SKU: BT.DHP-1135445-400
ISBN 9789043137706. 9x12 inches. English.
Now solo instrumentalists can play play along with 14 intermediate-level tunes from Musicals like The Sound of Music, Mary Poppins and Beauty and the Beast.These books include CDs with orchestral accompaniment tracks.ABC (THRILLER - The Musical)Always Look on the Bright Side (SPAMALOT)Beauty And The Beast (BEAUTY AND THE BEAST)Belle (BEAUTY AND THE BEAST)Circle of Life (THE LION KING)Defying Gravity (WICKED)Good Morning Baltimore (HAIRSPRAY)I Just Cant Wait To Be King (THE LION KING)My Favourite Things (THE SOUND OF MUSIC)One Short Day (WICKED)Sixteen Going On Seventeen (THE SOUND OF MUSIC)Supercalifragil isticexpialidocious (MARY POPPINS)That Face (THE PRODUCERS)We Are The Champions (WE WILL ROCK YOU)Wem BEST OF FILM & TV gefällt, wird auch Freude an BEST OF MUSICAL haben. Die 14 mittelschweren Solostücke aus bekannten Musicals können zur Orchesterbegleitung der CD gespielt werden. Das macht richtig Laune! Inhalt: ABC (THRILLER - The Musical)Always Look on the Bright Side (SPAMALOT)Beauty And The Beast (BEAUTY AND THE BEAST)Belle (BEAUTY AND THE BEAST)Circle of Life (THE LION KING)Defying Gravity (WICKED)Good Morning Baltimore (HAIRSPRAY)I Just Cant Wait To Be King (THE LION KING)My Favourite Things (THE SOUND OF MUSIC)One Short Day (WICKED)Sixteen Going On Seventeen (THE SOUND OF MUSIC)Supercalifragil isticexpialidocious (MARY POPPINS)That Face (THE PRODUCERS)We Are The Champions (WE WILL ROCK YOU)
SKU: MN.10-462
UPC: 688670104626.
We swept our past catalogs for charming, stand-alone pieces for use as prelude music, processionals, and recessionals. Some you might know and some will be brand new to you, as the title suggests. A useful volume to keep by the console when consulting with brides or playing weddings!Contents :PreludesAllegro from La Primavera Spring - Vivaldi / WolffJesu, Joy of Our Desiring - Bach / BurkhardtPrelude on When Love is Found - John FergusonAdagio on Ode to Joy - Charles CallahanAria on O Perfect Love - Michael BurkhardtThe King of Love - Wilbur HeldPrelude on Blest Be the Tie - Charles CallahanRhosymedre (Lovely) - Ralph Vaughan WilliamsP rocessionals Prince of Denmark's March (Trumpet Voluntary in D) - Clarke / ChristiansenRigaudon - Bohm / BieryTrumpet Tunes from King Arthur - Purcell / PottsTrumpet Tune on Westminster Abbey - Jerry WestenkuehlerTrumpet Tune in C - Mark ShepperdR ecessionalsP salm XIX - Marcello / HyslopPostlude on Lobe den Herren - Raymond HaanAllegro Maestoso (Water Music) - Handel / BurkhardtA Rejoicing - Alfred V. FedakNow Thank We All Our God - Paul ManzToccata on A Theme of Beethoven - Charles Callahan.
SKU: BT.AMP-091-400
ISBN 9789043153362. English-German-French-Dut ch.
In Classic Hymns, Philip Sparke has taken 10 of the best-loved hymn tunes, popular around the world, and used them as the basis of a collection of short recital pieces, ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use, these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.Anglo Music PressBij de keuze van de hymnen voor deze verzameling heeft Philip Sparke grotendeels geput uit de grote Engelse hymnen van de 18e en 19e eeuw - melodieën die niet alleen geschikt zijn voor samenzang, maar ook veel muzikalemogelijkheden bieden voor uitbreiding en variatie. De bijgevoegde cd bevat zowel volledige uitvoeringen als begeleidingstracks. Deze hymnen zijn uitstekend geschikt voor het spelen in concert- of wedstrijdverband, of als muzikaalintermezzo tijdens een kerkdienst.Bei der Auswahl der Hymnen für diese Sammlung bediente sich Philip Sparke größtenteils der großen, englischen Hymnen aus dem 18. und 19. Jahrhundert. Die beiliegende CD enthält sowohl vollständige Aufnahmen als auch reine Begleitversionen. Diese Hymnen eigenen sich perfekt für den Einsatz im Gottesdienst, Konzert und Wettbewerb, aber auch für das Spiel zum eigenen Vergnügen.
SKU: AP.IF9528
ISBN 9780897246835. UPC: 029156158038. English. E. Y. Harburg.
Here are the top ten tunes from one of the most memorable movies of all time. The titles are: Ding-Dong! The Witch Is Dead * If I Only Had a Brain * If I Were King of the Forest * Lullaby League and Lollypop Guild * The Merry Old Land of Oz * Munchkinland * Optimistic Voices * Over the Rainbow * We're Off to See the Wizard.
SKU: PR.165001000
ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches.
Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title.This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.
SKU: PR.16500100F
ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.
SKU: BT.EMBZ14731
The latest publication by the well-known teacher of wind instruments, Péter Perényi, includes pieces that even absolute beginners on the trumpet can play: the pieces in the first chapter, entitled 'Introduction to chamber music', enable even young trumpeters who can play just one noteon the instrument to discover the pleasure of shared music-making. Rhythm games, European folk tunes, then a wealth of easy performance pieces (from the medieval period, through Beethoven's Ode to Joy right up to the present day) make up the valuable content of this volume.Die neueste Ausgabe des bekannten Blasinstrumentenlehrers Péter Perényi beinhaltet auch Stücke für ganz kleine Trompetenspieler: In den Stücken des Kapitels ‚Einführung in die Kammermusik' können auch schon die Anfänger die Freuden des gemeinsamen Musizierens kennenlernen, die erst einen Ton spielen können. Rhythmik- Spiele, europäische Volkslieder und dann die vielen leichten Vortragsstücke mit Klavierbegleitung (vom Mittelalter über die Ode an die Freude von Beethoven bis zur Gegenwart) machen den reichen Stoff des Bandes aus.
SKU: MB.30932M
ISBN 9781513466255. 8.75x11.75 inches.
First Lessons Violin Duets contains 47 violin duets for beginning through easy level performance. Duet violin parts and a piano accompaniment part for all the tunes presented in Mel Bay?s First Lessons Violin are included. This versatile duet book works hand in hand with First Lessons Violin, Suzuki and other violin methods. It is useful for violin classes, ensembles, recitals, and performances.This book has accompanying online audio of the duets. The two violin parts are split right and left so that the violinist may perform either part with the recording by changing the stereo balance. Includes access to online audio.
SKU: LO.9780834178113
ISBN 9780834178113.
Look ing for an innovative way to incorporate your instrumentalists into your Christmas worship services? Our new Creative Carols Series is just for you! We've arranged five of your favorite Christmas carols for three different small ensembles (Woodwind Trio, Brass Quartet, & String Quartet.) These traditional carols are arranged in fresh popular styles, with rhythm section or piano accompaniment. You'll find quiet introspective treatments, energetic pop, swing tunes and Cuban grooves. All of these pieces can be accompanied by piano, rhythm section, or recorded rhythm tracks. Everything you need is provided on the included CD! Make Creative Carols part of your Christmas repertoire this year, and for years to come.The printed book includes the solo parts. An enhanced CD is included with the book and has printable PDF files with Solo / Piano scores, Rhythm / Piano parts for live accompaniment, stereo accompaniment tracks, and stereo demonstration tracks to help your.
SKU: AP.1-ADV20404
UPC: 805095204049. English. Traditional.
Writin g these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The original of The Sons of Liberty is of a more recent date and goes back to the time when the King of England forced the Irish farmers' sons to go to war in America against their own fellow countrymen who were striving for freedom there. The arrangement conveys the impression of a vigorous forward motion created by a recurring and changing riff. Although it is written in a somewhat more difficult key (E minor), it is not too exacting from the technical point of view.
SKU: FP.FHP07
ISBN 9790570504091.
This short piece for recorder and piano, written for the 50th anniversary of the Stockport Recorder College, is an affectionate memory of the double decker trams the composer recalls from his childhood in the 1930s and 40s. The conductor rings the bell, the tram starts, picks up speed and away we go bringing memories of care free days some 80 years ago.Peter Hope has worked for many internationally known names, including Jose Carreras and Kiri te Kanawa, and other leading composers including John Williams and James Horner. His original compositions include the Suite Ring of Kerry (which won an Ivor Novello Award in1968/9), a Trumpet Concerto, performed by Elgar Howarth, a Concertino for bassoon and orchestra, recorded by Graham Salvage with the Royal Ballet Sinfonia, a Recorder Concerto, recorded by John Turner with the Manchester Camerata Ensemble, and an Oboe Sonata, recently published by Forsyth and written in memory of Evelyn Barbirolli.Hopeâ €™s Bramall Hall Dances, for recorder and guitar/piano is also published by Forsyth and has become a standard repertoire work for the recorder. Further recorder publications Geordie Tunes, Tallis Remembered and his Recorder Sonata are available from the same publisher.