Partitions de Wilhelm Hansen pour Chorale TTBB

Wilhelm Peterson-Berger's I Furuskogen for TTBB Choir. This piece incorporates words by Helena Nyblom.

Blæsten Og Sangen by Finn Høffding for TTBB choir with Piano accompaniment.

This set of three motets for unaccompanied male choir sets the Latin words for the De Profundis Ave Maria and Laudate and manifests Lewkovitch's fascination both with chant and with modality.Contemporary Danish composer conductor and Organist Bernhard Lewkovitch has followed a rare path among modern composers. From 1947 he was Organist at St Ansgars Kirches and later remained connected with the Catholic Church by working as an Organist. Clearly he is inspired by the Catholic liturgy and sees his great output of ecclesiastical music as a vocation and a great responsibility. For many years his work by inspired by Gregorian chant and was composed in church modes then inthe mid 1950’s he began to expand into modern bitonality and polytonality culminating in Il cantico delle creature in 1962/3 in which there was no conventional notation and no fixed pitch. After that Lewkovitch had somewhat of a hiatus later returning again to the inspirations of the mid1950’s.

Foraarsmorgen for Male Choir TTBB was composed by Johannes Kristensen. Lyrics by the composer.

Grønne Sange Op. 7 for Male Choir TTBB by Bernhard Lewkovitch (1951). Lyrics by Ole Sarvig.

Sinfonia Profana - Quodlibet for mandskor og klarinet (1959). 'Ad honorem Vagni Holmboi nominis' -Hyldest til Vagn Holmboe på 50-års fødselsdagen den 20. december 1959.