The term 'toccata' first came into use in the 15th and
16th centuries, when it was used to describe a musical
form typically associated with keyboard instruments
(like the harpsichord and organ) and plucked string
instruments (like the lute). The music featured
virtuosic passages of rapid melodic runs designed to
emphasize the dexterity of the performer's fingers (the
title is derived from the Italian 'toccare' meaning
'touch'). Exponents of the form included Dieterich
Buxtehude, Alessandro Scar...(+)
The term 'toccata' first came into use in the 15th and
16th centuries, when it was used to describe a musical
form typically associated with keyboard instruments
(like the harpsichord and organ) and plucked string
instruments (like the lute). The music featured
virtuosic passages of rapid melodic runs designed to
emphasize the dexterity of the performer's fingers (the
title is derived from the Italian 'toccare' meaning
'touch'). Exponents of the form included Dieterich
Buxtehude, Alessandro Scarlatti, Johann Pachelbel, and
Johann Sebastian Bach. This particular toccata by the
English composer Purcell features interesting tempo
variations and dynamic contrast in volume. There is a
pleasing arpeggio section from bars 4-7. There are also
contrasting sections of staccato and legato. The tempo
is marked as Con spirito and the duration lasts around
2 minutes.
Lewis, Alastair (1974 - )
SHEET MUSIC