for viol...(+)
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni und Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. For the source of the first edition of the E minor Sonatathe second version of the work was used. Pisendel composed this version in around 1716, when he accompanied the Crown Prince of Saxony on a trip to Italy./ Répertoire / Violon et Basse Continue
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
Tonalité : Es-Dur - Horn, Paul (Arr.) -. Par BIBER HEINRICH IGNAZ FRANZ. Stylis...(+)
Tonalité : Es-Dur - Horn, Paul (Arr.) -. Par BIBER HEINRICH IGNAZ FRANZ. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open./ Répertoire / Violon et Basse Continue
Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present fi...(+)
Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present first edition of the Six Violin Sonatas by Johann Adolf Hasse is the only instrumental work by this composer whose authorship can be verified through his handwritten entries in a manuscript copy. The composer gave these pieces a profile completely tailored to the instrument, a fact which places them in sharp contrast to those compositions which can be played by various melody instruments./ Répertoire / Violon et Basse Continue
Ciaccona für Violine und Generalbaß. Par BIBER HEINRICH IGNAZ FRANZ. Ciaccona ...(+)
Ciaccona für Violine und Generalbaß. Par BIBER HEINRICH IGNAZ FRANZ. Ciaccona Für Violine Und Generalbaß / Hymnes et chorals / Répertoire / Violon et Basse Continue