The Division Flute: Descant Recorder: Score and Parts

Easy Pieces for Descant Recorder and Basso continuo (Piano)-Die erfahrene Blockflötenpädagogin Gudrun Heyens legt mit 'Concerto' eine Auswahl an Blockflötenstücken vor die schon ab dem zweiten Unterrichtsjahr den Einstieg in die Vortragsliteratur erlauben. Einzelstücke wie Dornels 'Chaconne' oder Corellis 'Follia-Variationen' finden sich ebenso wie kleinere Stücke von Playford oder Susato die auch als kurze Suiten gespielt werden können. Die Sammlung wurde gerade auch im Hinblick auf 'Jugend musiziert' oder andere Wettbewerbe zusammengestellt. Inhalt     John Playford (1623-1686): 3 Pieces from 'The EnglishDancing Master':Gathering PeascodsThe Kettle DrumRufty TuftyTilman Susato (ca. 1500-1562): 3 Pieces from 'Danserye': - German Dance - Shepherd’s songRondeAnonymus (1551): Pavane 'Le forze d’Hercole'Giorgio Mainerio (1545-1582): TedescaPièrre Phalèse (ca. 1510-1573): Passamezzo d’AngleterreJean Hotteterre (ca. 1680-1761): 3 Menuets from 'The rural wedding':Menuett IMenuett IIMenuett IIIJohann Fischer (1646-1721): Little SuiteJ. J. van Eyck (1589-1657): Wat zal men op den avon doenEngels NachtigaeltjeJohn Dowland (1562-1626): The Earl of Essex Galliard ('Can she excuse my wrongs')Anonymus (1706): The Division Flute: Greens Sleeves to a GroundArcangelo Corelli (1653-1713): La FolliaAntoine Dornel (ca. 1685-1765): Chaconne  

Leichte Vortragsstucke. To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising. The edition My First Concert includes 25 easy and appealing pieces for descant recorder and piano ranging across five centuries; most of these are original recorder pieces, along with a few arrangements. The collection includes not only Renaissance, Baroque and early Classical works, but more recent compositions too, notably various genres from the field of popular music. Pieces range from little dance movements first published by Attaingnant and Susato, with sonata movements by Telemann and Loeillet through to jazzy tunes. Some of these easy pieces will suit players who have had two years of tuition. Slightly more demanding pieces can then be tackled in later lessons. This book offers a wide selection of repertoire for auditions, concert performances and youth music competitions; it offers an ideal complement to any recorder tutorial method. The accompanying CD will give an impression of how the music can sound, making it easier to start practice. With the separately recorded piano accompaniment, pieces can be played even when no pianist is available./ Recueil / Flûte à Bec et Piano