Wilhelm-Hansen - Orchestra

Par GLERUP RUNE. My violin concerto would never have been written if I had not met Isabelle Faust. At a time when I had not written a single note for several months, doubting if I would ever write anything again, her interest and energy was the cause of new inspiration. Just as important was her special way of playing - with intellect, heart and a rare, delicate sensibility. Her personality and musicianship struck a chord in me, in my music, which gave my thoughts a new direction. The violin concerto marks a change in my music towards a simpler and lighter expression. An expression that also contains detached glimpses from my childhood's endless summers by the North Sea. Birds, high and slow on a blue sky, and the evening quietly descending. The special light, the distant sounds. But also the confusion, repetitions and dead ends of the world. An expression that, more than in my previous music, is 'About Light and Lightness.' - Rune Glerup, 2021 / Date parution : 2023-10-31/ Répertoire / Orchestre

Par ABRAHAMSEN HANS. Vers le silence was written during the COVID-19 lockdown and is a new milestone among Hans Abrahamsen’s orchestral works. For the first time since Nacht und Trompeten from 1981, Abrahamsen has composed a brand new purely orchestral work, not a concerto for one or more soloists, nor an orchestral work based on previous works. / Date parution : 2023-07-31/ Répertoire / Orchestre

Par OLESEN THOMAS AGERFELDT. / Date parution : 2023-07-31/ Répertoire / Orchestre

Par EICHBERG NILS SOREN. „Oryx and Crake“ tells the story of the only human survivor on Earth. In flash-backs, revealing only bit by bit, we must ourselves put together the pieces of the drama that lead to the apocalypse. The opera unfolds within 24 hours, beginning at dawn and finishing the next morning. Atwood’s love-triangle offers plenty of classic music drama, her dystopia is painted in complex, industrial soundscapes and the post-armageddon solitude in contemporary-contemplative open spaces. Electronics extend and augment the orchestral colours and help achieving the unreal „haunted“ atmosphere and the different reality levels of the protagonist’s memory. / Date parution : 2023-10-31/ Répertoire / Orchestre

Par OUTI TARKIAINEN. A Room of One's Own is based on Virginia Woolf's classic essay of the same name of 1928. The libretto is by the German opera director, dramaturg and librettist Francis Hüsers and the opera seeks to answer the question of why, from one century to another, women merely flit as shadows across the stage in the arts and history. The opera is set in 1920s England and has three main characters. Each called Mary, they are all intelligent, educated women whose seemingly light conversation leads them into ever deeper waters and who ultimately spread before the viewer's eyes the whole gamut of human life, in all its grittiness, passions and realities. / Date parution : 2023-03-11/ Répertoire / Orchestre

The Parting with the Wild Geese- Version 6. Par BYSTROM BRITTA. / Date parution : 2023-03-11/ Répertoire / Orchestre

Par NORDENTOFT ANDERS. Uramea (2020) composed by Anders Nordentoft for orchestra / Date parution : 2021-11-03/ Répertoire / Orchestre

1(pic).1.1.1/1.1.1.0/perc/hp.pf/str 1.1.1.1.1. Par NORDENTOFT ANDERS. Balcony (2020), composed by Anders Nordentoft for sinfonietta. For Athelas Sinfonietta as part of my work as composer in residence. Balcony has 4 movements. / Date parution : 2021-11-03/ Répertoire / Orchestre

Part II of Carion Triptych-The second work from the Clarion Triptych for wind quintet and orchestra. The work was premiered by the Carion Wind Quintet and the Latvian National Symphony Orchestra at the Latvian National Symphony Orchestra Summer Festival in August 2019. The second work from the Clarion Triptych for wind quintet and orchestra. The work was premiered by the Carion Wind Quintet and the Latvian National Symphony Orchestra at the Latvian National Symphony Orchestra Summer Festival in August 2019.

Zweites Konzert Fur Klavier was composed by Swedish conductor and composer Wilhelm Stenhammar.

In The Shadow Of The Bat - Concerto for Three Trombones and Orchestra by Niels Marthinsen (2009). Programme note: In the Shadow of the Bat is a triple concerto for three trombones and orchestra inspired by Batman and his enemies The Joker Two-Face and The Penguin. A central idea of modern versions of the Batman myth is that the batman is created by the fantastic villains that he fights and they are created by him - and that Batman is driven by revenge and hate barely held in check by an intense sense of justice. Batman represents 'the dark side' while the villains are hyper-imaginative colourful creative caracters who happen to be completely insane. The rivalry between soloists and orchestra is anything but friendly: The three soloists represent one villain each the orchestra 'is' the batman - and while the villains take centre stage during most of the concerto they are eventually overwhelmed by the sheer power of the orchestra and sent where they belong: The lunatic's asylum. The concerto begins with the creation of the batman: An eight year old boy persuades his parents to leave an opera performance before it is over; outside in an alley they are shot and killed by a criminal while the boy watches. And he decides that all criminals must be punished! Then follows the Villaineuos Fugue: a multi-part fugue-like exposition of villain motives and stylistic environments. It is the exposition of the joker (alto trombone) two-face (tenor trombone) and the penguin (bass trombone). And after a brief and very slow interlude where the three criminals form an alliance and make their plans the Toccata of Crime begins: Bright fast moving highly energetic expansive and colourful music still dominated by the soloists. But later the orchestra moves to centre stage with slow omnious swooping bat-music that climaxes as the soloists are defeated by the orchestra. In the Shadow of the Bat is commissioned