Recueil Piano. Par FAURE GABRIEL. Gabriel Faure (1845-1924) composed the Dolly S...(+)
Recueil Piano. Par FAURE GABRIEL. Gabriel Faure (1845-1924) composed the Dolly Suite to mark the birthday and other events in the life of the daughter of the composer's mistress. Suitable for intermediate to advanced pianists, Dolly is an enjoyable piece for Piano. Faure began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a Piano pupil of Camille Saint-Saë ns. Faure 's career saw him succeed Theodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the whilecomposing sublime works. The Dolly Suite comprises six short pieces; 1) Berceuse, 2) Mi-a-ou, 3) Dolly's Garden, 4) Kitty-Waltz, 5) Tenderness, and 6) The Spanish Walk. The complete suite takes about 15 minutes to perform. As an alternative, accessible and fun piece for pianists, Faure 's Dolly Suite is an essential addition to the Piano duet repertoire./ Répertoire / Piano
Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born ...(+)
Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts, he was able, at the age of nine, to enter the celebrated Niedermeyer School, founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality, centred mainly on the study of sacred music and the great classic masterpieces, into which he was initiated notably by Camille Saint-Saë ns, his Piano teacher. As soon as he left the school, Faure began a brilliant career as an organist. In 1896 he succeededTheodore Dubois as an organist at the Church of the Madeleine in Paris, and was appointed professor of composition at the Conservatory, where his pupils included Ravel, Koechlin, Enesco and Schmitt. Meanwhile, he had met Liszt in Weimar and had been initiated into Wagner's art, which, however, never really influenced him. Appointed director of the Conservatory in 1905 after Theodore Dubois' resignation, a member of the French Institute and music critic, Faure spent his last years in solitude, suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast, Faure put his elegant counterpoint, a highly individual harmonic style, unpredictable turns of phrase, and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality./ Répertoire / Piano
Gabriel Fauré's Nocturnes nos. 1-8. Gabriel Fauré was born in Pamiers (Arièg...(+)
Gabriel Fauré's Nocturnes nos. 1-8. Gabriel Fauré was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts he was able at the age of nine to enter the celebrated Niedermeyer School founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality centred mainly on the study of sacred music and the great classic masterpieces into which he was initiated notably by Camille Saint-Saëns his Piano teacher. As soon as he left the school Fauré began a brilliant career as an organist. In 1896 he succeededThéodore Dubois as an organist at the Church of the Madeleine in Paris and was appointed professor of composition at the Conservatory where his pupils included Ravel Koechlin Enesco and Schmitt. Meanwhile he had met Liszt in Weimar and had been initiated into Wagner’s art which however never really influenced him. Appointed director of the Conservatory in 1905 after Théodore Dubois’ resignation a member of the French Institute and music critic Fauré spent his last years in solitude suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast Fauré put his elegant counterpoint a highly individual harmonic style unpredictable turns of phrase and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality.