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Solistes SAT, Choeur SATB, 2 Flûtes Traversières… (3)
Chur Mixte [SATB] et Orgue (3)
3 Parties Solo, Choeur Et Orchestre (3)
4 Parties Solo, Choeur Et Orchestre De Chambre (3)
TEN/SATB::Tenor/SSAATBB/Choral (3)
Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, In (2)
Choeur à L'Unisson et Piano ou Orgue (2)
Solistes et Choeur SATB/SATB et Basse Continue (2)
Female Choir (SSSS) and Piano (optional Jazz Ense… (2)
Soli (TTB), Men's Choir (TTB) and Piano (2)
Choeur (SA), 2 Violons et Basse Continue, (Choeur (2)
Soli, Gemischter Chor 1 & 2, Orchester 1 & 2 (2)
TEN/SATB::Tenor/SATB (2)
Voix Tenor (2)
Solistes SATB, Choeur SATB, 2 Flûtes à Bec F1, 2… (2)
Voix basse, Piano (2)
Choeur et Instruments Divers (2)
Choeur Mixte et Orgue, Concert Band/Harmonie Ad Li (2)
Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2 (2)
Choeur d'Enfants et Petit Orchestre/Chant et Piano (2)
Solistes SATB, Choeur SATB, 2 HautboiSBasson, 2 Tr (2)
Solistes SATB, Choeur SATB, 2 Violons et Basse Con (2)
Voix, Guitare (2)
Solistes SATB, Choeur SATB, 2 HautboiSBasson, Viol (2)
Solistes SATB, Choeur SATB, 2 Hautbois, Tromba Da (2)
STB/PFA::STB/Accompagnement Piano (2)
Piano Reduction - Soloists (SATTBB), Mixed Choir … (2)
SATB::SSAATTBB (2)
Double Choeur Mixte (2)
Partition de Choeur/Voix Elevées et Basses (2)
Solistes SSATB, Choeur SSATB, 3 Trompettes, Timbal (2)
Solistes SATB, Choeur SATB, (Cto), 2 Hautbois, Ins (2)
Choeur Mixte Et Orgue (2)
Soprano Solo/2 Soprani/Contralto Et Orgue (2)
12 Voix (2)
Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba (2)
Solistes SATB, Choeur SATB, (Cto et 3 Trombones), (2)
Voix et Orchestre de Chambre (2)
Choeur d'Enfants (SA) ou Choeur Mixte (SATB), Pian (2)
ST (A) BarB et Piano (2)
Solistes SATB, Choeur SATB, Trompette, Hautbois Da (2)
Voix Masculines, Piano (2)
voix soprano, voix alto (2)
Voices (STB), Mixed Chorus, Boys' Choir, Orchestr… (2)
Solistes TTBB, Choeur TTBB, Violoncelle, Contrebas (2)
Solistes SB, Choeur SATB, Piccolo, 2 Flûtes Trave… (2)
2 Choeurs et 2 Orgues (2)
Solistes SATB, Choeur SATB, (Cto et 3 Trombones) ( (2)
Soli/Choeurs d'Enfants et Orchestre/Chant et Piano (2)
Solistes SATB, Choeur SATB, Trompette (Da Tirarsi) (2)
Women's Choir (SSA) and Piano (2)
Solistes (SAAATTTTBBB), Choeur Mixte (SSATTB) et O (2)
Solistes SATB, Choeur SATB, 3 Trompettes, 2 Hautbo (2)
Solistes SATB, Choeur SATB, (Cto et Trombone), Fl… (2)
Solistes SATB, Choeur SATB, 2 Hautbois, Taille (Co (2)
SATB/Accompagnement Piano/Accompagnement Orgue (2)
Soli/Choeur Mixte Sans Accompagnement (2)
Klavierauszug - Soli (SAB), gemischter Chor und K… (2)
2 Sopranos, Choeur Mixte et Orchestre (2)
Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 … (2)
Soli, Mixed Choir and Orchestra (2)
Solostimmen (SSB) auch Chor (SSB) und Instrumente… (2)
Soprano, Alto, Ténor, Baryton et Basse (2)
3 Solistes, Choeur Et Orchestre (2)
Soli (SMsATB), Chor (SATB) und Orchester (2)
Choeur STB, Alto Solo et Orgue (2)
Chorale SSA (2)
Solistes SATB, Choeur SATB, Cor, Hautbois d'Amour, (2)
SATB et SATBaB (2)
Voix, Orgue (2)
PFA/STB::Accompagnement Piano/STB (2)
Mixed Choir (SATB) and Symphonic Banc (2)
Solistes STBar, Choeur SATB, 2 Flûtes Traversièr… (2)
Solistes SATB, Choeur SATB, 2 Cors, Timbales, 3 Ha (2)
Children's Choir (Women's Choir) (SS) and Harp (P… (2)
Solistes SATB, Choeur SATB, Basson, Instruments à… (2)
Choeur d'Enfants à 2 Voix et Piano (2)
Mixed Choir, Strings and Basso continuo (2)
Voix Soprano (2)
Solistes SATB, Choeur SATB, 2 Hautbois, Cor, Instr (2)
Mixed Choir (SATB), Women's Choir (SSA), 2 Violins… (2)
Solistes TTB, Choeur TTB et Orgue (2)
Voix Mixtes et Orchestre (2)
Solistes SATTBB, Choeur SATB/SATB, Choeur d'Enfant (2)
Accompagnement Piano (2)
Mixed Choir (SATP) and Harp (Piano) (2)
Solistes SATB, Choeur SATB, 2 Violons, Alto, Basse (2)
Soloists, Mixed Choir and Orchestra (2)
Solistes SATB, Choeur SATB, 2 Hautbois, Hautbois D (2)
Solistes SATB, Choeur SATB, (4 Trombones), 2 Hautb (2)
Solo S (Choeur S) et Orgue (2)
voix soprano solo, ch?ur mixte (2)
Chorale SATTB (2)
Mixed Choir (SATB) and String Orchestra (2)
SATB et 4 Saxophones (2)
Paroles Seulement (2)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Hautbois (2)
Choeur d'Enfants (SSA) et Piano (2)
Choeur d'Enfants (SS) et Piano (2)
Trio A Vent-Bois (2)
Klavierauszug - Sopran solo, Gemischter Chor und … (2)
Mixed Choir and Organ (2)
Chur Mixte SATB et Quatuor à Cordes (2)
Ssa Et Piano (2)
UNIS/PFA::Children's Voices with Piano Accompanime… (2)
Voix duo, Piano (2)
Solistes SATB, Choeur SATB, 2 Hautbois, 3 Trompett (2)
Choeur a Cappella (SATB, TTBB, SSAA ou Mixte) (2)
Solistes SATB, Choeur SATB, (Cor et Trombone), 2 H (2)
SAB (2)
Mixed Choir (SATB) and Piano (Harp) (2)
Women's Choir (SA) (2)
Choeur et Ensemble (2)
Chorale SSAATB A Cappella (2)
Soli/Choeur Mixte Et Orchestre (2)
Men's Choir (TBarB) and Piano (2)
Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, Vi (2)
Solistes (SATB), Choeur Mixte (SATB) et Orchestre (2)
Tenor Solo and Mixed Choir (SATB) (2)
Chorale SAB (2)
Ensemble De Cuivres Et Timbales (2)
Voix Soprano, Orgue (2)
Voix Mixtes et Orgue (2)
Choir, 2 Trumpets, Horn, Trombone and Organ (2)
Chorale SSATTBB (1)
Baryton Solo, TTBB et Piano (1)
MENSVOICES/PFA::Men's Voices/Piano Accompaniment (1)
Mixed Choir (SATB), Clarinet, Percussion, Harp and… (1)
ST (A) BarB et Orchestre (1)
ATTB/ORGA::Accompagnement Orgue (1)
Voix Hautes (1)
Solistes SSSATB, Choeur SSATB, 2 Violons, 2 AltoS (1)
Solistes (STB), Choeur Mixte (SSATB) et Orchestre (1)
Choeurs Mixtes Sans Accompagnement (1)
Chur à 4 parties de Voix Egales [SSAA] et Orgue (1)
Choeur d'Enfants ou de Femmes (SSSS) (1)
Solistes SATB, Choeur SATB, Flûte Traversière (F… (1)
Choeur sans Accompagnement (1)
Solo S, Choeur SATB, 2 Hautbois, 2 Violons, Alto e (1)
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre (1)
SSSAA::3 Soprano, 2 Altos (1)
Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, (1)
ENS::Ensemble d'cole (1)
ORCH/SOP/SATB::Orchestre/Soprano/SATB (1)
Guitare (1)
Solistes SATB, Choeur SATB, 2 Cors (2 Trompettes), (1)
5 Voix (1)
Choeur Enfants/Mixte/Quatuor à Cordes/Partie de C… (1)
voix soprano, voix alto, voix basse (1)
Piano, Flûte à Bec Soprano Choeur, Narrateur et … (1)
SATB/PF DUET::SATB, Piano Duet (1)
Chur SATB et TTBB (1)
SCORE/ORCH::Partitions/Orchestre (1)
Solistes (SATB), Choeur Mixte (SATB), Hautbois, In (1)
TREBLE::Treble (1)
2 Parties Voix Aigües (SS) et Harpe ou Piano, Qua… (1)
Chorale SATB, Clavier (1)
Mixed Choir (SATB) and Bagpipes (1)
Solistes SSATBB, Choeur SATB/SATB, 2 Hautbois, 2 O (1)
Ténor et Choeur (1)
TREBLES/ORGA::Accompagnement Orgue (1)
SAB et Choeur (1)
Choeur de Femmes et Orchestre/Choeur Accolade (1)
3 Voix d'Hommes Sans Accompagnement (1)
Treble Voices and Piano (or Organ) (1)
Choeur de Femmes (SA) (1)
Choeur et Ensemble Mixte (1)
CTEN/TTBB/SATB/PFA::Countertenor, TTBB, SATB, Pian… (1)
Mixed Choir (SATB) and Piano, with optional timpan… (1)
Solistes et Choeur SSA (1)
Unison Choir and Piano (1)
Mezzo-Soprano, Mixed Choir (SATB) and Ensemble (1)
Sopran solo, Alt solo, Tenor solo, Bass solo, Gem… (1)
SSATB et Orgue (1)
SOP/TEN/BAR/SATB/STR INST::Soprano/Tenor/Baryton/S… (1)
Klavierauszug - Chor (SATB), Solo (A) und Klavier (1)
2 Barytons, SATB, Orgue Acc (Duet) (1)
Choeur d'Hommes (TTB/TTBB) a Cappella (1)
2 Voix Egales (Ou Soprano Et Baryton) Et Piano (1)
2 Parties Voix Aigües (SS) (1)
Soli (STTBB), Chor (SATB) und Klavier (1)
SOP/SATB/SPKR/PERC::Soprano/SATB/Percussion (1)
SSAATTBB::SSAATTBB (1)
Choeur Mixte Et Orchestre A Cordes Et Cuivres (1)
STTTB (1)
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (1)
Solistes SA, Choeur SATB, 2 HautboiSBasson, 2 Viol (1)
Solistes SATB, Choeur SATB, Flûte Traversière, 2… (1)
:: (1)
Voix Tenor, Piano (1)
Women's Choir (SA) and Piano (1)
Ténor, Choeur (SATB) et Orchestre Choeur sans Acc… (1)
VLN/VLC::Violon/Violoncelle (1)
Voix/Accompagnement Piano (1)
Choeurs A 4 Voix D'Enfants Et plus (1)
Choeur et Piano (1)
Pop Choeur (1)
4 à 6 Voix (1)
SOP/TEN/BAR/PFA::Soprano, Tenor, Baryton, Accompag… (1)
Soloists (ST), Mixed Choir (SATB) and Organ (1)
Solistes (STB) et Orchestre (1)
Solistes SATB, Choeur SATB, Hautbois, Instruments (1)
SOP/SATB/WIND INST::Soprano, SATB, Wind Instrument… (1)
Chorale SSATTB (1)
Choeur Mixte et Contrebasse (1)
2 Parties Voix Aigües (SA) et Piano ou Harpe) (1)
SATB, Voix Hautes et Orgue (1)
Voix d'Enfants, Percussion (1)
VLN/SATB::Violon, SATB (1)
Soli (SSA), gemischter Chor (SATB) und Orchester (1)
Voix haute (1)
Chor (SATB/SATB), [Basso continuo] (1)
SCORE/STR QUINTET/HANDBELLS/PERC/MENSVOICES::Parti… (1)
SSA et Orgue Claviers ou Guitare (1)
Soprano Solo et Chur SSAATTBB (1)
SABou SATB avec Orgue ou Claviers électroniques (1)
Voix d'Enfants, Choeur à Voix Egales et Piano (1)
Chorale SATTBB, Clavier (1)
ENS::Ensemble (1)
Double Choeur Mixte, Soprano et Orchestre (1)
Chorale SATTB, Clavier (1)
Solistes BarBMsMsATTBB, Choeur SSTB, 2 Flûtes Tra… (1)
SAB/ML::SAB, Melody Line & Chords (1)
Choeurs (1)
Mixed Choir (SATB), Soloists (SAAB) and Orchestra (1)
Orgue, Voix (1)
Choeur Mixte, Cordes et Orgue (1)
SMezBar, Choir et Orchestre (1)
ORGA/CONT::Accompagnement Orgue/Continuo (1)
TEN/SATB/ORCH::Tenor, SATB, Orchestra (1)
Women's Choir (SS) and Organ (1)
2 voix soprano, 2 voix tenor, clavier (1)
Conducteur de poche, d'étude (1)
Choeur SATB, 2 Clarinettes, 2 Trompettes, Timbales (1)
SATB, Choeur Mixte à 4 Voix et Orchestre (1)
Mezzo-Soprano solo and Mixed Choir (SATB) (1)
Solistes, 1-2stg Choeur d'Enfants, Flûte Traversi… (1)
6 Voix soli ou Ch?ur à 6 Voix mixtes a cappella (1)
4 Sopranos, 2 Choeurs à 4 Voix Mixtes (1)
Solistes SATB, Choeur SATB, Flûte Traversière, I… (1)
Soli, gemischter Chor, 2 Klaviere und Harmonium (1)
SAT (1)
Women's Choir and Percussion (1)
Choeurs TTBB, Percussions Ad Libitum et Orgue (1)
Solistes SATB, Choeur SATB, Trompette, Hautbois, I (1)
Mixed Choir (SATB) and Piano, with optional bells (1)
Solo (S oder T), gemischter Chor und Orgel, (Blä… (1)
2 Parties Voix Aigües (SS), Piano et Basse en Par… (1)
Voix Elevée(s) (1)
Chor (SSTB) und Klavier (1)
SA ou TB et Piano ou Orgue (1)
2 Parties Voix Aigües (SA), Claves, Congas et Pia… (1)
Choeur de Femmes (SAA/SSAA) a Cappella (1)
Choeur SSSSAAAATTTTBBBB et Piano (seulement Pour L (1)
Ch?ur de femmes et Orchestre de chambre (1)
Solistes SATB, Choeur SATB, ou 2 HautboiSBasson, I (1)
Voix D'Enfants/3 Solistes/Instruments Choeur (1)
Soli (SAATTBB), Choeur Mixte (SATB) Et Orchestre (… (1)
VLC/SATB(x8)::Violoncelle/SATB (1)
Baryton Solo, Voix (SSA) A Choeur et Orchestre (1)
BRASS QUINTET/ORG::Brass Quintet, Organ (1)
Choeur Mixte (SATB) et Instruments Ad Libitum (1)
Soprano, SSA, Quintette à Cordes et Harpe (1)
Solistes SATB, Choeur SATB, Flûte Traversière, 2… (1)
Voix Mezzo-Soprano, Piano (1)
Voix d'Hommes (1)
Soloists, Women's Choir (SSAA), Vibraphone and El… (1)
TB::TB (1)
Soprano, Ténor, Choeur SATB et Orgue (1)
1-4 Voix avec et sans Accompagnement de Piano (1)
Choeur Mixte (SABar) et Piano (1)
Partie Séparée (1)
Soprano, Violon Et Basse Continue (1)
Voix de Femmes (1)
Chorale SATB, Flûte, Hautbois, Bassoon (1)
Choeur d'Enfants SSAA (1)
SATB, Ba Solo et Orchestre (1)
Chur SSAATTBB et Trompette en Do (1)
Chant Solo, Choeur, 2 Pianos et Harmonium (1)
Mezzo Soprano, Chur d'Hommes et Orgue (1)
Mixed Choir (SATB), Congregation and Organ (1)
Chant et Accords guitare (1)
Voix, Choeur Pour Femmes (SSAA), Violon, Harpe, Pi (1)
Ténor, Choeur d'enfants, SATB Et Orchestre (1)
SATB [div.] et Orgue (1)
2 Voix (SATB) Choeurs, Choeur Réduit SA et Orches… (1)
SSATB/VLN(2)/VLC/CONT::Violon (Duo)/Violoncelle/Co… (1)
2 Choeurs Mixtes à 4 Voix et Basse Continue (1)
Voix moyenne, Orgue (1)
MENSVOICES::ATBarBB/Choral (1)
Piano Reduction - Soloists (SAT), Mixed Choir, Bo… (1)
4 Parties Mixtes et Basse Continue (1)
Voix Mixtes SSATB (1)
Choeur SAATTB (1)
2 Parties Voix Aigües (SA), Alto et Piano (1)
Choeur Mixte, Soprano, Cordes et Orgue (1)
UNIS/SSAATTBB/STR ORCH/ORGA/BOWL::Voix Unison/Orch… (1)
Piano Reduction - Soloists, Mixed Choir and Piano (1)
Choeur d'Enfants et Orgue (1)
Solistes SATB, Choeur SATB, Trompette, Flûte Trav… (1)
Ténor Solo, Violon Solo, SATB, Chur d'Enfants e… (1)
Voix Egales Et Harpe (1)
Choeur de Femmes et Orchestre (1)
ATB/MENSVOICES::ATB, Men's Voices (1)
ORCH/SATB/SCORE::Orchestre/SATB/Partitions (1)
SSATB (1)
Soli/Choeur/Orchestre (1)
Gemischter Chor (SATB), Streicher, Basso continuo (1)
Choeur Mixte (SMezATB) (1)
Choeur Full Score (1)
Solo S, Choeur SATB/SATB, 2 Orchestres: 2 Violons, (1)
Mixed Choir (SATB), Solist, Piano and Percussion (1)
Orgelauszug - Chor (SATB) und Orgel (1)
Voix Enfants ou Femmes et Solistes et Piano (1)
Choeur Mixte et Marimba (1)
SAT::SAT (1)
ORGA/STB::Accompagnement Orgue/STB (1)
Voix Et Choeur Et Orchestre (1)
Soli (SATB), gemischter Chor (SATB), Streicher un… (1)
2 Parties Voix Aigües (s ou TT) et Orchestre (1)
Klavierauszug - Soli (STTB), Gemischter Chor (SA… (1)
Solistes SATB, Choeur SATB, 3 Trompettes, 2 Flûte… (1)
Klavierauszug - Soli (STT), Gemischter Chor (SATT… (1)
SATB/Accompagnement Piano (Symboles d'Accords) (1)
Klavierauszug - Alt solo (oder Bariton solo), gem… (1)
Gemischter Chor (SATB), Streicher und Basso conti… (1)
Basse, Alto, Ténor et Piano (1)
SATB(2)/ORCH::SATB (Duo)/Orchestre (1)
UNISON/PFA::Unison/Piano Accompaniment (1)
2 Choeurs Mixtes (SATB) (1)
Solistes, Chur et Piano ou Orgue (1)
Gemischter Chor (SSATB), Streicher, Basso continu… (1)
Choeur de Chambre et Tuba (1)
Women's Choir (SSA) and Violin (1)
SSA et Orgue en Partition (1)
TB/SOP/BAR/PF::TB, Soprano, Baritone Voice, Piano (1)
SSATBB/SAX(4)::SSATBB, Saxophone (Quartet) (1)
BASS(2)/3TEN3BAR3BASS::Basse (Duo) (1)
SSAX::Saxophone Soprano (1)
PF/ENS/VCE::Piano Solo/Ensemble d'École/Voix (1)
Choeur SAB et Piano (1)
Voix Basses (1)
Mixed choir (ATB) (or ATB soli) and Oboe (1)
BARITONE/PFA::Baryton/Accompagnement Piano (1)
Choeur de Femmes et Orchestre/ Réduction Chant et… (1)
Solistes SATB, Choeur SATB, (Cto), 2 Hautbois/1 Ha (1)
Choeur ATBarB/ATBarB (1)
STR ENS/KBD/CONT::Ensemble De Cordes, Clavier, Con… (1)
Soli Et 3 Choeurs Mixtes Sans Accompagnement (1)
Chur Mixte et Percussions Corporelles (1)
Choeur de Femmes (SSA) et Piano (1)
Baryton Solo et Chur SSAATTBB (1)
Chant et Orchestre/Réduction Chant et Piano (1)
4 Parties Choeur d'Enfants (1)
Solistes SSATB, Choeur SATB, 2 Flûtes Traversièr… (1)
VCE(6)::6 Voices (1)
Solistes et SATB (1)
Voix Hautes et Clavier (1)
Choeur d'Enfants ou Baryton et Petit Orchestre ou (1)
SATB/OB(2)/CANG/BSN(2)/TPT(2)/TBN(3)::SATB/Oboe (D… (1)
SATB Double Choeur (1)
Children's Choir (Female Choir), Trumpet and Orga… (1)
Klavierauszug - Gemischter Chor und Klavier (1)
SOP/SSA/PFA::Soprano/SSA/Accompagnement Piano (1)
SATB/SOP::SATB, Soprano (1)
VCE/PF::Voice, Piano (1)
Choeur SSSSAATTBB et Basse Continue (1)
Choeur ou avec Ensemble Instrumental (1)
4 Voix de Femmes (SSSA) et Ensemble (1)
Women's Choir (SSA) and Bassoon (1)
Solistes SSATB, Choeur SATB, 2 Cors, 2 Flûtes Tra… (1)
Chant En Si/2 Voix Egales Et Orgue (Violon Ad Libi… (1)
Voix et Percussions Scolaires (1)
SSA-TTB (1)
Quintette à Vent (1)
Solistes ATB, Choeur SSAATTBB, 2 HautboiSBasson, 2 (1)
3 Voix Egales D'Hommes Sans Accompagnement (1)
Choeur Jazz ou Pop (1)
Choeur d'Hommes et Piano (1)
Klavierauszug - Soli (ATB), gemischter Chor und K… (1)
Choeur Mixte (SATB) et Quelques Instruments (1)
Ténor Solo, Narrateur (Femme), Choeur Mixte, Choe… (1)
Chur Mixte SSAATTBB (1)
2 Voix Sans Accompagnement (1)
SOP/SATB/STR ORCH::Soprano, SATB, Orchestre De Cor… (1)
Choeur Mixte, Piano et Orchestre (1)
Chorale SATTBB A Cappella (1)
4 Parties Voix Aigües (SSAA) (1)
SAT, SATB, SATB et SSTTB (1)
Soprano Solo, Mixed Choir (SATB) and Organ (1)
Voix Unison (1)
2 Ou 4 Voix Mixtes Et Piano (Ou Orgue) (1)
SAT or SSA, Piano Accompaniment for reheasal only (1)
Choeur SATB et Quatuor Flexible (1)
Oratorio (1)
2 sopranos, alto, ténor et basse solos, ch?ur mi… (1)
Solistes, Div. Instruments à Cordes (2 Adultes), … (1)
9 Voix, Choeur, Orchestre de Chambre, Partition D' (1)
Oeuvres Théâtrales/Oratorios et Ballets (1)
Solistes SATB, Choeur SATB, 2 Bassons, 2 Clarinett (1)
4 Voix (SATB) Et Guitare (Ou Piano) (1)
Solistes STB (SB/TB/SATB), Choeur SATB, 3 Trompett (1)
CHOR/SATB/SSA/PERC::Chorale/SATB/SSA/Percussion (1)
Chur Mixte [SSAATTBB] et Marimba (1)
SCORE::Partitions (1)
CLT(2)/BSN(2)/HN(2)::Clarinette (Duo)/Basson (Duo)… (1)
2 Parties Voix Aigües (SA), Flûte à Bec Soprano… (1)
MENSVOICES::ATTBarBB/Choral (1)
Voix d'Hommes [TTBar] sans Accompagnement (1)
Choeur a Cappella (1)
SSAA et SATB (div) sans Accompagnement (1)
Voix à L'Unisson (1)
SATB a Cappella (1)
2 Gemischter Chor (SATB+SATB), Orchester und Orge… (1)
Trio (1)
Voix duo, Orgue (1)
Speakers, Soloists, Choir and Orchestra (1)
SSAATTBB::Choral SSAATTBB (1)
Choeur Mixte, 2 Flûtes Traversières, 2 Hautbois,… (1)
Voix haute, Orgue (1)
Piano Reduction - Children's Chorus, Male Chorus … (1)
Choeur de Femmes, Alto et Piano (1)
ATB/BAR/PFA/MENSVOICES::ATB, Baritone Voice, Piano… (1)
Choeur Mixte (Complet en Partition) (1)
Petit Choeur SATB/SATB, Contrebasse et Orgue, (8 I (1)
Women's Choir (SSS) and Percussion (1)
Sopran solo, Alt solo, Tenor solo, Bass solo, Gem… (1)
2 Flûtes (1)
SATB/VLN(2)/CONT::SATB/Violon (Duo)/Continuo (1)
ORGA/HARP/PERC/SATB::Accompagnement Orgue/Harpe/Pe… (1)
SMA/PFA::Accompagnement Piano (1)
Chor, Blasorchester und Orgel (1)
Solistes ou Choeur SST (A) TB et Basse Continue (1)
Ch?ur ( SSAA/TTB) (1)
Piano Reduction - Soloists, Narrator, Men's Choir… (1)
3 Voix Mixtes et Instruments Divers (1)
Choeur SA et Orgue (1)
Klavierauszug - Soli (SATB), Chor (S[S]ATB) und K… (1)
SATB/ORGA/TPT::SATB/Accompagnement Orgue/Trompette (1)
Solistes ATB, Choeur SATB, Trompette, HautboiSBass (1)
Voix Baryton, Piano (1)
SSA/PERC/VLN/VLC::SSA/Percussion/Violon/Violoncell… (1)
Soliste, Choeur et Opéra Orchestre (1)
Ch?ur de femmes, Orchestre de chambre, Harmonium … (1)
Choeur de Jeunes et Piano (1)
Solistes SATB, Choeur SATB, 2 Hautbois/Hautbois d' (1)
Chorale SAATB A Cappella (1)
Soli (SATB, Soprano Aussi Chorale), Choeur Mixte (… (1)
Choeur de Femmes, Soprano et Orchestre (1)
Klavierauszug - Soli (SSATB), Chor (SSATB) und Kl… (1)
Solistes, Choeurs et Orchestre (1)
Double Choeur Mixte et Orchestre (1)
5 Solistes, Choeur Et Orchestre (1)
Baryton, Choeur Mixte, Choeur D'enfants et Orchest (1)
Chur de Chambre ou 12 Voix Solo (1)
Solo (S), Chor SATB und Klavier (1)
Violon Et Orgue (1)
HIGH VOICES/ENS::Ensemble d'École (1)
SAM et Piano (1)
Soloists (SBar), Mixed Choir (SATB) and Piano (1)
Solistes SB, Choeur SATB, 2 Trompettes, Timbales, (1)
Choeur SATB/SATB et Basse Continue, (2 Violons et (1)
Chant et Orgue (1)
Chorale SAATB, Orgue (1)
Double Choeur (SATB) a Cappella (1)
Voix Basses et Piano (1)
Choeur Mixte (SSABar) et Piano (Flûte Traversièr… (1)
SATB et Orchestre (1)
Choeurs SATB et Orchestre (1)
Gemischter Chor-SATB, Orgel/ Klavier ad lib. (1)
Alto, 2 Ténor, Basse (1)
Choeur SAM et Basse Continue (1)
Voix Soprano, Orchestre (1)
Solistes SATB, SATB et Orchestre (1)
Piano Reduction - Soloists (ST), Women's Choir an… (1)
Formation musicale - Solfège (1)
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TTBB::TTBB (1)
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Choeur SATB/SATB ou Basse Continue (1)
Solistes TTBB, Choeur TTBB, (2 Hautbois, 2 Clarine (1)
SATB Double Choeur et Piano Réduction (1)
SOP/ALT/TEN/BASS/CHOR(2)/ORCH::Soprano/Tenor/Basse… (1)
4 Parties Voix Aigües (SSAA) et Piano (en Partiti… (1)
Mixed Choir (SSMezTTBB) and Percussion (1)
Voix Haute et Piano [ou Orchestre] (1)
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Petit Choeur SATB, Grand Choeur SATB/SATB, Contreb (1)
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Choeur de Femmes (SSAA) (Piano Ad Libitum) (1)
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SOP/BAR/SATB/STR ENS/HARP/ORGA::Soprano, Baryton, … (1)
BASS/M/SOP/TEN/ALTO/SATB/PFA::Bass Voice, Mezzo-So… (1)
Double SATB Choeur et Orchestre (1)
2 Gemischter Choren, Orchester ad libitum (1)
Soli et Orchestre (1)
Chur Mixte SATB divisi (1)
Soprano, Ténor, Basse, Choeur Mixte, 2 Trompettes… (1)
3 Voix de Femmes [Ssmez] ou Chur de Femmes (1)
MED VCE(2)/PFA::Voix Moyenne (Duo)/Accompagnement … (1)
SSAX/SATB/ORGA::Saxophone Soprano, SATB, Accompagn… (1)
Choeur Mixte (SATB) Avec Piano (1)
Sprecher, Gemischter Chor-SATB, Flöte ad libitum (1)
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
10.00
Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
Barenreiter
Arranged for female choir (SMA)-The choral scene is in a state of change! On the...
(+)
Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
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Wolfgang Amadeus Mozart: Missa brevis in D major: Mixed Choir: Vocal Score
9.00
Wolfgang Amadeus Mozart: Missa brevis in D major: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
Barenreiter
The choral scene is in a state of change! On the one hand more and more choirs ...
(+)
The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
9.00 GBP - vendu par Musicroom GB
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Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
15.00
Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
[Partition]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositi...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Score
45.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate Englandâs vict...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate Englandâs victory over the French at the Battle of Dettingen. This is Handelâs last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
6.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate Englandâs vict...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate Englandâs victory over the French at the Battle of Dettingen. This is Handelâs last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB
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Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
7.50
Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
[Partition]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
6.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate Englandâs vict...
(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate Englandâs victory over the French at the Battle of Dettingen. This is Handelâs last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa in C major: Mixed Choir: Score
21.50
Wolfgang Amadeus Mozart: Missa in C major: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Barenreiter
Sparrow Mass-Mozart?s ?Missa in C major? (K.220) nicknamed the ?Sparrow Mass? f...
(+)
Sparrow Mass-Mozart?s ?Missa in C major? (K.220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day.The ?Sparrow Mass? is one of the most significant pieces of church music from Mozart?s years in Salzburg.Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances.Urtext of the New Mozart EditionIdeal for church services and concert performancesFull score & performance material (BA5343) and vocal score (BA5343-90)for saleArrangement for soloists choir & organ (BA7522) for saleArrangement for soloists and female choir (BA5693) avaailable for sale
21.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa in C major: Mixed Choir: Part
10.50
Wolfgang Amadeus Mozart: Missa in C major: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Sparrow Mass-Mozart?s ?Missa in C major? (K.220) nicknamed the ?Sparrow Mass? f...
(+)
Sparrow Mass-Mozart?s ?Missa in C major? (K.220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day.The ?Sparrow Mass? is one of the most significant pieces of church music from Mozart?s years in Salzburg.Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances.Urtext of the New Mozart EditionIdeal for church services and concert performancesFull score & performance material (BA5343) and vocal score (BA5343-90)for saleArrangement for soloists choir & organ (BA7522) for saleArrangement for soloists and female choir (BA5693) avaailable for sale
10.50 GBP - vendu par Musicroom GB
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Score
71.00
Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
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Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethovenâs sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the workâs musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the workâs genesis and a detailed critical commentary.
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Wolfgang Amadeus Mozart: Missa in C minor K.139: Mixed Choir: Parts
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted h...
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Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor K.139 to inaugurate a new orphanage on Vienna?s Rennweg in 1768.This astonishing early work adheres to the form of a Neapolitan cantata mass in which the separate movements (?Gloria? ?Credo? etc.) are themselves made up of self-contained choruses ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrast between its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church services andconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists choir & organ (BA7521) for sale
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Robert Schumann: Das Paradies Und Die Peri Op. 50: Mixed Choir: Vocal Score
19.95
Robert Schumann: Das Paradies Und Die Peri Op. 50: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
[Partition]
Peters
Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SAT...
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Robert Schumann's Das Paradies Und Die Peri Op. 50 composed for mixed choir SATB and Piano accompaniment.
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Claude Debussy: La Damoiselle Elue: Mixed Choir: Study Score
21.99
Claude Debussy: La Damoiselle Elue: Mixed Choir: Study Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
[Partition]
Durand
Claude Debussy's La Damoiselle Elue for female soloists SATB choir and Orchestr...
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Claude Debussy's La Damoiselle Elue for female soloists SATB choir and Orchestra. Study score.
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Score
38.00
Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
[Partition]
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
25.00
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohnâs setting of Psal...
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Features of the Barenreiter Urtext edition of Mendelssohnâs setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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César Franck: Die Sieben Worte: Mixed Choir: Vocal Score
16.10
César Franck: Die Sieben Worte: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
[Partition]
Carus Verlag
Jesu am Kreuz-Franck's Die Sieben Worte for SATB.Unlike the well-known settings ...
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Jesu am Kreuz-Franck's Die Sieben Worte for SATB.Unlike the well-known settings of the 'Seven Last Words' by Schütz or Haydn in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the 'Stabat Mater'. In his transposition of the Latin text into music Franck reveals a rich palette of compositional parameters: ?different-sized ensembles exciting orchestration formal variety and sophisticated harmony. Laments simple passages for the choir in unison passages with great drama melodic shapes filled with sweetness convey to the listener a multi-layered impression of acomposition stamped by a strongly personal will to expression.? Württembergische Blätter für Kirchenmusik 1/1991
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Mozart W.a. - Don Giovanni Kv 527 - Soloists, Choir And Orchestra
51.70
Mozart W.a. - Don Giovanni Kv 527 - Soloists, Choir And Orchestra
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
Eulenburg
Opera Instrument : soloists, choir and orchestra Type : study score Series : Eu...
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Opera Instrument : soloists, choir and orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 688 Content : Vorwort - Revisionsbericht - Preface - Editorial Notes - Ouvertüre - 1. Akt - 2. Akt
51.70 EUR - vendu par Woodbrass
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
14.00
Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
14.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
5.00
Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
5.00 GBP - vendu par Musicroom GB
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin II: Mixed Choir:
5.50
Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin II: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
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Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
5.50 GBP - vendu par Musicroom GB
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Wind Set: Mixed Choir:
28.50
Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Wind Set: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
28.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Mixed Choir: Part
12.00
Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably so...
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The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.
12.00 GBP - vendu par Musicroom GB
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Full Score: Mixed Choir:
77.50
Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Full Score: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
77.50 GBP - vendu par Musicroom GB
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Giuseppe Verdi: Quattro Pezzi Sacri: Mixed Choir: Vocal Score
13.80
Giuseppe Verdi: Quattro Pezzi Sacri: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
Carus Verlag
Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming...
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Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming the sacred music cycle 'Quattro pezzi sacri' were composed as independent pieces between 1889 and 1897. The scoring ranges from solo voices a cappella to double choir with large orchestra. In 1898 the year of their first joint performance Verdi had them published together as 'Quattro pezzi sacri'. With the composition of the 'Quattro pezzi sacri' in the last years of his life Verdi thus returned to his church musician origins. Already at the age of 10 Verdi performed the duties of organist in his home congregation and later in Busseto where he received his first music lessons. Themasses at the collegiate church in Busseto formed some of his most important musical impressions. During the time Verdi composed 'Falstaff' his last opera he was once again composing sacred music this time in a conscious encounter with historical models such as Palestrina and Bach.
13.80 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa in C major K.257: Mixed Choir: Parts
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...
(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
31.50 GBP - vendu par Musicroom GB
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2 vendeurs
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Wolfgang Amadeus Mozart: Dixit Et Magnificat: Mixed Choir: Vocal Score
7.00
Wolfgang Amadeus Mozart: Dixit Et Magnificat: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et piano
[Partition]
Barenreiter
Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored ...
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Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored for SATB soloists Mixed Choir (SATB) Trumpet (2) Trombone (3) Kettledrum Strings (without Viola) Organ. Full score performance material (BA5340) and vocal score (BA5340-90) based on the Urtext New Mozart Edition is available for sale.
7.00 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
13.50
Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
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BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
13.50 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Litaniae Lauretanae B.M.V. In D K.195: Mixed Choir:
11.50
Wolfgang Amadeus Mozart: Litaniae Lauretanae B.M.V. In D K.195: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Mozart wrote four litanies and K.195 is a marian litany (to the Blessed Virgin M...
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Mozart wrote four litanies and K.195 is a marian litany (to the Blessed Virgin Mary) composed in Salzburg in 1774 and scored for SATB soloists Mixed Choir (SATB) Oboe (2) Horn (2) Trombone (3) Organ Strings. Full score vocal score (BA4891-90) and performance material (BA4891) based on the Urtext New Mozart Edition is available for sale.
11.50 GBP - vendu par Musicroom GB
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Cheryl Frances-Hoad: Amy's Last Dive: Women's Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chur mixte et orchestre
[Partition]
Cadenza Music
Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra....
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Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra.Duration: 2 hours
19.99 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa in C minor K.139: Mixed Choir: Part
5.00
Wolfgang Amadeus Mozart: Missa in C minor K.139: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chur), Orchestre
Barenreiter
Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted h...
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Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor K.139 to inaugurate a new orphanage on Vienna?s Rennweg in 1768.This astonishing early work adheres to the form of a Neapolitan cantata mass in which the separate movements (?Gloria? ?Credo? etc.) are themselves made up of self-contained choruses ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrast between its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church services andconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists choir & organ (BA7521) for sale
5.00 GBP - vendu par Musicroom GB
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