6 Sonatas (VIVALDI ANTONIO)

Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi's time, including those of Vivaldi himself, have come down to us in the form of a score employing two staves: one for violin, and one for bass. This guarantees that, although portions of the work may be missing, what survives is textually complete. Exceptionally, five of Vivaldi's violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv, Graz, the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas, which all have four movements, possess partial concordances in other sources, with which they share two or three movements, but two of them - RV 11 and RV 37 - have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction, and there is in addition a realization of the continuo by the editor. / Violon Et Basse Continue

Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co

Par VIVALDI ANTONIO. L'édition fait partie du syllabus Trinity 2007 (6e)/ Répertoire / Violoncelle et Basse Continue

Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Trombone et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Clarinette et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Hautbois et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Trompette et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Trombone Basse et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Tuba et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Saxophone Ténor et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Basson et Piano ou Orgue

Arrangeur: John Glenesk Mortimer. Par VIVALDI ANTONIO. / Niveau : Avancé / Répertoire / Cor en Mib et Piano ou Orgue

Par VIVALDI ANTONIO. / Répertoire / Flûte Traversière et Basse Continue

Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue

Classical Sheet Music for Cello Vivaldi: Sonatas for violoncello and basso continuo All 9 cello sonatas by Antonio Vivaldi With piano accompaniment Edited by Bernhard Moosbauer Easy to intermediate level of difficulty ISBN 9783850556583, ISMN 9790500572909, publisher's no. UE 50175 Format: 23 x 30.5 cm 152 Pages / Wiener Urtext Edition

Emb Urtext. Par VIVALDI ANTONIO. Similar to Vivaldi's concertos and compositions for violin, his 9 cello sonatas also bear the mark of a genius of exuberant temperament. Since they belong to the basic repertory of the cello it increases the importance of the edition that the music includes the partly deviating performing marks of the surviving authentic sources of the pieces for the first time./ Répertoire / Violoncelle et Basse Continue

Instructional edition with notes on performance style and practice edited by Cinzia Barbagelata. Par VIVALDI ANTONIO. Cette édition des Sonates pour violon s'adresse à tous les instrumentistes qui souhaitent interpréter le répertoire de Vivaldi grâce notamment aux commentaires et indications historiques. Les 5 Sonates sont présentées par ordre de difficulté progressif, avec partie d'accompagnement au piano. / Niveau : Intermédiaire / Répertoire / Violon et Clavier

Par VIVALDI ANTONIO. With a variety of musical styles ranging from classical and jazz through to showtunes and popular songs, this is a collection that will bring enthusiasm to learning the Piano and provide an entertaining alternative for those pupils who are working towards, or have recently completed Grade 4. Each piece offers suggested fingering, dynamics and tempo together with technical tips and performance notes./ Répertoire / Piano