Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).

If you performed Go For Baroque you won't want to miss It's A Classic! Audrey Snyder once again adds her clever lyrics to several well-known themes from the Classical Period. Featured composers include Mozart and Haydn with themes including Eine Kleine Nachtmusik Rondo Alla Turca Symphony No.40 In G Minor and Trumpet Concerto In E-flat

Lift Thine Eyes is a trio for unaccompanied SSA from Elijah. A piano part is provided for practice purpose only.

Voice and piano (classical)-A program of entertaining and highly varied pieces for High Voice and Piano written to correspond with the Trinity College London examinations. The songs are carefully graded and intended to fully explore the range of techniques and abilities required.

O'Regan's setting of a text by Mark Pryce is a beautiful and peaceful Christmas carol written for full mixed chorus with Harp accompanying.

An English version by the Rev. J. Troutbeck from the German of Ch. P. Gellert. Arranged for SATB A Cappella by E. Sachs.

A new edition (2004) prepared by Bruce Wood. A setting of texts from Joel Chapter II suitable for use as a harvest anthem.

O Haupt voll Blut und Wunden Jesu Meine Freude and Sollt'ich Meinem Gott Nicht Singen - A selection of Bach's most interesting harmonisations with equal opportunities for each of the four players. Fairly easy to play ideal for group teaching.

The German baroque chorale Est Ist Ein' Ros' Entsprungen in a tasteful adaptation by John Leavitt for TTBB. Includes English and German texts.

Selected by Lesley Garrett from her most popular recordings this collection of her favourite songs reflects the broad range of music she performs.An excellent songbook for any aspiring vocalist which includes popular andclassical repertoire.

For High Voice & Piano-An extraordinary collection of songs by the undisputed master of the English Baroque Henry Purcell. All forty of the songs within this volume are for High Voice and Piano and demonstrate his unique ability to marry dramatictexts and verses with delightful examples of English counterpoint. This volume has been edited and with realisations of the figured bass by Sergius Kagen.

Voice and piano (classical)-A program of entertaining and highly varied pieces for Voice and Piano written to correspond with the Trinity College London examinations. The songs are carefully graded and intended to fully explore the reange of techniques and abilities required for singing at the level of grades 2 to 4.

Performed by George Shirley tenor Accompaniment: Wayne Sanders piano Tenors who have begun to explore a slightly more diverse palette of music will find tremendous use in this master class a broad collection of contest solos as performed by George Shirley and then by you the soloist. Includes a high-quality printed vocal score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by stereo accompaniments to each piece minus the soloist. Includes: Mendelssohn Felix - Elias (Elijah) op. 70: 'Be thou faithful' · Rachmaninov Sergei - In the Silence of Night · Massenet Jules (m); Silvestre Armand (l) - Crépuscule(after Armand Silvestre) · Dello Joio Norman (m) - There Is a Lady Sweet and Kind (after an Elizabethan poem) · Swanson Howard (m); Hughes Langston (l) - Night Song (after Langston Hughes) · Leoncavallo Ruggero - Mattinata.

An extremely expressive and beautiful piece Ave Maria has been a standard at weddings for generations. This timeless masterpiece by Schubert is presented in high voice; lyrics are in Latin English and German.

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah arranged as a solo song for Soprano voice.