Par NORIS GUNTER. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par NORIS GUNTER. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par PARSON TED. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par HORNER JAMES. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent

Par BEETHOVEN LUDWIG VAN. Adam Cicchillitti / Niveau : Avancé / Répertoire / Guitare et Chant

Par BRAID DAVID. / Niveau : Avancé / Répertoire / Mezzo-Soprano, Clarinette, Guitare et Piano

Par BRAID DAVID. / Niveau : Avancé / Répertoire / Mezzo-Soprano, Clarinette et Guitare

Par BRAID DAVID. / Niveau : Avancé / Répertoire / Voix, Clarinette, Guitare et Piano

Per Una Voce, Viola, Gran Cassa E Pianoforte. Par MALIPIERO GIAN FRANCESCO. Italian / Niveau : Avancé / Musique contemporaine / Date parution : 1905-04-20/ Répertoire / Voix et Ensemble

Arrangement : Jean-Marc Legrand. Par PERGOLESI GIOVANNI BAPTISTA. Le célèbre Salve Regina adapté pour voix et clavier par Joseph COPPEY. / Niveau : Avancé / baroque / Répertoire / Voix Aigüe et clavier

Par SPEARS GREGORY. The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo. The first text, poem 80 from the collection “Cables to the Ace,” was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ’s disciples slept on the eve of his crucifixion. Merton compares their slumber to society’s indifference to the destruction of our natural world by potentially dangerous new technologies and war. The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendency for technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain. The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman’s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued by the role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable in his film The Garden, which was shot on location in Dungeness. – Gregory Spears / Niveau : Avancé / Répertoire / Chœur Mixte SATB et Quatuor à Cordes

Par KREISLER GEORG. Small-scale art music by Georg Kreisler (lyrics and music): Kreisler, who died in 2011, wrote the 'Untergangssextet' [Sextet of Doom] shortly before his death. He finished it save for the last bars; his fellow countryman Gerhard Wimberger added the ending (23 bars) in this version. Inspired by the pianist Sherri Jones, Kreisler, as in 'Fünf Lieder für Barbara', seized on ideas of his early piano compositions from the 1940s and 1950s. Extract from the lyrics: When the moon sets, everything is over. Then come the shadows, the weakened squadrons, the anointed sanctimonious old windbags with wind music, wind music, wind music and shouting […] The Jews take flight, the Christians take the Pope, Arabians take Mohammed. We buy and win and we take…until the end. Damn it! This is hard. / Niveau : Avancé / Répertoire / Soprano et Baryton, Hautbois, Violon, Violoncelle

Par BEN FOLDS FIVE. / Niveau : Très Avancé / Recueil / Piano, Chant et Guitare