BIM - Trumpet

La série des Trumpet Outings est conçue pour familiariser les trompettistes de tous niveaux à un large horizon musical.Ces cahiers présentent des études et des duos originaux inspirés des divers compositeurs et styles qui jalonnent l'histoire de la musique: de la Renaissance à Debussy, de Mozart à Carlos Jobim, en passant par Schoenberg, Steve Reich, le Jazz, les Celtes et autres musiques populaires.Charles Reskin combine habilement stimulation et divertissement, humour et émotion avec professionnalisme et pédagogie. Une excellente préparation au répertoire. / Cor / Bim

Les études lyriques (Lyrical Studies) du fameux maître de chant italien Giuseppe Concone (1810-1861) ont été conçues pour développer le sens du phrasé et de la respiration. Ce cahier est complété par des accompagnements mp3 qui présentent un large éventail de styles riches en couleurs. Le but de ces accompagnements est de stimuler l'écoute et l'esprit d'initiative afin de renforcer la confiance et la conscience musicale. / Trompette / Bim

La série des sorties de trompette sont conçus pour familiariser les trompettistes de tous niveaux avec un grand horizont musical.Ces livres offrent etudes et duos inspirés par divers compositeurs et les styles qui jalonnent l'histoire de la musique originale: de la Renaissance à Debussy, de Mozart à Carlos Jobim, en passant par Schoenberg, Steve Reich, Jazz, Celtes et autre musique folklorique.Charles Reskin combine habilement stimulation et de divertissement, humour et émotion, avec le professionnalisme et la pédagogie. Une excellente préparation pour le répertoire. / Trompette Ou Cornet / Partition

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.