Divisions on a Ground Op. 154

Divisions on a Ground-Bass by Daniel Purcell for Descant Recorder and Keyboard edited by Carl Dolmetsch.

Near-complete collection of this great English composerâ??s keyboard compositions including the eight suites the core of his keyboard works. Also included are many miscellaneous one-movement pieces: airs trumpet tunes (for harpsichord solo) grounds preludes dances etc. Edited with a preface by noted music scholar William Barclay Squire.

Johney Cock thy Beavor - A Division on a Ground by Valentine Reading-The Division Flute - Johney Cock Thy Beavor - A Division On A Ground By Valentine for Treble Recorder and Continuo.

Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament

De la musique anglaise du 17ème au ground italien en passant par la chaconne française : Fl (Flb alto), Bc

Near-complete collection of great English composer's keyboard compositions, including the 8 suites, the core of his keyboard works. Also included are many miscellaneous one-movement pieces: airs, trumpet tunes (for harpsichord solo), grounds, preludes, dances, etc. Edited with a preface by noted music scholar William Barclay Squire. Suite in G Major, Z. 660 Prelude, 1. Almand, 2. Corant, 2. Minuet, 3. Suite in G Minor, Z. 661 Prelude, 4. Almand, 6. Corant, 8. Saraband, 9. Suite in G Major, Z. 662 Prelude, 10. Almand, 12. Corant, 14. Suite in A Minor, Z. 663 Prelude, 16, Almand, 16. Corant, 18. Saraband, 19. Suite in C Major, Z. 666 Prelude, 20. Almand, 22. Corant, 23. Saraband, 23. Suite in D Major, Z. 667 Prelude, 24. Almand, 25. Hornpipe, 27. Suite in D Minor, Z. 668 Prelude, 28. Corant, 30. Hornpipe, 31. Suite in F Major, Z. 669 Prelude, 32. Almand, 33. Corant, 34. Minuet, 36. Trumpet Tune, called the Cibell, Z. T678 Trumpet Tune in C Major, Z. T697 A Ground in Gamut, Z. 645 Almand in C Major, from Suite, Z. 665 Saraband with Division, Z. 654 Voluntary in C Major, Z. 717 A Verse in F Major, Z. 716 Trumpet Tune in D Major Air in D Minor, Z. T675 Air in D Minor, Z. T676 Ground in C Minor, Z. T681 Prelude in A Minor, Z. 652 Toccata in A Major, Z. D229 Hornpipe in E Minor, Z. T685 Air in G Major, Z. 641 Corant in G Major, Z. 644 Minuet in G Major, Z. 651 Voluntary in G Major, Z. 720 Song Tune, Z. T694 March in C Major, Z. 647 March in C Major, Z. 648 New Minuet in D Minor, Z. T689 Minuet in A Minor, Z. 649 Minuet in A Minor, Z. 650 A New Scotch Tune, Z. 655 A New Ground, Z. T682 Lilliburlero. A New Irish Tune, Z. 646 Rigadoon, Z. 653 Sefauchi's Farewell, Z. 656 Minuet in D Minor, Z. T688 Almand [Gavotte] in D Major, Z. D219/1 Borry [Saraband] in D Major, Z. D219/2 Verse in the Phrygian Mode The Queen's Dolour. A Farewell, Z. 670 Minuet in E Minor, Z. D225 A Ground in D Minor, Z. D222

Handel: Bourée Handel: Hornpipe Schubert: Andante Schubert: German Dance Bach: Gavotte in D Liadoff: Berceuse Liadoff: Danse of the Mosquito Brahms: Two Minuets Schubert: Minuet and Trio Festing: Andantino e Menuetto Beethoven: Bagatelle, op. 33/6 Anonymous: Greensleeves, Divisions to a Ground Corelli: Allegro Bizet: The Spinning Top Mozart: Pantomime and Passepied Schubert: Andante arr. Lambert: Copeo Haydn: Rondo all'Ongarese

Simpson - Telemann - Schenk - Dollé - CouperinTable des matières :Christopher SIMPSON - : The Division-Viol - London, 1659Ground en Ré majeurGeorg Philipp TELEMANN - : Der Getreue Music-Meister - Hamburg, 1728Fünfzehnte Lection (Andante, Vivace)Johann SCHENK - : L'Echo du DanubeSonata VCharles DOLLE - : Pièces de viole - Paris, 1737FantaisieFrançois COUPERIN - : Nouveaux Concerts- Paris, 1724Douzième Concert à deux violes / Viole De Gambe / 16 pages / niveau : 1 / Fac-Similés - Format: 22 X 31

Par . Cette anthologie contient des pièces d\'une grande variété de styles de compositeurs des XVIIe et XVIIIe siècles. On y trouve des ?uvres de compositeurs célèbres comme Telemann, Purcell et Corelli mais aussi d\'autres moins connus comme Babell, Delalande, van Eyck, Fischer, Locke et Luidhens. L\'édition répond aux besoins des professeurs de flûte à bec qui cherchent des compléments pour leurs cours, de même qu\'à ceux des étudiants qui désirent élargir leur répertoire. Elle convient aussi aux concerts scolaires. / Date parution : 2023-01-13/ Recueil / Flûte à Bec Soprano et Piano

Le livre de source ultime pour le joueur de banjo traditionnels. Contient plus de 230 turluttes, bobines, chiffons, hornpipes et des ruptures de tous les principaux instrumentales styles traditionnels. Spirale Bound / Banjo