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Sueñas English Chorale SSATB SSATB, Piano Boosey and Hawkes
Cette amusante, rapide salsa a été créé comme un morceau de fusion, mêlant ...(+)
Cette amusante, rapide salsa a été créé comme un morceau de fusion, mêlant salsa de New York avec urbaine funk, et tel que décrit par les compositeurs 'un morceau hip Latino.' Le texte est touchante à propos de la puissance des rêves, écrit en utilisant à la fois l'anglais et espagnol. / Choeur SSAB Et Piano
No. 5 Nightingales-Nightingales is a beautiful song for 5-part mixed voices (SSA...(+)
No. 5 Nightingales-Nightingales is a beautiful song for 5-part mixed voices (SSATB) a cappella taken from Gerald Finzi's settings of Seven Poems of Robert Bridges.
A cappella motet from Adiemus: Songs Of Sanctury-Motets is a set of intimate and...(+)
A cappella motet from Adiemus: Songs Of Sanctury-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.
Introit for the feast of All Saints-'This short celebratory setting originally...(+)
Introit for the feast of All Saints-'This short celebratory setting originally composed as an introit for the Wells Cathedral Girl Choristers was arranged for SSATB in 2010 (the upper parts unaltered) for the Exon Singes Festival. The text ('Let us all rejoice') exists in a number of versions and here honours 'all the saints at whose solemnly the angels rejoice'. The texture essentially imitative is governed by a syncopated melodic phrase which gives way to softer material in the middle section. The return of the opening idea drives the piece towards a broad jubilant conclusion.'John Phibbs