Partitions de Wilhelm Hansen

Carl Nielsen's Fantasy Pieces Op.2 are 2 contrasting pieces for the advancing oboist. The piece begins with a lyrical Romanze and concludes with a rhythmic and punchy Humoresque.For Oboe with Piano accompaniment. The Oboe part is also included on a separate insert.

Faroese poems set to music by Peter Bruun Martin Ødegaard Hugi Gudmundsson Svend Hvidtfelt Nielsen Britta Byström Gavin Bryars and Alwynne Pritchard. Preface: The Faroese word 'Innlit' has many meanings such as insight enlightenment perspective and understanding. It symbolises what this project is about. Since it's creation in 1998 commissioning of new vocal music has been one of the main objectives for the vocal ensemble MPIRI. We wanted to actively contribute to the Faroese repertoire of vocal sheet music and until now MPIRI has commissioned more than 50 musical pieces. Before this project however only from Faroesecomposers. With 'Innlit' we wanted an external perspective and put together a collection of poems by Faroese writers all written in the new millennium. In 2011 together with Edition Wilhelm Hansen we invited selected composers from the Nordic region and Britain to compose music using these texts and the result is a CD together with this corresponding book of sheet music published by Edition Wilhelm Hansen. A more poetic translation of the word 'innlit' is 'the colour of what is inside'. We hope that this music can help reflect the colour of Faroese culture.

A Sign in Space (2021) composed by Britta Byström. The piece is one of a collection of 200 solo pieces commissioned to celebrate the bicentenary of the Royal Academy of Music in 2022.
/ Partitions classique / Piano - instruments à clavier / Piano / WILHELM HANSEN

SCHONBERG ARNOLD - FIVE PIANO PIECES / Choeur et ensemble vocal / Wilhelm Hansen

Référence unique par son ISBN 9788774552321 cette partition musique de Nielsen n'est autre que Nielsen Quintet Op.43 Fl/Oboe/Cla/Horn/Bassoon Score And Parts. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Wilhelm Hansen. La référence catalogue de cette oeuvre est WH48204. / Scores / niveau : Intermédiaire / Avancé / Partition

Jazzbecifring på klaver 2 af Tormod Vinsand. Denne bog er en opfølgning på 'Jazzbecifring på klaver' (Edition Wilhelm Hansen 2011) og det vil derfor være en stor fordel for dig at være bekendt med de teknikker og begreber som 'Jazzbecifring på klaver' gør rede for. Der findes mange måder at spille jazzklaver på. I Jazzbecifring på klaver redegør jeg for nogle retningslinjer i forbindelse med udarbejdelse af akkompagnement og melodispil men der er selvfølgelig mange andre spillemåder eller teknikker man kan benytte sig af. Jazzbecifring på klaver - 2 fokuserer på fire typiske spilleteknikker: Del 1 - Arpeggiospil Del 2 - 4-stablede akkorder i en klaversats Del 3 - Venstrehåndsakkorder Del 4 - Overliggende 3-klange i forbindelse med akkompagnement

Danmark Synger Julen Ind - 10 Nye Danske Julesange (2015). A collection of 10 new Danish Christmas songs published by Edition Wilhelm Hansen and the Danish National Radio P2.

The Bells of Vestervig was originally commissioned for Carillon and Organ. It was first performed by Peter Langberg and Ivar Mæland in connection with there-inauguration of the Organ in Vestervig Church in Denmark February 27th 2011.The version for Carillon solo is based upon the original piece and was performed bythe Carillonist Peter Langberg August 9th 2014 from the tower of Our Saviour's Church Copenhagen.Each movement may be used independently liturgically or in concert.The Bells of Vestervig is also published for Organ solo by Edition Wilhelm Hansen: WH31496.

'Collection of melodies to the Danish Hymn Book 2002' - In this collection of compositions the tradition from Jens Peter Larsen and Mogens Wøldike's Den Danske Koralbog (DDK) with its collections of compositions 1954/1996 is maintained as far as possible. To this is added new compositions in a unison edition that is published in Tillæg til Den Danske Koralbog (T/DDK) edited by Margrethe T. Østergaard (Edition Wilhelm Hansen 2004) so that the total repertoire is covering the use of Den Danske Salmebog 2002. The collection is with this in principle - regarding the new hymn book - a new adapted and expanded edition of the Melodisamling til Den DanskeSalmebog (3. udg. 1993) in which of course all changed text forms is introduced. From this collection only the compositions provided in Den Danske Salmebog 2002 (DDS) have been included.

Musaic (1969) by Per NørgÃ¥rd - for Brass Ensemble and Electronics. Instr: 5 Cornets 3 Trombones and Electronics Progamme Note Among my compositions for brass band three (“Backlight” “Massifs” - crystals - cascades” “Musaic”) all belong to a three-dimensional space. Thus “Massifs - crystals - cascades” was proclaimed from a mountainside towards the audience in the Norwegian town Tromsø and “Backlight” to the special room of the new concert hall at The Music Conservatory of Jutland Denmark.  “Musaic” was composed in 1969 for the inauguration of Edition Wilhelm Hansen’s new branch in Ã…rhus Jutland. Short movements for brass were intermittently heard on the street. In the concert hall all the movements were however heard - also the ones already played; by means of a continuous tape individual fragments of the ´street music´ were gradually collected into one concluding uninterrupted piece lasting all in all 10 minutes a mus(a)ic/muza(i)k…  A synthesis can be heard on a CD from 2007 (by the Brass Ensemble of The Royal Danish Conservatory Jutland) with the note that the work might be much longer when performed live.  Per NørgÃ¥rd (2007)   

Four Latin motets (1991) for mixed choir SSATB (SSA) by Per NørgÃ¥rd. Edited by Ivan Hansen. 1 Ne obsurdescas mihi (SSA/SAT) 2 Ad te Domine clamabo (SSATB) 3 Quam dilecta tabernacula tua (SSA/SAT) 4 Exultavit in Deum (SSATB) Programme note All four motets are based on the first motets´ simple pentatonic initial motif. Like the polarities of the hymn texts between lamentation and jubilation the motif appears in various disguises from a gloomy Japanese (death-) mode (first and second motet) to the lighter celebratory forms inthe familiar Chinese pentatonic scale and the Indonesian “pelog” scale (third and fourth motet). The mood-creating scales weave (like the text sections) in and out of each other ; just a few changes in notes change grief to joy from idyll to catastrophe. The latin version of the motets (originally with Danish text 1991) was made in 1998 by Per NørgÃ¥rd and Ivan Hansen. Ivan Hansen