From Elijah-He Watching Over Israel is one of the most beloved oratorio choruses from Mendelssohn's Elijah. It is scored here for SSTB choir and Piano accompaniment.

Kantate Zum 16. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : E-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 8/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Bob Chilcott's mighty setting of words from the Gospel of St John is a dramatic yet optimistic retelling of the Passiontide story. As with Bach's great Passion settings the role of the Evangelist is taken by the tenor soloist who provides a melodious narrative throughout the work in arioso style. The words of Jesus and Pilate are performed by solo baritones. Within the narrative the SATB chorus becomes a crowd or a group of soldiers commenting on the story in short outbursts although the larger role of the choir is to perform the four meditations and five hymns that support the story. For the meditations-two of whichinclude soprano solos-Chilcott has selected English poems from the 13th to the early 17th centuries.The five well-known hymn texts are set to new original melodies which are also intended for performance by an audience or congregation.

Climb Ev'ry Mountain - an immortal classic Rodgers and Hammerstein The Sound of Music in a spectacular setting! This version has been expertly arranged for SAB choir by Ed Lojeski for the concert series. Combine all these choral settings for a spine-tingling conclusion to your concert or graduation ceremony! Available: SATB SAB 2-Part. Performance Time: Approx. 3:20.

Requiem canticorum is a five-movement work of 12 - 14 minutes’ duration. Its title means 'a Requiem of song' or 'a Requiem of canticles' indicating that it is a commemorative piece which sets texts associated with theRequiem mass rather than being a full Requiem. It is scored for choir soprano saxophone and organ a scoring it shares with the 'Son of God Mass' by the same composer.It can be performed as a concert piece or as afree-standing anthem within the context of a commemorative event or liturgy.‘Requiem canticorum’ can also be performed in conjunction with selected movements from the ‘Son of God Mass’ to make a full concert Requiem. Thekey-structure of the two works allows for a seamless intertwining and in concert should be performed in the sequence indicated below. When performed in this way the sequence can be given the title 'Requiem' or 'Requiem Son of GodMass' in a concert programme.Introit (Requiem canticorum)Pie Jesu (Requiem canticorum)Kyrie (Son of God Mass)Alleluia (Requiem canticorum)De profundis (Requiem canticorum)Sanctus and Benedictus (Son ofGod Mass)Pax Domini (Son of God Mass)Agnus Dei (Son of God Mass)Lux Aeterna (Requiem canticorum)Amen (Son of God Mass)Additionally some of the work can be used within a Requiem liturgy the followingmovements having a liturgical place:Introit (Requiem canticorum) until bar 68Kyrie (Son of God Mass)Alleluia (Requiem canticorum)or De profundis (Requiem canticorum)Sanctus and Benedictus (Son of GodMass)Agnus Dei (Son of God Mass)Lux Aeterna (Requiem canticorum) and Amen (Son of God Mass).'There is real depth and sincerity to Whitbourn's writing lending an atmosphere of solemnity and reassuring calm. Thethick homophonic scoring and complementary modal flourishes from the Sax imbue the piece with an eastern ambience only occasionally brought back to western shores by the limited use of Organ. Low basses are essential but otherwise

Uses: General Trinity Sunday Introit Scripture: Revelation 4:11 A festive flourish for Trinity Sunday this solid selection is designed to bring choir and congregation together. Call your service to purpose with this great introit or amplified opening hymn. Brass percussion handbells and organ or piano are excellent instrumental choices for optimal impact! Score and parts (tpt 1-2. tbn 1-2 timp) available on CD-ROM and as a digital download. Parts for handbells (3 octaves) available as a digital download.

He is beginning and the end forgiver of our sin and by His mercy He has saved us. He is stronger than any other – hallelujah what a Savior. J. Daniel Smith's arrangement feels comfortable and will enable your choir toworship as they sing this solid anthem. Available separately: SATB CD Accompaniment Trax Orchestration. Duration: ca. 3:55.

Story and Songs of Learning Discovery and Meeting Life's Challenges-Join Tulitha on a wondrous adventure of discovery when she meets a wise old woman who helps her see what is good in the world. Along the journey they meet fascinating people and observe events that help mold Tulitha's young lifeand help her make choices about the roads to travel. This enchanting 30-minute musical story is ideal for classroom or stage and can be easily-produced for the teacher on the go! Suggested for grades 3-6 Tulitha's journeyfeatures 5 songs with connecting story text that can either be divided among a number of speakers or read by one narrator. Perform it in a concert setting on choral risers with minimal staging or use your imagination and stage itmore elaborately. The Teacher Edition includes piano/vocal arrangements with choreography by John Jacobson standards-based lesson plans and reproducible story text. The full-color singer editions with story and vocal partsprovide extra visual appeal. The value-packed Classroom Kit comes complete with a Teacher book 20 singer editions and a P/A CD. Available separately: Teacher Edition Singer Edition 20-Pak (full color) Performance/AccompanimentCD Classroom Kit (Teacher Singer 20-Pak P/A CD). Duration: ca. 30 minutes. Suggested for grades 3-6.

Text by Orsolya Karafiáth. Par BELLA MATE. Máté Bella's choral work for children Home at Night was commissioned by the town of Debrecen for the 26th Béla Bartók International Choir Competition in 2014. Its text is the first poem with the subtitle Spiders of the cycle with the same title written by Orsolya Karafiáth. The piece effectively represents the dreamworld of the poem with its strange and sinister atmosphere, which in the end is dispersed by awakening./ Feuillet / Choeur d'Enfants

Amazing Grace arranged by John Rutter for SATB choir (with divisions) and Harp or Piano.This is a simple and gentle setting of the popular American folk hymn. Beginning softly with the sopranos accompanied by piano/harp in the first verse Rutter explores a wide variety of textures building to a powerful final verse before ebbing away in a poignantly quiet close.

The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale

Ian Venables: While Shepherds Watched Their Flocks By Night is a Christmas Choral piece first published in Noël 2! beautifully composed for SATB Choir and Organ accompaniment.

Par PART ARVO. Nunc dimittis - The canticle of Simeon - interpreted by Arvo Pärt for choir a cappella./ Répertoire / Choeur SATB