Song Common to All

SKU: HL.8749966

UPC: 884088361730. 5x5 inches.

Build your community spirit with this easily learned song that combines World Music Drumming techniques with choral singing and includes a text from Romans 14: “Let us all pursue the things that make for peace and build up the common life.” Available separately: 4-Part Any Combination, ShowTrax CD. Duration: ca. 3:30.

SKU: MN.50-9809

UPC: 688670598098.

Writt en for 3 to 14 Voice Canons, with opt. Orff or Handbell ensemble. Comprised of selections from Pammelia, an early 17th century collection of rounds and canons compiled by Thomas Ravenscroft. Edition includes facsimiles of the original 1609 publication. The canons and rounds may be performed in concert as processionals and anthems representative of 16th and 17th century popular English songs. The canons and rounds may be sung in worship as processionals, anthems, introits, calls to worship, and psalm refrains throughout the Church Year.

SKU: CF.MXE18F

ISBN 9780825885341. UPC: 798408085346. 9 x 12 inches.

From the composer: “Polish Folk Songs was inspired by music I heard on a trip I took to Zakopane, a town that is located a the foot of the Tatra Mountains in Southern Poland. I was completely taken by the music of the region, which can be characterized as clear, mournful, unpredictable in tempo and meter, and of vibrant timbre. In my composition I have taken a number of the songs commonly heard in the area and re-combined them, allowing them to bump heads as well as interact peacefully.” In three movements, Polish Folk Songs was commissioned by Catherine and Paul Buttenweiser for Boston Musica Viva, who premiered it in May of 2007. For advanced players. Instrumental parts are available on custom print.
Polish Folk Songs was inspired by music I heard on a trip I took on 2003 to Zakopane, atown that is located at the foot of the Tatra Mountains in southern Poland. I was completelytaken by the music of the region, which can be characterized as clear, annunciatory,mournful, unpredictable in tempo and meter, and timbrally vibrant. In my composition Ihave taken a number of the songs commonly heard in the area, and re-combined them,allowing them to bump heads as well as to interact peacefully. The piece is in threemovements, and is scored for clarinet, bass clarinet, violin, viola, cello, piano (doublingelectronic keyboard), and percussion (doubling melodica). Its duration is approximatelytwelve minutes.Polish Folk Songs was commissioned by Catherine and Paul Buttenweiser for Boston MusicaViva, who gave it its first performance in May 2007.

SKU: CF.CY3430

ISBN 9780825876356. UPC: 798408076351. Key: C major.

Polish Folk Songs was inspired by music I heard on a trip I took on 2003 to Zakopane, a town that is located at the foot of the Tatra Mountains in southern Poland. I was completely taken by the music of the region, which can be characterized as clear, annunciatory, mournful, unpredictable in tempo and meter, and timbrally vibrant. In my composition I have taken a number of the songs commonly heard in the area, and re-combined them, allowing them to bump heads as well as to interact peacefully. The piece is in three movements, and is scored for clarinet, bass clarinet, violin, viola, cello, piano (doubling electronic keyboard), and percussion (doubling melodica). Its duration is approximately twelve minutes. Polish Folk Songs was commissioned by Catherine and Paul Buttenweiser for Boston Musica Viva, who gave it its first performance in May 2007.

SKU: GI.G-7400

ISBN 9781579999698.

Inte nded especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style� �€ repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarística, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebrac ión” por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latín y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y África. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once índices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bíblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antífonas musicalizadas para los salmos, títulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.” Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4.

SKU: GI.G-008100

UPC: 641151081007. English.

This album demonstrates John Angotti's extraordinary songwriting and performing abilities. Common Ground highlights his command of many diverse styles: gospel, blues, rock, and ballad. The same gifted musicians that help to make Rise Up, My People a besteseller--Paul Tate, Meredith Augustin, Seth Maynard and Joey Rauso--are on hand for Common Ground. In this great new release you'll find settings of Psalm 85 and 145, as well as music appropriate for weddings, Advent, Marian feasts, and general songs of praise.

SKU: BT.MUSAM1005334

ISBN 9781780387109.

The updated 2nd Edition of the Justinguitar.com Beginner's Songbook is now spiral bound for easy reading and page turns, while remaining the same compact size for jamming on the go. Established as the ultimate songbook available for beginners, the Justinguitar.com Beginner's Songbook - 2nd Edition is the perfect complement for Justin Sandercoe’s revolutionary online lessons which are used by hundreds of thousands of people across the world. Now you can learn to play 100 classic songs as your playing develops through the course. The book includes: Complete lyrics and chords to 100 songs by artists such as The Beatles, Bob Dylan, Bob Marley, Eric Clapton, Jimi Hendrix, JohnnyCash, Simon & Garfunkel, Jeff Buckley, Crowded House, Mumford & Sons, Kings of Leon, Nirvana and many more. There are 10 songs for each stage of the Beginner’s Course, building up from easy three-chord songs through to more advanced tunes. Tuition notes for each song by Justin advising you on strumming patterns and chord changes, with diagrams to illustrate all the chord shapes you need. Compact (17cm x 24.7cm) and now spiral bound for ultimate convenience.