Partitions de Chester pour Orchestre

Dans cette nouvelle édition de la pièce dramatique maîtresse de Stravinsky, Histoire du soldat, les publicateurs ont cherchés à rationaliser tous les divers et parfois conflictuels amendements faits par le compositeur durant sa vie. Cette édition convient a ceux qui s'intéressent aux grandes pièces musicales du vingtième siècle. A être lue, jouée et dansée en deux parties. Ecrite pour clarinette, Basson, Cor, Trombone, Violon, Contrebasse et Percussion. / Scores / niveau : Avancé / Partition

First performed in November 1954 by the Warsaw Philharmonic Orchestra conducted by Witold Rowicki. Duration c.29mins. Orchestral material available for hire from Chester Music.

This piece was first performed in April 1977. This is the Chester Music edition but the original publishers were Polskie Wydawnictwo Muzyczne.

Ciel D?Hiver by the Finnish composer Kaija Saariaho scored for the Orchestra.The ten minute piece Ciel D?Hiver is an arrangement of the second movement of KaijaSaariaho's 2002 Orchestral piece Orion.The piece was commissioned by Musique Nouvelle En Liberté and the world premiere took place on 7 April 2014 at the Thé tre du Ch telet Paris given by Orchestre Lamoureux conducted by Fayçal Karoui.

This work is dedicated to Her Majesty The Queen, in celebration of her Diamond Jubilee. It received its premiere in June 2012 by the RLPO in Liverpool conducted by Vasily Petrenko.In addition to the Orchestra, the symphony calls for a virtuoso Brass Quintet. / Orchestre

for Trumpet Percussion Turntables and Orchestra-Gabriel Prokofiev's Concerto For Trumpet Percussion Turntables And Orchestra. This work was commissioned by Orchestre de Pau Pays de Béarn 2014.Duration: approx. 20 minutes.

Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass

Orchestral study score. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 23 April 1997 by Stewart McIlwham and the Royal Philharmonic Orchestra conducted by the composer. The threemovements should be played without a break.The piccolo may have obvious limitations as a solo instrument but Davies is not one to shirk a challenge. What he does is to play with the stereotypical modes of the instrument sothat the military ?pipe and drum? effect is hinted at near the beginning of the third movement while the jaunty manner is recalled at the close of the first but as through a veil. A potentially comic partnership with the bassclarinet is also dignified when the two instruments engage in meditative dialogue in the second movement. Solo part and piano reduction on sale. Conductor's score and orchestral parts are available on hire.

Stravinsky remporte sa renommée initiale avec le ballet de l'oiseau de feu (l'oiseau De Feu), à l'aide d'orchestration énorme et des éléments dynamiques. Commandé par Diaghilev, c'était sa première oeuvre à grande échelle. Orchestrée pour 2 Flutes - 2 hautbois - 2 clarinettes - 2 bassons - 4 cornes - 2 trompettes - 3 Trombones - Tuba - percussions - harpe - Pianoforte - 2 violons, alto - violoncelle - contrebasse. / Conducteur Et Poche

Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.

Commissioned by Music for Japan for its 25th Anniversary Orchestral Concert. The title 'Guardian Angel' was inspired by a passage from the Old Testament Book of Exodus (23:20)

Work for 2 Trumpets 2 Horns and 2 Trombones premiered in the Museum of Scotland in 1998 by members of the Scottish Chamber Orchestra. Maxwell Davies has relished incorporating brilliant tuckets and alarms for brass in hislarger-scale scores too much to write a perfunctory fanfare; a seminal influence was the statue of St. Michael on the Castel Sant'Angelo in Rome where he studied in the late 1950s generator of high trumpet fanfares throughouthis output which resurface in apocalyptic style towards the end of his orchestral work Roma Amor. Parts available: SOS05301

Orchestral Score. Instrumentation.     3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) TamtamCrotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed.Crotales sound two octaves higher than writtenDuration: c. 6 minutesOrchestral parts areavailable on hire from the publisher