A setting of Christina Rossetti's poem for Soli SATB Quartet and SATB (divisi) chorus. Although this work would tax the most accomplished chamber choirs the composer remains true to rhythmic style and harmonic colour of previous works.

Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the “Messa da Requiem”, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems. • Verdi’s monumental work in a Bärenreiter Urtext edition • Trilingual preface (Ital/Eng/Ger) • Detailed Critical Commentary (Eng) • Idiomatic well-presented piano reduction Edition no.: BA 7590-90 ISMN: 9790006541591 Editor: Uvietta, Marco Arranger: Campora, Andrea Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: X, 154 S. - 27,0 x 19,0 cm

Jacques Offenbach (1819?80) ranks among the greatest composers of lighthearted operettas, and his famous songs continue to charm millions who know neither their names nor their composer. This volume features the sheet music for 38 popular songs from 14 operettas. All are reproduced from the original sheet music ? a few from the original piano-vocal scores, and some with lively pictorial covers. Contents include four songs from Orpheé aux enfers (Orpheus in the Underworld), five songs from La belle Hélène, four songs from La vie parisienne, six songs from La Grande Duchesse de Gérolstein, seven songs from La Périchole, three songs from La fille du tambour-major, and more. The complete French texts appear on the music pages, and a separate section offers English translations. All songs were chosen by Antonio de Almeida, a renowned conductor and authority on Offenbach, who also provides an informative Introduction.