Schirmer - Cello, Piano

Une collection de 13 pièces de 12 compositeurs, avec des enregistrements de spectacles plein, et accompagnements de piano uniquement à être utilisés comme pistes d'accompagnement. / Violoncelle

Intermediate to Advanced Level / G. Schirmer Instrumental Library-A collection of 8 pieces by 8 composers with recordings of full performances and Piano accompaniments only to be used as backing tracks.

Stephen Albert's Concerto For Cello And Orchestra. Piano reduction. First performed and recorded by Yo Yo Ma and the Baltimore Symphony Orchestra.

Piano reduction of the Cello Concerto after the concerto for clavicembalo composed in 1746 for Georg Matthias Moon. Includes score and part.

A short movement depicting the hibernation of a baby bear cub arranged for Cello and Piano.

Beethoven's composition of sonatas for Cello and Piano was unprecedented; he had no models in the works of Haydn or Mozart. Only recently had the instrument begun to liberate itself from its role in the traditional basso continuo. The first two Sonatas in this book comprising Op. 5 were composed in 1796 while Beethoven was in Berlin. He would not embark on another such project until 1807 when he composed the Sonata in A (Op. 69). Eight years later he would return to the idiom to write the two last Sonatas (Op. 102). This is a Great Performers Edition edited by cellist Janos Starker.

Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel) - Allegro Spiritoso (Senaille) - Andante (Beethoven) - Andante (Gluck) - Aria (Lotti) - Bourrée I (Bach) - Country Dance - La Cinquantine (The Golden Wedding) - Larghetto (Handel) - Lento (Schumann) - Lullaby - Menuet (Mozart) - Nina (Pergolesi) - Romance - Sicilienne (Debussy) - The Swan (Saint-Saëns) - Village Song (Popper)./ Recueil / Violoncelle et Piano

10 Pieces by 9 Composers-This volume contains 10 Baroque pieces by 9 different composers including Boccherini Corelli Bach Locatelli Marcello Sammartini Scarlatti Valentini and Vivaldi.

This work an unusual venture outside his favoured Piano Solo medium was written towards the end of the composer's tragically short life.

This piece was originally composed in 1989 with a new version created in 2002 commissioned by cellist Kate Dillingham and premiering in April 2002 at Merkin Concert Hall in New York City.