Matériel : Set de Parties séparéesLangue : Deutsch
/ Quatuor A Cordes
SKU: BA.BA04911
ISBN 9790006460410. 33 x 25.7 cm inches. Key: E-flat major, a minor, g minor.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.51487121
UPC: 840126946178. 6.75x9.5x0.299 inches.
After Volumes IV and III of the series with Mozart's complete string quartets appeared as Henle Urtext editions in early 2017 and 2019 respectively, Mozart expert Wolf-Dieter Seiffert now presents Volume II. Included are the “Early Viennese Quartets†from 1773, K. 168-173. Entries in the autograph manuscript by the composer's father Leopold, however, suggest that the ordering of the six works into a unified series of quartets was his doing. In his preface, Wolf-Dieter Seiffert shares brand-new findings on the actual chronology of the genesis of these quartets. Moreover, he succeeds in correcting what in prior editions were occasional inaccuracies in dynamics and articulation, thereby producing a new, assured musical text. With artistic input from the Armida Quartet, Volume II of the String Quartets also sets the benchmark in the Mozart Edition! Contents: String Quartet in F Major, K. 168 String Quartet in A Major, K. 169 String Quartet in C Major, K. 170 String Quartet in E-flat Major, K. 171 String Quartet in B-flat Major, K. 172 String Quartet in D minor, K. 173.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.51484211
ISBN 9790201842110. UPC: 888680601201. 10.25x13 inches.
Contents:String Quartet E flat major op. 127String Quartet B flat major op. 130 - Grand Fugue op. 133String Quartet c sharp minor op. 131String Quartet a minor op. 132String Quartet F major op. 135Anhang: Allegretto für Streichquartett b minor WoO 210Anhang: Streichquartett (Frühfassung des 1. Satzes) c sharp minor op. 131.
SKU: HL.51484212
ISBN 9790201842127. UPC: 888680601195. 10.25x13.0x1.41 inches.
Contents: String Quartet E flat major op. 127 String Quartet B flat major op. 130 - Grand Fugue op. 133 String Quartet c sharp minor op. 131 String Quartet a minor op. 132 String Quartet F major op. 135 Anhang: Allegretto fur Streichquartett b minor WoO 210 Anhang: Streichquartett (Fruhfassung des 1. Satzes) c sharp minor op. 131.
SKU: CA.5060100
ISBN 9790007087647.
The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, when Haydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. The fact that six of them were published in 1784 as Kraus's Opus 1 by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume also contains another key work in Kraus's chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799.