Wilhelm-Hansen

Tre Folkesange by the Danish composer Peter Bruun version for Voice and Ensemble. This piece incorporates text by Ursula Andkjær Olsen. Version for Voice and Piano: WH31513

Anders Nordentoft's Behind for Piano solo.Behind is in 3 movements and has a duration of approximately 17 minutes. The piece was written for the Danish pianist Anne Mette Stæhr in 1995.

Grand Popo Version-Aubade Beninoise Op. 86c (Grand Popo Version) by Jouni Kaipainen - Ouverture for small Orchestra (2008-09). Version for large Orchestra: WH31042

Three Scenes for Percussion and Six Instruments (2009) by Per NørgÃ¥rd. Preface / Programme Note Slagtøjssolisten er den gennemgÃ¥ende skikkelse og hovedperson i musikkens ”tre scener”. Begrebet ”scene” kan forstÃ¥s flertydigt bÃ¥de som det fysiske sted platformen hvor man optræder og spiller musik og drama – og som betegnelsen for defortællende forløb og afsnit i en dramatisk forestilling. Mine musikalske ”scener” udfolder sig i tre forskellige sceniskefremtrædelsesformer og ensembler. Den førstescene er præget af diskrete ogmelodiske slagtøjsinstrumenter vibrafon og marimba med modspil fra de trestrygere. I den anden scene er spotlightet pÃ¥ slagtøjssolisten alene vi møder hovedpersonen/solisten i en monolog fremført hovedsageligt pÃ¥ ”syngende sav” der skal trakteresmed den yderste mikrotonale præcision. Vi hører ogsÃ¥ solisten spille pÃ¥ Kalimba ligeledes et folkeligt instrument men nu med afrikansk baggrund – i modsætningtil den hjemlige gÃ¥rdsangers ”musikalske sav” – et ofte hørt lydbillede frakomponistens barndom pÃ¥ Nørrebro. I den tredje scene er det en blæsertrio der indledningsvis spiller op til slagtøjetsforskellige kraftfulde trommer. Efter en tromme-kadence sætter alle syv musikereind sammen for første og eneste gang. Værket afsluttes med en kort slagtøjssolo. I en ”programmatisk tolkning” kan de tre scener ses som repræsenterende tretilbagevendende stadier:det indadvendt/drømmendedet udadvendt/agerendedet daglige drama mellem os alle. Per NørgÃ¥rd februar 2010

Walden for wind quintet was written in 1978 and commissioned by the Funen Wind Quintet. The title is taken from the American philosopher and poet Henry David Thoreau?s novel from 1854 about living in the woods which Thoreau did for two years.His stay there was an experiment an attempt to strip away all the artificial needs imposed by society and rediscover man?s lost unity with nature. In that particular sense his novel is a documentation of social inadequacy and a work of poetry (Utopia) as well.All thought Thoreau himself never completed any actual social analysis he was way ahead of his own time in his perception of the economy and cyclic character of Nature todayknown as ecology. His ideas are particularly relevant now that pollution caused by society has reached alarming proportions.Walden was written in a style of re-cycling and ?new simplicity?. A lot of superfluous material has been peeled away in order to give space to different qualities such as identity and clarity. Various layers are encountered in the quintet such as the organic (growth flowering Decay) concretism (mechanical patterns) and finally the descriptive (distant horn calls and other ghost-like music of the past enter our consciousness like a dream). Walden consist of four movements.In 1995 another version for reed quintet was written to the Calefax Reed Quintet.?

Jermiins Viser 1 83 songs by Mogens Jermiin Nissen. Arranged for Voice and Piano/Chords.

Set of parts for Pelle Gudmundsen-Holmgreen's Turn II (2012) for SATB Soli Bass Flute Guitar Harp and Percussion.

12 Lyriske Sange for blandet kor (SATB) a cappella af Klaus Brinch. Tekster af bl.a Lars Busk Sørensen Ludvig Holstein Frank Jæger Alex Garff og Benny Andersen. Satserne i nærværende hefte findes også udgivet i en udgave for lige stemmer (SSA) a cappella (WH31241).

O Magnum Mysterium for equal voices SSAA was composed by Bent Sørensen in 2009.