Schirmer - Choral 3-part

Schirmer Choral Classics-The classic artsong by Samuel Barber is now available for men's and women's voices. Appropriate key and ranges for the developing choir.

Jon Washburn Choral Series-Jon Washburn musically draws special deep emotions to color this evocative text by Walter de la Mare. The mood is created through the use of a glistening Piano part and a brooding Choral part. Vocal partsare kept in a moderate range mood and motion with small rhythmic devices to delight and challenge the singers.

3 From A Menagerie Of Song-Penguin No.3 from Carolyn Jennings' 'Menagerie of Songs' - a collection of pieces that set the text from Mary Ann Hoberman's 'The Raucous Auk: A Menagerie of Poems' to music.This piece is for Unison/2-3 Part Choir with Piano accompaniment.

from Cantata No. 147-Version for SAB Mixed Voice Choir and Piano (or Organ). Schirmer Edition. From Cantata No.147.

For three-part chorus either of women's or men's voices a cappella. The composer of this piece cannot be named with complete certainty but it is attributed to Wolfgang Amadeus Mozart.Edited by Carl Deis.

John Jacob Niles' I Wonder As I Wander has been arranged here by the composer and Lewis Henry Horton for solo Medium Voice with 3-part (SAB) Choir and Piano accompaniment.

The Virgin's Slumber-Song scored for three-part chorus for women's voices SSA with piano accompaniment. This part song may also be sung without accompaniment. Arranged by Anton Beckers.

from Cantata No. 147-Chorale from Church Cantata No.147 for Three-Part Chorus of Women's voices SSA with piano or organ accompaniment. Arranged by Bryceson Treharne.

This up-tempo American folksong works well for choirs. The fun text and singable melody combine to make a great contest or festival selection. Available for SATB SAB and 2-Part. Performance Time: Approx. 1:40.

This arrangement of the Trio from Elijah is for an a cappella three-part Chorus of Women's Voices. The score includes piano for rehearsal purposes only.

This Shaker song by Edwin Ferguson arranged by Dick Averre should be sung 'with slowly mounting intensity and fervour'. The Piano accompaniment is a key part of the song's building rhythm.

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text ?Hear my prayer Oh Lord ?is polyphonic at a subdued dynamic level. The second phrase of the verse ?and let my crying come unto thee ? is homophonic and builds to a full climax before diminishing to a very soft and passionate ending.

The Lord's Prayer arranged by Carl Deis for three-part chorus of women's voices (SSA) with Piano accompaniment.

From Elijah-From the Oratorio 'Elijah'. For Three-Part Chorus of Women's Voices with Piano.