Vocal Score of Johann Sebastian Bach's Magnificat BWV 243 for Soli Choir and Orchestra.

Instrument : mixed choir (SATB), soloists (TBar) and orchestraType : choral scoreNombre de Pages : 22

BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale

BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

The 20 year old Berlioz wrote his Messe solennelle in 1824 his first large scale work for chorus and orchestra. His later Memoirs suggest he burnt the manuscript due to his doubts about its quality. However the manuscript had made its way to Antwerp and the Church of St Carolus-Borromeus where it was catalogued by church officials probably in 1956. But it was not until 1991 when Franz Moors a retired teacher organist and choir master discovered it in a wooden chest on the organ platform and gradually began to realise its status as a work of some significance. The work was published by Bärenreiter in the 'New Berlioz Edition' and modern premieres were givenduring 1993 and 1994. Urtext of the New Berlioz Edition Full score (BA5463) vocal score (BA5463-90) and study score format 22.5 x 16.5cm (TP333) available for sale Performance material (BA5463-72) available for hire

BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

Waisenhaus Mass-Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor K.139 to inaugurate a new orphanage on Vienna?s Rennweg in 1768.This astonishing early work adheres to the form of a Neapolitan cantata mass in which the separate movements (?Gloria? ?Credo? etc.) are themselves made up of self-contained choruses ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrast between its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church services andconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists choir & organ (BA7521) for sale

Barenreiter Urtext Edition of Mozart's Missa Brevis In D K.194. This authoritative full score version is set for Soprano solo Alto solo Tenor solo Bass solo Mixed Choir-SATB Bassoon 3 Trombone Strings and Organ.

Arranged for female choir (SMA)-The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691) a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90) a charming alternative for use in church services. With great skill andsensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.

Pergolesi’s famous Stabat mater a work for two soloists strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir whilst the arias were kept for the soloists. In this edition the outer movements and no. 8 are now scored for three-part choir (Sop MezSop Alto) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material. These lend this well-known work a completely new charmand provide a welcome addition to the repertoire for choral concerts. For performance material use original edition BA7679. Arrangement for female choir (Sop MezSop Alto) based on the Bärenreiter Urtext edition of the original work Clear straightforward piano reduction The arranger Malcolm Bruno is the editor of the Urtext edition of the Stabat Mater (BA 7679) and a renowned expert in 18th century Italian music.

Par BRUCKNER ANTON. Bruckner?s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs. The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024! / Date parution : 2023-06-01/ Répertoire / Solistes [SATB], Double Choir et Piano

Dropar by Sunleif Rasmussen For 2 choirs. Choir 1 is 1/3 of the total members. Text: Oddfridur Rasmussen.

Revised Urtext Edition of BA5419-Frank Martin's style of composition is characterised by elements of French Impressionism modern tonality and expressive musical language. His Double Choir A Cappella Mass was composed between 1922 and 1926 but it was not performed until 1963 in Hamburg. It has been a great favourite with capable choirs since its first publication by Bärenreiter in 1972 (BA 5419). It can be performed equally well in the concert hall and the church. This first ever Urtext edition is based on the autograph score as well as on previously disregarded preliminary studies. The preface and Critical Commentary provide an insight into the genesis and history of thework. The larger format ensures a clearly improved readability. This is the first Urtext edition of Frank Martin’s masterwork. Newly engraved in a larger format (23 x 30 cm). Preface (Ger/Eng) and Critical Commentary (Eng).

Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from applause. Elijah has been an essential repertoire work for choral societies ever since. Published on the 175th anniversary of that famous premiere, Edition Peters is proud to present a new English-language Urtext edition of the vocal score containing the original libretto by William Bartholomew. Edited and with a preface by the highly respected musicologist Klaus Burmeister, the edition also includes a foreword ‘Mendelssohn and Birmingham’ by Simon Halsey, one of the world’s foremost choral directors (Chorus Director City of Birmingham Symphony Orchestra Choruses; Artistic Director, Orfeó Català Choirs and Artistic Adviser, Palau de la Música, Barcelona; Choral Director, London Symphony Orchestra and Chorus; Artistic Director, Berliner Philharmoniker ‘Vokalhelden’ Programme). The edition complements and is designed to be used in conjunction with the existing German/English full score (EP11345) and orchestral parts. An associated German language vocal score is also available (EP11347). Edition Peters Vocal Scores are the choice of the world’s leading choirs and chorus masters. They are practical, reliable, high-quality editions containing expert piano reductions. / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre