Wolfgang Amadeus Mozart: Little Amadeus & Friends - Wolfgang Amadeus Mozart:

Leichte Bearbeitungen für Klavier - Die Komponistenserie für Kinder-Little Amadeus & Friends - die Komponistenserie für Kinder - stellt berühmte Komponisten und deren Werke vor.Dieses Spielheft ist dem großartigen Wunderkind und Musikgenie der Wiener Klassik - Wolfgang Amadeus Mozart (1756-1791) - gewidmet. Er tritt hier selbst auf und erzählt in einer spannenden Geschichte aus seinem Leben.Daran anschließend folgen zwanzig seiner beliebtesten Werke in leichten Bearbeitungen für Klavier. Und wiederum ist es der Komponist der hier viele interessante Tipps und Informationen zu seinen Kompositionen beisteuert. Am Schluss gibt es noch ein Mozart-Quiz in dem das erlernte Wissen lustig abgefragt wird. Auf derbeiliegenden CD sind alle Musikbeispiele im Original zu hören. Mit vielen Bilder zum Ausmalen.Aus dem Inhalt:Mozart - Mein LebenKlaviermusikMenuett G-Dur KV 1 e+f (Trio)Menuett F-Dur KV 2 Ah vous dirai-je maman KV 265 Thema Alla turca aus der Klaviersonate A-Dur KV 331 3. SatzKlaviersonate C-Dur KV 545 (1.-3. Satz )Konzerte Klavierkonzert Nr. 21 C-Dur KV 467 2. SatzViolinkonzert G-Dur KV 216 3. SatzKlarinettenkonzert A-Dur KV 622 2. SatzOrchesterwerke Eine kleine Nachtmusik Serenade Nr. 13 G-Dur KV 525 (1.-4. Satz)Sinfonien Sinfonie Nr. 40 g-Moll KV 550 1. SatzKammermusik & Lieder Klarinetten-Quintett A-Dur KV 581 4. Satz Sehnsucht nach dem Frühling KV 596Opern & Singspiele Nun vergiss leises Flehn süßes Kosen (Die Hochzeit des Figaro KV 492) Der Vogelfänger bin ich ja (Die Zauberflöte KV 620)Kirchenmusik Lacrimosa aus dem Requiem d-Moll KV 626Mozart-Quiz

Magical Mozart permet à chaque instrumentiste d'aborder, très tôt dans l'apprentissage, la musique élégante et sophistiquée du compositeur de génie Wolfgang Amadeus Mozart. Certaines mélodies sont célèbres, d'autres sont à découvrir. Les notes et les rythmes sont simples et certaines adaptations ont été réalisées. L'accompagnement au piano joint au recueil illumine la partition instrumentale. / Flûte A Bec / 48 pages / niveau : Facile - Elémentaire / Partition + Cd

Plus de 200 morceaux du début de la Renaissance et du Baroque aux périodes classiques et romantiques. Inclues des oeuvres de Carcassi, Bach, Tarrega et Mozart. / Guitare / Partition

In 1759 Leopold Mozart compiled a notebook as a present for his daughter Maria Anna (usually called ‘Nannerl’) it was intended as a series of instructive exercises and practice pieces. The notebook though wasn't used solely by Nannerl but also by her younger brother Wolfgang and the talented boy didn't just use it for Piano practice but soon started to compose his own little pieces. Either Wolfgang himself or his father wrote them into the remaining empty pages of the notebook. This new edition contains only compositions by Leopold and Wolfgang Mozart. It is a companion volume to ‘The Young Mozart’ by H. Schüngeler which contains thefirst and easiest compositions by Wolfgang (ED 9008). A classic of the Piano teaching literature now available in the new Schott Piano Classics series. Menuett in F is an alternative piece for ABRSM Piano Grade 3 2017-2018 syllabus

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SAB

Give your young musicians a chance to know Mozart a little better. Two Mozart operas are represented in this very easy suite along with a lovely theme from a Mozart piano sonata. Whether you choose to use this suite for your nextconcert performance or in that first festival experience letting young musicians play melodies from the world's finest composers is always a good idea.

This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).

The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.

The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.