Matériel : Livre
'Altogether a sensitive and tasteful document.' Library JournalA series of themed essays rather than a traditional biography this profile of the Polish composer and virtuoso pianist is the work of a legendaryconductor and performer. Alfred Cortot taught at the Paris Conservatory of Music co-founded the cole Normale de Musique de Paris and produced printed versions of the complete works of Chopin Schumann and Debussy. In theserevealing chronicles Cortot focuses on Chopin's compositions as well as his performances and personal relationships.Beginning with an account of the composer's physical characteristics the book examines Chopin's role asa teacher; his works as reflected by his correspondence; his identity as a Polish nationalist and his attitude toward France; and his concert performances. It further explores his friendships with Liszt and Delacroix and hisromance with George Sand as well as the composer's chronic illness and the expression of his tormented sensitive nature in his music.Reprint of the Peter Nevill Limited London 1951 edition.
SKU: HL.51480886
ISBN 9790201808864. UPC: 888680924942. 9.25x12.25x0.399 inches.
Frédéric Chopin's 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there is little about them that is joke-like, despite the original meaning of their title. Referring to the 1st Scherzo, Robert Schumann asked: “how should seriousness be attired, when even a 'joke' is veiled in black?” Now that the Scherzi nos. 1-4 have been published in revised stand-alone editions, G. Henle Publishers is now offering all four in paperback and hardback, in an edition that reflects the current state of Chopin research. Both the footnotes and the extensive Critical Report on the Internet offer detailed information on the familiar topic of “Chopin variants” and on all the textual problems they raise. This is Chopin in top form!
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What I can expect from Henle Urtext editions:
SKU: HL.51480887
ISBN 9790201808871. UPC: 888680924928. 9.25x12.5x0.553 inches.
Frédéric Chopin's 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there is little about them that is joke-like, despite the original meaning of their title. Referring to the 1st Scherzo, Robert Schumann asked: “how should seriousness be attired, when even a 'joke' is veiled in black?”. Now that the Scherzi nos. 1-4 have been published in revised stand-alone editions, G. Henle Publishers is now offering all four in paperback and hardback, in an edition that reflects the current state of Chopin research. Both the footnotes and the extensive Critical Report on the Internet offer detailed information on the familiar topic of “Chopin variants” and on all the textual problems they raise. This is Chopin in top form!
SKU: HL.49019308
ISBN 9783795707996. 6.0x8.25x0.531 inches. German.
Generation after generation of pianists and aficionados have taken an interest in Beethoven's piano sonatas. For each of them, this New Testament of piano literature represents a challenge. Jan Marisse Huizing supports the search for their own tone. In his new study book, he deals with the performance practice and the history of piano making as well as Beethoven's own piano playing. He also traces the path from the original manuscript to the modern urtext edition. Quotations from piano methods and important pianists as well as a detailed, annotated discography complete the book. Jan Marisse Huizing was professor of piano at the Amsterdam Conservatory apart from his international concert activities. He has written numerous publications, including the guide Frederic Chopin: Die Etuden (Schott Music).
SKU: HL.51481321
ISBN 9790201813219. UPC: 888680682958. 9.25x12.25x0.065 inches.
Chopin's waltzes were – contrary to, say, those by Schubert – no longer conceived for dancing or for the ballroom. These pieces assumed the form and function of idealized concert waltzes, which Chopin enjoyed performing in the elegant and exclusive art-loving salons of Paris. A particularly eloquent example is the “Grande Valse brillante” op. 18 which, with its multiplicity of charming melodic ideas and moods – now gently rocking, now overwhelming, now again triumphantly jubilant – became one of Chopin's most popular waltzes. The medium level of difficulty allows even less proficient pianists to become familiar with the “brilliant” side of Chopin through this waltz.
SKU: HL.51481323
ISBN 9790201813233. UPC: 888680683030. 9.25x12.25x0.055 inches.
This virtuoso etude has been given the nickname “Black Key Study” by pianists, since, apart from one single F in m. 66, the right hand does not touch a single white key. This gives the harmony a pentatonic, almost Debussy-an character, and has most certainly contributed to its great popularity. Those who are not ready to tackle the complete volume of Chopin Etudes (HN 124) will be well served by this separate Urtext edition.
SKU: HL.51481343
ISBN 9790201813431. UPC: 888680924911. 9.0x12.0x0.144 inches.
Chopin published his Scherzi nos. 1 3 at more-or-less regular intervals, in 1835, 1837 and 1840 almost as if he'd planned them in advance. He published his fourth and final work in this genre after a further three years, in 1843. When compared with its predecessors, which were largely bleak in mood, this Scherzo no. 4 is surprisingly cheerful. With its sparkling runs and its chains of chords like dappled brush strokes, this work seems to summon up the fairy-like spirit of Mendelssohn's scherzi. In editorial terms, however, it is problematical. Three parallel first editions were published in Germany, France and England and the many variants between them have to be investigated one at a time to determine their authenticity. This is a task that has been solved meticulously in this revised, stand-alone Urtext edition, which explains the transmission of this work in an exemplary, transparent manner for today's pianists.
