1. Gaetano Donizetti Fia dunque vero / O mio Fernando (Leonora - La favorita)2...(+)
1. Gaetano Donizetti Fia dunque vero / O mio Fernando (Leonora - La favorita)2. Richard Wagner Entweihte Götter! (Ortrud - Lohengrin)3. Richard Wagner Einsam wachend in der Nacht (Brangäne - Tristan und Isolde)4. Richard Wagner Wo in Bergen du dich birgst (Fricka - Die Walküre)5. Giuseppe Verdi Stride la vampa (Azucena - Il trovatore)6. Giuseppe Verdi Condotta ell'era in ceppi (Azucena - Il trovatore)7. Giuseppe Verdi Nei giardin del bello (Eboli - Don Carlo)8. Giuseppe Verdi O don fatale (Eboli - Don Carlo)9. Giuseppe Verdi Al suon del tamburo (Preziosilla - La forza del destino) / Soprano - piano / Edition Breitkopf
?Our goal is to give the user a modern-day, systematically structured vocal coac...(+)
?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view / Soprano - piano / Edition Breitkopf
?Our goal is to give the user a modern-day, systematically structured vocal coac...(+)
?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors) OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of vie and featuring a CD ?phonetic assistant? - aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) / Soprano - piano / Edition Breitkopf
On the opera stage, the tenor is often the most eminent protagonist. Whether as ...(+)
On the opera stage, the tenor is often the most eminent protagonist. Whether as ardent lover or tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura.The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres. (Peter Anton Ling, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) / Ténor - piano / Edition Breitkopf
?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the v...(+)
?Una voce poco profonda?: Curtain up for Trouser Roles and HeroinesWhether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential - in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that's simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!?Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.? (Peter Anton Ling and Marina Sandel, editors)OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) / Soprano - piano / Edition Breitkopf
The present volume (OperAria Tenor, Volume 2, EB 8875) contains a representative...(+)
The present volume (OperAria Tenor, Volume 2, EB 8875) contains a representative cross-section of the lyric-dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. / Ténor - piano / Edition Breitkopf
The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative...(+)
The present volume (OperAria Tenor, Volume 3, EB 8876) contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether as an ardent lover or a tragic hero, he is in the limelight to show lyrical sensitivity, sonorous euphony and smoothness, a maximum of nuances. The vocal range creates high expectations and provides an extraordinary aura. / Ténor - piano / Edition Breitkopf
Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Moz...(+)
Mozart: Bravo signor padrone! / Se vuol ballare (Figaro - Le nozze di Figaro)Mozart: Ehi capitano / Non più andrai (Figaro - Le nozze di Figaro)Mozart: Tutto è disposto / Aprite un po' quegl'occhi (Figaro - Le nozze di Figaro)Mozart: Eh consolatevi / Madamina, il catalogo è questo (Leporello - Don Giovanni)Lortzing: O sancta justitia! (Van Bett - Zar und Zimmermann)Lortzing: Fünftausend Taler! (Baculus - Der Wildschütz)Lortzing: Auch ich war ein Jüngling mit lockigem Haar (Stadinger - Der Waffenschmied) / Baryton - piano / Edition Breitkopf
Meyerbeer: Voici donc les débris / Nonnes qui reposez (Bertram - Robert le diab...(+)
Meyerbeer: Voici donc les débris / Nonnes qui reposez (Bertram - Robert le diable)Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff (Marcel - Les Huguenots)Glinka: ?ujut pravdu! / Ty prijdë?' moja zarja! (Susanin - ?izn' za carja)Wagner: Gar viel und schön (Landgraf Hermann - Tannhäuser)Wagner: Gott grüß euch (König Heinrich - Lohengrin)Wagner: Mein Herr und Gott (König Heinrich - Lohengrin)Wagner: Hoiho! Hoiho hoho! (Hagen - Götterdämmerung) / Baryton - piano / Edition Breitkopf
1. Christoph Willibald GluckJe t'ai donné la mort /Dieux! qui me poursuivez(Ore...(+)
1. Christoph Willibald GluckJe t'ai donné la mort /Dieux! qui me poursuivez(Oreste - Iphigénie en Tauride)2. Wolfgang Amadeus MozartNur mutig, mein Herze (Allazim - Zaide)3. Wolfgang Amadeus MozartHai gia vinta la causa / Vedrò mentre io sospiro(Il Conte Almaviva - Le nozze di Figaro)4. Wolfgang Amadeus MozartRivolgete a lui lo sguardo (Guglielmo - Così fan tutte)5. Wolfgang Amadeus MozartFin ch' han dal vino (Don Giovanni - Don Giovanni)6. Wolfgang Amadeus MozartDeh vieni alla finestra (Don Giovanni - Don Giovanni)7. Wolfgang Amadeus MozartEin Mädchen oder Weibchen (Papageno - Die Zauberflöte) / Baryton - piano / Edition Breitkopf
It is my aim to give students a modern, systematically structured, well-informe...(+)
It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. (Peter Anton Ling) OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work,the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view and featuring a CD with a ?phonetic assistant? - aria texts in the original language spoken by native speakers as an audio file (mp3) with aria texts in German and English translations as a text file (pdf) / Baryton - piano / Edition Breitkopf
Mozart: Wer ein Liebchen hat gefunden (Osmin - Die Entführung aus dem Serail)Mo...(+)
Mozart: Wer ein Liebchen hat gefunden (Osmin - Die Entführung aus dem Serail)Mozart: O, wie will ich triumphieren (Osmin - Die Entführung aus dem Serail)Mozart: La vendetta (Bartolo - Le nozze di Figaro)Mozart: O Isis und Osiris (Sarastro - Die Zauberflöte)Mozart: In diesen heil'gen Hallen (Sarastro - Die Zauberflöte)Beethoven: Hat man nicht auch Gold beineben (Rocco - Fidelio)Rossini: La calunnia (Don Basilio - Il barbiere di Siviglia)Rossini: Eterno! immenso! / Celeste man placata! (Mosè - Mosè in Egitto)Donizetti: Vieni! la mia vendetta / Qualunque sia l'evento (Don Alfonso - Lucrezia Borga) / Baryton - piano / Edition Breitkopf
It is my aim to give students a modern, systematically structured, well-informe...(+)
It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. (Peter Anton Ling) OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work,the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of view and featuring a CD with a ?phonetic assistant? - aria texts in the original language spoken by native speakers as an audio file (mp3) with aria texts in German and English translations as a text file (pdf) / Baryton - piano / Edition Breitkopf
Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canon...(+)
Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canonische Veränderungen über 'Vom Himmel hoch' - ed. by Werner Breig Bach Organ Works Printed During the Composer's Lifetime Volume 6 contains the chorale-related organ works that Bach personally had printed: the Dritte Theil der Clavier Übung was published (for organists) in 1739; the Sechs Choräle von verschiedener Art (Schübler-Choräle) and the Canonische Veränderungen were released in separate editions most likely in 1747/48. None of these collections had from the start the appearance which the composer considered as valid in the end. For this reason, Werner Breig focuses in particular on questions of origin in his introduction. Fundamental findings on the genesis of the Clavier Übung III were made only after the publication of the work in the Neue Bach-Ausgabe. The basically unproblematic state of the sources means that this volume contains no CD-ROM with supplementary materials. It was, however, considered editorially necessary to print the Canonische Veränderungen BWV 769 in three versions: as a facsimile of the original print, in a practical arrangement, and in the autograph version (BWV 769a). Table des matières 1 Praeludium pro Organo pleno BWV 552/1 2 Kyrie, Gott Vater in Ewigkeit BWV 669 3 Christe, aller Welt Trost BWV 670 4 Kyrie, Gott heiliger Geist BWV 671 5 Kyrie, Gott Vater in Ewigkeit BWV 672 6 Christe, aller Welt Trost BWV 673 7 Kyrie, Gott heiliger Geist BWV 674 8 Allein Gott in der Höh sei Ehr BWV 675 9 Allein Gott in der Höh sei Ehr BWV 676 10 Fughetta super Allein Gott in der Höh sei Ehr BWV 677 11 Dies sind die heilgen zehen Gebot BWV 678 12 Fughetta super Dies sind die heiligen zehen Gebot BWV 679 13 Wir gläuben all an einen Gott BWV 680 14 Fughetta super Wir gläuben all an einen Gott BWV 681 15 Vater unser im Himmelreich BWV 682 16 Vater unser im Himmelreich BWV 683 17 Christ unser Herr zum Jordan kam BWV 684 18 Christ unser Herr zum Jordan kam BWV 685 19 Aus tiefer Not schrei ich zu dir BWV 686 20 Aus tiefer Not schrei ich zu dir BWV 687 21 Jesus Christus, unser Heiland BWV 688 22 Fuga super Jesus Christus, unser Heiland BWV 689 23 Duetto I BWV 802 24 Duetto II BWV 803 25 Duetto III BWV 804 26 Duetto IV BWV 805 27 Fuga pro Organo pleno BWV 552/2 28 Wachet auf, ruft uns die Stimme BWV 645 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 1) 29 Wo soll ich fliehen hin oder Auf meinen lieben Gott BWV 646 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 2) 30 Wer nur den lieben Gott lässt walten BWV 647 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 3) 31 Meine Seele erhebt den Herren BWV 648 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 4) 32 Ach bleib bei uns, Herr Jesu Christ BWV 649 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 5) 33 Kommst du nun, Jesu, vom Himmel herunter BWV 650 (Choräle von verschiedener Art / 'Schübler-Choräle', Nr. 6) 34 Einige canonische Veränderungen über 'Vom Himmel hoch, da komm ich her' BWV 769 (Faksimile des Originaldrucks / Fassung des Originaldrucks in spielpraktischer Einrichtung / Fassung des Autographs BWV 769a)
Par MOUSSORGSKY MODEST / RAVEL MAURICE (Arr.) . Ravel’s brilliant compositiona...(+)
Par MOUSSORGSKY MODEST / RAVEL MAURICE (Arr.) . Ravel’s brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky’s masterpiece. When the French composer turned his attention to his Russian colleague’s piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated with remarkable accuracy in an autograph score, Ravel’s orchestration was an audience favorite from the very start. Jean-François Monnard, who previously edited the Breitkopf Urtext editions of Boléro , La Valse and Rapsodie espagnole , presents a text in which even the tiniest detail is authentic. The edition not only eliminates many previously undiscovered errors, but also offers a wealth of practical information on the long and multi-faceted performance history of the work, including the metronome markings of great conductors who were connected to the work in a very special manner. Bibliography : Mayer , Stephan: Sonne für die Seele. Ein lehrreicher Nachmittag am Genfer See, in: Musikforum, 2015, Heft 4, pp. 32-35. / Date parution : 2023-11-03/ Répertoire / Orchestre Symphonique
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...(+)
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
Par SIBELIUS JEAN. After preparing his Scenes historiques op. 66 for print in sp...(+)
Par SIBELIUS JEAN. After preparing his Scenes historiques op. 66 for print in spring 1912, Sibelius had many grand plans but had to turn towards more profitable piano works first, due to his financial situation. Within only one month, he wrote the Three Sonatinas op. 67 in June 1912, which were published by Breitkopf already in November the same year. Although by his own accounts he did not like writing for piano and only doing it for income, he told in 1948 Erik Tawaststjerna that he regarded the Sonatinas among his best chamber music and considered them equal to his string quartet ?Voces intimae?. / Date parution : 2022-11-04/ Recueil / Piano