Leonard Cohen's masterful enduring and poignant song Hallelujah has also been recorded by John Cale Jeff Buckley Bono Rufus Wainwright Kathryn Williams K.D. Lang Willie Nelson Aled Jones Michael McDonald Katherine Jenkins Alexandra Burke (Winner of 2008's 'X-Factor') and a multitude of other artists. This classic anthem is arranged here for unaccompanied SATB choir. A Piano accompaniment is provided for rehearsal purposes.

Par . Full piano arrangements, guitar chord symbols. Russian texts in Cyrillic and Latin-alphabet transliteration with English singing translations. / Date parution : 2022-09-13/ Recueil / Piano/Vocal/Guitare (PVG)

8 Four-Part Settings for Choir a cappella [mix ch]. Par STOLARZ OHAD. The Sephardic culture originates from the Jewish population of Spain that was banished at the end of the 15th century and afterwards spread to the whole of the Mediterranean area, the Balkan and North Africa. Its unique Spanish dialect Ladino was preserved, finding musical expression in ballads, lyrical and paraliturgical songs for the most part. The choir conductor and composer Ohad Stolarz took eight of these Sephardic Folk Songs and arranged them as a cappella settings for four-part mixed choir. These arrangements may be performed both as a cycle and individually, being also suitable for non-professional choirs due to their lack of difficulty. The musically and harmonically colorful, partly also exotic pieces therefore present an enrichment for the program of every interculturally interested choir. The informative preface and the translations of the lyrics into German and English enable the content-related engagement with Sephardic culture, too. Further choral literature on this topic can be found in the volumes Sepharad and Aschkenaz by Alon Wallach. / Date parution : 2022-02-24/ Recueil / SATB a Cappella

This entertaining and straightforward arrangement for choirs was written by master arranger Philip Lawson and will be popular with choirs and audiences alike.

Andrea Ramsey Choral Series. This classic Yeats' poem is set to music that is rooted in a simple melody and meter and, when performed with a traditional ?folk song? simplicity will resonant with singers and listeners. All voice parts and the piano are given moments of individual importance. This beautiful poem asks your singers to reflect on how they would like to live today and be remembered. Powerful.

Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melody use of repetition and the use of both English and Swahili. A perfect beginning a cappella work for young singers and developing choirs. Percussion parts are available for download on the Closer Look page. Lively percussion captures the attention followed by a stacking of voices singing this popular South African folk song. Attention is given to vocal writing that creates rhythm patterns around the melody use of repetition and the use of both English and Swahili. A perfect beginning a cappella work for young singers and developing choirs. Percussion parts are available for download on the Closer Look page.

The Boy's Changing Voice features 20 selections of art songs and folksong arrangements with a limited vocal range of one octave chosen especially for the adolescent boy's voice during its change from a higher treble register. The complete range of the book falls between the F below middle C to the G above middle C. In addition to Piano accompaniments playable on both your CD player and computer the included enhanced CD also includes tempo adjustment and transposition software for CD-ROM computer use.

5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Voix Elevée(s) Et Piano

Ce florilège rompt quelque peu avec la tradition des deux précédents qui regroupaient des choeurs éprouvés, chantés dans les chorales, passés en quelque sorte dans les mémoires - des valeurs sûres du chant choral. Dans ce Florilège 3 on trouvera bien sûr des chants qui se sont imposés ces années dernières mais également des choeurs moins connus qui, très rapidement, deviendront des 'classiques'.L'ensemble constitue une petite anthologie avec un classement du Moyen Age à nos jours. / Choeur Mixte / 80 pages / Partition